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THEM & M’s: Sexualized Media and Emphasized Femininity

Over the course of the past year, M&M’s have been plastered all over the news, social media, and even Super Bowl commercials. In January 2022, Mars Wrigley gave the brown M&M shorter heels and replaced the green M&M’s boots with sneakers in a push toward more inclusive marketing.  What resulted was outrage. Tucker Carlson became […]




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Midnight Memes




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3 Heartwarming Stories



  • FTW! (For the Win!)

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Committing to a complaint



  • FTW! (For the Win!)

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Midnight Memes




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Natural Disasters Aren’t Gender Neutral – Hurricanes Milton and Helene Prove It

Photo by NASA Natural disasters don’t just ravage landscapes—they also expose and deepen systemic inequalities. Recent hurricanes, Milton and Helene, tore through Florida, Georgia, and the Carolinas, destroying homes, businesses, and the lives built across generations. While governments rush to repair infrastructure and restore housing, they often overlook the people most impacted in the long term—especially […]

The post Natural Disasters Aren’t Gender Neutral – Hurricanes Milton and Helene Prove It appeared first on Feminist Majority Foundation.




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CALL FOR NOMINATIONS: The 2020 Theszies (rec.sport.pro-wrestling awards)

This is the Call for Nominations for the 2020 Theszie Awards (the rec.sport.pro-wrestling Awards). To nominate candidates for all categories, you may use this form. Nominations are due by January 3, 2021. Finally, to see previous years’ results, click here for 2019, here for 2018, here for 2017, here for 2016, here for 2015, here […]



  • Interactive Fun Time Party
  • The RSPW Awards / The Theszies
  • Wrestling

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CALL FOR NOMINATIONS: The 2021 rec.sport.pro-wrestling Awards (the Theszies)

This is the Call for Nominations for the 2021 Theszie Awards (the rec.sport.pro-wrestling Awards). (Look, I started a new job late last year and my December was slammed. Sorry for the delay.) To nominate candidates for all categories, you may use this form. Nominations are due by January 28, 2021. Finally, to see previous years’ […]



  • Interactive Fun Time Party
  • The RSPW Awards / The Theszies
  • Wrestling

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“Uh… I Think My Phone Is Face-Palming”

Read “Uh… I Think My Phone Is Face-Palming”

And on it went for a few minutes as I tried to find ways to convey where the top of the thing was. Finally, it came to this:
Me: "Okay, let's say that your phone is a little person. Where you charge it, that's his feet, okay?"
User: "Okay..."

Read “Uh… I Think My Phone Is Face-Palming”




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The Most Calming Song in the World Isn’t Great

By Eli Yudin Published: November 10th, 2024




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Tim Dillon Says ‘Joker 2’ Might Have Been One Big Prank on the Audience

By Keegan Kelly Published: November 11th, 2024




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‘The Conners’ Producer Promises That No One Will Win the Lottery in the Final Season

By JM McNab Published: November 12th, 2024




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5 Real-Life Hermits Who Had It Exactly Right

By Eli Yudin Published: November 12th, 2024




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How A Picture Book Got Turned Into A Graphic Novel: Interview with Ken Lamug (MISCHIEF AND MAYHEM)

Author-illustrator Ken Lamug has created award-winning picture books and graphic novels. Born in the Philippines, Ken moved to the US with his entire family during his teenage years. His debut middle grade graphic series, MISCHIEF AND MAYHEM #1: BORN TO BE BAD, launched this week from Katherine Tegen Books / HarperCollins!

Mischief and Mayhem is about Missy and her cat Gizmo. They were kicked out of superhero bootcamp. Now it's time for some super-villainy! I love the plot twist that the main character, Missy, decides she doesn't really fit into the labels the world she lives in has created; she's not really a villain, nor is she a superhero.  

Links where you can find out more: MischiefBook.com, Ken on Twitter, Facebook and Instagram. His website: Rabbleboy.com.

Q. I read that MISCHIEF AND MAYHEM started as a 32-page picture book story. How did it end up as a graphic novel?

Yep! The idea for Mischief and Mayhem started as a 32-page picture book - originally titled "Mischief the Supervillain". At the time, I was focused on my picture book ideas and wasn't even considering graphic novels. I had experience illustrating books, so I knew it was just a matter of time until something clicked for me. I went through the steps book creators are familiar with: writing the manuscript, creating dummies, and many rounds of revisions.

The dummy went through the submission process and even hopped to another agent (when I switched to a new one). We received a few rejections and a few interesting comments. One of the more resounding comments was that the idea was cool and needed to be expanded. But the picture book format limited what we could do.

We finally received an acceptance offer along with a caveat... turn it into a graphic novel! Yikes!

A few things scared me about this: it would have to be in full color, and at least 240+ pages. How does one turn a 32-page picture book into something that big?

And before anything was signed, I had to give the editorial team a few things: a fully illustrated first chapter, and a full outline for the book. This would give them a better idea of the story and my comic style. So I added new characters, expanded the moments from the story, and added a lot of jokes!

Once the editorial team gave the thumbs up, I was off to the races to get my debut graphic novel complete.

EXTRA: You can find out more about Ken's process as well as sample sketches in his Q&A with We Need Diverse Books.

Q. I've been thinking about a graphic novel middle grade project, but am intimidated by the amount of time the ART could take. Do you have any tips? How much time did MISCHIEF AND MAYHEM TAKE YOU in total? Were you working on anything else at the same time?

No kidding. Graphic novels ARE a lot of work. I've easily spent 1000 hours on Mischief and Mayhem (including creating marketing materials, videos, etc.). I also have a day job, so most of my after-hours are spent working on the book (typically around 5 hours on the weekdays). I basically stare at the computer screen all day!

During this time, I was also creating art for a picture book. And since the schedule for picture books are a bit more relaxed, I was able to squeeze it in without much problem.

Here are some tips I hope you'll find useful:

1. Working digitally has helped increase my productivity. It's easier to create dummies, inking, make revisions, and get feedback.

2. Scheduling and planning are very important. Find out the deadline, how many pages you can complete per day, and do the math.

In my case, I've determined that I am inking(outlining) about 1 page per hour. This means it will take me roughly 250 hours to outline a 250-page book. Based on that number, I can then determine if my deadline is a realistic goal. I know, it's a lot of math but it does help and you will be able to strategize how you approach the project.

3. Streamlining your art style. This varies depending on your abilities and time. Some artists are blessed enough to work full-time on their books and with longer deadlines. But if you're not one of them, then I would suggest streamlining the look of your characters, your drawing techniques so you can work faster and efficiently. Some artists are able to also hire a team to help support the rest of the task such as coloring, inking, letter, etc., but a majority of graphic creators are one-person operations.

4. Don't forget to take a break and enjoy life.

Q. What advice do you have for young graphic novel writers and illustrators?

Start small. You don't have to create a big "novel" length book right away. I started my comic book journey when I submitted a 4-page comic to an anthology. After I gained some confidence, I started creating 24-page comic one-shots (single issues). And it just kept growing from there.

Comics should be fun for both the creator and the reader, so make sure to enjoy the process and don't stress out about getting it right the first time.

Q. What's next for you?

I just finished illustrating a picture book called FAMILY BUSINESS (by Lenore Appelhans). It's about a raccoon family who seems to always get into trouble. I'm excited for that to come out (no dates yet).

I'm also in the middle of Mischief and Mayhem book 2. As I write this my hand is hurting from illustrating a "Where's Waldo-Esque" spread. Ha! But I'm proud to say the art has improved and the story is even bigger than the first one.

I've never really had a big plan for my drawing/art career. It's all a blessing and a humbling experience. I just hope that the readers love the stories and connect with the characters. So we'll see what happens next!

~~

For more interviews with children's book creators, see the Inkygirl interview archives.




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Behind-the-scenes peek into picture book writing & illustration process with Hazel Mitchell (SWEET PEA SUMMER, Candlewick)

Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter.

Synopsis of SWEET PEA SUMMER (Candlewick):

During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners.

Q. What inspired you to write Sweet Pea Summer?

My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself.

My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled.

I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think.

Q. What was the writing and illustration process like?

After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!).

The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story.

Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy.

I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit.

I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader.

My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc.

It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication.

Q. What advice do you have for young writers and illustrators?

My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work!

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For more insights from book creators, see my Inkygirl interview archives.

 




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#PitMad, Telugu Culture and Kalamkari Art, GOODNIGHT GANESHA: Interview with Nadia Salomon and Poonam Mistry

(Shortlink to this post: https://debbieohi.link/goodnight-ganesha)

I met Nadia Salomon through the SCBWI and am also familiar with her online. I love her enthusiasm, positive outlook, and the support she has shown fellow members of the kidlit community over the years! I was excited to get a sneak peek of GOODNIGHT GANESHA, her debut as a picture book author. The bedtime story celebrates nigthtime rituals as two young children visit their grandparents in India. SUCH gorgeous illustrations by Poonam Mistry. Thanks to both Nadia and Poonam for answering some questions about the book as well as their advice for young writers and illustrators!


Nadia Salomon
lives in northern California with her family. Nadia writes picture book, middle-grade, and graphic novel manuscripts with themes of South Asian and Caribbean culture, STEM, non-fiction, and humor. Nadia is the winner of the 2020 SCBWI Service Award and the 2019 SCBWI WOOP Honor Award for work of outstanding progress on her non-fiction, picture book manuscript, MYRLIE: A VOICE OF HOPE. You can find out more about Nadia on her website, Twitter, Facebook, Instagram and YouTube. You can sign up for her newsletter here.

Poonam Mistry is a freelance illustrator living in the UK and graduated in 2010 with a degree in Graphic Design and Illustration at the University of Hertfordshire. Poonam creates her beautifully intricate images by hand using fine liners and then digitally alters them. You can find out more about Poonam on her website, Twitter, and Instagram.

Synopsis of GOODNIGHT GANESHA (Philomel, Aug. 31, 2021):

"As nighttime falls over the city, two children visiting their grandparents in India find there’s so much fun to be had! Whether it’s listening to epic stories or observing rituals in the puja room, there are many moments that make this time together special. In this beautiful, rhyming ode to bedtime, the only thing more universal than getting ready for bed and saying goodnight is the love between children and their grandparents."

Inspiration photo from Poonam Mistry.

Q. What was your path to publication?

Nadia: I'm a #PitMad success story. I landed my amazing agent, Ammi-Joan Paquette, through twitter pitching! That's about three years after joining SCBWI. But my debut, GOODNIGHT GANESHA, is not the story she faved, but instead what I call a 'hot potato' idea inspired by my child. I wrote the draft in October of 2017. I sent it to several editors and agents I had connected with through conferences, but received lots of champagne rejections before shelving it. It was one of 21 manuscripts I shared with my agent in March of 2018. She loved the concept, but asked me to write the story in lyrical prose. After rounds of revisions, in January of 2019, she finally accepted the manuscript. She sent it out on sub. Six months later, in July of 2019, we sold the manuscript to Liza Kaplan, a senior editor at Philomel Books. I am now traditionally published. From concept to release will be 3 years, 10 months, 14 days to be exact.

Q. What interaction did you have with the illustrator, if any, during the process?

Nadia: Poonam and I interacted behind the scenes, but we NEVER discussed GOODNIGHT GANESHA or the art for the book. I trusted her whole-heartedly. All work related communications went through our editor. We became friends behind the scenes - coping through the pandemic, bonding over shared culture, family, and everything else in between, but we NEVER had convos as she worked on the book. The one time was at the end, when Poonam completed the art and asked me, "DID YOU SEE THE FINAL ART YET?" And I was like, "Uhm...NO." She was so excited. She said she put a lot of extra details and hoped I liked it. I was so antsy, but stayed calm. A few days later I received the final art. It was just incredible! We had a good cry messaging back and forth over the final art and what this project meant to each of us. We're about to contribute a piece of Telugu Culture and Kalamkari art into kidlit; we're ecstatic and proud of what we created together.

Q. What was your illustration process for GOODNIGHT GANESHA?

Poonam: For Goodnight Ganesha, I began by actually taking photographs around my parent's house. They have a lot of decorative ornaments and wall hangings all around their home so this was the perfect starting point for the book. Nadia's text is so poetic and beautiful so I sketched the imagery I felt best represented each spread and would really showcase her words- usually I have several versions for each part of the text and pick the ones I like the most. Once this was approved, I sketched out larger versions on thick cartridge paper and used black ink to draw in the designs in neat. This is where I added all the patterns and details. Mostly I took inspiration from traditional Indian art such Kalamkari textiles and Madhubani art. I layered the patterned very much like you would see on sarees and fabrics. After completing the drawing, I used Photoshop to add colour and additional patterns to finish it off. Some of the spreads have a patterned border- this was because I wanted them to look like wall hangings and Kalamkari textile pieces- big pieces of art!

Q. What advice do you have for young writers?

Nadia: Read, read, read. Write your stories. Make writing a habit. Write, write, write. Use the power of storytelling to change the world through joy. Explore your emotions, your memories, and create new classics. There's someone out there, an adult, another child, a pair of hands waiting to read your story that may impact or influence their life. No matter your age, your size, your voice - your words have value.

Q. What advice do you have for young illustrators?

Poonam: My biggest piece of advice is to do art that is true to yourself. My style is a real reflection of the things I love and what makes me who I am. It is my visual voice. Also always keep drawing and be experimental in the media you use. Although my work is mostly digital, I love painting in my style!

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For more insights from book creators, see my Inkygirl Interview Archives.




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IKEA’s New Charming Christmas Tree Is Winning Over Small-Space Dwellers

Is it too early to start talking about Christmas decor? Probably. But when IKEA drops a genius item like the VINTERFINT Wall Decoration, we can’t keep it under wraps. This space-saving tree is exactly the kind of clever solution we at IKEAhackers love. While nothing quite matches the magic of a traditional live tree, the VINTERFINT offers a chic alternative for those with tight spaces. As homes shrink and urban living spaces become more compact, the traditional Christmas tree is […]

The post IKEA’s New Charming Christmas Tree Is Winning Over Small-Space Dwellers appeared first on IKEA Hackers.




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Can’t Get The Cozy Home Vibe? Here’s What You’re Missing

Have you ever stepped into a home and immediately felt that warm, welcoming atmosphere? It’s such a delightful experience, isn’t it? While IKEA offers lots of choices for cozy home decor, it can sometimes feel a bit overwhelming, making it easy to choose pieces that don’t quite fit together. Your space may end up disjointed and cluttered, which is the opposite of the relaxing atmosphere you’re aiming for. And as if navigating the IKEA maze isn’t tricky enough, sifting through […]

The post Can’t Get The Cozy Home Vibe? Here’s What You’re Missing appeared first on IKEA Hackers.




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'Baby Yoda' Is Charming The Internet For Being So Damn Cute

New Disney+ Star Wars TV series The Mandalorian premiered on Tuesday and people haven't been able to stop tweeting about "Baby Yoda." Can you blame them? He's just so goddamn cute. The catch here is that Baby Yoda isn't actually Yoda at all, but rather of the same species. Either way, people are positively freaking over him, and we don't blame them.




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Charter Schools I: Preliminaries & Monopolies

Embed from Getty Images In November of 2016, president elect Trump selected Betsy DeVos as his Secretary of Education. While this appointment seems to have changed her mind about Common Core, DeVos has remained committed to expanding charter schools. Charter …Read more »




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The Old Familiar Game: Stupid Or Scammer?

Client: “We’re a startup game company, and we need one character with thirty different eyes, thirty different mouths, thirty different hairstyles, and thirty different bodies for our game where the character can be customized.”

Me: “Okay, that’s technically thirty characters with each element drawn separately and/or in separate layers.”

I then give my rate for thirty characters.

Client: “Your profile says you charge [amount] for only one character. Please give us that rate since it’s only one character but he has thirty different mouths, eyes, hair, and bodies. So the price should be just for one character.”




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If You Had A Nickel For Every Mistake...

I do in-house design work for my boss. I’ve worked with her for ten years and she swings wildly back and forth from being surprisingly design-savvy (not for a literal decade of trying on my part) and being a client from Hell. Today, she swung somewhere in the middle.

I have spent the entire time I’ve known her explaining how you cannot just pull photos from Google; I’ve explained copyright, public domain, etc. She refuses to buy photos 99% of the time, so I usually use free stock photos when possible. When she absolutely needs to buy a photo, she emails our web guy and has him buy one for her and add it to her next bill.

Me: “I see you got [Web Guy] to purchase the photo for the ad and forwarded me the email with the file. Unfortunately, the file is too small. Unless he sent you a separate email with a larger file, I will just email him for the correct one.”

Boss: “Maybe it’s how I sent it. I’ll try again.”

She forwards me the same email.

Me: “No, no, it’s not you. The file he sent you is labelled “thumbnail,” which is a preview file. He probably just sent the wrong one by accident. I have emailed him.”

Boss: “What about this one?”

She sends an email with the same photo attached.

Me: “That’s the same one. I have emailed [Web Guy]. Don’t worry about it. You don’t have the correct file.”

She forwards the same original email from [Web Guy].

Boss: “What about now?”

Me: “No, boss, I’ll get it from [Web Guy].”

She forwards the individual email she sent me.

Boss: “How about now?”

Me: “Boss, no.”

Closure: She now has a stock photo account that I have access to.




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Apparently, Basic Terminology Isn't Basic For Everyone

Client: “I need the number for Jack. Can you give me his number, please?”

Me: “Jack? Jack who?”

Client: “The manual for the modem said that I need to connect to Jack, so if you could give me his number, then I can connect with him.”




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Gomi speakers are made from recycled e-bike batteries

Gomi has revolutionized the electronics industry by tackling the persistent problem of proper disposal at the end of a product's life. Unlike many other speaker companies, Gomi adopts a circular approach that enhances product longevity and significantly reduces pre and post-consumer waste.[...]




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Yoga Design Lab combines mindfulness with eco-friendly

As our awareness of how our actions impact the environment grows, it becomes increasingly important to integrate sustainability into all aspects of our lives. This includes the materials we choose for yoga gear. Yoga Design Lab offers a range of products that not only enhance the yoga experience, but also prioritize eco-friendly materials.[...]




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A passive design home that is built with forever in mind

Electrical grids in cities and countries are overburdened all over the country. Load reduction is no longer an idea, it's a necessity. Phuis is a nonprofit organization that is creating healthier buildings that are better for the planet and the people on it. They use passive building techniques and innovative design ideas to create energy-efficient homes, offices and public buildings. This breathtaking New York Forever House by Christina Griffin is an example of how Phuis is using its retrofit program to make homes from any era more eco-friendly for the modern homeowner.[...]




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Buzzfeed Tasty clean ceramic cookware is now sold at Walmart

Buzzfeed Tasty food site is filled with easy recipes and videos to whip up an incredible meal. In fact, during the height of the pandemic lockdown, when many people were taking care of plants and baking bread, I followed their guide to making sourdough bread from scratch. Expanding from their brand, Tasty also has cookbooks and cookware, the latest being a 16-piece cookware set sold at Walmart. [...]




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A Connecticut home with a green roof and minimal site impact

Meeting the challenge to gently place a home into a valley below the access road and adjacent to a scenic river, Weston Residence is both a primary residence and an award-winning example of minimal site impact architectural design. [...]




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Never Discuss Politics At Family Reunions

divine creation evolution discussing politics during a family reunion is never a good idea




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Neither Edwin nor Lucinda wanted to be the first to admit they couldn't see a thing in the magic eye picture





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Noncomformity Through The Ages

Beggin' your pardon sir, but if we're all dressed differently, exactly why is it called a uniform?




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Before there were cruise missiles




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Episode 788 - Smith Go?

In this episode I'm joined by Tim Stillman to discuss the goings-on at Euro 2024, with a fair amount of focus on England, and the Bukayo Saka debate that has been going on this week, before we chat about some lesser-fancied teams who have caught the eye throughout the tournament. Then we touch on the future of Emile Smith Rowe who has been linked with Fulham and Palace this week, wonder if Arsenal might get involved in the shady-pricing that other clubs have been party to of late, the Declan Rice 'problem', and lots more.


Follow Tim @stillmanator


Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog



Hosted on Acast. See acast.com/privacy for more information.




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Episode 806 - Change the dynamic

In this episode I'm joined by Phil Costa to look back at our 1-0 defeat to Inter Milan in the Champions League. Another loss is frustrating, but were there signs of improvement from the Arsenal attack last night? We analyse that, taking into context the quality of the opposition, while acknowledging things aren't exactly fluent at this moment in time. We wonder how Mikel Arteta might change the dynamic, and chat about some of the key moments in the game, from second half chances to two penalty decisions in the first half that went a long way to deciding the result. There's also discussion of Mikel Merino, Ethan Nwaneri, Raheem Sterling, and lots more.


Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog



Hosted on Acast. See acast.com/privacy for more information.




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VISOVASO Ceramic Vase by Jimmy Lanza

Here's a vase that's sure to be a conversation piece for your next family gathering. Just put it at the center of the dinner table, and make sure that the face is pointing towards the person you love the most. Or the least. We're not sure.

Check out VisoVaso, handmade ceramic vase by Italian artist Jimmy Lanza over at his Instagram page.




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Michelangelo Depicting Breast Cancer

Nightis a sculpture on the tomb of Giuliano de Medici, the Duke of Urbino, in the city of Florence. Michelangelo carved it between 1526 and 1531 and composed these lines to place in the mouth of this personification of the night:

Precious is sleep, better to be of stone,
while the oppression and the shame still last;
not seeing and not hearing, I am blest;
so do not wake me, hush! keep your voice down

In a 2000 letter to the New England Journal of Medicine, James J. Stark and Jonathan Katz Nelson argue that the model that Michelanglo used likely had advanced breast cancer. Her left breast has lumps indicative of a tumor in the nipple or the lymphatics beneath the nipple. As these shapes are not present in the other female breasts that Michelanglo composed, it's likely that this shape reflects, tragically, the model herself.

-via TYWKIWDBI




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How Harlan Ellison Claimed <i>The Terminator</i>

Prolific science fiction author Harlan Ellison wrote two episodes of the TV series The Outer Limits, "Soldier" and "Demon with a Glass Head." They both ran during the show's second season in 1964. In 1984, Ellison heard that James Cameron was working on a film that seemed quite similar to the plot of "Soldier," which you can watch in full. Hemdale Productions wouldn't let him see the script. When he saw The Terminator, Ellison was ready to sue.

The lawsuit never came about, because Hemdale Productions settled the case, for money, screen credit in subsequent releases of the film, and a gag order. To this day, people argue over whether The Terminator was at all plagiarized and if so, how much. Read what Ellison had to say about the case at the time and the reaction from James Cameron at Den of Geek. You've probably already seen The Terminator, and it's up to you to watch The Outer Limits episode if you want to form your own opinion.  







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Vampire bats have a really strange way of getting energy, scientists discover after putting them on treadmills

Vampire bats rely on amino acids from their blood diet to fuel their exercise, scientists discovered after observing the animals on tiny treadmills.




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Our ancestor Lucy may have used tools more than 3 million years ago

An analysis looking at the hand bones of australopithecines, apes and humans reveals that tool use likely evolved before the Homo genus arose.




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Global carbon emissions reach new record high in 2024, with no end in sight, scientists say

There is a 50% chance that global warming will consistently exceed 1.5 degrees Celsius in the next six years, according to a new report.




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Synology Urges Patch for Critical Zero-Click RCE Flaw Affecting Millions of NAS Devices

Taiwanese network-attached storage (NAS) appliance maker Synology has addressed a critical security flaw impacting DiskStation and BeePhotos that could lead to remote code execution. Tracked as CVE-2024-10443 and dubbed RISK:STATION by Midnight Blue, the zero-day flaw was demonstrated at the Pwn2Own Ireland 2024 hacking contest by security researcher Rick de Jager. RISK:STATION is an "




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Winos 4.0 Malware Infects Gamers Through Malicious Game Optimization Apps

Cybersecurity researchers are warning that a command-and-control (C&C) framework called Winos is being distributed within gaming-related applications like installation tools, speed boosters, and optimization utilities. "Winos 4.0 is an advanced malicious framework that offers comprehensive functionality, a stable architecture, and efficient control over numerous online endpoints to execute




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VEILDrive Attack Exploits Microsoft Services to Evade Detection and Distribute Malware

An ongoing threat campaign dubbed VEILDrive has been observed taking advantage of legitimate services from Microsoft, including Teams, SharePoint, Quick Assist, and OneDrive, as part of its modus operandi. "Leveraging Microsoft SaaS services — including Teams, SharePoint, Quick Assist, and OneDrive — the attacker exploited the trusted infrastructures of previously compromised organizations to




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China-Aligned MirrorFace Hackers Target EU Diplomats with World Expo 2025 Bait

The China-aligned threat actor known as MirrorFace has been observed targeting a diplomatic organization in the European Union, marking the first time the hacking crew has targeted an entity in the region. "During this attack, the threat actor used as a lure the upcoming World Expo, which will be held in 2025 in Osaka, Japan," ESET said in its APT Activity Report for the period April to




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The vCISO Academy: Transforming MSPs and MSSPs into Cybersecurity Powerhouses

We’ve all heard a million times: growing demand for robust cybersecurity in the face of rising cyber threats is undeniable. Globally small and medium-sized businesses (SMBs) are increasingly targeted by cyberattacks but often lack the resources for full-time Chief Information Security Officers (CISOs). This gap is driving the rise of the virtual CISO (vCISO) model, offering a cost-effective




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Palo Alto Advises Securing PAN-OS Interface Amid Potential RCE Threat Concerns

Palo Alto Networks on Friday issued an informational advisory urging customers to ensure that access to the PAN-OS management interface is secured because of a potential remote code execution vulnerability. "Palo Alto Networks is aware of a claim of a remote code execution vulnerability via the PAN-OS management interface," the company said. "At this time, we do not know the specifics of the