illustration TruScribe brings illustration to eMAM-managed media libraries By www.24-7pressrelease.com Published On :: Mon, 08 Apr 2024 08:00:00 GMT The combined solution creates "hand-drawn" user experience, facilitated by AI. Full Article
illustration Creative Approaches to Technical Illustrations By webdesignernews.com Published On :: Mon, 11 Nov 2024 18:02:51 +0000 Thomas Bohm rethinks technical illustrations and data visualizations, sharing interesting and uncommon examples of how to present data and information. Bar graphs and pie charts are great, but there’s so much more to explore! Full Article Design Web Dev
illustration 18 Beautiful and Creative Illustrations from Photograph By sharebrain.info Published On :: Fri, 03 Aug 2012 20:00:00 +0000 These days illustration from photograph is getting really popular which is mostly used in print media. Designer mix real life photography with illustration to show us combined reality and dream, drawing objects with effects over photograph.View and Vote Full Article Inspiration
illustration Illustration: Japan Earthquake 11-03-2011 By ndesign-studio.com Published On :: Mon, 18 Apr 2011 06:35:06 +0000 I’ve recently created new illustration, Japan Earthquake 11-03-2011, that was inspired by the recent disaster in Japan. With this illustration I’ve joined force with To Japan with Love, a group of artists who are aiming at raising funds for Japan earthquake relief efforts. My illustration will be showcased at the art show (May 4th, 2011 […] Full Article Blog Updates
illustration Get My Illustration Prints on Society6 By ndesign-studio.com Published On :: Wed, 06 Jul 2011 19:22:28 +0000 I just uploaded four of my illustrations (Koi, Peacock, Abstract Pheonix, and Japan 11-03-11) on Society6, a print shop that sell art prints on behalf of the artists around the world. You can get illustrations printed on various meterials: sketched canvases, posters, T-shirts, hoodies, laptop and iPhone cases. Full Article Blog Updates
illustration Cake Based on Phoenix Illustration By ndesign-studio.com Published On :: Fri, 01 Jun 2012 20:34:29 +0000 Check out this awesome cake made by Elena based on my Phoenix illustration. According to Elena, it took her about a week, 5 hours each day, to finish it. I’m amazed with the details and colors she input on the work. It depicts the features of the Chinese phoenix. The cake was for a local cake […] Full Article Blog Photos
illustration New Illustration: Redesign The Web By ndesign-studio.com Published On :: Thu, 12 Jul 2012 22:08:55 +0000 Below is the latest illustration, Redesign the Web Poster, that I did for Smashing Magazine’s poster design contest: Redesign the Web, Redesign the World. The work is done with Adobe Illustrator and then touched up with Photoshop. Full Article Blog Updates
illustration Adobe Illustrator 2025 Splash Screen Illustration: TRÜF’s “Weird Fishes” By abduzeedo.com Published On :: Mon, 04 Nov 2024 13:33:42 +0000 Adobe Illustrator 2025 Splash Screen Illustration: TRÜF’s “Weird Fishes” abduzeedo1104—24 Discover how TRÜF’s “Weird Fishes” splash screen for Adobe Illustrator 2025 celebrates creativity with vibrant, minimalist illustration. The Adobe Illustrator 2025 splash screen opens with a statement: creativity meets minimalism. Designed by TRÜF Studio, the “Weird Fishes” artwork that greets users embodies Adobe’s tools while making an instant visual impact. This splash screen not only excites users about the app but also showcases Illustrator’s dynamic possibilities, creating a memorable start to the creative process. Here’s a look at the creative vision, tools, and collaboration behind this unique splash screen update. “Weird Fishes”: A Showcase of Creative Tools TRÜF’s “Weird Fishes” centers on playfully stylized fish, created using Adobe Illustrator’s updated typography and 3D tools, which highlight the 2025 release’s expanded capabilities. This splash screen is a celebration of how Illustrator can bring out unique textures, gradients, and typographic designs, making it feel like a blend of traditional and digital artistry. The design follows Adam G’s distinctive style—minimal yet quirky, with each element purposefully crafted to show off Adobe’s creative potential. The splash screen, as Adobe intended, isn’t just a loading screen. It’s a reminder of what Illustrator users can “Dream Up.” As Alex Fernald and Gleren Meneghin, Adobe’s staff designers, emphasized, the splash screens are not only entry points into the app but connections to Adobe’s creative community. They bring in commissioned art, linking Illustrator users to other creators while inviting exploration of the software’s capabilities. Balancing Art and Function in the Design This splash screen’s journey began the old-fashioned way—on paper. This initial sketching phase gave TRÜF the freedom to experiment with the composition, exploring the balance of shapes and lines. Once refined, the concept moved into Illustrator, where TRÜF fully explored the software’s features to enhance the digital version. In a brief, 90-second process video, TRÜF showcased their workflow from sketch to the finished splash screen, a rare peek into how minimalist, impactful design comes together. A User-Centric Approach to Illustration Adobe’s splash screens, including “Weird Fishes,” are a result of ongoing feedback from users. Through surveys sent to product teams, Adobe designers Alex and Gleren learned the nuances that users valued in the loading screen—like minimal launch delays and artist recognition. This feedback shaped the design, ensuring the new splash screens would spotlight the artist while maintaining the program’s efficiency. To make the splash screen visually immersive, Adobe made adjustments based on past feedback. The artwork was enlarged, and the artist’s name appears in a larger, bold typeface, creating a clearer hierarchy that celebrates both the art and artist. As the Adobe Spectrum design system evolved, so did the splash screens, aligning with modern standards while preserving Adobe’s commitment to showcasing diverse creative voices. Reflecting Adobe’s Evolution with Modern Minimalism Historically, Illustrator splash screens have evolved alongside the Adobe brand. From early versions in the 1980s, featuring iconic art references, to today’s community-focused pieces, these screens highlight a shift from static visuals to dynamic creative introductions. Adobe’s recent redesign, led by Fernald and Meneghin, reimagined this format to center both the artist and the Adobe brand, using clean type and colors while expanding the visual space for the artwork. This shift reaffirms Adobe’s mission to foster connections within its creative ecosystem. The splash screens across Adobe products are meant to offer a consistent brand experience, but each one also tells a unique story, showcasing the latest in illustration and design through collaboration with Studio team artists. Adobe’s team expanded the artwork’s size, adjusting its specs back to 2019 dimensions to create a more immersive user experience. The Adobe wordmark in red stands beside the product name in black, emphasizing the connection between Adobe and its creative community. The Legacy and Future of Adobe Splash Screens “What’s next?” is a question Adobe’s designers are always answering. With the 2025 Illustrator splash screen’s debut at Adobe MAX 2024, Adobe introduced the latest evolution in Creative Cloud. These splash screens remain essential touchpoints, showcasing new work, enhancing user experience, and connecting each user to Adobe’s creative network. TRÜF’s “Weird Fishes” invites Illustrator users to think beyond the ordinary. It’s a nod to the creative possibilities the software enables, a tribute to digital and analog techniques, and a reminder that every creative journey begins with opening Adobe Illustrator. This splash screen illustration is a subtle invitation for creatives to make the most of Illustrator’s tools and capabilities, setting the stage for inspired design from the moment they open the app. Illustration artifacts Pillow manufactured by Adobe. Photo courtesy of Adobe Full Article
illustration Illustration for Impact: HART Curatorship Incubation Programme Visuals By abduzeedo.com Published On :: Fri, 08 Nov 2024 16:21:13 +0000 Illustration for Impact: HART Curatorship Incubation Programme Visuals abduzeedo1108—24 Discover Anthony Lam’s captivating illustration work for the HART Curatorship Incubation Programme 2024, blending art with purpose. HART Collective Limited’s 2024 Curatorship Incubation Programme comes alive through a series of vibrant visuals and social media collaterals designed by Anthony Lam. This illustration project, aimed at amplifying the HART initiative’s reach, seamlessly combines creativity and purpose. Let’s dive into the thought process, design elements, and impact of these compelling illustrations. Bringing Artful Storytelling to HART The HART Curatorship Incubation Programme is more than just an event; it’s a platform that nurtures emerging curators and fosters artistic engagement in Hong Kong. For this initiative, HART Haus collaborated with Anthony Lam to create visuals that encapsulate the spirit of innovation and community central to the programme. With a focus on vibrant, eye-catching design, Lam’s illustrations breathe life into the promotional material, making the programme’s message resonate visually. One of the striking features of this project is the careful choice of typography. The primary typeface used is Degular Display by James Edmondson from OH no Type Co. This choice lends a contemporary and approachable vibe to the design, complementing the modern and energetic illustrations. The type’s bold and clean lines create a sense of structure amidst the dynamic visuals. Lam’s illustrations use a playful yet sophisticated color palette, striking a balance between the avant-garde and the accessible. The design approach draws heavily from art movements that emphasize form and rhythm, mirroring the essence of a programme that curates art as an experience. Each piece incorporates abstract shapes and flowing patterns that evoke a sense of motion, representing the evolving journey of curatorship and the fluid nature of artistic collaboration. Illustration isn’t just about static visuals; it’s about telling a story that connects with an audience. For this project, Lam crafted designs meant to adapt seamlessly across multiple platforms, from print to digital media. The social media assets, in particular, utilize animations and interactive elements to capture the attention of a fast-scrolling audience. These designs ensure that the HART Curatorship Incubation Programme stands out in the crowded digital space. The use of illustration as a core element of the visual identity allows for more flexibility and engagement. It provides a canvas where abstract concepts about art and curatorship can be expressed in a way that feels both authentic and exciting. Whether seen on a poster, a website, or a social post, each visual invites viewers to explore and learn more about the programme. Illustration plays a crucial role in making art initiatives accessible to a broader audience. By employing a visually striking yet relatable design language, Anthony Lam’s work for HART bridges the gap between curators and the community. The visuals don’t just inform; they inspire curiosity and engagement, which is essential for an incubation programme that seeks to elevate emerging curators. This collaboration also highlights the impact of thoughtful design in the arts sector. By leveraging illustration, HART Collective can convey complex ideas in a way that is immediately understandable and appealing. The choice of colors, the movement within the compositions, and the bold typography all work together to create a cohesive narrative that draws people in. The HART Curatorship Incubation Programme’s visual identity showcases how illustration can elevate an arts initiative, making it more engaging and impactful. Anthony Lam’s designs prove that illustration, when done thoughtfully, can serve as a bridge between art and the public, turning viewers into participants and supporters. This project is a reminder that effective visual identity goes beyond aesthetics; it tells a story that connects and captivates. As HART continues to grow its curatorship programme, the illustrations created for this year’s campaign will undoubtedly leave a lasting impression, drawing more people into the world of art and collaboration. Graphic design and illustration artifacts Credits Client: HART Haus, HART Collective Limited Typeface in use: Degular Display designed by James Edmondson. From OH no Type Co. Author: Anthony Lam Full Article
illustration Alternatives To Typical Technical Illustrations And Data Visualisations By smashingmagazine.com Published On :: Fri, 08 Nov 2024 09:00:00 GMT Thomas Bohm rethinks technical illustrations and data visualizations, sharing interesting and uncommon examples of how to present data and information. Bar graphs and pie charts are great, but there’s so much more to explore! Full Article
illustration Donner dinner party : a pioneer tale / text and illustrations, Nathan Hale. By library.gcpl.lib.oh.us Published On :: The Donner Party expedition is one of the most notorious stories in all of American history. It's also a fascinating snapshot of the westward expansion of the United States, and the families and individuals who sacrificed so much to build new lives in a largely unknown landscape. From the preparation for the journey to each disastrous leg of the trip, this book shows the specific bad decisions that led to the party's predicament in the Sierra Nevada Mountains. The graphic novel focuses on the struggles of the Reed family to tell the true story of the catastrophic journey. Full Article
illustration Penguins of America / James & Jack Patterson with Florence Yue ; illustrations by James Madsen. By library.gcpl.lib.oh.us Published On :: "Penguins— our lovable, cute, flightless friends who are constantly dressed for a formal occasion— have always fascinated humans. As we shuffle through life one day at a time, it's easy to take things far too seriously, but when we see penguins taking a walk in our shoes it's impossible not to recognize how silly we can actually be. Featuring humorous illustrations with captions that show penguins in the day-to-day situations that we've all experienced— from a relaxing day at the beach to a stressful morning commute— PENGUINS OF AMERICA is a hilarious and charming send-up of daily life." -- from Amazon.com Full Article
illustration Learn Adobe Illustrator CC for graphic design and illustration : Adobe Certified Associate exam preparation By search.lib.uiowa.edu Published On :: Location: Engineering Library- T385.W55 2016 Full Article
illustration Nirvana Sued for Copyright Infringement Over 'Dante's Inferno' Illustration By www.aceshowbiz.com Published On :: Wed, 05 May 2021 22:30:02 +0000 The legendary band fronted by the late Kurt Cobain has been slapped with a copyright infringement by C.W. Scott-Giles' family over 'Dante's Inferno' illustration. Full Article music Nirvana Dante's Inferno
illustration Nirvana Sued for Copyright Infringement Over 'Dante's Inferno' Illustration By www.aceshowbiz.com Published On :: Wed, 05 May 2021 22:30:02 +0000 The legendary band fronted by the late Kurt Cobain has been slapped with a copyright infringement by C.W. Scott-Giles' family over 'Dante's Inferno' illustration. Full Article music Nirvana Dante's Inferno
illustration What’s Wrong With Today’s Society Captured In 20 Brutally Honest Illustrations By cheezburger.com Published On :: Sat, 24 Aug 2019 19:00:00 -0700 This illustrator, John Holcroft, is genius! check out his website for more. Full Article art social media web comics
illustration Artsy Fart of the Day: Classic NES Games Turned Into Digital Papercraft Illustrations By cheezburger.com Published On :: Thu, 20 Mar 2014 09:59:00 -0700 Steph Caskenette made these awesome illustrations. Full Article list NES video games
illustration Behind-the-scenes peek into picture book writing & illustration process with Hazel Mitchell (SWEET PEA SUMMER, Candlewick) By www.inkygirl.com Published On :: Mon, 28 Jun 2021 17:22:11 +0000 Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter. Synopsis of SWEET PEA SUMMER (Candlewick): During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners. Q. What inspired you to write Sweet Pea Summer? My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself. My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled. I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think. Q. What was the writing and illustration process like? After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!). The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story. Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy. I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit. I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader. My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc. It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication. Q. What advice do you have for young writers and illustrators? My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work! ---- For more insights from book creators, see my Inkygirl interview archives. Full Article Inkygirl Interviews hazelmitchell illustrating picture books process writing picture books
illustration Illustrations by Yukiko Noritake By peopleofdesign.ru Published On :: Mon, 24 Jun 2024 06:19:44 +0000 Incredible illustrations by Paris based artist - Yukiko Noritake. She works with Louis Vuitton, Piaget, Airbnb, Elle and other... The post Illustrations by Yukiko Noritake first appeared on peopleofdesign. Full Article art illustration airbnb artist illustrator louis vuitton paris piaget yukiko noritake
illustration Illustrations by Masha Foya By peopleofdesign.ru Published On :: Sat, 20 Jul 2024 14:55:36 +0000 Amazing illustrations by Masha Foya... The post Illustrations by Masha Foya first appeared on peopleofdesign. Full Article art illustration illustrations illustrator masha foya
illustration Dogtown / Katherine Applegate and Gennifer Choldenko ; with illustrations by Wallace West By darius.uleth.ca Published On :: Applegate, Katherine, author Full Article
illustration Maggie Lou, Firefox / Arnolda Dufour Bowes ; illustrations by Karlene Harvey By darius.uleth.ca Published On :: Dufour Bowes, Arnolda, 1974- author Full Article
illustration When the world didn't end : poems / Caroline Kaufman ; illustrations by Yelena Bryksenkova By darius.uleth.ca Published On :: Kaufman, Caroline, author Full Article
illustration Can you hear the plants speak? / Nicholas Hummingbird with Julia Wasson ; illustrations by Madelyn Goodnight By darius.uleth.ca Published On :: Hummingbird, Nicholas, author Full Article
illustration Close up & far out : seeing the world differently / story by Mary Auld & Adria Meserve ; illustrations by Adria Meserve By darius.uleth.ca Published On :: Auld, Mary, author Full Article
illustration The invention of chic : Thérèse Bonney and Paris Moderne / Lisa Schlansker Kolosek ; with 188 illustrations. By encore.st-andrews.ac.uk Published On :: New York : Thames & Hudson in association with Cooper-Hewitt, National Design Museum, Smithsonian Institution, 2002. Full Article
illustration The worst accident in the world : Chernobyl, the end of the nuclear dream / Nigel Hawkes [and others] ; illustrations by Duncan Mil. By encore.st-andrews.ac.uk Published On :: London : Pan Books Ltd : William Heinemann Ltd, 1986. Full Article
illustration Short stories by Ernest Hemingway / selected and with an introduction by David Hughes ; illustrations by Ian Beck. By encore.st-andrews.ac.uk Published On :: London : The Folio Society, 1986 Full Article
illustration The strange cases of Magistrate Pao/ translated from the Chinese and retold by Leon Comber, illustrations by Lo Koon-Chiu. By encore.st-andrews.ac.uk Published On :: Tokyo : Charles E. Tuttle Company, [1964] Full Article
illustration The history of Japan. 16, Towards a more diverse society : from the Heisei era to the Reiwa era / editorial supervisor, Kaoru Iokibe ; cover and manga illustrations, Kou Yaginuma. By encore.st-andrews.ac.uk Published On :: Chiyoda-ku, Tokyo, Japan : Japan Publishing Industry Foundation for Culture (JPIC), 2023. Full Article
illustration Why people smoke [electronic resource] : an innovative approach to treating tobacco dependence / Frank T. Leone and Sarah Evers-Casey ; with illustrations by Joey Leone. By darius.uleth.ca Published On :: Philadelphia : University of Pennsylvania Press, [2023] Full Article
illustration Block printing & book illustration in Japan / by Louise Norton Brown ; with forty-three plates (eighteen in colours). and copious indexes of titles and artists. By encore.st-andrews.ac.uk Published On :: London : George Routledge & Sons, Ltd. ; New York : E. P. Dutton & Co., 1924. Full Article
illustration Modelling of distribution impacts of energy subsidy reforms: An illustration with Indonesia - Environment Working Paper By dx.doi.org Published On :: Fri, 27 Mar 2015 11:42:00 GMT This report develops an analytical framework that assesses the macroeconomic, environmental and distributional consequences of energy subsidy reforms. The framework is applied to the case of Indonesia to study the consequences in this country of a gradual phase out of all energy consumption subsidies between 2012 and 2020. Full Article
illustration Catalogue of the collections in the Science Museum, South Kensington: with descriptive and historical notes and illustrations: electrical communication / comp. by R.P.G. Denman By library.mit.edu Published On :: Sun, 5 Jan 2014 06:32:11 EST Archives, Room Use Only - TK5105.S35 1926 Full Article
illustration The electric telegraph popularised: with one hundred illustrations / by Dionysius Lardner ... ; from "The Museum of science and art." By library.mit.edu Published On :: Sun, 26 Jan 2014 06:36:43 EST Archives, Room Use Only - TK5265.L37 1859 Full Article
illustration The life and inventions of Thomas Alva Edison / by W.K.L. Dickson and Antonia Dickson ; with 200 illustrations by W.K.L. Dickson, R.F. Outcalt, L. Bauhan and J. Ricalton By library.mit.edu Published On :: Sun, 2 Feb 2014 06:35:43 EST Archives, Room Use Only - TK140.E3 D34 1894 Full Article
illustration Marvels of invention and scientific puzzles: being a popular account of many useful and interesting inventions and discoveries / by Gaston Tissandier and Henry Frith ; with many illustrations By library.mit.edu Published On :: Sun, 2 Mar 2014 06:33:00 EST Archives, Room Use Only - Q164.T5713 1890 Full Article
illustration Newcomb Carlton, 1869-1953, of Western Union / Charles Penrose ; illustrations by Richard F. Bartlett By library.mit.edu Published On :: Sun, 9 Mar 2014 06:50:15 EDT Archives, Room Use Only - HE7797.W55 C36 1956 Full Article
illustration Illustrations and descriptions of telegraphic apparatus / by Astley C. Terry and William Finn By library.mit.edu Published On :: Sun, 22 Jun 2014 06:19:54 EDT Archives, Room Use Only - TK5445.T37 1889 Full Article
illustration Traaden fra den røde gaard: minder fra 40 aar i telegrafvæsenet / af C. Reiffenstein-Hansen ; med 37 illustrationer By library.mit.edu Published On :: Sun, 13 Jul 2014 06:17:13 EDT Archives, Room Use Only - TK5115.R45 1919 Full Article
illustration Newly invented portable field telegraph: with an illustration of the principle of its construction and directions for use: also containing the vocabulary of the several characters formed / invented and arranged by A.W. Sleigh By library.mit.edu Published On :: Sun, 31 Aug 2014 08:18:07 EDT Archives, Room Use Only - UG590.S54 1838 Full Article
illustration How to make and use electricity: a description of the wonderful uses of electricity and electro-magnetism, together with full instructions for making electric toys, batteries, etc., etc. / by George Trebel, A.M., M.D. ; containing over fifty illustrations By library.mit.edu Published On :: Sun, 7 Sep 2014 08:12:53 EDT Archives, Room Use Only - QC527.T73 1895 Full Article
illustration Vampire Squid Illustration By insider.si.edu Published On :: Wed, 31 Oct 2012 13:27:42 +0000 Vampire Squid Illustration, 1889 This Smithsonian Snapshot celebrates the Halloween season with this 1889 scientific illustration of a vampire squid from Smithsonian Libraries. Its jet-black […] The post Vampire Squid Illustration appeared first on Smithsonian Insider. Full Article Animals Art Snapshot visual arts
illustration Illustration from American game fishes, their habits, habitat, and peculiarities By insider.si.edu Published On :: Wed, 02 Jan 2013 16:24:55 +0000 Frontispiece illustration of “flies” from the 1882 book American game fishes, their habits, habitat, and peculiarities; how, when, and where to angle for them, featuring […] The post Illustration from American game fishes, their habits, habitat, and peculiarities appeared first on Smithsonian Insider. Full Article Marine Science Research News Science & Nature Spotlight conservation biology fishes National Museum of Natural History
illustration Frederick Walpole illustrations recovered By insider.si.edu Published On :: Wed, 21 Dec 2011 16:01:49 +0000 Lodgepole pine drawn in 1898 by U.S. National Herbarium illustrator Frederick Andrew Walpole. The post Frederick Walpole illustrations recovered appeared first on Smithsonian Insider. Full Article Plants Spotlight National Museum of Natural History
illustration These biological illustrations are as profound today as they were in the 19th century By www.mnn.com Published On :: Thu, 18 Jan 2018 19:49:50 +0000 'The Art and Science of Ernst Haeckel' is a collection of beautifully illustrated flora and fauna by a German biologist and artist. Full Article Arts & Culture
illustration Places I’d Love To Live In: Beautiful Illustrations Of Lovely Places By Darya Shnykina By feedproxy.google.com Published On :: Sat, 09 May 2020 13:58:16 +0000 In these times of confinement, the time is for the mind to escape. Today we invite you to discover the... Full Article Inspirations landscapes lovely places travel
illustration Beautiful Illustrations of Lovely Places by Darya Shnykina By www.fubiz.net Published On :: Thu, 07 May 2020 15:00:01 +0000 En ces temps de confinement, l’heure est à l’évasion de l’esprit. Nous vous proposons aujourd’hui de découvrir le joli travail de l’illustratrice russe Darya Shnykina. Elle est l’auteure d’une série de créations intitulée Places I’d Love To Live In. Elle a imaginé représenter d’adorables petites maisonnées solitaires en pleine nature. Des petits havres de paix où chacun […] Full Article Graphic Illustration
illustration Vibrant Flat Vector Planets Illustration - Free Download Pack By icanbecreative.com Published On :: Wed, 11 Mar 2020 10:57:49 PDT The galaxy is a mesmerizing place, even better throught the eyes of visual design artists around our globe, we're delighted to release another freebie for our design community. This flat vector... Full Article Vector
illustration Fluid Dog Illustrations by Marina Okhromenko By icanbecreative.com Published On :: Sun, 15 Mar 2020 21:27:25 PDT Fluid design of swirling dogs are captured by Moscow-based illustrator Marina Okhromenko in her colorful digital illustrations, she depicts expressions of joy that makes us adore more our canine... Full Article Design Inspiration