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CDC Guidance For Reopening Schools, Child Care And Summer Camps Is Leaked

No field trips. No game rooms. No teddy bears. These are some of the CDC's guidelines for reopening schools, childcare centers and day camps safely in places where coronavirus cases are on the decline. The guidance, which also covers restaurants, churches and other public places, was obtained by The Associated Press , which reports that the White House tried to keep it from coming to light. The New York Times quoted Mark Meadows, the chief of staff, as being concerned that the guidelines were "overly prescriptive." The CDC does not have authority to enforce its guidance, which is intended for public information only; the actual policy decisions are up to state and local governments. Schools are closed through the end of the school year throughout much of the country, with the exception of Montana, which welcomed a handful of students back this week. Child care protocols are different in different states. But millions of parents need child care so they can work, and socialization and




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Boast & Drive: A Squash Card Game

If you're bouncing off the walls, we have your antidote. Boast & Drive is a strategic card game for 2 to 6 players bringing to your living room the suspense and excitement of a squash match. Designed in Cleveland; made in the USA! Be the first to own the world's best (and only) squash card game. Every purchase includes a donation to a member program of Squash & Education Alliance.

[Link]




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The Biden Campaign Is Trying To Reach Voters Virtually

Copyright 2020 NPR. To see more, visit MARY LOUISE KELLY, HOST: Adjusting to life on the virtual campaign trail has been a challenge for both Joe Biden and President Trump. It's been a particular struggle, though, for the former vice president. Here he is kicking off a virtual campaign rally this week with supporters in Florida. (SOUNDBITE OF ARCHIVED RECORDING) JOE BIDEN: Just me? Am I on? UNIDENTIFIED PERSON: Yes. BIDEN: Good evening. Thanks so much for tuning in. KELLY: Ouch. Joining us now is NPR political correspondent Asma Khalid. She covers the Biden campaign. Hey, Asma. ASMA KHALID, BYLINE: Hi there. KELLY: So clearly some technical difficulties for the former vice president there. What is his strategy for campaigning when he can't go out and campaign? KHALID: Well, you're right. I mean, he's been hunkered down at his house in Delaware. So we should point out he has not been able to physically go out and campaign because of the virus. This week, the campaign announced this new




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Denver Rapper & Songwriter BVNK Releases New Single “SITUATIONS’

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

Exciting new rapper, singer and songwriter BVNK is a musical product of his environment, having been born in Nigeria, raised in the UK, and now residing in North America – his music is a melting pot of lush R&B, heavy-hitting hip hop, and melodic rap/sung, flavoured with indie music sensibilities, with his life experiences across three different continents informing his storytelling and songwriting. After dipping his toes into the waters last year with two mixtapes including fan-favourite ‘Promises’, Bvnk is set to take 2020 by the scruff of its neck, starting with his brand new single titled ‘SITUATIONS’.

Produced by burgeoning LA-based musician and beatsmith Twelve 92, and taken from his forthcoming debut EP titled XX/XX (pronounced 20/20), Bvnk’s ‘Situations’ sees the Denver rapper-singer taking responsibility for failures in his past relationship, as he croons, “I did something to you, I never said sorry to you”, before kicking off his rap verse with, “tell me what I did to make you feel like I was breaking you”. The track is led by dreamy R&B guitar licks, minimalist drum arrangements, groovy melodies, and an infectious bassline, over which Bvnk showcases his dual singing and rapping talents, and undeniable songwriting dexterities.

Speaking about the inspiration behind the ‘Situations’ track, Bvnk says, “In a time where the world is full of one sided stories, and men thinking that taking responsibility is weak for some reason or the other, with women left having to deal with their toxic masculine energy, I wanted to take the truthful route on ‘Situations’. The song is about me looking into the mirror, taking responsibility, and apologising for the hurt I had caused. Amidst it all, ‘two wrongs don’t make a right’ is the perfect quote that explains ‘Situations’, because I’m ultimately asking for a second chance”.

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

CONNECT WITH BVNK
Instagram: http://www.instagram.com/bvnk_official
Twitter: http://www.twitter.com/bvnk_official
Facebook: http://www.facebook.com/bvnk_official

The post Denver Rapper & Songwriter BVNK Releases New Single “SITUATIONS’ appeared first on Singersroom.com.




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Essay about the Role of R&B Music in Culture

It is normal for college students to find it difficult to understand an essay topic. But the big issue is how to write an essay according to the instructions of the paper. An essay topic related to the role of R&B music may pose a little challenge. Students often need a well-written sample to get the perfect picture of what to write. If you are a student with a similar topic, go through this sample essay, and use it as a guide.

Sample Paper: The Role of R&B Music in Culture

Music connects human beings irrespective of culture, ethnicity, or race, and this has become accepted in many regions of the world. Rhythm and Blue or R&B is of African-American origin born popular in the 1940s but has a growing fan base in contemporary times. The role of the R&B lies in connecting with the people, expressing personality, and asserting cultural freedom.

Rhythm and Blues provide the avenue for musicians in this genre to find expression and connect with the people of a particular culture. Like every human on earth, these musicians have encountered life problems. They face racial discrimination and continuous harassment from law enforcement agents. 

Since R&B had its origin from the Black experience (Shaw 71), the emotional connection is often intense. An example of the experience that triggers the same emotional expression is the case of Trayvon Martins.  George Zimmerman shot and killed Martins on February 26, 2012. R&B uses an incidence like this to find expression and create a familiar voice, especially for the black community. 

The intimacy and the ability to relate to the content of R&B music play an essential role in culture, especially in black communities. Most musicians in this genre use their songs as a platform for passing a message or expressing their personal beliefs. 

Although it can turn into a civil movement or used for political propaganda (Higgins 1), in some cases, it has a humanizing end. Imagine how influential the voices and personality of R&B musicians would be in a time of the global pandemic. These powerful voices can make governments begin to care for the masses. Thus, the outcry will yield better healthcare and lasting infrastructure. 

Freedom to live and practice inherited culture can come under threat by social and political forces. R&B, and the movement it drives, can be a force for good and help in liberating cultures considered to be less civilized.

 Limited understanding of the culture of other people can cause social frictions and the inability to live in harmony. With well-written lyrics and well-presented songs, R&B can articulate the grievances by lesser cultures. This will unite different cultures and generate mutual understanding and respect for all cultures of the world. 

The role of R&B music in culture goes beyond the melody, sweet voices, and instrumentals. It connects people who share a common history, presents an avenue to pass global messages, and becomes a tool for racial and ethnic freedom. With the discouragement of the use of arms and ammunition and the approval of non-violent means, R&B can use its popular music genres to forge unity and understanding between cultures. 

Rounding Off

Once you have written your essay according to the above format, you should go ahead to choose a style of reference. If you look at the sample essay, you will notice some in-text citations. This is in the MLA style or Modern Language style, but you may pick APA style or ASA style depending on the requirements of the paper. 

Some supervisors give students the freedom to choose the style of their choice. The important thing is to pay attention to the instructions for the paper. The lack of following instructions can lead to a failed paper. Thus, you will lose the efforts and money spent. 

It is impossible to downplay the importance of proper research, as this serves as the bedrock for an excellent paper. There are many offline books and tons of online resources that can serve as authentic sources of information. When you gather the necessary ideas and materials, writing an essay on R&B will be easy. 

The reason most students claim to not get materials for their essay is that they did not search in the right places. Google Scholar and JSTOR Research are some of the right places to find materials for academic research. 

The bottom line is to view the sample essay, take note of the thesis statement, and understand how to write the topic sentence and detailed explanation of each point in the paragraph. But sometimes the pressure of academic work can be overwhelming, or you needed to come to terms with the technicality of essay writing. At that point, you may seek help from AffordablePapers to get your essay written for you at a reasonable price.

Reference(s)

1. Tell It Like It Is: A History of Rhythm and Blues

Curled from https://folklife.si.edu/talkstory/2016/tell-it-like-it-is-a-history-of-rhythm-and-blues

2. The Origins and History of R&B Music

Curled from https://www.liveabout.com/what-is-randb-music-2851217

3. Category: R&B

Curled from https://official.fm/rb/

4. How Modern R&B Revitalized Pop Music

Curled from https://www.udiscovermusic.com/in-depth-features/modern-rnb-revitalised-pop-music/

5. Rhythm and Blues' influence on Pop Culture

Curled from https://prezi.com/pf2hsd-bwfhf/rhythm-and-blues-influence-on-pop-culture/

6. R&B CULTURE

Curled from https://prezi.com/tpv5nhfoz5ls/rb-culture/

7. The History Of R&B Music

Curled from https://www.indiegogo.com/projects/the-history-of-r-b-music#/

The post Essay about the Role of R&B Music in Culture appeared first on Singersroom.com.




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Beatroot Music Presents The Beatroot Suite Live Performance + Q&A Series

Welcomes Grammy Award-Winning Superstar Lyrica Anderson For Latest Edition

Invites Viewers To Donate Live To Historic Memphis Community Orange Mound

April 30th 2020 (Memphis, TN) – Triple threat Grammy Award-winning singer, songwriter, and producer, Lyrica Anderson will appear on Beatroot Musics The Beatroot Suite for a live performance of her new single “Marriott” and Q&A on Thursday April 30, 2020 at 9:30pm ET/6:30pm PT. 

In addition to this fan experience, Lyrica invites viewers to donate live to support COVID-19 relief efforts in Orange Mound—the oldest African-American community in Memphis, TN. Beginning May 2nd, the team will supply residents of the community affected by the pandemic with care packages comprised of food and hygiene items as part of the Zone 6 CAReavan. All residents in Zone 6 are eligible to the generosity of those who donated across the country. 

Tune in and watch on Instagram Live HERE

The Beatroot Suite is a new music initiative launched by artist-centric label services platform Beatroot Music. In addition to empowering artists with tools and resources to succeed independently, the company hosts this innovative online venue as a stage for its talent roster to showcase and discuss new material. Last week, The Beatroot Suite welcomed award-winning, multi-platinum selling songwriter and artist Elijah Blake.

The post Beatroot Music Presents The Beatroot Suite Live Performance + Q&A Series appeared first on Singersroom.com.




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Drop It Off (ft. Gucci Mane, 2CHAINS, & Ric Atari-COKA KAZI)

http://www.musicxray.com/xrays/1319817 HUNNAFIEDRECORDS - Drop It Off (ft. Gucci Mane, 2CHAINS, & Ric Atari-COKA KAZI)




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Field Session: Col. Bruce Hampton @ Capricorn Studio

In this session, Col. Bruce Hampton recorded at Capricorn Studio. Col. Bruce is a legend of Georgia music who has been unafraid to wave his freak flag high since the 1960s. In this interview with Chris Nylund and Jared Wright of the Field Note Stenographers music collective, Col. Bruce introduces us to the numerology of Southern humidity and gives us a glimpse of the weird heyday of a late 60s music boomtown called Macon. A note, in this first story, Gregg is none other than Gregg Allman. Tracks include Say Thanks To Chank, Arkansas and Basically Frightened.




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Buffalo Wild Wings welcomes March Madness with video, Snapchat campaign

Buffalo Wild Wings is looking to capture the attention of lucrative customers attached to March Madness thanks to a new video and Snapchat campaign called “We Do It For You.”




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Honesty & Happiness

If you’ve caught yourself wanting to lie in a social situation, you’re not alone. Honesty is a huge part of trust in every relationship but can be difficult to maintain across all sorts of interactions. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about honesty and happiness.




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Exercise & Sleep

The two cheapest and easiest things we can do for our health is sleep more and exercise more, so why don’t we do it? Sleep and exercise have an immense impact on physical and mental health both in the moment and for your future self. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr....




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Asymmetry: Past & Future

Dating back to when we were kids, two weeks into the future seems a lot longer than two weeks in the past. Even as adults we know two weeks is the same length regardless of when it takes place and yet we still experience this asymmetrical mindset. In this episode of Two Guys on Your...




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Risk & Reinvention (Two Guys on Your Head Live)

Listen back to a Views and Brews discussion, recorded live at The Cactus Cafe in Austin, Texas, about “The Psychology of Risk and Reinvention” with Two Guys on Your Head. Join KUT’s Rebecca Mcinroy along with Dr. Art Markman and Dr. Bob Duke to explore when and why we take risks, and what goes into...




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Audience Q&A: Money and Happiness

Listen back to Two Guys on Your Head recorded live at The Cactus Cafe in Austin, Texas for a Views and Brews, as KUT’s Rebecca McInroy talks with Dr. Art Markman and Dr. Bob Duke about the psychology of happiness. In this episode, we answer an audience question about money and happiness.




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Social Media & Homeschooling in a Pandemic

In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke take audience questions about how much is too much when it comes to social media, and how to get anything done when trying to homeschool your children and work your normal job, during a live virtual Views and Brews.




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Jazz & The Art of Movement

Where do we consider being at home? When do we feel that we belong in a place and how quickly can we become dispossessed? In its essence, jazz traces various migrations – some arbitrary, some forced, and some chosen – and beyond appropriation and broad-stroke caricature, reveal difficult truths of identity, well-being, and honest relationship....




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Audience Q&A: Being Black At UT 63 Years After Integration

400 years ago, a group of 20 enslaved Africans were brought to the shores of the Chesapeake Bay for the express purpose of working the land, thus beginning one of the most shameful periods in America’s history. Although Diversity and Inclusion have become a mission of so many academic and corporate entities, the vestiges of...




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Episode 0x2E: FOSDEM 2012: Linksvayer on Public Policy & CC 4.0

Karen and Bradley play and discuss Mike Linksvayer's FOSDEM 2012 talk, Creative Commons 4.0 licenses and other opportunities for FLOSS/free culture legal/policy intersections from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:38)

Bradley and Karen suggest that you use the slides below when listening to Mike's talk.

Segment 1 (05:51)

Mike Linksvayer's slides for this talk are available in PDF format and in ODP format.

Segment 2 (33:43)

Segment 3 (34:25)

A special licensing message from Mike Linksvayer.

Segment 4 (35:09)

  • Karen mentioned Bradley's favorite movie, It's a Wonderful Life.
  • Bradley mentioned Asheesh Laroia, who appears to never blogged about his CC/credit-card-thief freenode confusion story. (48:00)
  • Bradley mentioned Fontana's Copyleft.next project . (50:00)
  • Bradley mentioned the ST:TNG episode, Unification, Part II, although he kept calling it Reunification during the episode. Please don't write in to complain; he realized the error after recording. (54:39)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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0x4D: 2013 Interview: Poettering & Day on Sandboxed GNOME Applications

Karen Sandler interviews Lennart Poettering and Alan Day during the GNOME Asia Summit 2013. Bradley and Karen comment on this interview.

Show Notes:

Segment 0 (00:38)

Bradley and Karen introduce Karen's interview with Lennart Poettering and Alan Day.

Segment 1 (02:06)

Karen interviews Lennart Poettering and Alan Day about Lennart's Sandboxed Applications for GNOME talk at GNOME Asia Summit 2013.

Segment 1 (35:24)


Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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0x50: Big Announcements &amp; Evans' FOSDEM 2014 Talk

Karen and Bradley announce Conservancy's DMCA filing and Conservancy and FSF's joint launch of the copyleft.org project, and then discuss Eileen Evans' FOSDEM 2014 talk, entitled Licensing Models and Building an Open Source Community.

Show Notes:

Segment 0 (00:36)

Segment 1 (19:38)

This is a recording of Eileen Evans' FOSDEM 2014 talk, entitled Licensing Models and Building an Open Source Community. If you'd rather watch the video, which includes the slides from her talk, it's available on FOSDEM's site.

Segment 2 (46:40)


Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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0x56: &hellip; &amp; We're Back!

Bradley and Karen discuss the VMware lawsuit that Software Freedom Conservancy is funding.

Show Notes:


Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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Vampire Weekend - Harmony Hall

The band Vampire Weekend started in 2006, in New York. Their third album came out in 2013, and was named one of the best albums of the year all over the place, and it won a Grammy. But it took six years for their next album, Father of the Bride, to come out. This album’s also been nominated for a Grammy, for album of the year. And the lead single from it, “Harmony Hall,” was nominated for Best Rock Song.

In this episode, Ezra Koenig from Vampire Weekend takes “Harmony Hall” apart. I spoke to him along with producer Ariel Rechtshaid, and the two of them detailed winding path the song went down, over several years, before it finally took shape.

songexploder.net/vampire-weekend




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144,000 & the Seal of God, Pt. 1

Who are the 144,000 spoken of in Revelation 7 and 14? Is the number literal or symbolic? This group is called to bring a revival to the church. But they are not the only ones saved.



  • Amazing Facts with Doug Batchelor

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144,000 & the Seal of God, Pt. 2

Who are the 144,000 spoken of in Revelation 7 and 14? What is the "Seal of God"? Part 2 of 2



  • Amazing Facts with Doug Batchelor

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144,000 & the Seal of God, Pt. 1

Who are the 144,000 spoken of in Revelation 7 and 14? Is the number literal or symbolic? This group is called to bring a revival to the church. But they are not the only ones saved.



  • Amazing Facts with Doug Batchelor

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144,000 & the Seal of God, Pt. 2

Who are the 144,000 spoken of in Revelation 7 and 14? What is the "Seal of God"? Part 2 of 2



  • Amazing Facts with Doug Batchelor

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V&B – The Secret Ingredient – The Future of Food

In this special The Secret Ingredient edition of Views & Brews, KUT’s Rebecca McInroy joins Tom Philpott, food and agriculture writer for Mother Jones Magazine, and Raj Patel from the LBJ school of public affairs, and author of “Stuffed and Starved” and “The Value of Nothing”, to talk about everything from GMOs and Soylent Green, to...




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SXSW: Tech & The Future of Food

In this special SXSW edition of The Secret Ingredient, Tom Philpott, Rebecca McInroy and Raj Patel talk about technologies that will shape the future of food. Technologies, as it turns out, that might surprise you, mainly biodiversity, and gender equality. Listen back to this discussion, recorded live at the Convention Center in Austin, Texas for SXSW...




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V&B – The Past, Present, and Future of The Greek Economy

In this episode of Views & Brews,  KUT’s Rebecca McInroy joins the hosts of KUT’s The Secret Ingredient podcast, Tom Philpott and Raj Patel, as they sit down with the eminent economist James K. Galbraith author of the forthcoming “Welcome to the Poisoned Chalice: The Destruction of Greece and the Future of Europe” to talk inequality, the Greek...




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V&B Extra: Food and Trump’s Border Wall

The Lorano Long Conference brought many great thinkers and activists to the campus of The University of Texas in February to talk about, “New Perspectives on the Contemporary Food System in Latin America.” The Secret Ingredient Podcast’s Raj Patel, Tom Philpott and Rebecca McInroy took that opportunity to talk with Dr. Alexis Racelis from the...




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This Song: Eric Earley & Brian Koch of Blitzen Trapper

Blitzen Trapper’s Eric Early describes how his musical trajectory was permanently altered by R.E.M. and their breakout album “Out Of Time.” Then bandmate/drummer/actor Brian Koch tells a tale of his family who did very little to encourage his music and how he was inspired by hidden radios, friends with guitars and a young singer-songwriter with whom he now shares a stage.




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This Song: Ezra Koenig from Vampire Weekend

Ezra Koenig, lead singer and songwriter for the band Vampire Weekend, explains why he recently became obsessed with  "I Don't Think Much About Her No More" by country singer and songwriter Mickey Newbury and explores what it was like to apply country music's direct approach to songwriting to some of the the songs on Father of the Bride.




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Women, Gender, & Sexuality

This episode recognizes women, gender, and sexuality with a discussion of the complexities of gender and sexuality from contemporary and historical perspectives. Our discussants share what they’ve learned from their respective research projects, while exploring how privilege and power function in constructions of gender and sexuality. Ultimately, they agree that listening with empathy to each...




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Watch the Mailchimp meetup & learn audiences

The video below is from one of the four Mailchimp meetups that I hosted in April 2020. In this webinar I covered Mailchimp settings and audiences including tags, segments, importing contacts and much more. There are plenty of questions asked by participants as the meeting progresses. The meetups were attended by Mailchimp beginners as well […]

This article appeared first at ❤ OrganicWeb - Mailchimp training, consulting & integration experts.




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Summer weight &quot;sweatpants" for working from home

These sweatpants are my everyday wear while we shelter in place. I'm looking for something similar but in a much lighter, summer weight. Key features: - elastic waist - roomy in the belly (that's where I carry my excess weight) - pockets (!) - full length pants (31" inseam so not "Tall" but a little longer than some) - made in USA




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What&apos;s the right second monitor for me?

Working from home on an entry-level 16-inch 2019 MBP running Catalina.

I currently use an ancient 27-inch Apple monitor (so ancient that I have to daisy-chain a Thunderbolt 1-2 adapter and Thunderbolt 2-USB-C adapter to use it). It works fine, but I really miss having my two-monitor work setup (for various reasons, the laptop screen doesn't work for me in this role). Just using Word and Excel and similar here, no crazy graphic demands. Ability to pass through power to the laptop, or to dock other peripherals, would be nice, but is not required. What should I be looking at?

Wrinkle: my desk is against the window the view from which is the one aesthetically appealing aspect of this apartment. There's no way a second monitor won't tragically increase the amount of the view that's blocked, but I would prefer a compact footprint. Maybe one that can rotate to portrait mode?




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how to explain a long-distance social distancing &quot;bubble"

Me and my partner have decided to form a shared social distancing "bubble" with another of our couple friends. I believe we are following safe protocols for this but wanted to get an honest outside opinion as to whether we could be managing this better/safer/etc.

Here is the situation: I am a musician, and my main music collaborator used to live about a half hour from me. Back in January, he and his girlfriend relocated about 90 minutes away, in a major city that has had a large amount of COVID-19 cases. Where I live hasn't been as bad, but we are all still being cautious.

Musician friend and I are collaborating on a music recording project to combat boredom because we are both unemployed and obviously live gigs are right out. We have been doing most of our planning remotely, via Zoom and phone calls, but every now and again we do have to meet in person as his recording studio is in his apartment and sometimes he and the girlfriend come up here to ease the stir-craziness. We believe we are being safe in our methodology but wanted to confirm.

When we embarked upon this project, we made a pact with each other and our partners that the only people we would allow into our homes is each other. The way this works is, when I have to drive to his place to record, I wash my hands, mask up, and drive down to see him. He lives in a neighborhood with ample street parking near his building. When I arrive, I mask up again, buzz into his apartment, take off my outerwear and shoes immediately and keep it on a hook outside their front door, take mask off and put in my purse leave purse in one spot on a table, hand wash and hand sanitize. He and girlfriend also hand wash and hand sanitize, and have been cleaning all doorknobs and buzzer buttons and handrails of the stairs with disinfectant wipes before I arrive. When we record, we disinfect all microphones, headphones, gear we touch including instruments with wipes before and after use. When I leave, I wipe down the table where my purse was, wash hands again, mask up, drive home. All clothing I wear is promptly laundered.

When he comes up to work with me his protocol is similar: wash hands, mask up, drive to my house, where I have been disinfecting doorknobs and other surfaces. When he arrives, he parks in our drive, his outerwear and shoes stays out on our patio, he washes hands again and hand sanitizes, we rehearse for a couple hours, then he washes hands again, masks up, drives home, masks up, goes into building, washes hands. All clothes he wore go immediately into the laundry. Any surface he touches in my house gets pre-and-post wiped down with disinfecting wipes. We don't record in my home there is no gear to disinfect other than his guitar.

His girlfriend works from home and keeps herself separate from us when we record in their home. My boyfriend lost his job due to COVID but busies himself with projects in his home office while we rehearse in our home. The four of us have mutually agreed that we are the only other folks we will allow in our homes and we follow this safety protocol to the T every time we travel to see each other.

So, question 1) are we being safe enough, or are we being dumb? None of us so far has gotten sick and we are comfortable with our routine. How could we improve our safety protocol? Neither of us stop at gas stations to and from each other; we gas up on our own time and hand sanitize after doing so.

Question 2) Musician friend and I are getting ready to record a video of us performing a duet in his apartment. Our mutual friends know we no longer live near each other, and my fear is that when they see evidence that we haven't been keeping six feet apart at all times in his apartment we will get scorned by our colleagues, or near the brunt of actual anger because they are not aware of our safety routine. How can we explain that we have been talking proactive steps to keep ourselves safe and have chosen to be a somewhat long distance social isolation bubble with each other when we release this video to avoid angry responses? Is it necessary? Musician buddy is ambivalent, but I am a worrier and don't want to inadvertently bring us bad publicity.

Please be gentle with me. We are doing our best and we so far have not gotten sick with this protocol. Our partners are also proactive in hand sanitizing and/or hand washing once one of us leaves the other place. Are we being stupid? Is there a way to explain this succinctly when we release our video to pre-empt any judgement?

Seriously please be gentle. My anxiety is on high alert just from reading the news each day and I really hope this community will refrain from a pile on because we are doing everything we can to keep ourselves and our partners safe.

Any advice would be much appreciated. Thank you.




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How can I get the functionality of Twitter&apos;s Legacy Version?

Twitter has announced it is shutting down its "Legacy Version" on June 1, 2020. I use the legacy version to get the functionality of Legacy Twitter that allows you to have a window open with a Twitter page up, and when a new Tweet happens, a "(1)" shows in the browser tab. How can I get that functionality? The solution needs to work in Chrome & Firefox, and whether I have a twitter account or not. I want to be able to open 3 or 4 or however many tabs with twitter accounts I'm waiting for an update from, and see a notification in the tab header that there's a new tweet.




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Movin&apos; to the Suburbs, gonna eat a lot of whatever-Surrey-produces

Buying in the suburbs vs renting in the city? We are living in Vancouver right now, and we love a lot about it, but we could buy a place in the suburbs right now (which might not be true six months or a year from now). We are really torn, and I want some perspective on what moving to the suburbs is really like, and if owning is that much better than renting.

We've been renting a flat in East Vancouver for a year and love a lot of things about it. The proximity to work downtown, the neighbourhood feel, proximity to beaches and attractions, the kids' school (both elementary-aged), cherry blossoms, shopping, all the things people love about Vancouver.

We haven't been saving any money though, because our rent is outrageously high. We can buy a 2000 sq ft condo in Surrey for less than the rent of 1000 sq ft in East Van. We have a small down-payment saved up, but we're not adding to it anymore, so if we are going to buy now is the time. There are some very motivated sellers at the moment and prices have come down, which they NEVER do in the area.

But we are torn. Suburbs mean longer commute (and paying for transit instead of biking to work), longer travel time to all the fun things we love, changing the kids' school, further to the airport/ferry, the awfulness of moving, etc. We would gain some space, some privacy, some autonomy (paint walls! get a hamster!) and some equity.

Have you moved to the suburbs with kids? Was it worth it?

Additional details: I'm a stay-at-home-mom and my wife works right downtown in Vancouver. Both of our kids have ADHD and are ROWDY. Moving to another (cheaper) rental is out-of-the-question. Even though our current place isn't perfect, its good enough that if we continue to rent we just wanna stay here. If we bought, it would be into a strata, with all that entails. We have owned a house before but not in this province.




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150707-rassegna-stampa

07-Jul-2015 08:27.

This item belongs to: audio/radio24.

This item has files of the following types: Archive BitTorrent, Metadata, VBR MP3




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150110-rassegna-stampa-europa

12-Jan-2015 12:11.

This item belongs to: audio/radio24.

This item has files of the following types: Metadata




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MPC2000 Snacks From Mars – FREE Samples & Song Contest

Samples From Mars has released MPC2000 Snacks From Mars, a freely downloadable sample pack containing vinyl and drum machine sounds recorded and processed through the MPC2000XL hardware sampler. The sample pack contains six pre-mapped drum kits of 16 hits each (96 samples in total), along with 29 grooves in MIDI format. The clipped, filtered and [...]

View post: MPC2000 Snacks From Mars – FREE Samples & Song Contest




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The Sounds Of An Old Van – Bedford Rascal Free Sample Pack

Sourc Sync has released Bedford Rascal, a free sample pack featuring the sounds of an old Bedford van. The sample pack contains a collection of percussive sounds, squeaky noises, and processed loops. These were all made by banging, hitting, and otherwise “mistreating” an old van. All samples are provided in WAV format and the library [...]

View post: The Sounds Of An Old Van – Bedford Rascal Free Sample Pack




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LALA Is A FREE LA-2A Limiting Amplifier VST By Analog Obsession

Analog Obsession has released LALA, a freeware emulation of the LA-2A tube compressor in VST, VST3, and AU plugin formats for digital audio workstations on PC and Mac. LALA is Analog Obsession’s first emulation of the LA-2A Classic Leveling Amplifier. The plugin delivers all the core features of the original hardware unit, along with some [...]

View post: LALA Is A FREE LA-2A Limiting Amplifier VST By Analog Obsession




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SampleScience Releases FREE Toy Keyboard 2 VST/AU Plugin

SampleScience has released Toy Keyboard 2, a freeware sample-based instrument featuring the sounds of the Yamaha PSR-78 home keyboard. Toy Keyboard 2 is a free virtual instrument in VST, VST3, and AU plugin formats for compatible digital audio workstation software on PC and Mac. It features 73 individual presets, including one drum kit. The presets [...]

View post: SampleScience Releases FREE Toy Keyboard 2 VST/AU Plugin




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AMP&#039;d Up for Recaptcha

Beyond search Google controls the leading distributed ad network, the leading mobile OS, the leading web browser, the leading email client, the leading web analytics platform, the leading mapping platform, the leading free video hosting site.

They win a lot.

And they take winnings from one market & leverage them into manipulating adjacent markets.

Embrace. Extend. Extinguish.

AMP is an utterly unnecessary invention designed to further shift power to Google while disenfranchising publishers. From the very start it had many issues with basic things like supporting JavaScript, double counting unique users (no reason to fix broken stats if they drive adoption!), not supporting third party ad networks, not showing publisher domain names, and just generally being a useless layer of sunk cost technical overhead that provides literally no real value.

Over time they have corrected some of these catastrophic deficiencies, but if it provided real value, they wouldn't have needed to force adoption with preferential placement in their search results. They force the bundling because AMP sucks.

Absurdity knows no bounds. Googlers suggest: "AMP isn’t another “channel” or “format” that’s somehow not the web. It’s not a SEO thing. It’s not a replacement for HTML. It’s a web component framework that can power your whole site. ... We, the AMP team, want AMP to become a natural choice for modern web development of content websites, and for you to choose AMP as framework because it genuinely makes you more productive."

Meanwhile some newspapers have about a dozen employees who work on re-formatting content for AMP:

The AMP development team now keeps track of whether AMP traffic drops suddenly, which might indicate pages are invalid, and it can react quickly.

All this adds expense, though. There are setup, development and maintenance costs associated with AMP, mostly in the form of time. After implementing AMP, the Guardian realized the project needed dedicated staff, so it created an 11-person team that works on AMP and other aspects of the site, drawing mostly from existing staff.

Feeeeeel the productivity!

Some content types (particularly user generated content) can be unpredictable & circuitous. For many years forums websites would use keywords embedded in the search referral to highlight relevant parts of the page. Keyword (not provided) largely destroyed that & then it became a competitive feature for AMP: "If the Featured Snippet links to an AMP article, Google will sometimes automatically scroll users to that section and highlight the answer in orange."

That would perhaps be a single area where AMP was more efficient than the alternative. But it is only so because Google destroyed the alternative by stripping keyword referrers from search queries.

The power dynamics of AMP are ugly:

"I see them as part of the effort to normalise the use of the AMP Carousel, which is an anti-competitive land-grab for the web by an organisation that seems to have an insatiable appetite for consuming the web, probably ultimately to it’s own detriment. ... This enables Google to continue to exist after the destination site (eg the New York Times) has been navigated to. Essentially it flips the parent-child relationship to be the other way around. ... As soon as a publisher blesses a piece of content by packaging it (they have to opt in to this, but see coercion below), they totally lose control of its distribution. ... I’m not that smart, so it’s surely possible to figure out other ways of making a preload possible without cutting off the content creator from the people consuming their content. ... The web is open and decentralised. We spend a lot of time valuing the first of these concepts, but almost none trying to defend the second. Google knows, perhaps better than anyone, how being in control of the user is the most monetisable position, and having the deepest pockets and the most powerful platform to do so, they have very successfully inserted themselves into my relationship with millions of other websites. ... In AMP, the support for paywalls is based on a recommendation that the premium content be included in the source of the page regardless of the user’s authorisation state. ... These policies demonstrate contempt for others’ right to freely operate their businesses.

After enough publishers adopted AMP Google was able to turn their mobile app's homepage into an interactive news feed below the search box. And inside that news feed Google gets to distribute MOAR ads while 0% of the revenue from those ads find its way to the publishers whose content is used to make up the feed.

Appropriate appropriation. :D

Thank you for your content!!!

The mainstream media is waking up to AMP being a trap, but their neck is already in it:

European and American tech, media and publishing companies, including some that originally embraced AMP, are complaining that the Google-backed technology, which loads article pages in the blink of an eye on smartphones, is cementing the search giant's dominance on the mobile web.

Each additional layer of technical cruft is another cost center. Things that sound appealing at first blush may not be:

The way you verify your identity to Let's Encrypt is the same as with other certificate authorities: you don't really. You place a file somewhere on your website, and they access that file over plain HTTP to verify that you own the website. The one attack that signed certificates are meant to prevent is a man-in-the-middle attack. But if someone is able to perform a man-in-the-middle attack against your website, then he can intercept the certificate verification, too. In other words, Let's Encrypt certificates don't stop the one thing they're supposed to stop. And, as always with the certificate authorities, a thousand murderous theocracies, advertising companies, and international spy organizations are allowed to impersonate you by design.

Anything that is easy to implement & widely marketed often has costs added to it in the future as the entity moves to monetize the service.

This is a private equity firm buying up multiple hosting control panels & then adjusting prices.

This is Google Maps drastically changing their API terms.

This is Facebook charging you for likes to build an audience, giving your competitors access to those likes as an addressable audience to advertise against, and then charging you once more to boost the reach of your posts.

This is Grubhub creating shadow websites on your behalf and charging you for every transaction created by the gravity of your brand.

Shivane believes GrubHub purchased her restaurant’s web domain to prevent her from building her own online presence. She also believes the company may have had a special interest in owning her name because she processes a high volume of orders. ... it appears GrubHub has set up several generic, templated pages that look like real restaurant websites but in fact link only to GrubHub. These pages also display phone numbers that GrubHub controls. The calls are forwarded to the restaurant, but the platform records each one and charges the restaurant a commission fee for every order

Settling for the easiest option drives a lack of differentiation, embeds additional risk & once the dominant player has enough marketshare they'll change the terms on you.

Small gains in short term margins for massive increases in fragility.

"Closed platforms increase the chunk size of competition & increase the cost of market entry, so people who have good ideas, it is a lot more expensive for their productivity to be monetized. They also don't like standardization ... it looks like rent seeking behaviors on top of friction" - Gabe Newell

The other big issue is platforms that run out of growth space in their core market may break integrations with adjacent service providers as each want to grow by eating the other's market.

Those who look at SaaS business models through the eyes of a seasoned investor will better understand how markets are likely to change:

"I’d argue that many of today’s anointed tech “disruptors” are doing little in the way of true disruption. ... When investors used to get excited about a SAAS company, they typically would be describing a hosted multi-tenant subscription-billed piece of software that was replacing a ‘legacy’ on-premise perpetual license solution in the same target market (i.e. ERP, HCM, CRM, etc.). Today, the terms SAAS and Cloud essentially describe the business models of every single public software company.

Most platform companies are initially required to operate at low margins in order to buy growth of their category & own their category. Then when they are valued on that, they quickly need to jump across to adjacent markets to grow into the valuation:

Twilio has no choice but to climb up the application stack. This is a company whose ‘disruption’ is essentially great API documentation and gangbuster SEO spend built on top of a highly commoditized telephony aggregation API. They have won by marketing to DevOps engineers. With all the hype around them, you’d think Twilio invented the telephony API, when in reality what they did was turn it into a product company. Nobody had thought of doing this let alone that this could turn into a $17 billion company because simply put the economics don’t work. And to be clear they still don’t. But Twilio’s genius CEO clearly gets this. If the market is going to value robocalls, emergency sms notifications, on-call pages, and carrier fee passed through related revenue growth in the same way it does ‘subscription’ revenue from Atlassian or ServiceNow, then take advantage of it while it lasts.

Large platforms offering temporary subsidies to ensure they dominate their categories & companies like SoftBank spraying capital across the markets is causing massive shifts in valuations:

I also think if you look closely at what is celebrated today as innovation you often find models built on hidden subsidies. ... I’d argue the very distributed nature of microservices architecture and API-first product companies means addressable market sizes and unit economics assumptions should be even more carefully scrutinized. ... How hard would it be to create an Alibaba today if someone like SoftBank was raining money into such a greenfield space? Excess capital would lead to destruction and likely subpar returns. If capital was the solution, the 1.5 trillion that went into telcos in late '90s wouldn’t have led to a massive bust. Would a Netflix be what it is today if a SoftBank was pouring billions into streaming content startups right as the experiment was starting? Obviously not. Scarcity of capital is another often underappreciated part of the disruption equation. Knowing resources are finite leads to more robust models. ... This convergence is starting to manifest itself in performance. Disney is up 30% over the last 12 months while Netflix is basically flat. This may not feel like a bubble sign to most investors, but from my standpoint, it’s a clear evidence of the fact that we are approaching a something has got to give moment for the way certain businesses are valued."

Circling back to Google's AMP, it has a cousin called Recaptcha.

Recaptcha is another AMP-like trojan horse:

According to tech statistics website Built With, more than 650,000 websites are already using reCaptcha v3; overall, there are at least 4.5 million websites use reCaptcha, including 25% of the top 10,000 sites. Google is also now testing an enterprise version of reCaptcha v3, where Google creates a customized reCaptcha for enterprises that are looking for more granular data about users’ risk levels to protect their site algorithms from malicious users and bots. ... According to two security researchers who’ve studied reCaptcha, one of the ways that Google determines whether you’re a malicious user or not is whether you already have a Google cookie installed on your browser. ... To make this risk-score system work accurately, website administrators are supposed to embed reCaptcha v3 code on all of the pages of their website, not just on forms or log-in pages.

About a month ago when logging into Bing Ads I saw recaptcha on the login page & couldn't believe they'd give Google control at that access point. I think they got rid of that, but lots of companies are perhaps shooting themselves in the foot through a combination of over-reliance on Google infrastructure AND sloppy implementation

Today when making a purchase on Fiverr, after converting, I got some of this action

Hmm. Maybe I will enable JavaScript and try again.

Oooops.

That is called snatching defeat from the jaws of victory.

My account is many years old. My payment type on record has been used for years. I have ordered from the particular seller about a dozen times over the years. And suddenly because my web browser had JavaScript turned off I was deemed a security risk of some sort for making an utterly ordinary transaction I have already completed about a dozen times.

On AMP JavaScript was the devil. And on desktop not JavaScript was the devil.

Pro tip: Ecommerce websites that see substandard conversion rates from using Recaptcha can boost their overall ecommerce revenue by buying more Google AdWords ads.

---

As more of the infrastructure stack is driven by AI software there is going to be a very real opportunity for many people to become deplatformed across the web on an utterly arbitrary basis. That tech companies like Facebook also want to create digital currencies on top of the leverage they already have only makes the proposition that much scarier.

If the tech platforms host copies of our sites, process the transactions & even create their own currencies, how will we know what level of value they are adding versus what they are extracting?

Who measures the measurer?

And when the economics turn negative, what will we do if we are hooked into an ecosystem we can't spend additional capital to get out of when things head south?




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Revenue Quality &amp; Leverage

The coronavirus issue is likely to linger for some time.

Up to 70% of Germany could become infected & some countries like the UK are even considering herd immunity as a strategy:

"I’m an epidemiologist. When I heard about Britain’s ‘herd immunity’ coronavirus plan, I thought it was satire"
- William Hanage

What if their models are broken?

Many companies like WeWork or Oyo have been fast and loose chasing growth while slower growing companies have been levering up to fund share buybacks. Airlines spent 96% of free cash flow on share buybacks. The airlines seek a $50 billion bailout package.

There are knock-on effects from Boeing to TripAdvisor to Google all the way down to travel affiliate blogger, local restaurants closing, the over-levered bus company going through bankruptcy & bondholders eating a loss on the debt.

Companies are going to let a lot of skeletons out of the closet as literally anything and everything bad gets attributed to coronavirus. Layoffs, renegotiating contracts, pausing ad budgets, renegotiating debts, requesting bailouts, etc. The Philippine stock market was recently trading at 2012 levels & closed indefinitely.

Brad Geddes mentioned advertisers have been aggressively pulling PPC budgets over the past week: “If you have to leave the house to engage in the service, it just seems like it’s not converting right now.”

During the prior recession Google repriced employee options to retain talent.

In spite of consumers being glued to the news, tier one news publishers are anticipating large ad revenue declines:

Some of the largest advertisers, including Procter & Gamble Unilever, Apple, Microsoft, Danone, AB InBev, Burberry and Aston Martin, made cuts to sales forecasts for the year. With the outlook for the spread of the virus changing by day, many companies are caught in a spiral of uncertainty. That tends to gum up decisions, and ad spending is an easy expenditure to put on pause. The New York Times has warned that it expects advertising revenue to decline “in the mid-teens” in the current quarter as a result of coronavirus.

More time online might mean search engines & social networks capture a greater share of overall ad spend, but if large swaths of the economy do not convert & how people live changes for an extended period of time it will take time for the new categories to create the economic engines replacing the old out-of-favor categories.

[IMPORTANT: insert affiliate ad for cruise vacations here]

As Google sees advertisers pause ad budgets Google will get more aggressive with keeping users on their site & displacing organic click flows with additional ad clicks on the remaining advertisers.

When Google or Facebook see a 5% or 10% pullback other industry players might see a 30% to 50% decline as the industry pulls back broadly, focuses more resources on the core, and the big attention merchants offset their losses by clamping down on other players.

At its peak TripAdvisor was valued at about $14 billion & it is now valued at about $2 billion.

TripAdvisor announced layoffs. As did Expedia. As did Booking.com. As did many hotels. And airlines. etc. etc. etc.

I am not suggesting people should be fearful or dominated by negative emotions. Rather one should live as though many other will be living that way.

In times of elevated uncertainty, in business it is best to not be led by emotions unless they are positive ones. Spend a bit more time playing if you can afford to & work more on things you love.

Right now we might be living through the flu pandemic of 1918 and the Great Depression of 1929 while having constant access to social media updates. And that's awful.

Consume less but deeper. Less Twitter, less news, fewer big decisions, read more books.

It is better to be more pragmatic & logic-based in determining opportunity cost & the best strategy to use than to be led by extreme fear.

  • If you have sustainable high-margin revenue treasure it.
  • If you have low-margin revenue it might quickly turn into negative margin revenues unless something changes quickly.
  • If you have low-margin revenue which is sustainable but under-performed less stable high-margin revenues you might want to put a bit more effort into those sorts of projects as they are more likely to endure.

On a positive note, we might soon get a huge wave of innovation...

"Take the Great Depression. Economist Alexander Field writes that “the years 1929–1941 were, in the aggregate, the most technologically progressive of any comparable period in U.S. economic history.” Productivity growth was twice as fast in the 1930s as it was in the decade prior. The 1920s were the era of leisure because people could afford to relax. The 1930s were the era of frantic problem solving because people had no other choice. The Great Depression brought unimaginable financial pain. It also brought us supermarkets, microwaves, sunscreen, jets, rockets, electron microscopes, magnetic recording, nylon, photocopying, teflon, helicopters, color TV, plexiglass, commercial aviation, most forms of plastic, synthetic rubber, laundromats, and countless other discoveries."

The prior recession led to trends like Groupon. The McJobs recovery led to services like Uber & DoorDash. Food delivery has been trending south recently, though perhaps the stay-at-home economy will give it a boost.

I have been amazed at how fast affiliates moved with pushing N95 face masks online over the past couple months. Seeing how fast that stuff spun up really increases the perceived value of any sustainable high-margin businesses.

Amazon.com is hiring another 100,000 warehouse workers as people shop from home. Amazon banned new face masks and hand sanitizer listings. One guy had to donate around 18,000 cleaning products he couldn't sell.

I could see online education becoming far more popular as people aim to retrain while stuck at home.

What sorts of new industries will current & new technologies lead to as more people spend time working from home?




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WIAA readjusts, sets May 4 as deadline for spring championships


Even if school returns after May 4, the WIAA may allow some competition.




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Catch ‘spring fever’ at the Northwest Flower & Garden Festival in Seattle


It's starting to smell like spring. The Northwest Flower and Garden Festival, running Feb. 26-March 1 at the Washington State Convention Center, will offer plenty of tips, tricks and displays for inspiration.




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A sure sign of spring on the way: The Northwest Flower & Garden Festival


The 2020 Northwest Flower & Garden Festival is Wednesday, Feb. 26, through Sunday, March 1, at the Washington State Convention Center in Seattle.