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The Worst Things For Sale is Drew's blog. It updates every day. Subscribe to the Worst Things For Sale RSS!

The Worst Things For Sale is Drew's blog. It updates every day. Subscribe to the Worst Things For Sale RSS!

Posted by Victoria Strauss for Writer Beware®

Selling film rights to Hollywood is among writers' most fevered dreams. And where there is something that writers want or need, there are always sharks waiting to take advantage.

The Hollywood book-to-screen "marketing" package was pioneered by Author Solutions, way back in the early 2000s. All the Author Solutions imprints offer it, including the imprints AS runs for publishers. Here's what the package looks like, from AS imprint Xlibris:

• Hollywood Ticket: coverage by a "professional reader." Cost: $999.00.
• Hollywood First Act: a synopsis, "critical analysis", and "45- 60-second teaser Book Video" for "catching film executives' attention". Cost: $2,999.00.
• Hollywood Director's Cut: an 8-10 page treatment by a "professional screenwriter", plus "consideration" by Author Solutions' "first-look Hollywood partner". Cost: $3,899.00
• Hollywood Producer's Pick: this is the big kahuna, a full screenplay written by a screenwriter, plus consideration by AS's first-look partner. Cost: $16,299.00. Note that the screenplay is based on "your approved Hollywood Treatment", which you must previously have purchased--so the real cost of this option is $20,198.00.

Although a handful of other assisted self-publishing companies have offered similar packages over the years (here's the one from Bookstand Publishing, for instance; Outskirts Press also had one for a time, though it seems to have been discontinued), Author Solutions hasn't faced a lot of competition in the high-priced Hollywood dream exploitation business--primarily, I'm guessing, because of the cost and coordination involved in providing the coverage, critiques, treatments, and screenplays to the authors who buy them.

That's changed recently, though.

An explosion of book-to-screen "services" has hit the internet, courtesy of the Author Solutions copycat scams that I've been writing about so much lately (there's a complete list in the sidebar). Author Reputation Press, Coffee Press, Dream Books Distribution, Media City Publishers, Paramount Books Media, Book Art Press, New Reader Media, BookVenture, Pearson Media Groups, MatchStick Literary, and more all offer some version of the Author Solutions book-to-screen package, either on their websites or in their (extremely aggressive) phone and email solicitations.

The value of any book-to-screen package is highly debatable, regardless of who provides it. Vendors of such "services" play on authors' dreams of making it big, while failing to provide any kind of realistic information about the extreme unlikelihood of success. Most books never sell or option film rights (they're among the subsidiary rights least likely to be exploited, even for successful authors with top-flight agents), and it's far harder to sell a screenplay than it is a book manuscript. For most authors, the most probable result of buying a book-to-screen package is a smaller bank account.

And that's assuming that the vendor actually provides the advertised services, and doesn't just take the money and run. Author Solutions, at least, does seem to produce the coverage, etc., it sells, in a reasonably literate manner (you'll see some examples if you read on)--though of course, like paid reviews, the critiques and coverage are likely to be customer-friendly--that is, unrealistically positive.

The copycats, on the other hand...they don't exactly have the greatest track records for quality, reliability, or service. Or honesty.

An example: Universal Book Solutions, which styles itself "a Book-to-Screen Marketing Professional, with years of experience in working for motion picture projects for producers, agents, directors, and major studios in Hollywood." As usual with the Author Solutions copycat scams, there's no information that would allow you to verify any of these claims--no list of owners or staff, no company history, no examples of successful projects. That's no accident, of course.

A sensible person might also wonder about the quality of written materials produced by a "Book-to-Screen Marketing Professional" that puts out website text like this (English-language lapses are one of the markers for the copycat scams):


Here's how UBS's slightly more literate email pitch begins (I've seen two of these now, and they're identical):

The email goes on to detail the services on offer--news release, coverage, treatment, and screenplay--in language that has been lifted directly from the Xlibris (and other Author Solutions imprints) book-to-screen package. As further inducement, a bunch of glowing--and conveniently unverifiable--quotes are appended at the end. Turns out that these too have been lifted, though from a different (and, in its way, equally questionable) source.


Anonymous testimonials are the best kind, right?

Last but not least, UBS includes several attachments--supposedly, examples of its work:


"Sample coverage" is this. Looks surprisingly literate and detailed, doesn't it? But wait. Here it is again...on the iUniverse website (the book was published by another Author Solutions imprint). Ditto for UBS's "sample treatment:" here's what UBS sent. Here it is at iUniverse (which also published the book in question).

(As for The Little Prince screenplay, I can't find any evidence of it online, but given all the other borrowing, it's sure to have been snitched from somewhere.)

So...a plagiarized book-to-screen package, promoted with plagiarized text, further promoted with plagiarized testimonials, and finished with sample documents produced by others and falsely presented as UBS's work. If you hand over your money to these folks (neither of the authors I heard from went far enough into the process to get a price), what do you think the odds are of getting any of the promised products?

Universal Book Solutions claims a Florida address (per a Google search, it's a private residence in what looks like a condo community), but has no business registration in that state. Its web domain was registered just last February. As for Allen Gardner, Project Manager, guess where he's located.
UBS is an especially egregious example of this increasingly common scam. But as noted above, there are many others, and they are aggressively soliciting authors, especially those who have published with Author Solutions imprints, small presses, and pay-to-play companies like Christian Faith Publishing and Page Publishing. Be on your guard, and if you hear from a company that wants to take you to Hollywood--for a price--remember that if it sounds too good to be true, it probably is.

For a much more realistic discussion of the book-to-screen process, see Jane Friedman's excellent article, How a Book Becomes a Movie. Scroll down to the final comments to see one from a writer who was solicited by Universal Book Solutions.

Posted by Victoria Strauss for Writer Beware®

Beginning on Friday, February 8, dozens of authors with mystery publisher Henery Press received some version of this email.

Dear ________,

Before entering 2020, we felt it prudent to review future projections for _______ series, taking into consideration recent releases and overall performance. To provide an unbiased professional opinion and guidance in our 3-year strategic plan, we hired a consulting firm with experience in the industry. This allowed us to analyze not only your specific series, but also the competitive landscape and industry as a whole.

Unfortunately the sales of _______ series do not justify the publication of future titles beyond 2020. We know this is disappointing. The market has become beyond saturated (especially in mystery fiction), with all leading indicators pointing to even more intense competition for consumer dollars in the next cycle and beyond....

Although we don’t have a pathway forward with your new titles, we will continue to sell and support your backlist titles as usual under the terms of our original publishing agreement. To be clear, we will not be reverting the rights on any of your already published title(s), only future titles specifically outlined in the addendum to follow in the next week.

A number of the cancellations affected books that had been completed, turned in, and scheduled for publication, with some authors having already made promotional plans. Others interrupted series whose first installment hadn't yet been published--with Henery holding on to the yet-to-be-published book and reverting rights to the rest. Cancellation of a series before it's completed can be tough--another publisher may not want to buy into a series mid-stream, and while followup titles can be self-published, it's difficult to promote a series when it's split up like this.

The cancellations came out of the blue (nothing had been said about any strategic plan or consulting firm). But while some writers were blindsided, others weren't hugely surprised. Although they have praise for the company's early days, Henery authors say that problems have been increasing for some time, with staff departures (interns are reportedly used to do a lot of the editing, with sometimes substandard results), late royalty checks and reports (several authors told me that they feel there are discrepancies in their sales figures), diminishing marketing (according to multiple writers, virtually no promotional support is provided), ordering problems (writers cite non-returnability and nonstandard discounts), and difficulty with communications.

"Over time," one author told me, "Henery Press’s business model started to look more like a company that assists with self-publishing and less like a real publisher." (In fact, Henery uses CreateSpace for printing, and Barnes & Noble lists Henery ebooks as "indie".)

I've gotten a variety of additional complaints, which I'm not able to share here because they could compromise confidentiality. There seems to be considerable fear among Henery authors that they will be penalized for speaking out--which may be why almost no word of the cancellations has escaped. There's also the gag clause in the rights reversion addendum that authors are receiving:


One writer told me, "HP payback tactics (they're so vindictive) are hell. [Authors are] afraid if HP even suspects they've contributed, the books they have will go down." I truly wish this weren't such a common component of publisher implosions.

So is Henery imploding? Mass cancellations are never a good sign, and often indicate financial distress. Some Henery authors don't feel that's the issue, though, or not the only issue: they speculate that the owners intend to retire, and are keeping the company alive in order to retain the income stream from existing titles.

I emailed Henery's owner, Art Molinares, for comment. As of this writing, he hasn't responded.

Mystery Writers of America (where Henery is listed as an Approved Publisher) is aware of the situation, and is monitoring it. If you've been affected, you can contact MWA here. Be sure to put "Henery Press" in the subject line. All communications are confidential.

I will post updates as I receive them.

Belgian waffles may be about to become more environmentally friendly.

NASA added the name of the goddess Artemis to new missions. TWH examines some possible implications of the secretive "Artemis Accords" and how they relate to previous treaties and agreements that pertain to space and celestial bodies.

Continue reading The mysterious Artemis Accords describe US interests in space resources at The Wild Hunt.

The actor on Derek Jarman, his wife’s right eye and the birthday party he wasn’t invited to

Born in Yorkshire, Sands, 62, studied at the Central School of Speech and Drama in London. He had a role in Derek Jarman’s Broken English and went on to appear in The Killing Fields, A Room With A View and Arachnophobia. His latest films are Yeh Ballet, available on Netflix, and The Painted Bird, out later this year. He is married, has three children, and lives in Los Angeles.

When are you happiest?
Close to a mountain summit on a glorious cold morning.

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With disinformation connecting coronavirus to 5G masts, fortune cookies and eating bat soup, here are some of the worst examples of misinformation surrounding the pandemic

If there’s one thing we know about Covid-19, it is that the pandemic is incredibly infectious. At the same time, the volume of disinformation from doctored photos to false rumours and hoax videos spreading online has grown at a worrying pace.

In etymological terms, the word “viral” comes from the stem word “virus”. And the viral misinformation can be a danger in itself. Just think of the recent petrol bomb attacks on 5G phone masts because of a widely believed – but unfounded – link to coronavirus.

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When councils were instructed to provide accommodation for their homeless population to protect them from coronavirus, Mike Matthews, owner of the Prince Rupert hotel in Shrewsbury, was one of the first to step in. The decision was part business decision to save his hotel, part philanthropy to help homeless people he admits he usually ignored. The new residents, including a former employee, feel it has given them some dignity back and offered them a rare feeling of family and safety. They also know this cannot be a permanent change to their lives, so what happens next?

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For a while supper and wine were sufficient; now I’m watching every adaptation that is better than its source material

I suspect I’m not alone in this but, at some point in the past two weeks, I hit my lockdown wall. Not literally, although apparently the “banging one’s head against the kitchen wall” phase kicks in on the eighth week, so that’s something to put in the diary. But last week I felt really, really over it. Enough with every day being the bloody same; enough with watching my children become increasingly fretful because they haven’t seen their friends in over a month, the equivalent of five years to a pair of four-year-olds. But unless you want to be one of those delightful people protesting the lockdown in the US, clothed in stars and stripes, AK-47s across their backs, what choice do we have? So, like Bill Murray, we grind out the same day, again and again and again.

The trick is to invent things to look forward to. For a while, “supper” and “wine” were sufficient, but repetition has dulled their efficacy. So I set myself challenges, driven on by the thrill of completion. Some people hear the word “challenge” and think, “Fitness!” Those people are not me. “Rewatch the entirety of 30 Rock” is more my speed. It is so soothing to watch a show about a luxuriantly bouffanted New York tycoon who isn’t a moron. In a just world, Jack Donaghy would be the US president instead of, well, you get the point. Then, sparked by his brilliant turn as Chris Tarrant on the ITV drama, Quiz, my next challenge was, “Watch every Michael Sheen performance in which he plays a real person”. This was deeply enjoyable, even if, in my lockdown-confused mind, I now think Brian Clough interviewed Richard Nixon on TV and Kenneth Williams was prime minister when Diana died.

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The broadcaster, 58, on God, privacy, Mini convertibles, the rudeness of Madonna and her school nickname, Vanessa the Undresser

Even aged two, I was a child of great perspicacity. At nursery we had to answer the register by saying “Yes, Auntie” or “Present, please”, which I found deeply confusing. First, I thought, you’re not my auntie. And if I’m asking politely for a present every day, where on earth is it?

Vanessa the Undresser was my nickname at school, and I put that down to my parents. When a sex scene started on TV I was banished to the hall. I’d stand with one ear against the door desperately trying to work out who was doing what to whom and in what position. Thus was aroused in me an unshakable thirst for sex in all its permutations. I’ve never tired of it, menopause or not.

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Teenagers affirm evidence that suggests they are particularly struggling with coronavirus crisis

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When, in late February, Betsy Sheil turned 16, she thought she was staring down the end of secondary school, not the beginning of global pandemic.

“I was going to finish year 11 and do my GCSEs, then I was going to have a really long summer with my friends, hopefully go abroad – have that summer that everyone has.”

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In days when face-to-face interaction is so 2019 and millions of people all over the world are zooming in with other people, it is only natural that the people on the internet will find a way to get the cats involved too. 

So, they created a fake screenshot of a zoom call by taking a pic of a cat in a steamy position, put it in a video call frame, and adding a photo of another cat shocked by it. 

And the result? Simply brilliant. And hilarious. 

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Foundling Paul Fronczak was given to a family whose baby had been stolen - but was he really their son?

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For the past two years, I’ve been publishing a daily work-and-life diary on Basecamp, sharing it with a few friends. This private writing work supplanted the daily public writing I used to do here. In an experiment, I’m publishing yesterday’s diary entry here today: YESTERDAY, Ava and a few of her schoolmates participated in a […]

The post My glamorous life: are you ready to math? appeared first on Zeldman on Web & Interaction Design.

Jen was present for, and actively participated in, the very beginnings of the creative and blogging web, and her famous book, now in its umpteenth edition, is still the best introduction to web design I know—probably the best that will ever be written.

The post My Brunch with Jen appeared first on Zeldman on Web & Interaction Design.

At 4:00 PM, I went to bed to rest up from my head cold, and promptly fell asleep. When I awoke, the clock said 7:15. Oh, no! I banged on my daughter’s door. “You’re going to be late to school!” I shouted. She cackled with laughter.“It’s 7:15 AT NIGHT,” she explained.

The post My Glamorous Life appeared first on Zeldman on Web & Interaction Design.

Lucy Proctor was horrified when she was WhatsApped a sex abuse video. And she wanted to find out if the boy was safe.

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Today was going to be my big day until Covid-19 intervened. But that won't stop me delivering my speech.

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Chancellor Rishi Sunak has told reporters that Covid-19 will cause "hardship ahead".

The chancellor says there have already been "tough times" as the coronavirus outbreak has an impact on the UK and warns "there will be more to come".