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Troops to receive Purple Hearts for injuries during Iranian missile barrage on al-Asad airbase in Iraq

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Published On :: Wednesday, April 29, 2020 - 1:50pm

There will be Purple Hearts awarded to troops injured during the Jan. 8 Iranian missile barrage on the al-Asad airbase in Iraq, a defense official told Military Times.


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Federal Watchdog Backs Reinstating Ousted Vaccine Expert

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Published On :: Fri, 08 May 2020 20:23:47 -0400

A federal watchdog is recommending that ousted vaccine expert Rick Bright be reinstated while it investigates whether the Trump administration retaliated against his whistleblower complaints when it removed him from a key post overseeing the coronavirus response, Bright's lawyers said Friday.


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Judge Could Hold Up Trump Administration's Bid to Clear Flynn, Legal Experts say

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Published On :: Fri, 08 May 2020 20:51:52 -0400

The notoriously independent-minded federal judge who once said he was disgusted by the conduct of Michael Flynn could block the administration's bid to drop criminal charges against the former adviser to President Donald Trump, legal experts said.


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Top Colorado Republican Pressures Official to Report False Election Results

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Published On :: Sat, 09 May 2020 11:33:22 -0400

U.S. Rep. Ken Buck, who is also the chairman of the Colorado Republican Party, was captured ordering a local party official to report false election results in a primary race for a state Senate seat in a leaked audio recording released earlier this week.


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Say Yes, Figure It Out Later. Starting from the Start with Tyler Babin

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Published On :: Wed, 03 Jul 2019 13:15:14 +0000

“It’s impossible to move forward while staying the same”. That’s what motivated Tyler Babin, a 25 year old up & coming filmmaker, who hustled his way into his dream job only to leave it to pursue the riskier thing, an even bigger bet – on himself. I’ve had literally hundreds of requests over the years to have someone on the show who isn’t Richard Branson or Brene Brown or {fill in the blank star}…ie. host someone who hasn’t “made it big” and is, instead, on the come-up themselves…someone from within our very own community who has been listening for years, connecting dots, gleaning knowledge and is now taking major action on that.  Well THIS is Tyler’s story. If you’ve  followed my pal Gary Vaynerchuk, it’s likely you’ve actually seen some of Tyler’s work. For the last 3-4 years, he’s been a whirlwind tour traveling the world with Gary, shooting photo + video, creative directing projects at Vayner… and it all started right here on this show nearly 8 years ago.  This episode goes full circle, friends. Also – instead of the usual studio conversation, Tyler and I recorded the show while grabbing a burger & margarita just around the corner […]

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Elizabeth Gilbert: The Art of Being Yourself

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Published On :: Wed, 24 Jul 2019 13:11:57 +0000

Brace yourself for a TRULY powerful episode with the bestselling author and creative genius, Elizabeth Gilbert. Although best known for her memoir Eat, Pray, Love–which went on to sell over 12 million copies and became a film staring Julia Roberts—she’s also one of Time Magazine’s 100 most influential people in the world… The whole world. Spend some time with her in your ears on today’s podcast and you’ll know why in under a minute…   In this episode, we cover How Liz considers mental health her full time job, and writing / being a professional creator is a hobby.  How the only way out of pain is through honesty. Liz shares her experiences working through the loss of her partner to cancer. The things we won’t even admit to ourselves will cause us pain, even to the point of mental and physical breakdown Her latest INCREDIBLE novel called City of Girls (…a “delicious novel of glamour, sex, and adventure, about a young woman discovering that you don’t have to be a good girl to be a good person”) Why mercy is the foundation to any creative endeavor. How creativity and writing can be a tool to slow the mind during hard times. And […]

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The Introvert Advantage with Beth Comstock

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Published On :: Wed, 07 Aug 2019 13:15:20 +0000

Even though I’m an extrovert, I have a feeling the future favors the introvert. Beth Comstock was at the CreativeLive studios in Seattle and I could not help but snag her for a quick moment to pick her brain on one of the most popular topics on my channel — navigating an extroverted world as an introvert. As a self-described introvert, Beth knows what it’s like to find elevate your strengths and have the courage to defend your creative ideas. Beth was named one of the most powerful women in business. After leaving a 27 year career at GE as their Chief Marketing Officer and Vice Chair, she decided to got a completely different direction to focus on new areas such as writing, art, exploration, and discovery. In this episode, Beth shares her advice to embrace your nature, and bring those strengths to any client, team, or situation. Enjoy! If you dig the show, please give a shout out to Beth on social and let her know. ???? FOLLOW BETH: twitter | instagram | website Listen to the Podcast  Subscribe   This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in […]

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Jump into Fear with Jeremy Cowart

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Published On :: Wed, 21 Aug 2019 13:00:45 +0000

Jeremy Cowart was named the “Most Influential Photographers on the Internet” by Huffington Post in 2014. He’s the founder of a global photography movement, Help-Portrait, to give back to those in need. As well as many photography projects bridging empathy and creativity into awareness and action. If you’ve been a long time listener / watcher of this show, you’ll recognize Jeremy from one of the first episodes nearly 10 years ago. Jeremy’s vision and ambition have not slowed down. Today on the show, we get into his new book I’m Possible and his biggest project to date, building a hotel where every aspect serves someone in need. We get into facing fears, overcoming doubt, and how to turn the seemingly impossible to possible. In this episode: The fear of having a dream that’s so big. Chasing a dream for a decade or lifetime. How do you take action and get paralyzed because it’s so big? How to chase curiosity despite your fear of starting something new? Whether you’re just starting out or you’re thinking about transitioning from something you love doing and are already good at…. Battling against our inner monologue pulling us away from the thing we know we […]

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Independence and the Art of Timeless Work with Zoë Keating

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Published On :: Thu, 29 Aug 2019 05:03:23 +0000

A cellist since the age of eight, Zoë Keating pursued electronic music and contemporary composition as part of her Liberal Arts studies at Sarah Lawrence College in New York. I came across her music almost 10 years ago and love it so much I reached out to see if she would be interested on being on the show. Not only did she respond, she left us reeling from her incredible live performance and chat on art + entrepreneurship. Now she’s back on tour with her latest album Snowmelt. In this episode, we go deep into personal growth, dealing with incredible loss, balancing parenthood and career, and landscape for independent artists. Enjoy! FOLLOW ZOË: instagram | twitter | website Listen to the Podcast Subscribe   Watch the Episode  This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in photo/video, art/design, music/audio, craft/maker, money/life and the ability to make a living in any of those disciplines. They are high quality, highly curated classes taught by the world’s top experts — Pulitzer, Oscar, Grammy Award winners, New York Times best selling authors and the best entrepreneurs of our times.

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Adaptation, Self-Awareness and Art of the Side Hustle with Chris Guillebeau

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Published On :: Wed, 04 Sep 2019 13:08:03 +0000

Chris Guillebeau has traveled to 193 countries. And just to be clear, that is all of the countries recognized on the planet. He is the first person to do it before the age of 35. More importantly, he has built online businesses, side hustles, and mastered the art of a non-conforming lifestyle since he was 19 years old. There’s almost nobody better person equipped to talk about starting lots of businesses. He has a daily podcast called Side Hustle School where he’s featured more than 850 different side hustle businesses + featured many in his new book called 100 Side Hustles. Chris also started half a dozen or more himself, started one of my favorite conferences, The World Domination Summit, and is a New York Times bestselling author of books like the $100 Start Up and The Art of Non-Conformity and many others. This guy is a beast and he’s so savvy, so humble. In this episode: We go into details about some of Chris’ favorite side hustle businesses he’s come across in his podcast & writing this book – what are some of the most common traits and failures. Chris shares his experience with depression, how he’s faced it, […]

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The Soulful Art of Persuasion with Jason Harris

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Published On :: Wed, 11 Sep 2019 13:00:42 +0000

As creators and entrepreneurs, getting our ideas out in the world is critical. And today, I have my long time friend Jason Harris in the hot seat to help us with just that. Jason is the founder and CEO of the award winning creative agency Mekanism. He is one of Creativity Mag’s most creative people in business, Top 100 People Who Make Advertising Great and about 52 other awards in the creative space. You’ve certainly seen his work if you’ve watched Superbowl commercials or heard of Peloton, Ben & Jerrys, HBO, and more. He also is one of the people that I look up to as a model of giving back. He donates a huge amount of his time to causes in which he believes and uses his marketing savvy for doing good in the world. I’m super inspired by our conversation today for so many reasons, but here’s handful to whet your palette: Of course we get into his new book The Soulful Art of Persuasion, in which Jason breaks down the art of sharing our ideas in an honest and authentic ways We talk about the ups and downs living life identifying as a professional creator, including the […]

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There Is Only One You with Clemency Burton-Hill

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Published On :: Wed, 01 Jan 2020 15:17:19 +0000

There are 7106 languages on earth and yet there are a few universal languages that transcends the language barrier. In this episode we explore one of the first universal languages of human history: music. My guest today is Clemency Burton-Hill. From underground DJ to the Creative Director at New York Public Radio, she is an author, a musician, and host of multiple podcasts including The Open Ears Project, Classical Fix, and Moments that Made Me. Her latest book, Year of Wonder helps readers explore and experience a new classical musical piece every day. In this episode: Classical music has a bad rap for being stuffy, boring, and largely inaccessible. Clemency expands on what’s available, and how it’s really the soundtrack of our lives. The universality of music and how we use music to explore, express, and share. Of course, Clemency drops so many names of musical artists to explore who are crushing it today. Enjoy! FOLLOW CLEMENCY: instagram | twitter | website Listen to the Podcast  Subscribe   This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in photo/video, art/design, music/audio, craft/maker, money/life and the ability to make a living in […]

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Finding True North with Chelsea Yamase

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Published On :: Wed, 22 Jan 2020 14:15:49 +0000

So many of us are going along on the path that we think we want, only to realize that something is missing. The same was true for today’s guest, Chelsea Yamase (@chelseakauai) who found herself heading into a potential career that was slowly killing her soul. Through a winding path of architecture, graphic design, journalism, and a myriad of side hustles, she found herself faced with the big question: pursue the unconventional life of your dreams or stick to a “real job”. She lept. Today, Chelsea is a sought after model, photographer, influencer and movement enthusiast from Hawaii with a focus on mindful living. She’s been featured in Travel and Leisure, Cosmopolitan, Condé Nast Traveler, to name a few, and and worked with numerous brands such as Canon USA, Adidas, Google, Athleta, GoPro, DJI Global and The National Parks Foundation. In this episode: How to give yourself structure that can help you take a leap into an unconventional lifestyle What can you make with what’s around you? Constraints are a path to creativity and a key gaining new perspectives As money and opportunities come in, how do you stay in alignment with your values and the work you really want […]

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Getting Comfortable with Being Uncomfortable

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Published On :: Wed, 25 Mar 2020 13:15:01 +0000

Being uncomfortable isn’t usually fun. In fact, we’re probably more likely to try to avoid uncomfortable situations than actually run toward them. Yet, it is a valuable skill. Not only in dealing with adversity but giving us confidence and trust in ourselves to recover quickly from failure, manage our fears, and explore the unknown. In today’s episode, we dive a big deeper into this topic and I share a few ways we can all practice getting comfortable with being uncomfortable. Enjoy! FOLLOW CHASE: instagram | twitter | website Listen to the Podcast Subscribe   This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in photo/video, art/design, music/audio, craft/maker, money/life and the ability to make a living in any of those disciplines. They are high quality, highly curated classes taught by the world’s top experts — Pulitzer, Oscar, Grammy Award winners, New York Times best selling authors and the best entrepreneurs of our times.

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Start in a Place That’s True with IN-Q

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Published On :: Thu, 02 Apr 2020 13:15:09 +0000

Storytelling is one of the oldest art forms. It connects us. Our brains our wired for it. Story is not only a way for us to share and connect with others, but a path to deeper understanding and vulnerability. That’s why I’m very excited to have on the show award winning Poet, Author, and Performer, IN-Q. In addition to his poetry, live performances and storytelling workshops, IN-Q is a multi-platinum songwriter having worked with Selena Gomez, Aloe Black, Miley Cyrus, Mike Posner, and Foster the People. Oprah named him on her SuperSoul 100 list of the world’s most influential thought leaders. He’s been featured all over the place including A&E, ESPN, HBO, and companies such as Nike, Instagram, Spotify, and many more. In our conversation, we get into his new book, Inquire Within. In fact, he reads a bit of it on the show. It’s an awe-inspiring rhythmic exploration of transforming love, loss, and forgiveness into growth. Super excited for you to hear it. We also get into: Developing your own voice by focusing on what’s moving and meaningful for you How to find calm in the chaos Using vulnerability to short-cut and deepen relationships in our lives and much, […]

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Markdown Comes Alive! Part 1, Basic Editor

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Published On :: Wed, 26 Feb 2020 08:00:00 -0500

In my last post, I covered what LiveView is at a high level. In this series, we’re going to dive deeper and implement a LiveView powered Markdown editor called Frampton. This series assumes you have some familiarity with Phoenix and Elixir, including having them set up locally. Check out Elizabeth’s three-part series on getting started with Phoenix for a refresher.

This series has a companion repository published on GitHub. Get started by cloning it down and switching to the starter branch. You can see the completed application on master. Our goal today is to make a Markdown editor, which allows a user to enter Markdown text on a page and see it rendered as HTML next to it in real-time. We’ll make use of LiveView for the interaction and the Earmark package for rendering Markdown. The starter branch provides some styles and installs LiveView.

Rendering Markdown

Let’s set aside the LiveView portion and start with our data structures and the functions that operate on them. To begin, a Post will have a body, which holds the rendered HTML string, and title. A string of markdown can be turned into HTML by calling Post.render(post, markdown). I think that just about covers it!

First, let’s define our struct in lib/frampton/post.ex:

defmodule Frampton.Post do
  defstruct body: "", title: ""

  def render(%__MODULE{} = post, markdown) do
    # Fill me in!
  end
end

Now the failing test (in test/frampton/post_test.exs):

describe "render/2" do
  test "returns our post with the body set" do
    markdown = "# Hello world!"                                                                                                                 
    assert Post.render(%Post{}, markdown) == {:ok, %Post{body: "<h1>Hello World</h1>
"}}
  end
end

Our render method will just be a wrapper around Earmark.as_html!/2 that puts the result into the body of the post. Add {:earmark, "~> 1.4.3"} to your deps in mix.exs, run mix deps.get and fill out render function:

def render(%__MODULE{} = post, markdown) do
  html = Earmark.as_html!(markdown)
  {:ok, Map.put(post, :body, html)}
end

Our test should now pass, and we can render posts! [Note: we’re using the as_html! method, which prints error messages instead of passing them back to the user. A smarter version of this would handle any errors and show them to the user. I leave that as an exercise for the reader…] Time to play around with this in an IEx prompt (run iex -S mix in your terminal):

iex(1)> alias Frampton.Post
Frampton.Post
iex(2)> post = %Post{}
%Frampton.Post{body: "", title: ""}
iex(3)> {:ok, updated_post} = Post.render(post, "# Hello world!")
{:ok, %Frampton.Post{body: "<h1>Hello world!</h1>
", title: ""}}
iex(4)> updated_post
%Frampton.Post{body: "<h1>Hello world!</h1>
", title: ""}

Great! That’s exactly what we’d expect. You can find the final code for this in the render_post branch.

LiveView Editor

Now for the fun part: Editing this live!

First, we’ll need a route for the editor to live at: /editor sounds good to me. LiveViews can be rendered from a controller, or directly in the router. We don’t have any initial state, so let's go straight from a router.

First, let's put up a minimal test. In test/frampton_web/live/editor_live_test.exs:

defmodule FramptonWeb.EditorLiveTest do
  use FramptonWeb.ConnCase
  import Phoenix.LiveViewTest

  test "the editor renders" do
    conn = get(build_conn(), "/editor")
    assert html_response(conn, 200) =~ "data-test="editor""
  end
end

This test doesn’t do much yet, but notice that it isn’t live view specific. Our first render is just the same as any other controller test we’d write. The page’s content is there right from the beginning, without the need to parse JavaScript or make API calls back to the server. Nice.

To make that test pass, add a route to lib/frampton_web/router.ex. First, we import the LiveView code, then we render our Editor:

import Phoenix.LiveView.Router
# … Code skipped ...
# Inside of `scope "/"`:
live "/editor", EditorLive

Now place a minimal EditorLive module, in lib/frampton_web/live/editor_live.ex:

defmodule FramptonWeb.EditorLive do
  use Phoenix.LiveView

  def render(assigns) do
    ~L"""
      <div data-test=”editor”>
        <h1>Hello world!</h1>
      </div>
      """
  end

  def mount(_params, _session, socket) do
    {:ok, socket}
  end
end

And we have a passing test suite! The ~L sigil designates that LiveView should track changes to the content inside. We could keep all of our markup in this render/1 method, but let’s break it out into its own template for demonstration purposes.

Move the contents of render into lib/frampton_web/templates/editor/show.html.leex, and replace EditorLive.render/1 with this one liner: def render(assigns), do: FramptonWeb.EditorView.render("show.html", assigns). And finally, make an EditorView module in lib/frampton_web/views/editor_view.ex:

defmodule FramptonWeb.EditorView do
  use FramptonWeb, :view
  import Phoenix.LiveView
end

Our test should now be passing, and we’ve got a nicely separated out template, view and “live” server. We can keep markup in the template, helper functions in the view, and reactive code on the server. Now let’s move forward to actually render some posts!

Handling User Input

We’ve got four tasks to accomplish before we are done:

  1. Take markdown input from the textarea
  2. Send that input to the LiveServer
  3. Turn that raw markdown into HTML
  4. Return the rendered HTML to the page.

Event binding

To start with, we need to annotate our textarea with an event binding. This tells the liveview.js framework to forward DOM events to the server, using our liveview channel. Open up lib/frampton_web/templates/editor/show.html.leex and annotate our textarea:

<textarea phx-keyup="render_post"></textarea>

This names the event (render_post) and sends it on each keyup. Let’s crack open our web inspector and look at the web socket traffic. Using Chrome, open the developer tools, navigate to the network tab and click WS. In development you’ll see two socket connections: one is Phoenix LiveReload, which polls your filesystem and reloads pages appropriately. The second one is our LiveView connection. If you let it sit for a while, you’ll see that it's emitting a “heartbeat” call. If your server is running, you’ll see that it responds with an “ok” message. This lets LiveView clients know when they've lost connection to the server and respond appropriately.

Now, type some text and watch as it sends down each keystroke. However, you’ll also notice that the server responds with a “phx_error” message and wipes out our entered text. That's because our server doesn’t know how to handle the event yet and is throwing an error. Let's fix that next.

Event handling

We’ll catch the event in our EditorLive module. The LiveView behavior defines a handle_event/3 callback that we need to implement. Open up lib/frampton_web/live/editor_live.ex and key in a basic implementation that lets us catch events:

def handle_event("render_post", params, socket) do
  IO.inspect(params)

  {:noreply, socket}
end

The first argument is the name we gave to our event in the template, the second is the data from that event, and finally the socket we’re currently talking through. Give it a try, typing in a few characters. Look at your running server and you should see a stream of events that look something like this:

There’s our keystrokes! Next, let’s pull out that value and use it to render HTML.

Rendering Markdown

Lets adjust our handle_event to pattern match out the value of the textarea:

def handle_event("render_post", %{"value" => raw}, socket) do

Now that we’ve got the raw markdown string, turning it into HTML is easy thanks to the work we did earlier in our Post module. Fill out the body of the function like this:

{:ok, post} = Post.render(%Post{}, raw)
IO.inspect(post)

If you type into the textarea you should see output that looks something like this:

Perfect! Lastly, it’s time to send that rendered html back to the page.

Returning HTML to the page

In a LiveView template, we can identify bits of dynamic data that will change over time. When they change, LiveView will compare what has changed and send over a diff. In our case, the dynamic content is the post body.

Open up show.html.leex again and modify it like so:

<div class="rendered-output">
  <%= @post.body %>
</div>

Refresh the page and see:

Whoops!

The @post variable will only be available after we put it into the socket’s assigns. Let’s initialize it with a blank post. Open editor_live.ex and modify our mount/3 function:

def mount(_params, _session, socket) do
  post = %Post{}
  {:ok, assign(socket, post: post)}
end

In the future, we could retrieve this from some kind of storage, but for now, let's just create a new one each time the page refreshes. Finally, we need to update the Post struct with user input. Update our event handler like this:

def handle_event("render_post", %{"value" => raw}, %{assigns: %{post: post}} = socket) do
  {:ok, post} = Post.render(post, raw)
  {:noreply, assign(socket, post: post)
end

Let's load up http://localhost:4000/editor and see it in action.

Nope, that's not quite right! Phoenix won’t render this as HTML because it’s unsafe user input. We can get around this (very good and useful) security feature by wrapping our content in a raw/1 call. We don’t have a database and user processes are isolated from each other by Elixir. The worst thing a malicious user could do would be crash their own session, which doesn’t bother me one bit.

Check the edit_posts branch for the final version.

Conclusion

That’s a good place to stop for today. We’ve accomplished a lot! We’ve got a dynamically rendering editor that takes user input, processes it and updates the page. And we haven’t written any JavaScript, which means we don’t have to maintain or update any JavaScript. Our server code is built on the rock-solid foundation of the BEAM virtual machine, giving us a great deal of confidence in its reliability and resilience.

In the next post, we’ll tackle making a shared editor, allowing multiple users to edit the same post. This project will highlight Elixir’s concurrency capabilities and demonstrate how LiveView builds on them to enable some incredible user experiences.


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A Viget Glossary: What We Mean and Why it Matters - Part 1

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Published On :: Tue, 21 Apr 2020 08:00:00 -0400

Viget has helped organizations design and develop award-winning websites and digital products for 20 years. In that time, we’ve been lucky to create long-term relationships with clients like Puma, the World Wildlife Fund, and Privia Health, and, throughout our time working together, we’ve come to understand each others’ unique terminology. But that isn’t always the case when we begin work with new clients, and in a constantly-evolving industry, we know that new terminology appears almost daily and organizations have unique definitions for deliverables and processes.

Kicking off a project always initiates a flurry of activity. There are contracts to sign, team members to introduce, and new platforms to learn. It’s an exciting time, and we know clients are anxious to get underway. Amidst all the activity, though, there is a need to define and create a shared lexicon to ensure both teams understand the project deliverables and process that will take us from kickoff to launch.

Below, we’ve rounded up a few terms for each of our disciplines that often require additional explanation. Note: our definitions of these terms may differ slightly from the industry standard, but highlight our interpretation and use of them on a daily basis.

User Experience

Research

In UX, there is a proliferation of terms that are often used interchangeably and mean almost-but-subtly-not the same thing. Viget uses the term research to specifically mean user research — learning more about the users of our products, particularly how they think and behave — in order to make stronger recommendations and better designs. This can be accomplished through different methodologies, depending on the needs of the project, and can include moderated usability testing, stakeholder interviews, audience research, surveys, and more. Learn more about the subtleties of UX research vocabulary in our post on “Speaking the Same Language About Research”.

Wireframes

We use wireframes to show the priority and organization of content on the screen, to give a sense of what elements will get a stronger visual treatment, and to detail how users will get to other parts of the site. Wireframes are a key component of website design — think of them as the skeleton or blueprint of a page — but we know that clients often feel uninspired after reviewing pages built with gray boxes. In fact, we’ve even written about how to improve wireframe presentations. We remind clients that visual designers will step in later to add polish through color, graphics, and typography, but agreeing on the foundation of the page is an important and necessary first step.

Prototypes

During the design process, it’s helpful for us to show clients how certain pieces of functionality or animations will work once the site is developed. We can mimic interactivity or test a technical proof of concept by using a clickable prototype, relying on tools like Figma, Invision, or Principle. Our prototypes can be used to illustrate a concept to internal stakeholders, but shouldn’t be seen as a final approach. Often, these concepts will require additional work to prepare them for developer handoff, which means that prototypes quickly become outdated. Read more about how and when we use prototypes.

Navigation Testing (Treejack Testing)

Following an information architecture presentation, we will sometimes recommend that clients conduct navigation testing. When testing, we present a participant with the proposed navigation and ask them to perform specific tasks in order to see if they will be able to locate the information specified within the site’s new organization. These tests generally focus on two aspects of the navigation: the structure of the navigation system itself, and the language used within the system. Treejack is an online navigation testing tool that we like to employ when conducting navigation tests, so we’ll often interchange the terms “navigation testing” with “treejack testing”.

Learn more about Viget’s approach to user experience and research. 


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Pursuing A Professional Certification In Scrum

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Published On :: Wed, 22 Apr 2020 08:00:00 -0400

Professional certifications have become increasingly popular in this age of career switchers and the freelance gig economy. A certification can be a useful way to advance your skill set quickly or make your resume stand out, which can be especially important for those trying to break into a new industry or attract business while self-employed. Whatever your reason may be for pursuing a professional certificate, there is one question only you can answer for yourself: is it worth it?

Finding first-hand experiences from professionals with similar career goals and passions was the most helpful research I used to answer that question for myself. So, here’s mine; why I decided to get Scrum certified, how I evaluated my options, and if it was really worth it.

A shift in mindset

My background originates in brand strategy where it’s typical for work to follow a predictable order, each step informing the next. This made linear techniques like water-fall timelines, completing one phase of work in its entirety before moving onto the next, and documenting granular tasks weeks in advance helpful and easy to implement. When I made the move to more digitally focused work, tasks followed a much looser set of ‘typical’ milestones. While the general outline remained the same (strategy, design, development, launch) there was a lot more overlap with how tasks informed each other, and would keep informing and re-informing as an iterative workflow would encourage.

Trying to fit a very fluid process into my very stiff linear approach to project planning didn’t work so well. I didn’t have the right strategies to manage risks in a productive way without feeling like the whole project was off track; with the habit of account for granular details all the time, I struggled to lean on others to help define what we should work on and when, and being okay if that changed once, or twice, or three times. Everything I learned about the process of product development came from learning on the job and making a ton of mistakes—and I knew I wanted to get better.

Photo by Christin Hume on Unsplash

I was fortunate enough to work with a group of developers who were looking to make a change, too. Being ‘agile’-enthusiasts, this group of developers were desperately looking for ways to infuse our approach to product work with agile-minded principles (the broad definition of ‘agile’ comes from ‘The Agile Manifesto’, which has influenced frameworks for organizing people and information, often applied in product development). This not only applied to how I worked with them, but how they worked with each other, and the way we all onboarded clients to these new expectations. This was a huge eye opener to me. Soon enough, I started applying these agile strategies to my day-to-day— running stand-ups, setting up backlogs, and reorganizing the way I thought about work output. It’s from this experience that I decided it may be worth learning these principles more formally.

The choice to get certified

There is a lot of literature out there about agile methodologies and a lot to be learned from casual research. This benefitted me for a while until I started to work on more complicated projects, or projects with more ambitious feature requests. My decision to ultimately pursue a formal agile certification really came down to three things:

  1. An increased use of agile methods across my team. Within my day-to-day I would encounter more team members who were familiar with these tactics and wanted to use them to structure the projects they worked on.
  2. The need for a clear definition of what processes to follow. I needed to grasp a real understanding of how to implement agile processes and stay consistent with using them to be an effective champion of these principles.
  3. Being able to diversify my experience. Finding ways to differentiate my resume from others with similar experience would be an added benefit to getting a certification. If nothing else, it would demonstrate that I’m curious-minded and proactive about my career.

To achieve these things, I gravitated towards a more foundational education in a specific agile-methodology. This made Scrum the most logical choice given it’s the basis for many of the agile strategies out there and its dominance in the field.

Evaluating all the options

For Scrum education and certification, there are really two major players to consider.

  1. Scrum Alliance - Probably the most well known Scrum organization is Scrum Alliance. They are a highly recognizable organization that does a lot to further the broader understanding of Scrum as a practice.
  2. Scrum.org - Led by the original co-founder of Scrum, Ken Schwaber, Scrum.org is well-respected and touted for its authority in the industry.

Each has their own approach to teaching and awarding certifications as well as differences in price point and course style that are important to be aware of.

SCRUM ALLIANCE

Pros

  • Strong name recognition and leaders in the Scrum field
  • Offers both in-person and online courses
  • Hosts in-person events, webinars, and global conferences
  • Provides robust amounts of educational resources for its members
  • Has specialization tracks for folks looking to apply Scrum to their specific discipline
  • Members are required to keep their skills up to date by earning educational credits throughout the year to retain their certification
  • Consistent information across all course administrators ensuring you'll be set up to succeed when taking your certification test.

Cons

  • High cost creates a significant barrier to entry (we’re talking in the thousands of dollars here)
  • Courses are required to take the certification test
  • Certification expires after two years, requiring additional investment in time and/or money to retain credentials
  • Difficult to find sample course material ahead of committing to a course
  • Courses are several days long which may mean taking time away from a day job to complete them

SCRUM.ORG

Pros

  • Strong clout due to its founder, Ken Schwaber, who is the originator of Scrum
  • Offers in-person classes and self-paced options
  • Hosts in-person events and meetups around the world
  • Provides free resources and materials to the public, including practice tests
  • Has specialization tracks for folks looking to apply Scrum to their specific discipline
  • Minimum score on certification test required to pass; certification lasts for life
  • Lower cost for certification when compared to peers

Cons

  • Much lesser known to the general public, as compared to its counterpart
  • Less sophisticated educational resources (mostly confined to PDFs or online forums) making digesting the material challenging
  • Practice tests are slightly out of date making them less effective as a study tool
  • Self-paced education is not structured and therefore can’t ensure you’re learning everything you need to know for the test
  • Lack of active and engaging community will leave something to be desired

Before coming to a decision, it was helpful to me to weigh these pros and cons against a set of criteria. Here’s a helpful scorecard I used to compare the two institutions.

Scrum Alliance Scrum.org
Affordability ⚪⚪⚪⚪
Rigor⚪⚪⚪⚪⚪
Reputation⚪⚪⚪⚪⚪
Recognition⚪⚪⚪⚪
Community⚪⚪⚪⚪
Access⚪⚪⚪⚪⚪
Flexibility⚪⚪⚪⚪
Specialization⚪⚪⚪⚪⚪⚪
Requirements⚪⚪⚪⚪
Longevity⚪⚪⚪⚪

For me, the four areas that were most important to me were:

  • Affordability - I’d be self-funding this certificate so the investment of cost would need to be manageable.
  • Self-paced - Not having a lot of time to devote in one sitting, the ability to chip away at coursework was appealing to me.
  • Reputation - Having a certificate backed by a well-respected institution was important to me if I was going to put in the time to achieve this credential.
  • Access - Because I wanted to be a champion for this framework for others in my organization, having access to resources and materials would help me do that more effectively.

Ultimately, I decided upon a Professional Scrum Master certification from Scrum.org! The price and flexibility of learning course content were most important to me. I found a ton of free materials on Scrum.org that I could study myself and their practice tests gave me a good idea of how well I was progressing before I committed to the cost of actually taking the test. And, the pedigree of certification felt comparable to that of Scrum Alliance, especially considering that the founder of Scrum himself ran the organization.

Putting a certificate to good use

I don’t work in a formal Agile company, and not everyone I work with knows the ins and outs of Scrum. I didn’t use my certification to leverage a career change or new job title. So after all that time, money, and energy, was it worth it?

I think so. I feel like I use my certification every day and employ many of the principles of Scrum in my day-to-day management of projects and people.

  • Self-organizing teams is really important when fostering trust and collaboration among project members. This means leaning on each other’s past experiences and lessons learned to inform our own approach to work. It also means taking a step back as a project manager to recognize the strengths on your team and trust their lead.
  • Approaching things in bite size pieces is also a best practice I use every day. Even when there isn't a mandated sprint rhythm, breaking things down into effort level, goals, and requirements is an excellent way to approach work confidently and avoid getting too overwhelmed.
  • Retrospectives and stand ups are also absolute musts for Scrum practices, and these can be modified to work for companies and project teams of all shapes and sizes. Keeping a practice of collective communication and reflection will keep a team humming and provides a safe space to vent and improve.
Photo by Gautam Lakum on Unsplash

Parting advice

I think furthering your understanding of industry standards and keeping yourself open to new ways of working will always benefit you as a professional. Professional certifications are readily available and may be more relevant than ever.

If you’re on this path, good luck! And here are some things to consider:

  • Do your research – With so many educational institutions out there, you can definitely find the right one for you, with the level of rigor you’re looking for.
  • Look for company credits or incentives – some companies cover part or all of the cost for continuing education.
  • Get started ASAP – You don’t need a full certification to start implementing small tactics to your workflows. Implementing learnings gradually will help you determine if it’s really something you want to pursue more formally.


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A Viget Glossary: What We Mean and Why It Matters - Part 2

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Published On :: Tue, 28 Apr 2020 10:09:00 -0400

In my last post, I defined terms used by our UX team that are often confused or have multiple meanings across the industry. Today, I’ll share our definitions for processes and deliverables used by our design and strategy teams.

Creative

Brand Strategy

In our experience, we’ve found that the term brand strategy is used to cover a myriad of processes, documents, and deliverables. To us, a brand strategy defines how an organization communicates who they are, what they do and why in a clear and compelling way. Over the years, we’ve developed an approach to brand strategy work that emphasizes rigorous research, hands-on collaboration, and the definition of problems and goals. We work with clients to align on a brand strategy concept and, depending on the client and their goals, our final deliverables can range to include strategy definition, audience-specific messaging, identity details, brand elements, applications, and more. Take a look at the brand strategy work we’ve done for Fiscalnote, Swiftdine, and Armstrong Tire.

Content Strategy

A content strategy goes far beyond the words on a website or in an app. A strong content strategy dictates the substance, structure, and governance of the information an organization uses to communicate to its audience. It guides creating, organizing, and maintaining content so that companies can communicate who they are, what they do, and why efficiently and effectively. We’ve worked with organizations like the Washington Speakers Bureau, The Nature Conservancy, the NFL Players Association, and the Wildlife Conservation Society to refine and enhance their content strategies.

Still confused about the difference between brand and content strategy? Check out our flowchart.

Style Guide vs. Brand Guidelines

We often find the depth or fidelity of brand guidelines and style guides can vary greatly, and the terms can often be confused. When we create brand guidelines, they tend to be large documents that include in-depth recommendations about how a company should communicate their brand. Sections like “promise”, “vision”, “mission”, “values”, “tone”, etc. accompany details about how the brand’s logo, colors and fonts should be used in a variety of scenarios. Style guides, on the other hand, are typically pared down documents that contain specific guidance for organizations’ logos, colors and fonts, and don’t always include usage examples.

Design System

One question we get from clients often during a redesign or rebrand is, “How can I make sure people across my organization are adhering to our new designs?” This is where a design system comes into play. Design systems can range from the basic — e.g., a systematic approach to creating shared components for a single website — all the way to the complex —e.g., architecting a cross-product design system that can scale to accommodate hundreds of different products within a company. By assembling elements like color, typography, imagery, messaging, voice and tone, and interaction patterns in a central repository, organizations are able to scale products and marketing confidently and efficiently. When a design system is translated into code, we refer to that as a parts kit, which helps enforce consistency and improve workflow.

Comps or Mocks

When reviewing RFPs or going through the nitty-gritty of contracts with clients, we often see the terms mocks or comps used interchangeably to refer to the static design of pages or screens. Internally, we think of a mock-up as a static image file that illustrates proof-of-concept, just a step beyond a wireframe. A comp represents a design that is “high fidelity” and closer to what the final website will look like, though importantly, is not an exact replica. This is likely what clients will share with internal stakeholders to get approval on the website direction and what our front-end developers will use to begin building-out the site (in other words, converting the static design files into dynamic HTML, CSS, and JavaScript code).

If you're interested in joining our team of creative thinkers and visual storytellers who bring these concepts to life for our clients, we’re hiring in Washington, D.C. Durham, Boulder and Chattanooga. Tune in next week as we decipher the terms we use most often when talking about development.


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Winterlichter Palmengarten Dec. 2019

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Published On :: Sat, 28 Dec 2019 12:27:57 +0000


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Getting Started With Nuxt

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Published On :: Mon, 27 Apr 2020 10:30:00 +0000

Web developers build a lot of Single Page Applications using JavaScript frameworks (Angular, React, Vue). SPAs dynamically populate the contents of their pages on load which means by the time google crawls their site, the important content is yet to be injected into the site. Part of this problem can be solved by pre-rendering your application’s content. This is where server-side applications come in, and for Vuejs developers, we can build server-side applications using Nuxt.


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Mirage JS Deep Dive: Understanding Mirage JS Models And Associations (Part 1)

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Published On :: Thu, 30 Apr 2020 09:30:00 +0000

Mirage JS is helping simplify modern front-end development by providing the ability for front-end engineers to craft applications without relying on an actual back-end service. In this article, I’ll be taking a framework-agnostic approach to show you Mirage JS models and associations. If you haven’t heard of Mirage JS, you can read my previous article in which I introduce it and also integrate it with the progressive framework Vue.js.


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The Canon EOS R5 release gets closer as it passes Bluetooth certification

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Published On :: Thu, 07 May 2020 17:25:13 +0000

We’re a big step closer to a Canon EOS R5 release announcement now, as Nokishita Tweets that it has passed its Bluetooth certification. The belief is that the EOS R5 was originally scheduled to ship in July, and Canon Rumors reports that they’ve been told that’ll still happen. With lockdowns still in effect in much […]

The post The Canon EOS R5 release gets closer as it passes Bluetooth certification appeared first on DIY Photography.


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DJI’s new Matrice 300 RTK drone offers a ridiculous 55-minutes of flight time and 2.7kg payload

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Published On :: Thu, 07 May 2020 22:27:23 +0000

DJI has announced their new Matrice 300 RTK “flying platform” (big drone) and the Zenmuse H20 hybrid camera series, to provide “a safer and smarter solution” to their enterprise customers. The M300 RTK, DJI says, is their first to integrate modern aviation features, advanced AI, 6-direction sensing and positioning, a UAV health management system and […]

The post DJI’s new Matrice 300 RTK drone offers a ridiculous 55-minutes of flight time and 2.7kg payload appeared first on DIY Photography.


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Nikon has confirmed that their flagship D6 DSLR will start shipping on May 21st

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Published On :: Fri, 08 May 2020 11:06:35 +0000

It feels like forever since Nikon announced their newest flagship DSLR; the Nikon D6. It’s actually only been three months, but that hasn’t stopped some people getting anxious. Recently, customers were being told that the D6 would start shipping right about now, but now Nikon has officially come out to announce that the Nikon D6 […]

The post Nikon has confirmed that their flagship D6 DSLR will start shipping on May 21st appeared first on DIY Photography.


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eagereyesTV Episode 2: Unit Charts, Dot Plots, ISOTYPE, and What Makes Them Special

By eagereyes.org
Published On :: Wed, 09 Oct 2019 07:17:21 +0000

Charts usually show values as visual properties, like the length in a bar chart, the location in a scatterplot, the area in a bubble chart, etc. Unit charts show values as multiples instead. One famous example of these charts is called ISOTYPE, and you may have seen them in information graphics as well. They’re an […]


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Paper: Evidence for Area as the Primary Visual Cue in Pie Charts

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Published On :: Thu, 17 Oct 2019 15:52:12 +0000

How we read pie charts is still an open question: is it angle? Is it area? Is it arc length? In a study I'm presenting as a short paper at the IEEE VIS conference in Vancouver next week, I tried to tease the visual cues apart – using modeling and 3D pie charts. The big […]


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eagereyesTV Episode 3: 3D Pie Charts For Science!

By eagereyes.org
Published On :: Mon, 21 Oct 2019 06:00:03 +0000

How do we read pie charts? This seems like a straightforward question to answer, but it turns out that most of what you’ve probably heard is wrong. We don’t actually know whether we use angle, area, or arc length. In a short paper at the VIS conference this week I’m presenting a study I ran […]


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eagereyesTV: What is Data? Part 1, File Formats and Intent

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Published On :: Wed, 06 Nov 2019 16:07:40 +0000

We all use data all the time, but what exactly is data? How do different programs know what to do with our data? How is visualizing data different from other uses of data? And isn’t everything inside a computer data in the end? The latest episode of eagereyesTV looks at what data is and what […]


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Review: Alberto Cairo, How Charts Lie

By eagereyes.org
Published On :: Tue, 12 Nov 2019 05:07:05 +0000

Alberto Cairo’s new book, How Charts Lie, takes readers on a tour of how charts are used and misused, and teaches them how to not be misled. It’s a useful book for both makers and consumers of charts, in the news, business, and pretty much anywhere else. When Alberto started talking about the title on […]


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eagereyesTV: What Is Data? Part 2, Are Images Data?

By eagereyes.org
Published On :: Mon, 16 Dec 2019 13:01:25 +0000

Visualization turns data into images, but are images themselves data? There are often claims that they are, but then you mostly see the images themselves without much additional data. In this video, I look at image browsers, a project classifying selfies along a number of criteria, and the additional information stored in HEIC that makes […]


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Regular Tur'an numbers of complete bipartite graphs. (arXiv:2005.02907v2 [math.CO] UPDATED)

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Let $mathrm{rex}(n, F)$ denote the maximum number of edges in an $n$-vertex graph that is regular and does not contain $F$ as a subgraph. We give lower bounds on $mathrm{rex}(n, F)$, that are best possible up to a constant factor, when $F$ is one of $C_4$, $K_{2,t}$, $K_{3,3}$ or $K_{s,t}$ when $t>s!$.


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On the affine Hecke category. (arXiv:2005.02647v2 [math.RT] UPDATED)

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We give a complete (and surprisingly simple) description of the affine Hecke category for $ ilde{A}_2$ in characteristic zero. More precisely, we calculate the Kazhdan-Lusztig polynomials, give a recursive formula for the projectors defining indecomposable objects and, for each coefficient of a Kazhdan-Lusztig polynomial, we produce a set of morphisms with such a cardinality.


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Arthur packets for $G_2$ and perverse sheaves on cubics. (arXiv:2005.02438v2 [math.RT] UPDATED)

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This paper begins the project of defining Arthur packets of all unipotent representations for the $p$-adic exceptional group $G_2$. Here we treat the most interesting case by defining and computing Arthur packets with component group $S_3$. We also show that the distributions attached to these packets are stable, subject to a hypothesis. This is done using a self-contained microlocal analysis of simple equivariant perverse sheaves on the moduli space of homogeneous cubics in two variables. In forthcoming work we will treat the remaining unipotent representations and their endoscopic classification and strengthen our result on stability.


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Some Quot schemes in tilted hearts and moduli spaces of stable pairs. (arXiv:2005.02202v2 [math.AG] UPDATED)

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For a smooth projective variety $X$, we study analogs of Quot functors in hearts of non-standard $t$-structures of $D^b(mathrm{Coh}(X))$. The technical framework is that of families of $t$-structures, as studied in arXiv:1902.08184. We provide several examples and suggest possible directions of further investigation, as we reinterpret moduli spaces of stable pairs, in the sense of Thaddeus (arXiv:alg-geom/9210007) and Huybrechts-Lehn (arXiv:alg-geom/9211001), as instances of Quot schemes.


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An embedding of the Morse boundary in the Martin boundary. (arXiv:2004.14624v2 [math.GR] UPDATED)

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We construct a one-to-one continuous map from the Morse boundary of a hierarchically hyperbolic group to its Martin boundary. This construction is based on deviation inequalities generalizing Ancona's work on hyperbolic groups. This provides a possibly new metrizable topology on the Morse boundary of such groups. We also prove that the Morse boundary has measure 0 with respect to the harmonic measure unless the group is hyperbolic.


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Triangles in graphs without bipartite suspensions. (arXiv:2004.11930v2 [math.CO] UPDATED)

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Given graphs $T$ and $H$, the generalized Tur'an number ex$(n,T,H)$ is the maximum number of copies of $T$ in an $n$-vertex graph with no copies of $H$. Alon and Shikhelman, using a result of ErdH os, determined the asymptotics of ex$(n,K_3,H)$ when the chromatic number of $H$ is greater than 3 and proved several results when $H$ is bipartite. We consider this problem when $H$ has chromatic number 3. Even this special case for the following relatively simple 3-chromatic graphs appears to be challenging.

The suspension $widehat H$ of a graph $H$ is the graph obtained from $H$ by adding a new vertex adjacent to all vertices of $H$. We give new upper and lower bounds on ex$(n,K_3,widehat{H})$ when $H$ is a path, even cycle, or complete bipartite graph. One of the main tools we use is the triangle removal lemma, but it is unclear if much stronger statements can be proved without using the removal lemma.


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Finite dimensional simple modules of $(q, mathbf{Q})$-current algebras. (arXiv:2004.11069v2 [math.RT] UPDATED)

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The $(q, mathbf{Q})$-current algebra associated with the general linear Lie algebra was introduced by the second author in the study of representation theory of cyclotomic $q$-Schur algebras. In this paper, we study the $(q, mathbf{Q})$-current algebra $U_q(mathfrak{sl}_n^{langle mathbf{Q} angle}[x])$ associated with the special linear Lie algebra $mathfrak{sl}_n$. In particular, we classify finite dimensional simple $U_q(mathfrak{sl}_n^{langle mathbf{Q} angle}[x])$-modules.


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Co-Seifert Fibrations of Compact Flat Orbifolds. (arXiv:2002.12799v2 [math.GT] UPDATED)

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In this paper, we develop the theory for classifying all the geometric fibrations of compact, connected, flat $n$-orbifolds, over a 1-orbifold, up to affine equivalence. We apply our classification theory to classify all the geometric fibrations of compact, connected, flat $2$-orbifolds, over a 1-orbifold, up to affine equivalence. This paper is an essential part of our project to give a geometric proof of the classification of all closed flat 4-manifolds.


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Regularized vortex approximation for 2D Euler equations with transport noise. (arXiv:1912.07233v2 [math.PR] UPDATED)

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We study a mean field approximation for the 2D Euler vorticity equation driven by a transport noise. We prove that the Euler equations can be approximated by interacting point vortices driven by a regularized Biot-Savart kernel and the same common noise. The approximation happens by sending the number of particles $N$ to infinity and the regularization $epsilon$ in the Biot-Savart kernel to $0$, as a suitable function of $N$.


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Representations of the Infinite-Dimensional $p$-Adic Affine Group. (arXiv:1906.08964v2 [math.RT] UPDATED)

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We introduce an infinite-dimensional $p$-adic affine group and construct its irreducible unitary representation. Our approach follows the one used by Vershik, Gelfand and Graev for the diffeomorphism group, but with modifications made necessary by the fact that the group does not act on the phase space. However it is possible to define its action on some classes of functions.


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Grothendieck's inequalities for JB$^*$-triples: Proof of the Barton-Friedman conjecture. (arXiv:1903.08931v3 [math.OA] UPDATED)

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We prove that, given a constant $K> 2$ and a bounded linear operator $T$ from a JB$^*$-triple $E$ into a complex Hilbert space $H$, there exists a norm-one functional $psiin E^*$ satisfying $$|T(x)| leq K , |T| , |x|_{psi},$$ for all $xin E$. Applying this result we show that, given $G > 8 (1+2sqrt{3})$ and a bounded bilinear form $V$ on the Cartesian product of two JB$^*$-triples $E$ and $B$, there exist norm-one functionals $varphiin E^{*}$ and $psiin B^{*}$ satisfying $$|V(x,y)| leq G |V| , |x|_{varphi} , |y|_{psi}$$ for all $(x,y)in E imes B$. These results prove a conjecture pursued during almost twenty years.


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Gabriel-Roiter measure, representation dimension and rejective chains. (arXiv:1903.05555v2 [math.RT] UPDATED)

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The Gabriel-Roiter measure is used to give an alternative proof of the finiteness of the representation dimension for Artin algebras, a result established by Iyama in 2002. The concept of Gabriel-Roiter measure can be extended to abelian length categories and every such category has multiple Gabriel-Roiter measures. Using this notion, we prove the following broader statement: given any object $X$ and any Gabriel-Roiter measure $mu$ in an abelian length category $mathcal{A}$, there exists an object $X'$ which depends on $X$ and $mu$, such that $Gamma = operatorname{End}_{mathcal{A}}(X oplus X')$ has finite global dimension. Analogously to Iyama's original results, our construction yields quasihereditary rings and fits into the theory of rejective chains.


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On the automorphic sheaves for GSp_4. (arXiv:1901.04447v6 [math.RT] UPDATED)

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In this paper we first review the setting for the geometric Langlands functoriality and establish a result for the `backward' functoriality functor. We illustrate this by known examples of the geometric theta-lifting. We then apply the above result to obtain new Hecke eigen-sheaves. The most important application is a construction of the automorphic sheaf for G=GSp_4 attached to a G^L-local system on a curve X such that its standard representation is an irreducible local system of rank 4 on X.


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Exotic Springer fibers for orbits corresponding to one-row bipartitions. (arXiv:1810.03731v2 [math.RT] UPDATED)

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We study the geometry and topology of exotic Springer fibers for orbits corresponding to one-row bipartitions from an explicit, combinatorial point of view. This includes a detailed analysis of the structure of the irreducible components and their intersections as well as the construction of an explicit affine paving. Moreover, we compute the ring structure of cohomology by constructing a CW-complex homotopy equivalent to the exotic Springer fiber. This homotopy equivalent space admits an action of the type C Weyl group inducing Kato's original exotic Springer representation on cohomology. Our results are described in terms of the diagrammatics of the one-boundary Temperley-Lieb algebra (also known as the blob algebra). This provides a first step in generalizing the geometric versions of Khovanov's arc algebra to the exotic setting.


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Twisted Sequences of Extensions. (arXiv:1808.07936v3 [math.RT] UPDATED)

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Gabber and Joseph introduced a ladder diagram between two natural sequences of extensions. Their diagram is used to produce a 'twisted' sequence that is applied to old and new results on extension groups in category $mathcal{O}$.


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Categorification via blocks of modular representations for sl(n). (arXiv:1612.06941v3 [math.RT] UPDATED)

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Bernstein, Frenkel, and Khovanov have constructed a categorification of tensor products of the standard representation of $mathfrak{sl}_2$, where they use singular blocks of category $mathcal{O}$ for $mathfrak{sl}_n$ and translation functors. Here we construct a positive characteristic analogue using blocks of representations of $mathfrak{sl}_n$ over a field $ extbf{k}$ of characteristic $p$ with zero Frobenius character, and singular Harish-Chandra character. We show that the aforementioned categorification admits a Koszul graded lift, which is equivalent to a geometric categorification constructed by Cautis, Kamnitzer, and Licata using coherent sheaves on cotangent bundles to Grassmanians. In particular, the latter admits an abelian refinement. With respect to this abelian refinement, the stratified Mukai flop induces a perverse equivalence on the derived categories for complementary Grassmanians. This is part of a larger project to give a combinatorial approach to Lusztig's conjectures for representations of Lie algebras in positive characteristic.


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A Class of Functional Inequalities and their Applications to Fourth-Order Nonlinear Parabolic Equations. (arXiv:1612.03508v3 [math.AP] UPDATED)

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We study a class of fourth order nonlinear parabolic equations which include the thin-film equation and the quantum drift-diffusion model as special cases. We investigate these equations by first developing functional inequalities of the type $ int_Omega u^{2gamma-alpha-eta}Delta u^alphaDelta u^eta dx geq cint_Omega|Delta u^gamma |^2dx $, which seem to be of interest on their own right.


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