bmj;387/nov12_10/q2481/FAF1faJulia and Malcolm Donaldsondonaldson20241111.f1Malcolm Donaldson was a distinguished paediatric endocrinologist with a string of research publications to his name—but he was also happy to play second fiddle (almost literally) to his wife Julia, the celebrated author of much loved children’s books, including The Gruffalo and Room on the Broom.Malcolm, a talented musician and performer, accompanied his wife as she toured festivals, schools, and libraries in the UK and around the world. Together they performed the stories, with Malcolm acting characters ranging from an accident prone dragon to a comic cattle thief. His star role, in the words of Julia’s literary agent, was “a particularly suave fox” in The Gruffalo.Malcolm met Julia Shields when they were students at the University of Bristol and they married in 1972. Donaldson went on to work in Brighton, London, and Lyon, France, before moving back to Bristol to be a senior registrar in paediatrics. Six...

Oswald Chambers sometimes startled audiences with his vigorous thinking and his vivid expression. Even those who disagreed with what he said found his teachings difficult to dismiss and all but impossible to ignore. Often his humor drove home a sensitive point: "Have we ever got into the way of letting God work, or are we so amazingly important that we really wonder in our nerves and ways what the Almighty does before we are up in the morning!" Oswald Chambers was not famous during his lifetime. At the time of his death in 1917 at the age of forty-three, only three books bearing his name had been published. Among a relatively small circle of Christians in Britain and the U.S., Chambers was much appreciated as a teacher of rare insight and expression, but he was not widely known. Chambers was born in Aberdeen, Scotland, in 1874, the youngest son of a Baptist minister. He spent his boyhood years in Perth; then his family moved to London when Oswald was fifteen. Shortly after the move to London, Oswald made his public profession of faith in Christ and became a member of Rye Lane Baptist Church. This marked a period of rapid spiritual growth, along with an intense struggle to find God's will and way for his life. -- A gifted artist and musician, Chambers trained at London's Royal Academy of Art, sensing God's direction to be an ambassador for Christ in the world of art and aesthetics. While studying at the University of Edinburgh (1895-96), he decided, after an agonizing internal battle, to study for the ministry. He left the university and entered Dunoon College, near Glasgow, where he remained as a student, then a tutor for nine years. In 1906 he traveled to the United States, spending six months teaching at God's Bible School in Cincinnati, Ohio. From there, he went to Japan, visiting the Tokyo Bible School, founded by Mr. and Mrs. Charles Cowman. This journey around the world in 1906-1907 marked his transition from Dunoon College to fulltime work with the Pentecostal League of Prayer. During the last decade of his life, Chambers served as: • traveling speaker and representative of the League of Prayer, 1907-10 • principal and main teacher of the Bible Training College, London, 1911-15 • YMCA chaplain to British Commonwealth soldiers in Egypt, 1915-17. He died in Cairo on November 15, 1917, of complications following an emergency appendectomy. The complete story of his life is told in Oswald Chambers: Abandoned to God (1993).

As the COVID-19 pandemic complicates that exchange, several artists have found another way to connect. Launching podcasts that sweep the corners of their musical experience, they sound out their voices in fulfilling fashion.

Robin Anderson and Audra Sergel launched their Musicians Dish podcast in September. The show represents both a natural expression of their friendship and an extension of their concerns as freelance artists.

Whether recording on their own or collaborating, Anderson and Sergel nimbly blend elements of pop, jazz and musical theater. Each songwriter's work unites bold humor and deep sentiment — as does their podcast, which is irreverent and informed.

[Lesotho Times] LOCAL musicians can finally celebrate a significant development: their music will now earn royalties from commercial use.

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why should a musician podcast?

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why should a musician podcast?Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Strokestra, a groundbreaking project between the Royal Philharmonic Orchestra and Hull Integrated Community Stroke Service, is enabling world class musicians to support stroke survivors by ... Read more

The post Watch how strokestra uses musicians to help stroke patients appeared first on CMUSE.

A study conducted by the University of Montreal has revealed that musicians have faster reactions than their non-musical counterparts. The research demonstrated a link between ... Read more

The post Study shows musicians have faster reactions appeared first on CMUSE.

In a competitive and saturated industry like music, it often gets hard to distinguish exactly what is needed to thrive. Income is not always stable ... Read more

The post The Top 5 Qualities You Need To Be a Successful Musician appeared first on CMUSE.

Anipo, a French-based network of musicians, has launched an initiative aimed at cracking down on stolen instruments. Anipo encourages musicians to install a chip on ... Read more

The post Musicians’ network aims to clamp down on instrument thefts appeared first on CMUSE.

You can always count on Craigslist for some highly questionable listings but we all know the free online classifieds site has a reputation for publishing some unusual, ... Read more

The post The 18 Weirdest And Funniest Craigslist Ads For Musicians appeared first on CMUSE.

The contemporary dating scene might, at times, resemble TS Eliot’s wasteland or, worse, a post-apocalyptic landscape punctuated by primeval beings who shy away from light. Apps like ... Read more

The post Seven Reasons Why You Should Date a Classical Musician appeared first on CMUSE.

Washington – Professional musicians have a 4 times greater risk of developing noise-induced hearing loss than the general public, according to a new study conducted by researchers in Germany.

Cincinnati – NIOSH has released guidance to help protect the hearing of musicians and others in the music industry.

Dr. John, the New Orleans singer and piano player who blended black and white musical styles with a hoodoo-infused stage persona and gravelly bayou drawl, died Thursday, his family said. He was 77.

With bars, restaurants and venues closed down indefinitely, it's harder than ever to be a working musician. But that doesn't mean New Hampshire artists aren't performing. NHPR's Morning Edition Host Rick Ganley spoke with Campton musician Jim Tyrrell to ask what he's doing while he can't play on stage. You can watch Jim Tyrrell and other local New Hampshire musicians play live shows here . Jim Tyrrell: This is pretty unprecedented for me, certainly, and for a lot of people. You know, we're all just kind of adjusting on the fly, but that's true of any industry, I suppose. Rick Ganley: Yeah, you're part of a group of, I think, pretty tight musicians in central New Hampshire that play a lot of the same venues different nights of the week. What are you hearing from your friends and your fellow musicians? Jim Tyrrell: Oh, I think we're all -- it is a pretty tight community, as you mentioned, and we're all connected on social media. So we're very supportive of one another. And we're just

New Hampshire artists have suffered a lot during the pandemic, but they've also helped people get through these hard times. For NHPR's series, The Show Goes On , we're talking with artists across the state to hear what inspiration they've found throughout this year and what's kept them going.

For NHPR's series, The Show Goes On , we've been talking with artists across New Hampshire about what inspiration they've found and how they've been making it through the pandemic. Jim Tyrrell is a musician based here in New Hampshire. NHPR first reached out to him about a year ago to ask how he was doing when everything was first shutting down. Morning Edition host Rick Ganley checked in with him recently to find out what he's been up to since then.

Edgar Wright attends the 55th Annual International Cinematographers Guild Publicists Awards at The Beverly Hilton Hotel on March 2, 2018 in Beverly Hills, California.; Credit: Tommaso Boddi/Getty Images

The joke about Sparks — if you’ve even heard of them — is that it’s the best British band to come out of America. That confusion is why Edgar Wright, the director of “Baby Driver” and “Shaun of the Dead,” wanted to make his first documentary about the group, headed by brothers Ron and Russell Mael. Quite simply, Wright was tired of explaining who the band was and why he loves them. His documentary, called “The Sparks Brothers,” premiered at this year’s Sundance Film Festival. John Horn talked with Wright after its January premiere about his personal connection to the band, how he connected with the brother, the editing process of the documentary and more. The film is in theaters now.

With guest host John Horn

Guest: 

Edgar Wright, director of the new documentary “The Sparks Brothers;” he tweets @edgarwright

This content is from Southern California Public Radio. View the original story at SCPR.org.

Hailing from a background in public service, Anthony J. "Tony" Spencer, MPA, serves as a vocalist for the Sunset Band

A tax accountant, accomplished violinist, and cancer survivor, Barbara Carron Goldman, EA, MSPA, has both served and entertained her suburban Detroit community for over 40 years

“(I’m Your) Heat Pump” is a soft, funky, R&B love song told from the perspective of a heat pump that depicts just what a heat pump can provide to its users.

Jones’s musical legacy—and devotion to his Seattle roots—carries on. by Alexa Peters

In 2017, during a performance from local garage-jazz quartet Industrial Revelation at Upstream Music Festival, I noticed a commotion near the stage as people huddled around the VIP seats. I stood on my toes and looked—Is that Quincy Jones?!

While Jones, the legendary musician, producer, and alumnus of Seattle’s Garfield High School, had given a keynote address earlier in the festival, I didn’t expect to see the mastermind behind Michael Jackson’s Thriller sitting amongst the crowd. But there he was, shaking hands, taking pictures with fans, and even sharing generously with a young musician who asked him about score orchestration. Then, it was my turn to thank him. He grasped my hand and grinned, wrapped in one of his iconic striped scarves.

On Sunday, Jones passed away at his home in Los Angeles. He was 91. Though it’s been many decades since he lived in Seattle, and he was only a resident from 1943 until 1951, Jones continuously nurtured his ties to the city over the course of his life and inspired generations of local musicians.

“Sometimes, in today's musical world, there can be a level of superficiality, and Quincy was the opposite of that,” says Riley Mulherkar, a graduate of Garfield High School and rising jazz trumpeter who released his acclaimed debut record earlier this year. “[He had] mastery of the form at a young age—and then he was able to take that into all sorts of musical situations, and literally change the world.” 

Jones was born on March 14, 1933, in Chicago. After a tumultuous early childhood with his mother, who had schizophrenia, Jones’s father, Quincy Jones Sr., moved Jones and his brother to Bremerton, Washington. When he was 12, Jones began playing trumpet at Bremerton’s Coontz Junior High. 

In 1947, after Jones’s father remarried, he moved his sons, his new wife, and her three children, to Seattle. Jones started at Garfield High School and quickly met fellow student Charlie Taylor, who played saxophone.

Taylor was one of the sons of Evelyn Bundy, a trailblazing Seattle jazzwoman who formed one of the city’s first jazz bands in the 1920s. At Garfield, Taylor was ready to put together his own group. He invited Jones to become a member of his band, and Jones agreed, joining a cast of elite musicians at Garfield including Oscar Holden Jr. and Grace Holden, two children of pianist and Seattle jazz scene patriarch Oscar Holden.

After their first few gigs as the Charlie Taylor Band, Bumps Blackwell, a bandleader, songwriter, arranger, and record producer (who would go on to mentor Ray Charles, Ernestine Anderson, and Sam Cooke, among others), offered to manage them as the Bumps Blackwell Junior Band.

As Paul de Barros notes in his book Jackson Street After Hours: The Roots of Jazz in Seattle, the Bumps Blackwell Junior Band was a “focal point” in people’s memories of Jackson Street, which was home to a bustling jazz scene in the years around World War II until 1960. 

The time in the band was influential for Jones, too. Jones got to perform frequently, including opening for Nat King Cole at Civic Auditorium, and the group allowed him to befriend other notable musicians who worked on Jackson Street at the time, like Ray Charles or “R.C.”, who first taught Jones about arranging.

Jones left Seattle in 1951 to attend Berklee School of Music. He soon dropped out to tour with Lionel Hampton’s orchestra and eventually form his own band. From there, Jones’s career is one milestone after another. 

Some highlights from Jones’s career include working as musical director, arranger, and trumpeter in trumpeter Dizzy Gillespie’s band, becoming the first African American vice president at Mercury Records in 1964, composing film scores for dozens of films, composing for iconic TV shows including Roots, and serving as producer and arranger for top-tier talent including, of course, Michael Jackson. 

Jones also founded Quincy Jones Productions, an all-encompassing media and artist management company that helped jumpstart the careers of artists like Jacob Collier.

With all his accomplishments and fame, Seattle organizations have bestowed Jones with various honors, including Lifetime Achievement Awards from both the Northwest African American Museum and the Seattle International Film Festival. Likewise, Jones kept up his connection to the Emerald City, often supporting the local music scene and returning home for visits. 

As far back as 1959, when Jones was hired to form his own band, he hired musicians from Seattle he admired, including pianist Patti Bown, trumpeter Floyd Standifer, and one of his lifelong friends, bassist Buddy Catlett. 

Upon Catlett’s death in 2014, Jones tributed his “brother and bandmate” on Facebook, calling him “one of the greatest bass players to ever take the stage. From Charlie Taylor's and Bumps Blackwell's bands when we were starting out in Seattle to my Free and Easy tour of Europe, we traveled the world playing the music we love.”

Jones has stayed especially linked with Garfield High School. In 2008, when Garfield High School decided to name their freshly renovated performing arts center after Jones, he flew in for the dedication ceremony. As recently as last year, Jones donated $50,000 to Seattle’s Washington Middle School, which feeds into Garfield High School, to help keep their jazz program alive. 

“Today, I had the pleasure of visiting my old school in Seattle, Garfield High, and man did it bring back some memories!!,” Jones wrote in a 2017 Facebook post. “I can't believe it’s been 70 years since I walked these halls as a student...Moving to Seattle forever changed me for the better...and finding music here showed me that I could be more than a statistic...”

Mulherkar, like Jones, found music at Garfield High School, where Jones is now embedded into the lore of the school.

In 2009, as a high school junior playing trumpet in Garfield’s jazz band, Mulherkar had the chance to meet and work with Jones when the legendary producer came into their rehearsal. He conducted the students in a couple songs, including a swingin’ Jones original and one of Mulherkar’s favorites called “Stockholm Sweetnin’.”

“It was hard to even wrap our minds around, because there's Quincy Jones, the celebrity,” said Mulherkar. “It felt so special to have this personal connection to the man, as a Garfield student, as a trumpet player, and [as] someone who wanted to make my life in the music.”

Mulherkar, who now lives in New York, still finds it special that the beginnings of his career were so touched by the icon.

“As a jazz musician from Seattle who went to Garfield… I love that he was able to make such a tremendous impact starting from a place that, for me, is so relatable,” said Mulherkar.

Through Garfield students like Mulherkar, and the countless other artists Jones mentored as a producer and music executive, Jones’s musical legacy—and devotion to his Seattle roots—carries on. 

Sixty young musicians to demonstrate music’s power to unite with performance at European Parliament.

Bermudian stylist Shiona Turini helped legendary musician Usher “create a show-stopping wardrobe” for his ‘Past Present Future’ tour. A Vogue story said, “For his tour, Usher turned to stylists Yashua Simmons and Jeremy Haynes, as well as costume designer Shiona Turini, who styled Beyoncé’s Renaissance tour, as consultant to help him create a show-stopping wardrobe. […]

Troubled Musicians: Bands/Groups (Not open for application) The following fanlistings are scheduled for removal on November 14, 2024. If your fanlisting is listed below, please fix the problem/send in a finished form and reply to the troubles email! Pending Removal – Overdue SR-71; Wallflowers, The

Upcoming Musicians: Bands/Groups D’espairsRay; Kagrra,; Loona; Rentrer en Soi; Rise Against; tripleS Finished Musicians: Bands/Groups SR-71; Wallflowers, The Moved Musicians: Bands/Groups No moved forms have been received since the last update. Closed Musicians: Bands/Groups (Open for application) No closed forms have been received since the last update. Overdue Musicians: Bands/Groups No overdue fanlistings. Overdue: Temporary […]

Welcome to the first episode of the Internet Musician Podcast! Show notes for Episode #1: Subscribe to the Internet Musician Podcast with iTunes: The first episode of The Internet Musician Podcast, hosted by indie artist and internet music marketing junkie Brian Hartzog (http://www.brianhartzog.net).  In this introductory episode, Brian introduces himself, his indie music credentials and […]

Show notes for Episode #2: Subscribe to the Internet Musician Podcast with iTunes: In this episode, I present “Music Tools for the Indie Artist”, a topic that I recently presented to a local songwriting group.  Specifically, I present the tools and process I use to capture and preserve those moments of musical inspiration–no matter whether they strike […]

Show notes for Episode #3: Subscribe to the Internet Musician Podcast with iTunes: Also in this episode, I discuss the five things you must believe cultivate your DIY music attitude, including: 1. The business has been lying to you. Major label artists are not getting rich off of record sales. Radio is fake. Don’t belive […]

Show Notes for Episode 4: Subscribe to the Internet Musician Podcast with iTunes: As a musician, you need a good website.  You know that. But you really don’t need to spend years trying to understand the technology. You also don’t want to spend tons of time working on your site without knowing if you’re doing things […]

Show Notes for Episode 6: Following my recent appearance on the Film and TV Music Licensing Panel at the MidAtlantic Music Conference here in Charlotte, NC, I definitely have music licensing on my mind.  It’s always been a passion of mind…one of those areas of music marketing that I’ve researched exhaustively for years.  It’s also […]

Country songs sway the heart and a few country song artists can really come up with great songs. Of a few famous country singers, Dean Dillon stands out. Read on if you want to find out why. About Dean Dillon Dean Dillon is a famous American country music artist and songwriter. He recorded six studio ... Read more

The post Dean Dillon Net Worth 2024 – American country musician appeared first on Star Two.

With TikTok going viral, it has become the perfect platform for musicians to showcase their talent and reach new audiences. No matter what genre you specialize in, this blog will provide you with all the tips and tricks to get noticed on TikTok and grow your fanbase. So, what are you waiting for? Let’s get ... Read more

The post Musician’s Guide to TikTok: 6 Tips for Growing Your Fanbase appeared first on Star Two.

A Smithsonian curator reflects back on the artistic legend, a "Renaissance man" with 28 Grammys to his name, who died Sunday at 91 years old

Sammy Wong, 8, of Waterloo has been playing the violin since he was 5 years old. He has been rehearsing for an upcoming concert with the musicians of the K-W Symphony on Saturday night at the Registry Theatre in Kitchener. The show, titled Prodigio del Violino:An Evening with Sammy Wong, will feature the music of Mozart and Vivaldi.

Rapper/musician and poet Dessa will discuss “Creativity in Music, Writing, and Art” at 2:30 p.m. on Tuesday, Nov. 12, in Paterno Library’s Foster Auditorium. The event is free and open to the public.

Famous people who die at age 27, such as Janis Joplin, Jimi Hendrix and Amy Winehouse, get even more famous because of the mythology surrounding that number—an example of how modern folklore emerges

Tom Petty suffered a cardiac arrest at his home in Malibu.

As a new serial Abhinandana airs on Gemini, Dr Bunty talks about navigating dual vocations