what

What is telemedicine?

Even before the coronavirus pandemic, telemedicine was gaining popularity. In 2018 and 2019, online searches for telemedicine increased nearly 25 percent. Healthcare organizations had already turned to telemedicine to deliver care and increase accessibility. In a March 2020 survey, 41 percent of healthcare providers said that they were using telemedicine technology, an increase from 22 percent in 2018. When...





what

Florida Man Arrested Trying To Quarantine On Abandoned Disney Treasure Island, And That’s What This Island Looks Like From The Inside

The 42-year-old said he didn’t hear numerous deputies searching the private island for him on foot, by boat and by...




what

‘Death stalked swiftly’ in 1918. What will we remember now?

In August 1919, the Cedar Rapids Evening Gazette opined in favor of the passage of a $5 million congressional appropriation to “investigate influenza, its cause, prevention and...




what

What does a decentralized WordPress environment look like?

Watch my video and see what a decentralized WordPress environment might look like. Almost everything we rely on to operate online is a centralized platform. WordPress, Twitter, Facebook, YouTube, you name it—they’re all gigantic, centralized platforms. Ok, sure, but why does that matter? It matters because the bigger centralized platforms get, the less freedom users […]



  • Centralization vs. Decentralization
  • Videos

what

What can a 15-year-old stripper in Kentucky tell you about China?

Note: This post is adapted from my original viral Twitter thread. Ffrom November 2003 through July 2005, I worked in the prepaid cell phone and phone card industry. Most of my work was in BFE meth towns and urban ghettoes. I learned things about the poor in America you won’t want to believe… But this […]




what

‘Death stalked swiftly’ in 1918. What will we remember now?

In August 1919, the Cedar Rapids Evening Gazette opined in favor of the passage of a $5 million congressional appropriation to “investigate influenza, its cause, prevention and cure.”

“We all remember without effort the darkness and terror which engulfed the land last fall and winter as death stalked swiftly from seaboard to seaboard, into crowded city and unto lonely plain, sparing not the cottage of the poor nor the mansion of the rich,” the editorial said. “In four short months, influenza claimed a half million lives and pressed millions of others onto beds of sickness, suffering and helplessness. The nation’s mortality rate leapt high and with astounding speed. The nation was unprepared to cope with a disease calamity such as it has never known.”

The Gazette lamented that billions of dollars in loss were wrought by the pandemic of so-called Spanish influenza, compared with only $5 million being spent to investigate the virus.

“More has been spent in studying diseases of hogs,” the editorial argued.

Just less than a year earlier, The Evening Gazette did not see “darkness and terror” coming. A front page, above-the-fold story Sept. 25, 1918, asked: “Spanish Influenza just the old-fashioned grippe?” “Grippe” is an old-time term for the flu, by the way.

“As a matter of fact, in the opinion of City Physician Beardsley, and a good many other Cedar Rapids men in the same profession, Spanish influenza is just another name for the regular old fashioned influenza and is no different from the influenza we have always had. A bad cold is a bad cold, and a worse cold is grippe, which covers a multitude of things ...,” The Gazette reported, optimistically.

An earlier strain of influenza in the spring of 1918 had been less virulent and deadly. But the second wave was no ordinary grippe.

By mid-October, according to reports in The Evening Gazette, influenza caseloads exploded. On Oct. 12, 1918, the local health board shut down pool rooms, billiard halls and bowling alleys. It pleaded with store owners to avoid allowing crowds to linger. On Oct. 16, stores were ordered to discontinue any special sales that might draw more shoppers.

Restrictions tightened as the pandemic worsened.

Death notices were stacking up on Gazette pages, in rows reminiscent of small tombstones. Many victims were cut down in the prime of life by a virus that struck young, healthy people hardest. Mothers and fathers died, leaving young children. Soldiers serving in World War I died far away from home. Visitors to town never returned home.

Young brothers died and were mourned at a double funeral. A sister who came to care for a sick brother died, and so did her brother.

Ray Franklin Minburn, 24, died of influenza, leaving behind six sisters and two brothers. “Mr. Minburn was a faithful son, a devoted companion, a good neighbor,” concluded his death announcement on Oct. 21, 1918.

On the same page that day came news, tucked among the tombstones, reporting that Iowa Gov. William Harding had recovered from influenza, in the midst of his reelection campaign, and was back in the office. You might remember Harding as the governor who banned German and other languages during World War I and who was nearly impeached for bribery in 1919.

Not far from Harding’s update came news from the prison in Anamosa that “whisky and quinine” were being deployed to attack the grippe.

The pages of The Evening Gazette also were dotted with advertisements for supposed cures and treatments.

“Danger of infection from influenza or any contagious disease can be eliminated by using preventive measures,” prescribed by Ruby S. Thompson, chiropractor and naturopathic physician. Those included “Sulphur-vapor baths, Carlsbad mineral bath.”

You could build up your blood using “Gude’s Pepto-Mangan,” the “Red Blood Builder.” Keep your strength up with Horlick’s Malted Milk.

One ad looked exactly like a news story, carrying the bold headline “Druggists still asked to conserve stocks of VapoRub needed in ‘flu’ districts.” In a tiny notation at the end of the “story” were the words “The Vicks Chemical Co.”

That August 1919 Gazette editorial I mentioned makes me wonder what we’ll be writing in a year or so after our current pandemic.

Death stalking us swiftly from seaboard to seaboard in an unprepared nation, preceded by the casual insistence it’s no worse than the seasonal flu, sounds eerily familiar in 2020. More attention is being paid to hogs than the health of humans working in meatpacking plants.

Will we be writing in 2021 how reopening states and counties too soon led to our own second wave? Here in Iowa, reopening began before we had a fully working predictive model to chart the pandemic’s course and before new testing efforts had a chance to ramp up. Will decisions made without crucial information look smart in 2021? Or will we wish we’d waited just a couple more weeks?

What of the protesters demanding liberation? What about the president, running for reelection in a nation harmed by his crisis mismanagement? What will a new normal look like?

Will there be newspapers around to editorialize in the aftermath? After all, most of the pitches for fake cures are online now, some even extolled at White House briefings.

And will we be better prepared next time? I bet editorial writers in 1919 figured we’d have this pandemic response thing down to a science by now.

Little did they know that in 2020 we’d have so little respect for science. And after a century-plus, the darkness and terror apparently slipped our minds.

(319) 398-8262; todd.dorman@thegazette.com




what

Branding Is Key: What Makes a Good Logo?

When it comes down to creating your brand you want something that is original but stands out. Here is what makes a good logo so you can stand out. More




what

‘Death stalked swiftly’ in 1918. What will we remember now?

In August 1919, the Cedar Rapids Evening Gazette opined in favor of the passage of a $5 million congressional appropriation to “investigate influenza, its cause, prevention and cure.”

“We all remember without effort the darkness and terror which engulfed the land last fall and winter as death stalked swiftly from seaboard to seaboard, into crowded city and unto lonely plain, sparing not the cottage of the poor nor the mansion of the rich,” the editorial said. “In four short months, influenza claimed a half million lives and pressed millions of others onto beds of sickness, suffering and helplessness. The nation’s mortality rate leapt high and with astounding speed. The nation was unprepared to cope with a disease calamity such as it has never known.”

The Gazette lamented that billions of dollars in loss were wrought by the pandemic of so-called Spanish influenza, compared with only $5 million being spent to investigate the virus.

“More has been spent in studying diseases of hogs,” the editorial argued.

Just less than a year earlier, The Evening Gazette did not see “darkness and terror” coming. A front page, above-the-fold story Sept. 25, 1918, asked: “Spanish Influenza just the old-fashioned grippe?” “Grippe” is an old-time term for the flu, by the way.

“As a matter of fact, in the opinion of City Physician Beardsley, and a good many other Cedar Rapids men in the same profession, Spanish influenza is just another name for the regular old fashioned influenza and is no different from the influenza we have always had. A bad cold is a bad cold, and a worse cold is grippe, which covers a multitude of things ...,” The Gazette reported, optimistically.

An earlier strain of influenza in the spring of 1918 had been less virulent and deadly. But the second wave was no ordinary grippe.

By mid-October, according to reports in The Evening Gazette, influenza caseloads exploded. On Oct. 12, 1918, the local health board shut down pool rooms, billiard halls and bowling alleys. It pleaded with store owners to avoid allowing crowds to linger. On Oct. 16, stores were ordered to discontinue any special sales that might draw more shoppers.

Restrictions tightened as the pandemic worsened.

Death notices were stacking up on Gazette pages, in rows reminiscent of small tombstones. Many victims were cut down in the prime of life by a virus that struck young, healthy people hardest. Mothers and fathers died, leaving young children. Soldiers serving in World War I died far away from home. Visitors to town never returned home.

Young brothers died and were mourned at a double funeral. A sister who came to care for a sick brother died, and so did her brother.

Ray Franklin Minburn, 24, died of influenza, leaving behind six sisters and two brothers. “Mr. Minburn was a faithful son, a devoted companion, a good neighbor,” concluded his death announcement on Oct. 21, 1918.

On the same page that day came news, tucked among the tombstones, reporting that Iowa Gov. William Harding had recovered from influenza, in the midst of his reelection campaign, and was back in the office. You might remember Harding as the governor who banned German and other languages during World War I and who was nearly impeached for bribery in 1919.

Not far from Harding’s update came news from the prison in Anamosa that “whisky and quinine” were being deployed to attack the grippe.

The pages of The Evening Gazette also were dotted with advertisements for supposed cures and treatments.

“Danger of infection from influenza or any contagious disease can be eliminated by using preventive measures,” prescribed by Ruby S. Thompson, chiropractor and naturopathic physician. Those included “Sulphur-vapor baths, Carlsbad mineral bath.”

You could build up your blood using “Gude’s Pepto-Mangan,” the “Red Blood Builder.” Keep your strength up with Horlick’s Malted Milk.

One ad looked exactly like a news story, carrying the bold headline “Druggists still asked to conserve stocks of VapoRub needed in ‘flu’ districts.” In a tiny notation at the end of the “story” were the words “The Vicks Chemical Co.”

That August 1919 Gazette editorial I mentioned makes me wonder what we’ll be writing in a year or so after our current pandemic.

Death stalking us swiftly from seaboard to seaboard in an unprepared nation, preceded by the casual insistence it’s no worse than the seasonal flu, sounds eerily familiar in 2020. More attention is being paid to hogs than the health of humans working in meatpacking plants.

Will we be writing in 2021 how reopening states and counties too soon led to our own second wave? Here in Iowa, reopening began before we had a fully working predictive model to chart the pandemic’s course and before new testing efforts had a chance to ramp up. Will decisions made without crucial information look smart in 2021? Or will we wish we’d waited just a couple more weeks?

What of the protesters demanding liberation? What about the president, running for reelection in a nation harmed by his crisis mismanagement? What will a new normal look like?

Will there be newspapers around to editorialize in the aftermath? After all, most of the pitches for fake cures are online now, some even extolled at White House briefings.

And will we be better prepared next time? I bet editorial writers in 1919 figured we’d have this pandemic response thing down to a science by now.

Little did they know that in 2020 we’d have so little respect for science. And after a century-plus, the darkness and terror apparently slipped our minds.

(319) 398-8262; todd.dorman@thegazette.com




what

Quick survey: on average, what time is it when you check...



Quick survey: on average, what time is it when you check Instagram for the first time on any given day? (Be sure to include your timezone!)
.
PS: Thank you for all the incredible support on yesterday’s announcement. ❤️ (at Toronto, Ontario)




what

A Viget Glossary: What We Mean and Why it Matters - Part 1

Viget has helped organizations design and develop award-winning websites and digital products for 20 years. In that time, we’ve been lucky to create long-term relationships with clients like Puma, the World Wildlife Fund, and Privia Health, and, throughout our time working together, we’ve come to understand each others’ unique terminology. But that isn’t always the case when we begin work with new clients, and in a constantly-evolving industry, we know that new terminology appears almost daily and organizations have unique definitions for deliverables and processes.

Kicking off a project always initiates a flurry of activity. There are contracts to sign, team members to introduce, and new platforms to learn. It’s an exciting time, and we know clients are anxious to get underway. Amidst all the activity, though, there is a need to define and create a shared lexicon to ensure both teams understand the project deliverables and process that will take us from kickoff to launch.

Below, we’ve rounded up a few terms for each of our disciplines that often require additional explanation. Note: our definitions of these terms may differ slightly from the industry standard, but highlight our interpretation and use of them on a daily basis.

User Experience

Research

In UX, there is a proliferation of terms that are often used interchangeably and mean almost-but-subtly-not the same thing. Viget uses the term research to specifically mean user research — learning more about the users of our products, particularly how they think and behave — in order to make stronger recommendations and better designs. This can be accomplished through different methodologies, depending on the needs of the project, and can include moderated usability testing, stakeholder interviews, audience research, surveys, and more. Learn more about the subtleties of UX research vocabulary in our post on “Speaking the Same Language About Research”.

Wireframes

We use wireframes to show the priority and organization of content on the screen, to give a sense of what elements will get a stronger visual treatment, and to detail how users will get to other parts of the site. Wireframes are a key component of website design — think of them as the skeleton or blueprint of a page — but we know that clients often feel uninspired after reviewing pages built with gray boxes. In fact, we’ve even written about how to improve wireframe presentations. We remind clients that visual designers will step in later to add polish through color, graphics, and typography, but agreeing on the foundation of the page is an important and necessary first step.

Prototypes

During the design process, it’s helpful for us to show clients how certain pieces of functionality or animations will work once the site is developed. We can mimic interactivity or test a technical proof of concept by using a clickable prototype, relying on tools like Figma, Invision, or Principle. Our prototypes can be used to illustrate a concept to internal stakeholders, but shouldn’t be seen as a final approach. Often, these concepts will require additional work to prepare them for developer handoff, which means that prototypes quickly become outdated. Read more about how and when we use prototypes.

Navigation Testing (Treejack Testing)

Following an information architecture presentation, we will sometimes recommend that clients conduct navigation testing. When testing, we present a participant with the proposed navigation and ask them to perform specific tasks in order to see if they will be able to locate the information specified within the site’s new organization. These tests generally focus on two aspects of the navigation: the structure of the navigation system itself, and the language used within the system. Treejack is an online navigation testing tool that we like to employ when conducting navigation tests, so we’ll often interchange the terms “navigation testing” with “treejack testing”.

Learn more about Viget’s approach to user experience and research




what

A Viget Glossary: What We Mean and Why It Matters - Part 2

In my last post, I defined terms used by our UX team that are often confused or have multiple meanings across the industry. Today, I’ll share our definitions for processes and deliverables used by our design and strategy teams.

Creative

Brand Strategy

In our experience, we’ve found that the term brand strategy is used to cover a myriad of processes, documents, and deliverables. To us, a brand strategy defines how an organization communicates who they are, what they do and why in a clear and compelling way. Over the years, we’ve developed an approach to brand strategy work that emphasizes rigorous research, hands-on collaboration, and the definition of problems and goals. We work with clients to align on a brand strategy concept and, depending on the client and their goals, our final deliverables can range to include strategy definition, audience-specific messaging, identity details, brand elements, applications, and more. Take a look at the brand strategy work we’ve done for Fiscalnote, Swiftdine, and Armstrong Tire.

Content Strategy

A content strategy goes far beyond the words on a website or in an app. A strong content strategy dictates the substance, structure, and governance of the information an organization uses to communicate to its audience. It guides creating, organizing, and maintaining content so that companies can communicate who they are, what they do, and why efficiently and effectively. We’ve worked with organizations like the Washington Speakers Bureau, The Nature Conservancy, the NFL Players Association, and the Wildlife Conservation Society to refine and enhance their content strategies.

Still confused about the difference between brand and content strategy? Check out our flowchart.

Style Guide vs. Brand Guidelines

We often find the depth or fidelity of brand guidelines and style guides can vary greatly, and the terms can often be confused. When we create brand guidelines, they tend to be large documents that include in-depth recommendations about how a company should communicate their brand. Sections like “promise”, “vision”, “mission”, “values”, “tone”, etc. accompany details about how the brand’s logo, colors and fonts should be used in a variety of scenarios. Style guides, on the other hand, are typically pared down documents that contain specific guidance for organizations’ logos, colors and fonts, and don’t always include usage examples.

Design System

One question we get from clients often during a redesign or rebrand is, “How can I make sure people across my organization are adhering to our new designs?” This is where a design system comes into play. Design systems can range from the basic — e.g., a systematic approach to creating shared components for a single website — all the way to the complex —e.g., architecting a cross-product design system that can scale to accommodate hundreds of different products within a company. By assembling elements like color, typography, imagery, messaging, voice and tone, and interaction patterns in a central repository, organizations are able to scale products and marketing confidently and efficiently. When a design system is translated into code, we refer to that as a parts kit, which helps enforce consistency and improve workflow.

Comps or Mocks

When reviewing RFPs or going through the nitty-gritty of contracts with clients, we often see the terms mocks or comps used interchangeably to refer to the static design of pages or screens. Internally, we think of a mock-up as a static image file that illustrates proof-of-concept, just a step beyond a wireframe. A comp represents a design that is “high fidelity” and closer to what the final website will look like, though importantly, is not an exact replica. This is likely what clients will share with internal stakeholders to get approval on the website direction and what our front-end developers will use to begin building-out the site (in other words, converting the static design files into dynamic HTML, CSS, and JavaScript code).

If you're interested in joining our team of creative thinkers and visual storytellers who bring these concepts to life for our clients, we’re hiring in Washington, D.C. Durham, Boulder and Chattanooga. Tune in next week as we decipher the terms we use most often when talking about development.




what

What happens if my visa is refused or cancelled due to my character?

If you have your visa refused or cancelled, you need to get expert advice a soon as possible. Strict time limits apply to drafting submissions and appeals. A visa refusal or cancellation can limit the type or visas you can apply for in the future or even prohibit you from applying for any visa to […]

The post What happens if my visa is refused or cancelled due to my character? appeared first on Visa Australia - Immigration Lawyers & Registered Migration Agents.




what

What can I do if I am on a working holiday or seasonal worker visa in the Coronavirus (COVID-19) crisis?

Seasonal Worker Programme and Pacific Labour Scheme workers can extend their stay for up to 12 months to work for approved employers as long as pastoral care and accommodation needs of workers are met to minimise health risks to visa holders and the community. Approved employers under the Seasonal Worker Programme and Pacific Labour Scheme […]

The post What can I do if I am on a working holiday or seasonal worker visa in the Coronavirus (COVID-19) crisis? appeared first on Visa Australia - Immigration Lawyers & Registered Migration Agents.




what

What’s New in Recipe Card Blocks Free & PRO

It’s been a few months since the release of the Recipe Card Blocks PRO plugin, and our team continued to release new updates constantly for both versions of the plugin: Free & PRO. As we’ve released many major updates for both versions in the past months, let’s make a quick overview of the most important changes and new features we’ve […]




what

A Viget Glossary: What We Mean and Why it Matters - Part 1

Viget has helped organizations design and develop award-winning websites and digital products for 20 years. In that time, we’ve been lucky to create long-term relationships with clients like Puma, the World Wildlife Fund, and Privia Health, and, throughout our time working together, we’ve come to understand each others’ unique terminology. But that isn’t always the case when we begin work with new clients, and in a constantly-evolving industry, we know that new terminology appears almost daily and organizations have unique definitions for deliverables and processes.

Kicking off a project always initiates a flurry of activity. There are contracts to sign, team members to introduce, and new platforms to learn. It’s an exciting time, and we know clients are anxious to get underway. Amidst all the activity, though, there is a need to define and create a shared lexicon to ensure both teams understand the project deliverables and process that will take us from kickoff to launch.

Below, we’ve rounded up a few terms for each of our disciplines that often require additional explanation. Note: our definitions of these terms may differ slightly from the industry standard, but highlight our interpretation and use of them on a daily basis.

User Experience

Research

In UX, there is a proliferation of terms that are often used interchangeably and mean almost-but-subtly-not the same thing. Viget uses the term research to specifically mean user research — learning more about the users of our products, particularly how they think and behave — in order to make stronger recommendations and better designs. This can be accomplished through different methodologies, depending on the needs of the project, and can include moderated usability testing, stakeholder interviews, audience research, surveys, and more. Learn more about the subtleties of UX research vocabulary in our post on “Speaking the Same Language About Research”.

Wireframes

We use wireframes to show the priority and organization of content on the screen, to give a sense of what elements will get a stronger visual treatment, and to detail how users will get to other parts of the site. Wireframes are a key component of website design — think of them as the skeleton or blueprint of a page — but we know that clients often feel uninspired after reviewing pages built with gray boxes. In fact, we’ve even written about how to improve wireframe presentations. We remind clients that visual designers will step in later to add polish through color, graphics, and typography, but agreeing on the foundation of the page is an important and necessary first step.

Prototypes

During the design process, it’s helpful for us to show clients how certain pieces of functionality or animations will work once the site is developed. We can mimic interactivity or test a technical proof of concept by using a clickable prototype, relying on tools like Figma, Invision, or Principle. Our prototypes can be used to illustrate a concept to internal stakeholders, but shouldn’t be seen as a final approach. Often, these concepts will require additional work to prepare them for developer handoff, which means that prototypes quickly become outdated. Read more about how and when we use prototypes.

Navigation Testing (Treejack Testing)

Following an information architecture presentation, we will sometimes recommend that clients conduct navigation testing. When testing, we present a participant with the proposed navigation and ask them to perform specific tasks in order to see if they will be able to locate the information specified within the site’s new organization. These tests generally focus on two aspects of the navigation: the structure of the navigation system itself, and the language used within the system. Treejack is an online navigation testing tool that we like to employ when conducting navigation tests, so we’ll often interchange the terms “navigation testing” with “treejack testing”.

Learn more about Viget’s approach to user experience and research




what

A Viget Glossary: What We Mean and Why It Matters - Part 2

In my last post, I defined terms used by our UX team that are often confused or have multiple meanings across the industry. Today, I’ll share our definitions for processes and deliverables used by our design and strategy teams.

Creative

Brand Strategy

In our experience, we’ve found that the term brand strategy is used to cover a myriad of processes, documents, and deliverables. To us, a brand strategy defines how an organization communicates who they are, what they do and why in a clear and compelling way. Over the years, we’ve developed an approach to brand strategy work that emphasizes rigorous research, hands-on collaboration, and the definition of problems and goals. We work with clients to align on a brand strategy concept and, depending on the client and their goals, our final deliverables can range to include strategy definition, audience-specific messaging, identity details, brand elements, applications, and more. Take a look at the brand strategy work we’ve done for Fiscalnote, Swiftdine, and Armstrong Tire.

Content Strategy

A content strategy goes far beyond the words on a website or in an app. A strong content strategy dictates the substance, structure, and governance of the information an organization uses to communicate to its audience. It guides creating, organizing, and maintaining content so that companies can communicate who they are, what they do, and why efficiently and effectively. We’ve worked with organizations like the Washington Speakers Bureau, The Nature Conservancy, the NFL Players Association, and the Wildlife Conservation Society to refine and enhance their content strategies.

Still confused about the difference between brand and content strategy? Check out our flowchart.

Style Guide vs. Brand Guidelines

We often find the depth or fidelity of brand guidelines and style guides can vary greatly, and the terms can often be confused. When we create brand guidelines, they tend to be large documents that include in-depth recommendations about how a company should communicate their brand. Sections like “promise”, “vision”, “mission”, “values”, “tone”, etc. accompany details about how the brand’s logo, colors and fonts should be used in a variety of scenarios. Style guides, on the other hand, are typically pared down documents that contain specific guidance for organizations’ logos, colors and fonts, and don’t always include usage examples.

Design System

One question we get from clients often during a redesign or rebrand is, “How can I make sure people across my organization are adhering to our new designs?” This is where a design system comes into play. Design systems can range from the basic — e.g., a systematic approach to creating shared components for a single website — all the way to the complex —e.g., architecting a cross-product design system that can scale to accommodate hundreds of different products within a company. By assembling elements like color, typography, imagery, messaging, voice and tone, and interaction patterns in a central repository, organizations are able to scale products and marketing confidently and efficiently. When a design system is translated into code, we refer to that as a parts kit, which helps enforce consistency and improve workflow.

Comps or Mocks

When reviewing RFPs or going through the nitty-gritty of contracts with clients, we often see the terms mocks or comps used interchangeably to refer to the static design of pages or screens. Internally, we think of a mock-up as a static image file that illustrates proof-of-concept, just a step beyond a wireframe. A comp represents a design that is “high fidelity” and closer to what the final website will look like, though importantly, is not an exact replica. This is likely what clients will share with internal stakeholders to get approval on the website direction and what our front-end developers will use to begin building-out the site (in other words, converting the static design files into dynamic HTML, CSS, and JavaScript code).

If you're interested in joining our team of creative thinkers and visual storytellers who bring these concepts to life for our clients, we’re hiring in Washington, D.C. Durham, Boulder and Chattanooga. Tune in next week as we decipher the terms we use most often when talking about development.




what

What every business must do (and designers even more so)

What should all businesses do at least once, and do properly, and (like the title of this blog post suggests) designers need to do repeatedly? The answer is: Understanding the target market they’re catering to. Sure, that makes sense—but why are graphic designers any different? Why do this repeatedly? When you’re in business, you’re in the […]




what

Design checklist: What clients should provide their designer

Hello! I have updated this very popular post to include a free downloadable PDF of this checklist.  Preparation is key to successful management of any project, and design projects are no different. The more preparation that both client and designer do right at the start, the more smoothly the work will go. I find checklists […]




what

What does Stack Overflow want to be when it grows up?

I sometimes get asked by regular people in the actual real world what it is that I do for a living, and here's my 15 second answer:

We built a sort of Wikipedia website for computer programmers to post questions and answers. It's called Stack Overflow.

As of last month,




what

What I learned from living a socially isolated life for the past two years

“It will get easier after you adjust."After receiving a traumatic brain injury from a car crash two years ago, the Los Angeles-based journalist Amanda Chicago Lewis has lived in social isolation. Because of stay-at-home orders to reduce the spread of COVID-19, more people are now living in similar circumstances. Below, Lewis shares how she’s adapted her apartment, her routine, and her habits to cope with being at home for extended periods of time.




what

What a trauma and PTSD psychologist tells us about dealing with the coronavirus pandemic

We’re all experiencing varying levels of trauma.




what

What life is like now for 3 people with brain injuries — and their loved ones

Ken Rekowski, Shawn Hill and Jodi Graham are dealing with COVID-19 in different ways




what

What is the Sony a6400 Crop Factor?

Sony introduced the a6400 model of digital cameras in early 2019. The a6400 rapidly became a best-seller among both professional and amateur photographers. The camera is smaller than standard digital single reflex cameras but still uses Sony’s extensive line of lenses. Sony has achieved all this using an APS-C sensor system in a mirrorless body. What is Sony a6400 crop Continue Reading

The post What is the Sony a6400 Crop Factor? appeared first on Photodoto.



  • Cameras & Equipment
  • Sony a6400 crop factor

what

Design Trends in 2016 & What to Expect in 2017

The year ahead should be a really exciting one for design, with the introduction of wider support for SVG and a host of new things we can do with CSS as CSS4 gains broader acceptance. In taking a look back at what made a big splash this year, I hope you will be inspired to […]


The post Design Trends in 2016 & What to Expect in 2017 appeared first on Web Designer Wall.




what

What is Our Land For?

By Jill Richardson OtherWords Should we graze it, log it, drill it, and mine it? Or should we preserve it, study it, recreate in it, and revere it? The Trump administration accidentally released documents showing that they intentionally underestimated the … Continue reading




what

What Are The Essential Tools For Painting?

Painting a room can be a scary venture. Once you have got chosen on the unused color for the room, you’re prepared to begin. Maler has prepared a list of necessary equipment you may need during...




what

What Stephen Hawking Taught Us About Living with Disability

Stephen Hawking, a world-renowned scientist who recently passed away, had a brilliant mind that was trapped inside a paralyzed body, and I could not stop thinking about how the opposite is often the case with traumatic brain injury.




what

Never Stop Asking 'What If?'

We imagine the what-ifs as a worst case scenario, our worst nightmare happening to us, our life falling apart. But here’s another way of looking at it.




what

To Love What Is: A Marriage Transformed

I wish I had found Alix Kates Shulman’s memoir "To Love What Is: A Marriage Transformed" in the first month of my husband’s severe TBI, and yet I may not have absorbed it the way I did reading it fifteen years post-injury.





what

A Viget Glossary: What We Mean and Why it Matters - Part 1

Viget has helped organizations design and develop award-winning websites and digital products for 20 years. In that time, we’ve been lucky to create long-term relationships with clients like Puma, the World Wildlife Fund, and Privia Health, and, throughout our time working together, we’ve come to understand each others’ unique terminology. But that isn’t always the case when we begin work with new clients, and in a constantly-evolving industry, we know that new terminology appears almost daily and organizations have unique definitions for deliverables and processes.

Kicking off a project always initiates a flurry of activity. There are contracts to sign, team members to introduce, and new platforms to learn. It’s an exciting time, and we know clients are anxious to get underway. Amidst all the activity, though, there is a need to define and create a shared lexicon to ensure both teams understand the project deliverables and process that will take us from kickoff to launch.

Below, we’ve rounded up a few terms for each of our disciplines that often require additional explanation. Note: our definitions of these terms may differ slightly from the industry standard, but highlight our interpretation and use of them on a daily basis.

User Experience

Research

In UX, there is a proliferation of terms that are often used interchangeably and mean almost-but-subtly-not the same thing. Viget uses the term research to specifically mean user research — learning more about the users of our products, particularly how they think and behave — in order to make stronger recommendations and better designs. This can be accomplished through different methodologies, depending on the needs of the project, and can include moderated usability testing, stakeholder interviews, audience research, surveys, and more. Learn more about the subtleties of UX research vocabulary in our post on “Speaking the Same Language About Research”.

Wireframes

We use wireframes to show the priority and organization of content on the screen, to give a sense of what elements will get a stronger visual treatment, and to detail how users will get to other parts of the site. Wireframes are a key component of website design — think of them as the skeleton or blueprint of a page — but we know that clients often feel uninspired after reviewing pages built with gray boxes. In fact, we’ve even written about how to improve wireframe presentations. We remind clients that visual designers will step in later to add polish through color, graphics, and typography, but agreeing on the foundation of the page is an important and necessary first step.

Prototypes

During the design process, it’s helpful for us to show clients how certain pieces of functionality or animations will work once the site is developed. We can mimic interactivity or test a technical proof of concept by using a clickable prototype, relying on tools like Figma, Invision, or Principle. Our prototypes can be used to illustrate a concept to internal stakeholders, but shouldn’t be seen as a final approach. Often, these concepts will require additional work to prepare them for developer handoff, which means that prototypes quickly become outdated. Read more about how and when we use prototypes.

Navigation Testing (Treejack Testing)

Following an information architecture presentation, we will sometimes recommend that clients conduct navigation testing. When testing, we present a participant with the proposed navigation and ask them to perform specific tasks in order to see if they will be able to locate the information specified within the site’s new organization. These tests generally focus on two aspects of the navigation: the structure of the navigation system itself, and the language used within the system. Treejack is an online navigation testing tool that we like to employ when conducting navigation tests, so we’ll often interchange the terms “navigation testing” with “treejack testing”.

Learn more about Viget’s approach to user experience and research




what

A Viget Glossary: What We Mean and Why It Matters - Part 2

In my last post, I defined terms used by our UX team that are often confused or have multiple meanings across the industry. Today, I’ll share our definitions for processes and deliverables used by our design and strategy teams.

Creative

Brand Strategy

In our experience, we’ve found that the term brand strategy is used to cover a myriad of processes, documents, and deliverables. To us, a brand strategy defines how an organization communicates who they are, what they do and why in a clear and compelling way. Over the years, we’ve developed an approach to brand strategy work that emphasizes rigorous research, hands-on collaboration, and the definition of problems and goals. We work with clients to align on a brand strategy concept and, depending on the client and their goals, our final deliverables can range to include strategy definition, audience-specific messaging, identity details, brand elements, applications, and more. Take a look at the brand strategy work we’ve done for Fiscalnote, Swiftdine, and Armstrong Tire.

Content Strategy

A content strategy goes far beyond the words on a website or in an app. A strong content strategy dictates the substance, structure, and governance of the information an organization uses to communicate to its audience. It guides creating, organizing, and maintaining content so that companies can communicate who they are, what they do, and why efficiently and effectively. We’ve worked with organizations like the Washington Speakers Bureau, The Nature Conservancy, the NFL Players Association, and the Wildlife Conservation Society to refine and enhance their content strategies.

Still confused about the difference between brand and content strategy? Check out our flowchart.

Style Guide vs. Brand Guidelines

We often find the depth or fidelity of brand guidelines and style guides can vary greatly, and the terms can often be confused. When we create brand guidelines, they tend to be large documents that include in-depth recommendations about how a company should communicate their brand. Sections like “promise”, “vision”, “mission”, “values”, “tone”, etc. accompany details about how the brand’s logo, colors and fonts should be used in a variety of scenarios. Style guides, on the other hand, are typically pared down documents that contain specific guidance for organizations’ logos, colors and fonts, and don’t always include usage examples.

Design System

One question we get from clients often during a redesign or rebrand is, “How can I make sure people across my organization are adhering to our new designs?” This is where a design system comes into play. Design systems can range from the basic — e.g., a systematic approach to creating shared components for a single website — all the way to the complex —e.g., architecting a cross-product design system that can scale to accommodate hundreds of different products within a company. By assembling elements like color, typography, imagery, messaging, voice and tone, and interaction patterns in a central repository, organizations are able to scale products and marketing confidently and efficiently. When a design system is translated into code, we refer to that as a parts kit, which helps enforce consistency and improve workflow.

Comps or Mocks

When reviewing RFPs or going through the nitty-gritty of contracts with clients, we often see the terms mocks or comps used interchangeably to refer to the static design of pages or screens. Internally, we think of a mock-up as a static image file that illustrates proof-of-concept, just a step beyond a wireframe. A comp represents a design that is “high fidelity” and closer to what the final website will look like, though importantly, is not an exact replica. This is likely what clients will share with internal stakeholders to get approval on the website direction and what our front-end developers will use to begin building-out the site (in other words, converting the static design files into dynamic HTML, CSS, and JavaScript code).

If you're interested in joining our team of creative thinkers and visual storytellers who bring these concepts to life for our clients, we’re hiring in Washington, D.C. Durham, Boulder and Chattanooga. Tune in next week as we decipher the terms we use most often when talking about development.




what

"What is deceptive, especially in the West, is our assumption that repetitive and mindless jobs are..."

What is deceptive, especially in the West, is our assumption that repetitive and mindless jobs are dehumanizing. On the other hand, the jobs that require us to use the abilities that are uniquely human, we assume to be humanizing. This is not necessarily true. The determining factor is not so much the nature of our jobs, but for whom they serve.

‘Burnout’ is a result of consuming yourself for something other than yourself. You could be burnt out for an abstract concept, ideal, or even nothing (predicament). You end up burning yourself as fuel for something or someone else. This is what feels dehumanizing. In repetitive physical jobs, you could burn out your body for something other than yourself. In creative jobs, you could burn out your soul. Either way, it would be dehumanizing. Completely mindless jobs and incessantly mindful jobs could both be harmful to us.



- Dsyke Suematsu from his white paper discussed at Why Ad People Burn Out.




what

What Does Big Tech Know About You? Basically Everything

Big tech companies have been spying on us for years. This knowledge isn’t new information, but what could be surprising is exactly to what extent each company does it. Security Baron categories what data six of the biggest tech companies collect from you in The Data Big Companies Have On You infographic, and these are just the ones they admit to collecting on their own privacy pages!

The seemingly endless stream of Facebook privacy scandals of late—including the latest involving users as young as 13 years old—may have you questioning how much the social network and other tech giants actually know about you.

The folks at Security Baron examined the privacy policies of Facebook, Google, Apple, Twitter, Amazon, and Microsoft and put together a handy infographic showing the types of data each company admits to collecting. For Facebook and others, data is money. But just how much these tech giants actually know about you might be surprising.

As you can see in the infographic below, Facebook is particularly data-hungry, even gathering information about your work, income level, race, religion, political views, and the ads you click in addition to more commonly collected data points such as your phone number, email address, location, and the type of devices you use.

"Facebook is unusually aggressive," Security Baron pointed out. "This data can be exploited by advertisers and (hopefully not nefarious) others."

Twitter, in comparison, is "comparatively hands-off," the site notes. The microblogging service, for instance, doesn't collect your name, gender, or birthday (Facebook, Google, and Microsoft all do), but Twitter does know your phone number, email address, time zone, what videos you watch, and more.

Google and Microsoft, meanwhile, are the other big players when it comes to collecting data.

"With Cortana listening in and Gmail seeing all of your emails, the ubiquitous nature of Google and Microsoft gives them access to an uncomfortably large amount of your information," Security Baron wrote.

Check out the full infographic below to see what Facebook, Google, Apple, Twitter, Amazon, and Microsoft may know about you. For tips on securing your digital privacy, check our story, "Online Data Protection 101: Don't Let Big Tech Get Rich Off Your Info.

This is a fairly simple infographic design using a comparison table. I think the use of the icons is particularly effective showing which of Google’s or Microsoft’s apps are collecting the data.

Although the types of data are identified down the left side, I wish there was a way to identify the more sensitive types of data.

Original article can be found at https://www.pcmag.com/




what

What's Inside the White House?

Visual explanations are a big part of data visualizations, and this video exploration of What’s Inside the White House? by animator Jared Owen gives viewers a great perspective of where the major rooms are located in context with the rest of the building. I would bet that most people don’t know that the Oval Office isn’t in the main, center building.

The White House is full of lots of interesting rooms. A lot of people don't realize that this information is public! Please join me as we take a walk through the different rooms and what they are used for.

Found on Core77




what

The minimalist field researcher: What's in my bag?

When carried out in a lab, user experience research is gear heavy. You need technology to record audio, video and the screen of the device under test. In contrast, when carried out in the field, user experience research is more lightweight. Even so, there are a few non-obvious items of kit that I find essential on a field visit.




what

What is cognitive load and why does it matter in web and interface design?

Successful design manages cognitive load. Cognitive load is a technical term for “mental effort,” more specifically it’s the total amount of mental effort required for a given task. Completing any task requires some level of mental effort. This includes learning new information, analyzing stimuli, and working with short and long-term memory. Mental energy which has […]

The post What is cognitive load and why does it matter in web and interface design? appeared first on Psychology of Web Design | 3.7 Blog.




what

Why personas are antiquated (and what you should use instead)

Personas are antiquated… this coming from someone who has relied on and written about them for years. For years at 3.7 Designs, we’ve created personas during the design discovery phase. I recently realized that the traditional marketing persona is no longer a relevant practice. The keyword here is “traditional.” At 3.7 we’ve adopted a practice […]

The post Why personas are antiquated (and what you should use instead) appeared first on Psychology of Web Design | 3.7 Blog.




what

Intuition, Creative Freedom & Doing What You Love with Chris Ballew

Today’s episode is going to rock your world … pun fully intended because today’s guest is an actual rock star. You may remember a band called Presidents of the United States of America. They took the world by storm in 1995 with their self titled album, Presidents of the United States of America playing songs like Lump and Peaches. Yes, that’s right. My guest today is frontman Chris Ballew. Chris and I have been friends for years, including collaborating on a music video together and at least one live performance (gotta listen to find out ;). Of course we get into his musical journey, a meteoric rise to success, and then realizing something was missing. We take some deep dives into Chris’ creative process, including his method for capturing his small bits and later using those to write new works, including his new project Casper Babypants. In this episode: Consider what kind of artist you are and how you relate to other artists. For years Chris played in bands, but what he learned about himself is his work is actually solo. Don’t censor yourself while you’re creating. Get it out, no matter how crazy or ridiculous or unusual and then […]

The post Intuition, Creative Freedom & Doing What You Love with Chris Ballew appeared first on Chase Jarvis Photography.




what

Imagine What’s Possible – On Stage /w Humans of New York Creator Brandon Stanton

My book Creative Calling is out! Thanks for all your love, support, and help getting it out into the world. We kicked off celebrations in Seattle with over 700 people in attendance to talk about Creativity with my good buddy, Humans of New York creator, Brandon Stanton. I recorded the session for you. Hope you enjoy! FOLLOW HUMANS OF NEW YORK: instagram | twitter | website Listen to the Podcast Subscribe   This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in photo/video, art/design, music/audio, craft/maker, money/life and the ability to make a living in any of those disciplines. They are high quality, highly curated classes taught by the world’s top experts — Pulitzer, Oscar, Grammy Award winners, New York Times best selling authors and the best entrepreneurs of our times.

The post Imagine What’s Possible – On Stage /w Humans of New York Creator Brandon Stanton appeared first on Chase Jarvis Photography.




what

Chris Burkard: Say Yes to What You Want

Today’s guest is one many of you have been asking for oh-so-long. He’s one of the top travel, outdoor, and landscape photographers in the world, bringing us to some of the most untamed and powerful landscapes in the pursuit of powerful stories, hidden surf, and a good adventure. Of course in this episode we get into his new book, At Glacier’s End, but we also get into some meaty topics such as: the power of exploring personal projects and how it can shape new opportunities the sacrifice that comes as pursing your passions personal growth and how it evolves over time and so much more Enjoy! FOLLOW CHRIS: instagram | twitter | website Listen to the Podcast Subscribe   Watch the Episode  This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in photo/video, art/design, music/audio, craft/maker, money/life and the ability to make a living in any of those disciplines. They are high quality, highly curated classes taught by the world’s top experts — Pulitzer, Oscar, Grammy Award winners, New York Times best selling authors and the best entrepreneurs of our times.

The post Chris Burkard: Say Yes to What You Want appeared first on Chase Jarvis Photography.




what

Pay Attention to What Ignites You with Jody MacDonald

Imagine this: Your job is good, and safe, but it’s not fueling you anymore. You decide to quit your “real” job and sell all your belongings to live a life of adventure. And just as you are waving your last goodbye, the unthinkable happens and it changes everything. Like most of us, award winning photographer Jody MacDonald didn’t know what her path would be. Yet when her wake up call came, she listened. From train hopping in the Sahara to paragliding in the Himalaya, she’s no stranger to adventure and exploration. Her work blends insightful storytelling, big adventure expeditions and social change in the hopes of promoting the preservation of wild places. Men’s Journal named her “One of the 25 Most Adventures Women in the Past 25 Years and National Geographic said she’s one of the top female adventure photographers pushing the limits. I’ve admired Jody’s work from afar for years. Her life story and career arc is remarkable. It set her on a path to tackle some of the life’s biggest questions and what she has learned is pure gold. In this episode: Why waste your time on things that make you unhappy? What Jody does to tune into […]

The post Pay Attention to What Ignites You with Jody MacDonald appeared first on Chase Jarvis Photography.




what

Do What You Can Do with Cellist Joshua Roman

Legendary musician Yo-Yo Ma called my guest today the future of classical music in America. Joshua Roman is a cellist, accomplished composer and curator whose performances embrace musical styles from Bach to Radiohead. At 22, he became the youngest principal cellist in the Seattle Symphony. Now as a soloist, his performances have been viewed by millions. I was able to catch up with Joshua on this special LIVE performance CreativeLive TV. Wherever you are in the world, hope this episode lifts you up. Please be sure to give Joshua a shout on the socials. Enjoy! FOLLOW JOSHUA: instagram | twitter | website Listen to the Podcast Subscribe   Watch the Episode This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in photo/video, art/design, music/audio, craft/maker, money/life and the ability to make a living in any of those disciplines. They are high quality, highly curated classes taught by the world’s top experts — Pulitzer, Oscar, Grammy Award winners, New York Times best selling authors and the best entrepreneurs of our times.

The post Do What You Can Do with Cellist Joshua Roman appeared first on Chase Jarvis Photography.




what

A Viget Glossary: What We Mean and Why it Matters - Part 1

Viget has helped organizations design and develop award-winning websites and digital products for 20 years. In that time, we’ve been lucky to create long-term relationships with clients like Puma, the World Wildlife Fund, and Privia Health, and, throughout our time working together, we’ve come to understand each others’ unique terminology. But that isn’t always the case when we begin work with new clients, and in a constantly-evolving industry, we know that new terminology appears almost daily and organizations have unique definitions for deliverables and processes.

Kicking off a project always initiates a flurry of activity. There are contracts to sign, team members to introduce, and new platforms to learn. It’s an exciting time, and we know clients are anxious to get underway. Amidst all the activity, though, there is a need to define and create a shared lexicon to ensure both teams understand the project deliverables and process that will take us from kickoff to launch.

Below, we’ve rounded up a few terms for each of our disciplines that often require additional explanation. Note: our definitions of these terms may differ slightly from the industry standard, but highlight our interpretation and use of them on a daily basis.

User Experience

Research

In UX, there is a proliferation of terms that are often used interchangeably and mean almost-but-subtly-not the same thing. Viget uses the term research to specifically mean user research — learning more about the users of our products, particularly how they think and behave — in order to make stronger recommendations and better designs. This can be accomplished through different methodologies, depending on the needs of the project, and can include moderated usability testing, stakeholder interviews, audience research, surveys, and more. Learn more about the subtleties of UX research vocabulary in our post on “Speaking the Same Language About Research”.

Wireframes

We use wireframes to show the priority and organization of content on the screen, to give a sense of what elements will get a stronger visual treatment, and to detail how users will get to other parts of the site. Wireframes are a key component of website design — think of them as the skeleton or blueprint of a page — but we know that clients often feel uninspired after reviewing pages built with gray boxes. In fact, we’ve even written about how to improve wireframe presentations. We remind clients that visual designers will step in later to add polish through color, graphics, and typography, but agreeing on the foundation of the page is an important and necessary first step.

Prototypes

During the design process, it’s helpful for us to show clients how certain pieces of functionality or animations will work once the site is developed. We can mimic interactivity or test a technical proof of concept by using a clickable prototype, relying on tools like Figma, Invision, or Principle. Our prototypes can be used to illustrate a concept to internal stakeholders, but shouldn’t be seen as a final approach. Often, these concepts will require additional work to prepare them for developer handoff, which means that prototypes quickly become outdated. Read more about how and when we use prototypes.

Navigation Testing (Treejack Testing)

Following an information architecture presentation, we will sometimes recommend that clients conduct navigation testing. When testing, we present a participant with the proposed navigation and ask them to perform specific tasks in order to see if they will be able to locate the information specified within the site’s new organization. These tests generally focus on two aspects of the navigation: the structure of the navigation system itself, and the language used within the system. Treejack is an online navigation testing tool that we like to employ when conducting navigation tests, so we’ll often interchange the terms “navigation testing” with “treejack testing”.

Learn more about Viget’s approach to user experience and research




what

A Viget Glossary: What We Mean and Why It Matters - Part 2

In my last post, I defined terms used by our UX team that are often confused or have multiple meanings across the industry. Today, I’ll share our definitions for processes and deliverables used by our design and strategy teams.

Creative

Brand Strategy

In our experience, we’ve found that the term brand strategy is used to cover a myriad of processes, documents, and deliverables. To us, a brand strategy defines how an organization communicates who they are, what they do and why in a clear and compelling way. Over the years, we’ve developed an approach to brand strategy work that emphasizes rigorous research, hands-on collaboration, and the definition of problems and goals. We work with clients to align on a brand strategy concept and, depending on the client and their goals, our final deliverables can range to include strategy definition, audience-specific messaging, identity details, brand elements, applications, and more. Take a look at the brand strategy work we’ve done for Fiscalnote, Swiftdine, and Armstrong Tire.

Content Strategy

A content strategy goes far beyond the words on a website or in an app. A strong content strategy dictates the substance, structure, and governance of the information an organization uses to communicate to its audience. It guides creating, organizing, and maintaining content so that companies can communicate who they are, what they do, and why efficiently and effectively. We’ve worked with organizations like the Washington Speakers Bureau, The Nature Conservancy, the NFL Players Association, and the Wildlife Conservation Society to refine and enhance their content strategies.

Still confused about the difference between brand and content strategy? Check out our flowchart.

Style Guide vs. Brand Guidelines

We often find the depth or fidelity of brand guidelines and style guides can vary greatly, and the terms can often be confused. When we create brand guidelines, they tend to be large documents that include in-depth recommendations about how a company should communicate their brand. Sections like “promise”, “vision”, “mission”, “values”, “tone”, etc. accompany details about how the brand’s logo, colors and fonts should be used in a variety of scenarios. Style guides, on the other hand, are typically pared down documents that contain specific guidance for organizations’ logos, colors and fonts, and don’t always include usage examples.

Design System

One question we get from clients often during a redesign or rebrand is, “How can I make sure people across my organization are adhering to our new designs?” This is where a design system comes into play. Design systems can range from the basic — e.g., a systematic approach to creating shared components for a single website — all the way to the complex —e.g., architecting a cross-product design system that can scale to accommodate hundreds of different products within a company. By assembling elements like color, typography, imagery, messaging, voice and tone, and interaction patterns in a central repository, organizations are able to scale products and marketing confidently and efficiently. When a design system is translated into code, we refer to that as a parts kit, which helps enforce consistency and improve workflow.

Comps or Mocks

When reviewing RFPs or going through the nitty-gritty of contracts with clients, we often see the terms mocks or comps used interchangeably to refer to the static design of pages or screens. Internally, we think of a mock-up as a static image file that illustrates proof-of-concept, just a step beyond a wireframe. A comp represents a design that is “high fidelity” and closer to what the final website will look like, though importantly, is not an exact replica. This is likely what clients will share with internal stakeholders to get approval on the website direction and what our front-end developers will use to begin building-out the site (in other words, converting the static design files into dynamic HTML, CSS, and JavaScript code).

If you're interested in joining our team of creative thinkers and visual storytellers who bring these concepts to life for our clients, we’re hiring in Washington, D.C. Durham, Boulder and Chattanooga. Tune in next week as we decipher the terms we use most often when talking about development.




what

eagereyesTV Episode 2: Unit Charts, Dot Plots, ISOTYPE, and What Makes Them Special

Charts usually show values as visual properties, like the length in a bar chart, the location in a scatterplot, the area in a bubble chart, etc. Unit charts show values as multiples instead. One famous example of these charts is called ISOTYPE, and you may have seen them in information graphics as well. They’re an […]




what

eagereyesTV: What is Data? Part 1, File Formats and Intent

We all use data all the time, but what exactly is data? How do different programs know what to do with our data? How is visualizing data different from other uses of data? And isn’t everything inside a computer data in the end? The latest episode of eagereyesTV looks at what data is and what […]




what

eagereyesTV: What Is Data? Part 2, Are Images Data?

Visualization turns data into images, but are images themselves data? There are often claims that they are, but then you mostly see the images themselves without much additional data. In this video, I look at image browsers, a project classifying selfies along a number of criteria, and the additional information stored in HEIC that makes […]




what

What comprises a good talking-head video generation?: A Survey and Benchmark. (arXiv:2005.03201v1 [cs.CV])

Over the years, performance evaluation has become essential in computer vision, enabling tangible progress in many sub-fields. While talking-head video generation has become an emerging research topic, existing evaluations on this topic present many limitations. For example, most approaches use human subjects (e.g., via Amazon MTurk) to evaluate their research claims directly. This subjective evaluation is cumbersome, unreproducible, and may impend the evolution of new research. In this work, we present a carefully-designed benchmark for evaluating talking-head video generation with standardized dataset pre-processing strategies. As for evaluation, we either propose new metrics or select the most appropriate ones to evaluate results in what we consider as desired properties for a good talking-head video, namely, identity preserving, lip synchronization, high video quality, and natural-spontaneous motion. By conducting a thoughtful analysis across several state-of-the-art talking-head generation approaches, we aim to uncover the merits and drawbacks of current methods and point out promising directions for future work. All the evaluation code is available at: https://github.com/lelechen63/talking-head-generation-survey.