A free virtual performance from The Philadelphia Orchestra will follow an in-person performance from world-renowned violinist Ray Chen and pianist Julio Elizalde.

Classic FM has posted what it believes to be the hardest classical music quiz online, allowing you to test out your knowledge and brag about ... Read more

The post Feel like testing your classical music knowledge? Take this quiz appeared first on CMUSE.

Researchers at University of Washington released a dataset of classical music pieces called MusicNote Wednesday that facilitates machine learning of note patterns and automated note ... Read more

The post Will the next great classical music composer be a computer? appeared first on CMUSE.

Violinist Joshua Bell teamed up with Sony as they unveiled a new virtual reality concert experience for classical music fans. Using a Playstation VR headset, ... Read more

The post Can virtual reality give classical music a boost? appeared first on CMUSE.

The contemporary dating scene might, at times, resemble TS Eliot’s wasteland or, worse, a post-apocalyptic landscape punctuated by primeval beings who shy away from light. Apps like ... Read more

The post Seven Reasons Why You Should Date a Classical Musician appeared first on CMUSE.

The Internet 2.0 gave us a great opportunity: user-generated content can allow anyone’s voice to be heard (a blessing or a curse?) and, as a ... Read more

The post Five Types of Classical music lovers you find online appeared first on CMUSE.

Post-pandemic, the opportunity to enjoy live music and music festivals at home, abroad or further afield is again possible. The plethora of options is almost ... Read more

The post Classical Music Festivals Around The World appeared first on CMUSE.

Periods of music are often hotly contested and accompanied by the notion that over-night one period of music magically transformed into the next. Imagine falling ... Read more

The post Characteristics of Classical Music: An introduction appeared first on CMUSE.

Classical music abounds in Walt Disney productions: Fantasia contains animated sequences and narrations inspired by the pieces of classical music playing in the background, whether ... Read more

The post Watch These Five Disney Shorts about Classical Music appeared first on CMUSE.

The list of pieces for the above title could probably run for pages and cause all manner of consternation over what is considered to be ... Read more

The post 10 Most Famous Classical Music Pieces (Popular Classical Music Pieces) appeared first on CMUSE.

1. Autumn from “The Seasons”; Op. 67; by Alexander Glazunov Glazunov is not a name we readily hear these days in the concert halls and on ... Read more

The post 5 Pieces of Classical Music about Autumn appeared first on CMUSE.

[Culture] :
Anchor: South Korean Pianist Lim Yunchan has won the Gramophone Classical Music Award in the piano category. This marks the first time that a Korean pianist has received the prestigious prize, often called the Oscars of the classical music world. Kim Bum-soo has more.   Report:   [Sound bite: Lim ...

[more...]

Classical music has an unparalleled ability to transcend time, moving listeners with its emotional depth, technical brilliance, and universal beauty. From the grand symphonies of Beethoven to the delicate piano pieces of Chopin, classical music has shaped the cultural landscape for centuries, inspiring countless generations. But which pieces stand out as the most iconic, the […]

The post 15 Best Classical Music Pieces of All Time first appeared on Singersroom.com.

Nadaka says the geet-taar, with its integration of four instruments, helps him play the nuances and micro-tones of Carnatic music.

Founded in 1887 and designed by British architect Henry Irwin, the Gaiety Theatre in Shimla was the venue of the recent Parampara aur Viraasat Utsav

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Gurus of classical music, dance go digital  Times of India

Musical and cinematic storytelling collide in "The Moon," Artosphere Festival Orchestra's finale concert this Saturday, June 29, at Walton Arts Center . The concert, featuring music from Richard Strauss, John Williams, Debussy and more, pairs live classical music and narration with the George Melies' 1902 silent film “A Trip to the Moon.” Artistic director Francesco Micheli’s vision for "The Moon" project was born from his passion to explain music in other ways. “We try to build a journey by means of the music. We can say that we are on the Artosphere airlines, able to make an incredible journey between the starts and on the moon,” he said. Click on the streaming link above to listen to hear Micheli's full interview with Of Note’s Katy Henriksen.

Music is a comforting thing, especially for these rescued elephants living in an animal sanctuary.

Ojas Adhiya, Nandini Shankar and Abhishek Borkar are poised to strike a chord with young urban listeners in Mumbai

For most youngsters, unfamiliar with Hindustani classical music, 'serious', 'formal' and 'boring' are popular adjectives used to define the genre. For as long as we can remember, Hindustani classical, that has given the world several legends, has been performed in sprawling auditoriums — there's not just discipline in the music, but in the attire and in environment as a whole. How would it be then, to see classical being performed in casuals? Turns out, that's not an outrageous thought anymore. First Edition Arts, a Mumbai-based performing arts company is poised to topple status quo with the sole aim of gathering more young, urban listeners. Under a musical series called Come Together, three young Hindustani classical musicians, will slip into casuals and perform for an audience gathered at Cafe Zoe. Starting June 10, this will be a regular series, one in every quarter. While the setting is all-new, the music won't take the fusion route. The first series will feature Abhishek Borkar on the sarod, Nandini Shankar on the violin and Ojas Adhiya on the tabla. The trio will present an instrumental concert in both solo and duet sets.

Catch them young
"When younger musicians try to strike a rapport with young listeners they take the fusion route. We are saying, you don't have to. This music is so exciting on its own, that the young can be hooked," says Devina Dutt, director, First Edition Arts. Six months ago, they had organised something similar at antiSOCIAL at Khar as an experiment, and they were sold out. "We weren't sure of what to expect. But it was a success." That gave them the impetus to take the idea on a larger scale. "The first two sets will be the sarod and tabla. In the third set, Abhishek will invite Nandini to jam with them on stage. The concert will span a little over an hour — not the standard two-and-a-half-hour performance. Young people haven't even heard classical music and they have discarded it. All we are trying to do, is give them a sense of how exciting and rigorous it is. But, in a short dose," Dutt says.

Abhishek Borkar

The protocols will be relaxed too. The bar will be open before and after the concert, and for 20 minutes during the interval. Food and drink services will be terminated during the performance, but, once served, guests can continue with their meal at their tables. "There was no sense in locating it in a space like this and sticking to the rigidity. But, at the same time the character of the music does require attention, it's not the kind that you can hear in the background," she adds.

Break the rules
Ever since the posters of the concert went out, a lot of Shankar's friends and followers on social media have shown interest. The posters, with their vibrant colours and friendly fonts, could well be mistaken for one for a standup gig. "Any new genre is an acquired taste. Over the last couple of years, I have noticed an increase in my young audience. Young listeners are always looking for something new and because most of them have not heard classical music, it is novel to them. If they are exposed to it, they will enjoy it," says the eighth generation violinist. The set-up, she believes, needs to change because "it is important that it appeals to you at first go. That's why the colourful posters. We need to speak the language they understand," adds the 25-year-old. After the concert, the audience can interact with the artists as well. "The milieu becomes more relatable, it's like hanging out with friends. That becomes easier when the age groups are similar. We want to connect on a personal level. In fact, that's the bit I am really looking forward to," adds Shankar.

Nandini Shankar

Tabla ace Adhiya would love to do a Q & A with the audience as well. "That way we can reach out to them and explain what classical music is all about. If they know a few things, they can enjoy it more. And it will all be done in an informal manner," says the 30-year-old who made it to the Limca Book of World Records as the youngest tabla player at the age of 4. Borkar points out that traditionally, Hindustani classical has always been somewhat "intimidating".

"It can appear too proper, rigid and posh, with its sherwanis and bandhgalas. Sometimes I feel even the artists themselves enjoy this air of exclusivity that further distances them from the audience," says the 25-year-old sarod player, adding that he was thrilled about the prospect of performing in casuals. "That's what I wear when I practice or record in a studio. So, why not at a concert? We are even thinking of getting some people to sit on stage if possible," he adds.

Distraction not a concern
The trio believes that the music will be enough to keep people from getting distracted. "It's a new thing for them too, to experience this kind of music in the given setup. And if someone is quietly eating and drinking at their table, that should not bother me. In the olden days, there would be baithaks in people's homes, where classical concerts would be performed. It's the same concept," Adhiya says. Spontaneity will be the key on D-day; the artists will reach the venue, gauge the crowd and accordingly choose the raagas. Borkar says, "I love getting people interested in an instrument they have not seen or heard before. The idea is that if they don't come to our concerts, why don't we go where they hang out? And just because it's unusual that doesn't mean it's wrong."

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Ever been to a classical club night or an opera in a warehouse? This week on the arts podcast Jan Dalley talks to her guests about how people consume classical music today. She is joined by Gabriel Prokofiev, composer, DJ and grandson of the Russian composer Sergei; Frederic Wake-Walker, artistic director of pioneering company The Opera Group; and FT writer Laura Battle. With clips from Gabriel Prokofiev's 'Concerto for Turntables and Orchestra', and Elena Langer's 'The Lion's Face', commissioned performed by The Opera Group. Produced by Griselda Murray Brown  

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The violinist on making high art popular and what #MeToo means for musicians

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