http://www.musicxray.com/xrays/1319872 TMIX - My baby{prod.@tmixbeatz}

http://www.musicxray.com/xrays/1319874 TMIX - My baby{prod.@tmixbeatz}

Another cog in the supply chain disrupted by the pandemic: diapers. And as struggling families with young children face more challenges to making ends meet, one local group has stepped up to help. Just over five years ago, Jamie Lackey was a social worker, nonprofit professional and mother, when she noticed gaps in services for families in need, particularly when it came to baby supplies. Financial assistance programs like SNAP, for example, don’t allow for purchasing diapers and other essentials.

When it comes to language, the psychology around how we use words is as interesting and as consequential as the words themselves. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the psychology of closed classed words in English like pronouns, determiners, conjunctions, and prepositions, and...

In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about how to rethink your approach to work for a happier life.

When it comes to how information influences our mood, how we identify ourselves plays a big role. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the role of identity in processing information.

Bradley and Karen have an introductory discussion on how non-profit governance interacts with Free Software projects and what issues are important for developers who want their project to have a non-profit existence.

Show Notes:

Segment 0 (00:37)

• Bradley and Karen began the discussion by commenting on this blog post by Andy Updegrove about non-profit governance. (01:50)
• Bradley and Karen tend to agree that non-profit settings are better places to foster and help Free Software development. (03:40)
• Bradley mentioned that Roland McGrath wrote GNU C Library (and other GNU programs) while working as an employee at the FSF, and many of those programs are now often maintained by Red Hat (or other company's) developers, under the auspices of the GNU project, as overseen by the FSF. (04:50)
• Corporate form and organization questions should be secondary to project leadership ones. (09:50)
• One of the most important things is to have an organization in a place where people are willing to do the work to keep the organization going. (20:10)
• Enthusiasm to keep the organization running is the most important resource for running the organization. (22:26)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

This episode is a recording of Richard Fontana's talk, Open Source Projects and Corporate Entanglement from the 2011 Linux Collaboration Summit, with some commentary from Bradley and Karen on the talk.

Show Notes:

Segment 0 (00:34)

• Bradley is still recovering from a rhinovirus which he didn't take care of and also made him sicker, which explains the problems with his voice. In fact, the coughing in the background during Fontana's talk is all Bradley. He apologizes. (00:50)
• This show is Richard Fontana's Linux Collaboration Summit 2011 talk, Open Source Projects and Corporate Entanglement. (03:24)

Segment 1 (03:48)

• Richard Fontana's slides for his talk, Open Source Projects and Corporate Entanglement are available on his website. (04:29)
• Bradley was live-denting Fontana's LCS talk. (04:31)
• Richard Fontana is the purveyor of the disturbing group on identi.ca. (04:30)
• Fontana makes reference to a Bradley's blog post on switching back to Debian from Ubuntu. (05:55)
• Fontana pointed out that the GNU Manifesto deals a lot with how Free Software is completely compatible with many business models. (12:30)
• Fontana pointed out that many of the relationships between companies in Free software have great variability in level of transparency. (16:00)
• In the background, you hear Bradley saying something. He's giving Josh Berkus credit for the phrase throw code over the wall, a phrase which both Fontana and Bradley now use regularly. (32:28)

Segment 2 (48:25)

• Fontana made an interesting analogy to commissioned art and its similarity to FLOSS. (50:33)
• Fontana noted later on identica that he does support non-profit as solution to entanglement problem. (54:48)
• Bradley mentioned the 60 Minutes story about Mortenson's Central Asia Institute (CAI). (55:30)
• Fontana now talking about GE/NBC relationship, but Bradley was surprised that Fontana didn't mention Ben Bagdikian's book, The Media Monopoly. (18:26, 56:30)
• Bradley was glad that Fontana called proprietary relicensing illegitimate. Bradley points out that sometimes community members, including himself, have too easily forgiven business models on the edges of software freedom. (25:13, 30:50 58:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Dan Lynch (filling in for Karen) and Bradley discuss a few examples where licensing decisions by companies impacts the health of the software development community.

Show Notes:

Segment 0 (00:00:36)

• Dan interviewed the CentOS developers on FLOSS Weekly. (00:05:52)
• Bradley has a blog post that describes RHEL licensing model. His previous blog post to that one, while mostly off-topic here, has a few points of interest. (00:10:36)
• Dan Lynch mentioned The Smoking Man from the The X Files television series. (00:17:22)
• Bradley mentioned that Lennart Poettering is a Red Hat employee working on systemd, which is now in Fedora, but not in RHEL yet (as far as we know). (00:18:53)
• Bradley suggested that developers starting projects read Karsten Wade's The Open Source Way, and Karl Fogel's Producing Open Source Software: How to Run a Successful Free Software Project, and Bradley's blog post about developing in public. (00:22:16)
• Dan and Bradley briefly discussed copyright abolition. Dan mentioned Stallman's writing on the Pirate Party's copyright positions.

Segment 1 (00:32:30)

• Bradley briefly discussed the history of StarOffice, and the creation of OpenOffice.org. (00:33:40)
• Bradley explained issues related to the LibreOffice fork of OpenOffice.org. (00:37:30)
• Bradley has talked about how proprietary relicensing is very dangerous (00:39:50)
• Fedora, Ubuntu, and OpenSUSE all switched to LibreOffice as a default. Bradley didn't know at recording time that the OpenOffice package in wheezy is a transition package to switch to LibreOffice. (00:41:24)
• Bradley and Dan mentioned a blog post by IBM's Rob Weir that misquotes the FSF to support IBM's positions on the OO.o relicensing issue. (00:58:26)
• Bradley mentioned the idea that Apache-2.0 work can be relicensed under LGPLv3-or-later, as he discussed in his blog post about the OO.o relicensing (01:00:45)
• Dan mentioned Jeremy Allison's comment on the aforementioned post on Rob Weir's blog. (01:02:08)

Segment 2 (01:16:09)

Bradley thanked Dan, on behalf of Karen, for all his work to make Free as in Freedom possible.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss recent debates about the value of non-profit organizations for Free Software.

Show Notes:

Segment 0 (00:34)

• Fontana (and other Red Hat employees) pointed out some imprecision in what Bradley said in Episode 0x1D about Debian non-free. (01:07)
• A call for participation has been announced for the Legal and Policy Issues DevRoom at FOSDEM 2012. Please submit a proposal by 30 December 2011 (04:30)
• A recent debate about non-profits started, initiated by a blog post called Apache Considered Harmful. (12:55)
• Karen and Bradley briefly mentioned that some now believe that Considered Harmful Considered Harmful (13:16)
• A long thread on this issue occurred on the FLOSS Foundations mailing list (13:45)
• Bradley made an official Conservancy Blog post about the value of non-profits for Free Software (14:17)
• Sourceforge became proprietary software in 2001, as is well-described in this by The Sourceforge proprietarization debacle is well described in an article by Loïc Dachary. (19:19)
• Bradley mentioned FaiFCast Episode 0x11, which discussed the OpenOffice.org/Apache/LibreOffice situation. (44:35)
• Bradley pointed out that this debate conflates a lot of different issues, and tried to list all the conflated questions here:
  • Should a non-profit home decide what technical infrastructure is used for a software freedom project? And if so, what should it be?
  • If the projects doesn't provide technological services, should non-profits allow their projects to rely on for-profits for technological or other services?
  • Should a non-profit home set political and social positions that must be followed by the projects? If so, how strictly should they be enforced?
  • Should copyrights be held by the non-profit home of the project, or with the developers, or a mix of the two?
  • Should the non-profit dictate licensing requirements on the project? If so, how many licenses are ok?
  • Should a non-profit dictate strict copyright provenance requirements on their projects? If not, should the non-profit at least provide guidelines and recommendations?

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss Software Freedom Conservancy's announcement regarding its coordinated license compliance program.

Show Notes:

Segment 0 (00:36)

Karen and Bradley discuss Software Freedom Conservancy's announcement regarding its coordinated license compliance program.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen interview their own producer, Dan Lynch, on site at Copyleft Conf 2019.

Show Notes:

Segment 0 (00:46)

• Karen now teaches teaches a course at Columbia University. (03:40)
• In addition to being the producer of Free as in Freedom, Dan Lynch was the host of Rat Hole Radio, the co-host of Linux Outlaws, and currently co-hosts Hollywood Outlaws. (04:30)

Segment 1 (5:19)

• Dan helps co-organize Oggcamp which is having its tenth-anniversary event on Saturday 19 October 2019. (08:00)
• Bradley mentioned the phrase from IT Crowd quote: Did you see that ludicrous display last night? (11:08)
• Dan talked about The Manchester Ship Canal. (13:16)
• Dan promoted Hollywood Outlaws where he and his co-host Fab talk about Bosch. (23:18)
• Dan promoted his own podcast about comics called Tales of the Unattested. (23:27)
• Dan Lynch has a personal website, which has his blog. (23:55)
• Bradley referenced the phrase You are no Jack Kennedy which was stated by Bentsen on Wednesday 5 October 1988 during the VP debate between Quayle and Bentsen for the 1988 USA Presidential campaign. Details and background of this are explained by NBC in this story. (26:30)

Segment 2 (28:23)

Bradley and Karen briefly dissect the interview with Dan.

Segment 3 (32:22)

Karen and Bradley mention that they'll discuss the Linux Foundation initiative, “Community Bridge” in the next episode. If you want a preview Bradley and Karen's thoughts, you can read their blog post about Linux Foundation's “Community Bridge” initiative.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss two additional permissions that can be used to “backport” the GPLv3 Termination provisions to GPLv2 — the Kernel Enforcement Statement Additional Permission, and the Red Hat Cooperation Commitment. A blog post on Conservancy's site summarizes the discussion on this show.

Show Notes:

Segment 0 (00:35)

• Bradley mentioned irregardless is not actually a word, but it does appear to be slang, which dates back to 1795! (03:23)
• The additional permission system was codified as a formal part of GPLv3, but are generally more informal under GPLv2. (05:24)
• Karen explained what the Principles of Community-Oriented GPL Enforcement. (07:49)
• Karen mentioned that Daleks terminate! (08:51)

Segment 1 (13:04)

• Bradley mentioned the inbound=outbound FOSS licensing contributor assent system (18:15)

Segment 2 (26:10)

• Karen and Bradley discuss the term “non-defensive” and what it means.
• Bradley mentioned the Twin Peaks lawsuit as a non-hypothetical case where the RHCC would not apply where GPL enforcement was used by Red Hat itself as a retaliation tactic. (29:23)
• The Kernel Enforcement Statement and the RHCC are available online.

Segment 3 (38:40)

The next episode of will be an interview with Molly De Blanc and recording of her keynote at CopyleftConf 2019

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Fewer college students than you might think make it from Freshman orientation all the way to graduation. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton discuss why students drop out, and what colleges and universities can do to help them stay in. David Kirp’s book...

Students have a lot of tugging at their energy and attention including classes, homework, jobs and activities. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton strategize on how to keep exhausted students engaged in the classroom. Ed received an email from a “Higher Ed” podcast...

Reason’s approach: use their workflow wherever you want, in whatever DAW you want. And now, in case there was any doubt, they’re adding an AAX-format plug-in for Pro Tools users. All of this makes sense in the grand history of Reason. The company formerly known as Propellerhead first made Reason work as a virtual rack […]

The post Apply Reason anywhere: Pro Tools support with Reason AAX plug-in appeared first on CDM Create Digital Music.

Can we prove that God does exist?

The Voice by Andy Morffew (cc by)

Hello yes this is a bird ... or is it??? How people tweeted in the '70s, from Going To Maine

Can we prove that God does exist?

The members of The Octopus Project explain the impact of how the Guns n Roses' Appetite for Destruction, the theme song from 2001: A Space Oddysey and a live show by The Jesus Lizard. Along the way, the they end up talking about abandoning the trumpet, the connection between music and emotion and the difference between going to a show in 90’s versus today. Then Jane Weaver shares her experience of seeing Kate Bush performing Wuthering Heights on Top of the Pops when she was just five years old, and how Bush's look, dance and singing style still influence her work today.

Austin’s Hardproof is extra special to us at Team This Song. Their song “Mahout” begins and ends every episode of our podcast so we consider them part of the family. They have just released their new record “Stinger” on Modern Outsider Records and when they came to KUTX to talk with Elizabeth about it, band members […]

Austin’s Hardproof is extra special to us at Team This Song. Their song “Mahout” begins and ends every episode of our podcast so we consider them part of the family. They have just released their new record “Stinger” on Modern Outsider Records and when they came to KUTX to talk with Elizabeth about it, band members […]

Abandoning the case is the latest step in a pattern of dismantling the work of the Russia investigators. A former prosecutor likened it to eating the department from the inside out.

ROME, April 26 -- Prime Minister Silvio Berlusconi fended off opposition attacks Tuesday over reports that the U.S. military had absolved its soldiers of any blame in killing an Italian intelligence agent who had just rescued a hostage in Iraq.

ROME, April 27 -- Dissatisfied with the results of a joint investigation with the United States, Italy on Wednesday began its own probe into the March 4 killing of one of its intelligence agents by U.S. troops in Baghdad.

With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. We've also revamped the weekly Jazz Near You newsletter to highlight livestream events as well as All About Jazz content you may have missed...

CGI Rochester International Jazz Festival Producers Marc Iacona and John Nugent announced today that the festival's 19th edition, originally scheduled for June 19-27, will be canceled on those dates due to the coronavirus (COVID-19) pandemic, but that they are working hard to reschedule the festival to fall of 2020....

With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. We've also revamped the weekly Jazz Near You newsletter to highlight livestream events as well as All About Jazz content you may have missed...

Looking to raise funds for a cause during COVID-19? Have a new album to promote? If so, your friends at All About Jazz can help. All About Jazz is currently broadcasting select livestream programs as we pivot our platform to present music performances, album release concerts, master classes, interviews, and more...

A question I sometimes get asked in my Mailchimp classes is how Mailchimp may be used in the sales funnel. Mailchimp can be used effectively in various parts of the sales funnel and in this video I show how prospects may be differentiated from leads in a Mailchimp Audience. In summary, email marketing is an […]

This article appeared first at ❤ OrganicWeb - Mailchimp training, consulting & integration experts.

I want to teach myself to sew by replicating this apron, probably many, many times. I bought the apron; what next?

After spending a lot of the past couple of months in a Bon Appétit rabbit hole (thanks MeFi!), I'm obsessed with this apron that seems to be favored by many of the presenters. Despite its ridiculous price, I went ahead and bought one as a bit of retail therapy.

Well, it arrived today and I loooooove it. I want to give them to all my friends and family, and I want ten of them hanging in my own pantry, but spending $5K on linen aprons from France isn't on the agenda.

So, no time like the present to merge this motivation with another long-standing goal, which is to get competent with my sewing machine, a Singer from... maybe the early '90s? It was given to me by a friend about ten years ago, and since then I have used it three times, always with a more experienced helper to thread the machine, help cut the pieces, etc. The last time it came out of the closet was at least four years ago, so please assume that I am starting from zero.

I have watched a fair amount of Project Runway, but despite that I do not really know where to begin :) This tutorial seems reasonable easy to follow to make a pattern, but... then what? Is there anything more to it than just trying and trying again, presuming I can't ask or hire anyone for help in the foreseeable future? What is the absolute cheapest fabric I can practice on that will help me not ruin the first few yards of linen that I (with luck) will ultimately graduate to? Can I just use reasonably-sized rags/old clothes from the basement?

Any general tips on learning to sew on your own as an adult are also welcome!

Buying in the suburbs vs renting in the city? We are living in Vancouver right now, and we love a lot about it, but we could buy a place in the suburbs right now (which might not be true six months or a year from now). We are really torn, and I want some perspective on what moving to the suburbs is really like, and if owning is that much better than renting.

We've been renting a flat in East Vancouver for a year and love a lot of things about it. The proximity to work downtown, the neighbourhood feel, proximity to beaches and attractions, the kids' school (both elementary-aged), cherry blossoms, shopping, all the things people love about Vancouver.

We haven't been saving any money though, because our rent is outrageously high. We can buy a 2000 sq ft condo in Surrey for less than the rent of 1000 sq ft in East Van. We have a small down-payment saved up, but we're not adding to it anymore, so if we are going to buy now is the time. There are some very motivated sellers at the moment and prices have come down, which they NEVER do in the area.

But we are torn. Suburbs mean longer commute (and paying for transit instead of biking to work), longer travel time to all the fun things we love, changing the kids' school, further to the airport/ferry, the awfulness of moving, etc. We would gain some space, some privacy, some autonomy (paint walls! get a hamster!) and some equity.

Have you moved to the suburbs with kids? Was it worth it?

Additional details: I'm a stay-at-home-mom and my wife works right downtown in Vancouver. Both of our kids have ADHD and are ROWDY. Moving to another (cheaper) rental is out-of-the-question. Even though our current place isn't perfect, its good enough that if we continue to rent we just wanna stay here. If we bought, it would be into a strata, with all that entails. We have owned a house before but not in this province.

Fiorella Nash gave this talk at SPUC's 2017 Youth Conference. Source: https://www.youtube.com/watch?v=Br_4e3-UZRY Uploader: SPUC Pro-Life.

This item belongs to: movies/opensource_movies.

This item has files of the following types: Archive BitTorrent, JPEG, JSON, MPEG4, Metadata, Unknown

Huerteres de Villa Los Coihues Programa 1.

This item belongs to: audio/opensource_audio.

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Ive been making music for couple of years now but still cant figure out why my mix doesnt sound professional. Im I doing something wrong? This is the link to my tracks http://www.ourmedia.org/node/300488 Someone please help me out.

The 100% guaranteed way to get your bedroom mixes to sound more professional (and by far the most expensive) is to spend time in a recording studio. Take the raw tracks to something you want to mix, import it into their ProTools setup (or whatever they use) and have a pro engineer (must be a talkative, friendly one, not a grumpy, cynical one) to mix it. ASK A BILLION questions, be a dork and write stuff down if you have to. The worst case scenario is that after 2/3 hours at least you'll know what questions to ask of Google or at the local tech book store. The best case is that your music impresses the engineer and he/she becomes a pseudo mentor for you. Engineering is by far my weakest area (along with playing in tune and in time) so everything that follows is said that caveat: I have found that going cheap on mastering tools (compression, limiters, eq) hurts bedroom mixes a lot. Money I've spent on the top utilities there (I use Waves) dwarfs all my other plugins put together by an order of magnitude. (Reason's mastering suite is pretty good so you may be covered there; although I've applied Waves L2 to mixes done after the 'final' Reason mixdown and there's no question there was a marked improvement in pro-sheen.) I have found tweakheadz site very useful, especially their mixing 101 page. Finally I have been told (and have experienced it myself) that posting often to ccM and asking for real, brutal reviews and feedback has helped a lot of people. I, for one, am very, very embarrassed by several of my uploads from 2 years ago here, while only very embarrassed by more recent ones; all strictly due to people hearing stuff I didn't.

that sounds good. ill look for a studio near my place. at the end you said that the comments from ccmixer is very useful but what shall i do if i want a brutal review of my own original mix? because on ccmixer i can only upload remixes or samples or separate tracks.

being a remix site and short on resources we can't handle original material. so, er, get remixing... ;)

my buddy des has a great blog he runs that can surely help almost anyone here with improving their production. http://www.hometracked.com/ also, his music is worth checking out, just so you can see that he knows what he's talking about. des is a great guy and a really excellent artist. http://www.deshead.com/

U need to have a good pair of monitors, headphones will not do at all! I agree with Fourstones, Waves is a very good suite. I use it within SoundForge and it really does help in cleaning up the frequencies. My mixes really improved when I had monitor speakers included in the set up. Experiment and let me know, I'll give u some quality feedback, no holds, sometimes the truth hurts! LOL! EZ m8 Morr

The best thing I can say is: learn about sound. Learn about frequencies, which ones sound like what and do what to the overall mix. Whether or not to use a low or high pass filter on something. Fiddle with EQs for hours. And more importantly, get criticism. It's the easiest way to learn what sound to look out for, and such. And most importantly of all: Practice. Mix till your ears bleed. (from the time spent listening to the same song, not due to the terrible mix :P) Mixing is one of my strong suits, but most of it is just being able to hear the song, and make the adjustments that I want, to be able to make the necessary changes and just know what needs to be done.

bravo!

That's a very good point- I started with a Mac LC, EZVision and an M1, with the only audio manipulation being Hypercard. I got good at customizing patches and finding seamless loop points manually just to get what I could out of what I had, with mastering being 1/4"-to-RCA from the headphone jack on the M1 to AUX IN on the cassette player, or the same thing with 1/8" adapter for the 'puter sound files. Then I'd record and bounce these cassette tracks to my 4-track, with final routing from 4-track's headphone-out back to the cassette. Ugly stuff, but that's what I had to work with...

This is a very good point. I think that it's easy to keep adding new gear, and thus miss the richness of existing gear and software. I like to work with more limited software sometimes, so that I can feel as if I am exploiting it to its fullness.

Ive been making music for couple of years now but still cant figure out why my mix doesnt sound professional. Im I doing something wrong? This is the link to my tracks http://www.ourmedia.org/node/300488 Someone please help me out. The first thing I noticed was the lack of higher frequencies in your mix... My mixes always end up being bass heavy (because I suck horribly) so I can see we both have the same problem... There's is (however) an over-abundance of frequency-fighting in your track... A lot of distorted things competing for my attention (at least in my ears). Dunno if any of this has been helpful, but we could all learn things...so hopefully you'll have advice for me in the future ;-) Good luck, and we me luck too! -Joel

This is a useful thread. Im just in the middle of mixing a new ccmixter-based song and its just not coming together for me. The tweakheadz and hometracked sites are great. A couple other useful sites: tips and techniques at gearslutz - http://www.gearslutz.com/board/tips-techniques/168409-tips-techniques.html ; Live tips - http://www.ableton.com/forum/viewtopic.php?t=27120 ; general EQ reference - http://www.idmforums.com/showthread.php?t=11466 Im definitely going to get the mix Im working on up here, I need some blunt advice.

OK, I uploaded Hollywood Picture Book (feat Calendar Girl and Kaer Trouz) and entered a pluggy plug for comments over this weekend.

Pedro Vacca, director de la Fundación para la Libertad de Prensa, dijo que esas “listas negras”, pueden generar consecuencias fatales.

Hay medidas buenas y no tan buenas, pero el punto de fondo es que todos pongan para superar el Covid19