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More information about Rick's Photography:
Photography website
Official Portfolio
Rick's Flickr Photostream

INDONESIA
Landscapes & Culture


INDONESIA Landscapes & Culture is a book devoted to Indonesia and its breathtaking landscapes, the warm people, and its rich and diverse culture.
Rick Wezenaar was born in 1968 in Utrecht, The Netherlands. At the early age of 11 he started with photography and has never stopped since.
In 1989 he started making professional photography. One of the things Rick really likes is travelling. Especially Indonesia has caught his photographic eye. Therefore, during a 4 year 'quest', Rick has travelled the countryside, villages and cities of Indonesia, capturing its beauty and culture. A small part of all these photographs taken during those journeys have found their way into this book. We really hope the viewer will enjoy this publication of Rick's stunning and breathtaking photography!

Book information:

INDONESIA Landscapes & Culture
ISBN: 978-0-557-11430-6
Publisher: Lulu
Copyright: (c) 2009 Rick Wezenaar
Language: English
Paperback, 102 pages, 8.5" x 8.5", perfect binding,
white exterior paper, full color exterior ink,
white interior paper, full color interior ink.

This book will be carried by Amazon, Barnes & Noble, Bol, Ingram, Bowker,
Nielsen, and Lightning Source.

Order a copy of this stunning book here !

Rick

Photos from my weekend trip to Dublin, southern Ireland.

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To start a new decade of automatic audio post production with Auphonic, we are happy to launch a few updates:

New Website Design

Opening the new homepage today, you might have noticed that our website looked different from what you had been used to before. Keeping our customers’ feedback from last year in mind, we designed a new vision for Auphonic.

Our new website features a refreshed look with an improved, more engaging, and functional user experience. Moreover, a more straightforward, intuitive, and accessible navigation will give you a seamless workflow and a comfortable exploration of Auphonic’s features.
We hope it will be easier to explore the diversity of applications that Auphonic has. In the end, however, as before, you will have the same full functionality of Auphonic available to you and some extra features if you are using our paid packages or subscriptions.

Take a look yourself: New Auphonic Landing Page

Free Access to our Advanced and Beta Algorithms

In the past, only paying Auphonic users had access to the advanced algorithm parameters, to multitrack advanced audio algorithms, and to our Dynamic Denoising and AutoEQ beta models.

We now enabled all advanced algorithms for free users, and you can use them for 2 hours of audio free each month!

Using the Dynamic Denoiser, you can define whether Auphonic should remove only static or also fast-changing noises and if we should keep or eliminate music. For even greater speech intelligibility control, it is possible to manually adjust the amount of denoising to strike the perfect balance between clarity and ambiance.

The AutoEQ automatically analyzes and optimizes the frequency spectrum of a voice recording to remove sibilance (De-Esser) and to create a clear, warm, and pleasant sound.
The equalization of multi-speaker audio can be complex and time-consuming, as each voice requires its own unique frequency spectrum equalization. Our AutoEQ simplifies this process by creating separate, time-dependent EQ profiles for each speaker, ensuring a consistent and pleasant sound output despite any changes in the voices during the recording.

Our advanced algorithm parameters help you to meet all common audio specifications of platforms like Netflix, Audible, podcasts, broadcasters (EBU R128, ATSC A/85, radio and mobile, commercials) in one click. You can define a set of target parameters (integrated loudness, true peak level, dialog normalization, MaxLRA, MaxM, MaxS), like -16 LUFS for podcasts, and we will produce the audio accordingly.
In addition, they offer more control for multitrack productions and for the Adaptive Leveler.

We would like to give away free hours for new Auphonic users, to try out our free advanced algorithms. Please use this URL to register your new Auphonic account. the code is valid till end of March 2023 and will give you 5 extra production hours for the next month. Happy content creation!

More Audio Examples

There is no better way to experience Auphonic than hearing the difference our post production tool makes when applied to different types of audio and content.
We are happy to share that our new features page now contains some new audio examples you can listen to explore our web tool, and we will add even more examples in the next weeks.

We're thrilled to introduce our Automatic Shownotes and Chapters feature. This AI-powered tool effortlessly generates concise summaries, intuitive chapter timestamps and relevant keywords for your podcasts, audio and video files.
See our Examples and the How To section below for details.

Why do I need Shownotes and Chapters?

In addition to links and other information, shownotes contain short summaries of the main topics of your episode, and inserted chapter marks allow you to timestamp sections with different topics of a podcast or video. This makes your content more accessible and user-friendly, enabeling listeners to quickly navigate to specific sections of the episode or find a previous episode to brush up on a particular topic.

Shownotes are also very likely to boost your show's Search Engine Optimization and eventually its popularity, leading to an increase in listeners.

However, especially structuring the content and finding useful positions for chapter marks is a very time-consuming process, that can be fully automated with our new feature.

Besides the obvious use of creating shownotes and chapters for podcasts, you can also use our new feature to easily generate an abstract of your lecture recording, take the summary of your show as the starting point for a social media post, or choose your favourite chapter title as the podcast name.

What happens behind the Scenes?

When the Automatic Shownotes and Chapters feature is selected, the first step is speech transcription by either our internal Auphonic Whisper ASR or any integrated External ASR Service of your choice.

Some open source tools and ChatGPT will then summarize the ASR resulting text in different levels of detail, analyze the content to identify sections with the different topics discussed, and finally complete each section with timestamps for easy navigation.
Beginning with the generation of a Long Summary, the number of characters is further reduced for a Brief Summary and from the brief summary a Subtitle and some Keywords for the main topics are extracted.

Depending on the duration of the input audio or video file, the level of detail of the thematic sections is also slightly adjusted, resulting in a reasonable number of chapters for very short 5-minute audio files as well as for long 180-minute audio files.

How to automatically generate Shownotes and Chapters in Auphonic

If you are a paying or beta user, you can automatically generate shownotes and chapters by checking the Automatic Shownotes and Chapters Checkbox in the Auphonic singletrack or multitrack Production Form with any of our ASR Services enabled.
Once your production is done, the generated data will show up in your transcript result files and in the well-known Auphonic Transcript Editor above the speech recognition transcript section.
By clicking on a chapter title in the Chapters section of the transcript editor, you can jump directly to that chapter in your transcript to review and edit that section.

Unless you have manually entered content before, the generated data will also be automatically stored in your audio files' metadata as follows:

• Generated Long Summary stored in metadata field Summary.
• Generated Subtitle stored in metadata field Subtitle.
• Generated Keywords stored in metadata field Tags.
• Generated Timestamps for thematic sections stored as Start Time of Chapters Marks.
• Generated Headlines for thematic sections stored as Chapter Title of Chapters Marks.

Please note that not all of our supported Output File Formats are designed to use metadata.
For details see our previous blog posts: ID3 Tags Metadata (used in MP3 output files), Vorbis Comment Metadata (used in FLAC, Opus and Ogg Vorbis output files) and MPEG-4 iTunes-style Metadata (used in AAC, M4A/M4B/MP4 and ALAC output files).

Example

As a real-life example, we automatically generated shownotes and chapters for the Lex Fridman Podcast #367: "Sam Altman: OpenAI CEO on GPT-4, ChatGPT, and the Future of AI".

Check out our transcript and generated shownotes:
LexFridmanPodcast367-transcript.html

Conclusion

The automatic generation of shownotes and chapters is a huge time-saver for podcasters and video creators, as it speeds up the tedious process of manually structuring and summarizing your content.

For now it is available for all paying or beta users. If you would like to become a beta user, or have any questions or feedback, please do not hesitate to contact us!

For those of you who like to be in control of every applied cut, we are introducing an update for our Automatic Silence and Filler Word Cutting Algorithms today: The export of Cut Lists allows you to import cuts into your favorite audio/video editor to check and apply the cuts to your files manually.
Thanks to your great feedback, we were able to update our “Filler Word Cutting” algorithm as well.

Cut Lists Export

We now provide the export of various formats of “Cut Lists” in the Auphonic Web Service.
You can use these formats to modify and apply cuts in your post production audio or video editing program:

Screenshot of the Reaper DAW with imported “ReaperRegions.csv”: pale red regions display filler words and pale gray regions mark silence.

To generate the cut lists, choose “Cut List (Filler and Silence)” in the “Output Files” section. By selecting the correct “Ending” you can export the cut lists to a format that is suitable for your post production audio or video editor:

We support regions and EDL (edit decision list) formats:

• Region formats (“AudacityRegions.txt”, “AuditionRegions.csv” and “ReaperRegions.csv”) list filler and silence cut regions with their respective start and end timestamps.
  You can import those cut region lists into your existing Audacity, Audition, or Reaper projects. There you can edit the cut positions to your liking by deleting, moving, or adding individual cut positions. After that, you may apply the cuts manually.
• EDL (edit decision list) formats, “SamplitudeReaper.edl”, “FinalCutProLegacy.xml”, “FinalCutProX.xml” and “DaVinciResolve.edl” (also known as “cmx3600” format and compatible with various editors), can be imported in your software to automatically apply cuts from the EDL file. Depending on the software you use, you may also edit individual cuts manually before applying them. Be aware though that in some editors it may not be possible to add them to an existing project. If this is the case, simply open a new project with the EDL file instead.

Please just let us know if we do not yet provide a cut list format for your favorite audio or video editing program!

Export Uncut Audio

To only detect fillers/silence but NOT cut them, choose the “Export Uncut Audio” mode for “Automatic Cutting” in “Audio Algorithms”. Then you can query cutting times via our API or select your favorite Cut List format as “Output File” to only export cut times for later editing, but without applying cuts during the Auphonic audio post production.

Using the option “Export Uncut Audio”, it is also possible to use our cutting algorithms for video productions. In this case, we will just detect and report cuts, and you can import and apply them in your favorite video editing program afterwards.

Filler Word Cutting Updates

Thanks to your great feedback, we've been able to further optimize our Automatic Filler Word Cutting algorithm.
By now you probably know that our filler word cutter removes all types of “uhm”, “uh”, “mh”, “ähm”, “euh”, “eh” and similar sounds. If you haven't heard about it yet, our release blog post might be a good starting point.

• Enhanced Fade Curves
  We noticed that due to reverb or background noise in input files, some filler cuts did not sound as smooth as they should have. To prevent such rough cuts, we trained our filler detection models with more diverse speech data and compared different fade curve approaches. Now the filler detection is much more robust against noise. Additionally, we developed an asymmetrical fade solution, which, in our opinion, makes the cuts almost inaudible.

  We nonetheless recommend, though, that you use filler cutting in combination with our Dynamic Denoising or Speech Isolation algorithms. These algorithms remove heavy reverb or noise and thus prevent noise artifacts during cutting.

• Handling of Affirmative Sounds
  Some of you were bothered by the fact that affirmative sounds, like “mhm”, “aha”, and “yeah” were cut along with filler words. Driven by your feedback, we tweaked our filler detection algorithm in a way that will remove considerably fewer of these sounds.

• Multitrack Filler Silencing
  We also received requests to optimize filler cutting for crosstalk in Multitrack productions.
  Let's assume that two speech tracks are simultaneously active and one of the two tracks contains a filler word. In this case, we can not cut the filler word in one track without destroying parts of the speech in the other track.
  Our original solution was to skip such a filler. Now, however, we replace it with silence instead. This removes the filler words while preserving all the speech content.

Feedback

If you want to provide us feedback on how you like the updated filler cutting algorithm or about any other features that are missing, you are very welcome to contact us. You can also leave a comment in the feedback section on the status page of your concrete production.

No matter how good your technical equipment might be, it is almost impossible to avoid capturing unwanted in-/exhaling sounds and mouth noises during voice recordings. After some users asked for an automatic removal of such sounds to improve the audio quality, we got to work and are now proud to present a major upgrade to our Denoiser, including the automatic removal of mouth noises and a new “Remove Breathings” option!
Check out our Audio Examples and the Getting Started Guide below.

What is new?

• Remove Breathings: When the new “Remove Breathings” option is enabled, all the inhalation and exhalation sounds will be muted like all the other noises.
• Eliminate Mouth Noises and Eating Sounds: With our upgrade to the Denoiser, we have integrated the elimination of all types of mouth noises, such as smacking, chewing and clicking. These sounds are set to silence in your output file.

NOTE:
By default, mouth noises and breathing segments are muted but not cut. If you want to cut out all silent segments, just add the “Cut Silence” option for “Automatic Cutting” in the audio algorithms.

Audio Examples

1. Example: Breathing Removal

In our first audio example (Freak Show 136), a speaker breathes directly into the microphone, creating a Darth Vader-like effect. This heavy breathing is removed using the “Remove Breathings” algorithm and the Dynamic Denoiser:

2. Example: Mouth Noise and Eating Sounds Elimination

The following example is an excerpt from the Joe Rogan Experience #2054 where Elon Musk and Joe Rogan are eating pizza and talking about how terrible it is for the sound. Listen to how the chewing and smacking sounds are removed after processing with the new Dynamic Denoiser:

Getting Started Guide

For the Auphonic Web Service:

To remove breathing sounds in the Auphonic Web Service, simply create a production or preset as usual and check the “Remove Breathings” checkbox for “Noise Reduction” in the “Audio Algorithms” section.
“Remove Breathings” is only available for Speech Isolation and the Dynamic Denoiser, but NOT for the Static Denoiser.

For the removal of mouth noises, no special settings are required. Just enable the Speech Isolation or the Dynamic Denoise method for Noise Reduction.

For API Use:

To use “Remove Breathings” with the API, set the "denoisemethod" to dynamic or speech_isolation and the "debreath" flag to true, as in these two examples:

"algorithms": {
    "denoisemethod": dynamic, "denoiseamount": 100, "debreathamount": 100,
}

"algorithms": {
    "denoisemethod": speech_isolation, "denoiseamount": 12, "debreathamount": 100,
}

For more information about the API, please visit our API help page, where you will also find all other API Audio Algorithm Settings.

Conclusion

Breath and mouth noise removal is essential for podcasters, as it enhances audio clarity and ensures a more professional, polished presentation. By removing distracting sounds, you can maintain listener engagement and provide a seamless listening experience.

Anyway, we hope you enjoy the new features!
If you have any feedback for us on how the breath and mouth noise elimination is working for you, please feel free to contact us via email or directly comment in our production interface!

Responding to your feedback, we are now proud to present new separate parameters for noise, reverb, and breath reduction to give you more flexible control for your individual, best output results.
Find all the new parameters below and listen to the Audio Examples to get a closer impression of the upgrade.

What's the update about?

Before

Previously, you could only set the Denoising Method and one reduction amount, that was used for all elements.
Depending on the selected method, you were already able to decide whether music, static, or changing noises should be removed, but there was no setting to keep the typewriter sound effects while removing the reverb, for example.

Now

With our latest upgrade, you can now set the reduction amounts separately for noise, reverb, and breathing sounds.
For example, you could completely remove the background noise while reducing the reverb just a little to enhance speech intelligibility but keep the atmosphere. Like we did in Audio Example 1.
Many of you have also asked about the possibility of slightly reducing breath sounds rather than eliminating them completely. In Audio Example 2 we demonstrate how you can prevent your audio from sounding strange and unnatural by reducing instead of eliminating all breathing sounds.

To all of you who are happy with the results and don't want anything to change, relax:
If you don't change the default settings, the noise reduction algorithms work exactly the same as before.

Note: As the 'Static Denoiser' removes only stationary noise, there are no 'Remove Reverb' and 'Remove Breathings' parameters available for this denoising method.

New Parameters

Screenshot of the new Noise Reduction Parameters in the production form.

In order to use the new noise reduction features, you may separately set the following parameters:

• Denoising Method: (unchanged) Select what kind of noise you want to remove.
  [Dynamic Denoiser (default), Speech Isolation, Static Denoiser]
  Note that the parameters 'Remove Reverb' and 'Remove Breathings' are NOT available for Static Denoiser!
• Remove Noise: Select the amount of noise you want to remove.
  [100 dB (default), Disable Denoise, 3 dB, 6 dB, ..., 100 dB (full)]
• Remove Reverb: Select the amount of reverb you want to remove.
  [100 dB (default), Disable Deverb, 3 dB, 6 dB, ..., 100 dB (full)]
• Remove Breathings: Select the amount of breathings you want to remove.
  [Off (default), 3 dB, 6 dB, ..., 100 dB (full)]

Feel free to experiment with all the options to find your preferred parameter settings! Editing and reprocessing existing productions does not cost any additional credits as long as you don't change the input file.

Listen to the results:

1. Reverb reduction with full noise elimination

For the first audio example by conduitministries.com we set the 'Remove Noise' amount to 100 dB (full) and varied the 'Remove Reverb' amount starting from 0 dB (Off) to 12 dB (medium) and to 100 dB (full). Listen to how first the noise is gone and then step by step the reverb is lower:

2. Breathing sound reduction

In the breathing reduction audio example by LibriVox.org we used the 'Remove Breathing' amounts increasing from the original audio with 0 dB (Off) to 12 dB (medium) and to 100 dB (full) reduction.
In the result files you can hear, that the 100 dB (full) elimination leads to weird, unnatural-sounding pauses, that can be prevented by just reducing the breathing sounds:

Try it now on auphonic.com!

Feedback

We hope you like our upgraded version of the Noise Reduction Algorithms with new parameters for more control.
If you have more feature requests or feedback for us, please let us know! You can also leave a comment in the feedback section on the status page of your specific production. We're looking forward to hearing from you!

A new foray into the world of video: Auphonic is proud to announce support for intro and outro videos! With our most recent update you can now seamlessly integrate video intros and outros into your productions, providing a richer and more engaging experience for your audience.

Photo by Jakob Owens on Unsplash

What's new?

For a long time Auphonic has supported video files as the main files of productions. Until recently, intros and outros were limited to audio-only though.

Our new feature now allows you to add video intros and outros to your productions. This means your content can now begin and end with video clips, adding a professional touch and increasing viewer engagement. Whether you're working on podcasts, audiobooks, or any other type of multimedia content: providing your content both in audio form and in video form is now way easier!

Mixing Audio and Video

A key aspect of this feature is the ability to mix audio and video files effortlessly. If your main production file is a video but your intro is an audio file, Auphonic will automatically generate a video for the intro using a standing image from the main video. This ensures a seamless and visually coherent transition between different media types, maintaining the overall quality and flow of your production.

It works the same way for outros as well. When your main production file is a video file but your outro is audio-only we will generate an outro video from a standing image of the main video.

Overlap

We also support overlap for video intros and outros. This means you can have your intros and outros start or end slightly before the main content, creating a smoother transition. However, you should know that overlapping intro and outro videos requires us to place a cut in your video intro and outro. Only this way the the audio will stay in sync with the video.

How to add Intro and Outro Videos

Using our new feature is incredibly simple. You can add video intros and outros the same way you would add audio intros and outros in the production form.

A screenshot of the production form where a video intro and a video outro where selected.

Use Cases

There are many different use cases for our new feature! If you, as an example, regularly release episodes of your podcast both as audio and as video, you can now automatically add a recurring video intro and outro without needing to manually edit your videos.

Or, if you're an audio engineer, you may have a large number of recordings of, let's say, a conference. Instead of having to edit each individual conference recording by hand you now can add a common intro and outro to each conference recording automatically using a batch production.

Supported Video Formats

The world of video is a limitless one, with a sheer endless amount of video codecs, resolutions or frame rates to offer. Naturally, this means we are not able to support every arbitrary video format there is. However, we made sure to support the most commonly used video containers and codecs to make sure that at least 99.5% of all video productions will be possible.

Currently we support the 3 most common video containers: MP4, MKV and MOV. For these containers the following codecs are supported:

• h264: MP4, MKV, MOV
• mpeg4: MP4, MKV, MOV
• mpeg2video: MP4, MKV, MOV
• prores: Only MKV and MOV
• msmpeg4v3: Only MKV and MOV

Any video intro or outro which uses these containers and codecs can be processed by us. Additionally, we make sure that your output video uses a common format. Therefore, if your video intro or outro uses a different codec or container than your main video we will encode the video intro or outro to the setting of the main video.

Given that video demands significantly more computational ressources than audio the video intros and outros may be 1 minute long at max in order to be processed.

Conclusion

The new intro and outro videos feature on Auphonic is designed to give you more creative control and to help you produce professional, engaging content effortlessly. By supporting a variety of codecs and allowing for the mixing of audio and video we aim to support every possible workflow. We invite you to explore this new feature and see how it can enhance your multimedia productions!

Feedback

Would you like us to support another video format? Did you stumble across an issue with your video file(s)? Let us know! Simply drop us a message in our contact form or leave a comment in the feedback section on the status page of your specific production.
We're looking forward to hearing from you!

Picture this. You’re hosting the event of a lifetime, and you want every magical moment captured perfectly. It’s no surprise that finding the right photographer is high on your list. But how do you navigate through event photography pricing?

You might assume that requesting a quote is as straightforward as dialing the number…but be prepared to be surprised! The cost can be influenced by factors like experience level or type of event – there’s more to consider than meets the eye. You can also use this guide as a new photographer to figure out how much you should charge for different types of events.

In this guide, we’ll delve into everything from understanding why photographers charge what they do, to examining costs associated with different types of events such as weddings or corporate gatherings. We’ll also take an exciting journey exploring common pricing structures used by photographers and breaking down additional services and costs that may sneak up on you when hiring an event photographer.

Understanding Event Photography Pricing

If you’ve ever wondered how event photography pricing works, this section will shed some light on it.

Imagine a photograph where time and space seem to bend and warp, creating surreal, elongated images that defy reality.  This is the world of slit scan photography, a fascinating technique that has captivated artists, filmmakers, and scientists for decades.

Slit scan photography is a unique method that captures motion over time, resulting in images that appear stretched or distorted. This technique first gained prominence in the nineteen sixties, most notably in Stanley Kubrick’s iconic film two thousand and one A Space Odyssey.  The mesmerizing Stargate sequence in that film was created using slit scan photography, introducing audiences to its mind-bending visual effects.

Slit scan photography is a captivating and unconventional technique that produces striking, abstract images that defy traditional photography. This method involves capturing a scene or subject through a narrow slit, which moves across the image sensor or film, creating a unique, distorted representation of reality.

​

History

Slit scan photography has a rich and fascinating history that spans over a century, with roots in early scientific and astronomical photography. From its humble beginnings to its modern applications,

Bokeh. Have you heard this term used in conversations while looking at a photo, listened while someone proclaimed that the bokeh in a photo was good or bad, but you’ve been too embarrassed to ask just what it is? Its something every photographer should understand because it affects your image. And whether you know it or not, you’ve probably evaluated the bokeh in your own photos.

Well hide your shame no longer. After reading this article, you will be able to hold your head high and raise your nose as you talk about the bokeh in your next photo.

Table Of Contents:

• What is Bokeh?
• Camera Lens Factors
• Camera Type Factors
• Interplay Between Lens and Camera
• Examples of Bokeh
• Common Mistakes When Trying to Achieve Good Bokeh
• Causes of Bad Bokeh in a Lens
• Fixing Bad Bokeh
• Using Bad Bokeh Creatively
• I’m on a budget. Can I still achieve good bokeh with cheaper lenses?

Words and tools are powerful, but are they our only way of making a mark? *Pause for emphasis* Stephan Moccio doesn’t think so. An artist, composer, and producer, he’s the name behind some of the most well-known songs and soundtracks on the planet. But surprisingly enough, all that success with sound has come through silence. In this podcast, I have the privilege of sitting down with him to discuss how strategic refrain and thought can benefit creative power. Creativity as a Muscle Skill can come naturally, but people rarely get to the top through their natural-born talents alone. Even 6’9″ LeBron James wouldn’t be where he is as a basketball player without putting in the unseen hours of success. Whether physical or mental, training effectively determines performance. “I’ve learned that to get great things and to achieve great things requires a lot of work behind the curtain…” Creative practice isn’t different from other forms of training in that making a habit out of it is hard. We all have lives outside of our passions, and those passions aren’t always fully funded. Many of us work day jobs while pursuing creative endeavors. Stephan has had to balance paying bills, raising a...

The post Stephan Moccio: The Power of Pauses in Life (and Music) first appeared on Chase Jarvis.

The post Stephan Moccio: The Power of Pauses in Life (and Music) appeared first on Chase Jarvis.

We often think of creativity and meditation as separate practices – one active and expressive, the other quiet and introspective. But what if these two seemingly different pursuits are actually deeply interconnected, each enhancing and amplifying the other? This fascinating relationship between creativity and meditation was at the heart of my recent conversation with Henry Shukman, an award-winning poet, author, and Zen master. Henry’s unique background bridges the worlds of artistic expression and contemplative practice, giving him profound insights into how meditation can unlock our creative potential. The Creative Benefits of a Quiet Mind One of the core benefits of meditation is learning to quiet the constant chatter of our minds. As Henry explained, this mental stillness creates space for new ideas and inspirations to emerge: “When we meditate regularly, we’re training our minds to be less caught up in the constant stream of thoughts and worries. And in that spaciousness, creativity has room to flourish. Novel connections and insights can bubble up from our subconscious.” This aligns with what many great artists and innovators have reported – that their best ideas often come during moments of mental quiet and relaxation. By cultivating a meditation practice, we’re essentially preparing fertile...

The post The Deep Connection Between Creativity and Meditation first appeared on Chase Jarvis.

The post The Deep Connection Between Creativity and Meditation appeared first on Chase Jarvis.

Why $5 million in revenue didn't mean success. Redefine what winning means in the startup world.

The post Redefining Success: I Made $5 Million in Revenue and Still “Failed” first appeared on Chase Jarvis.

The post Redefining Success: I Made $5 Million in Revenue and Still “Failed” appeared first on Chase Jarvis.

Playing it safe may feel secure, but it can hold you back from true growth. Explore why taking risks is essential for success and creativity.

The post Why Success Demands You Never Play It Safe first appeared on Chase Jarvis.

The post Why Success Demands You Never Play It Safe appeared first on Chase Jarvis.

When exploring the arsenal of digital marketing tools, the concepts of email signature banner prominently feature as pivotal elements for interaction and outreach within the expansive domain of email marketing. While at a glance they may appear similar, email signatures [...]

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The post Harnessing the Power of Email Signatures and Banners in Digital Marketing first appeared on CSS Reset.