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Fiction can serve as a window into multiple realities—to imagine different futures or understand our own past. This hour, author and TED speaker Dave Eggers talks technology, education, and the healing power of writing.

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Original broadcast date: January 21, 2022. Fiction can serve as a window into multiple realities—to imagine different futures or understand our own past. This hour, author and TED speaker Dave Eggers talks technology, education, and the healing power of writing.

TED Radio Hour+ subscribers now get access to bonus episodes, with more ideas from TED speakers and a behind the scenes look with our producers. A Plus subscription also lets you listen to regular episodes (like this one!) sponsor-free. Sign-up at: plus.npr.org/ted

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Philip Kiely discusses his book Writing for Software Developers. Software development primarily involves writing code but strong written communication skills are critical. Technical comprehension is vital but solid written communication skills are also...

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In this month's edition of AppleVis Unleashed, Thomas Domville, Mike Malarsie, and John Gassman discuss recent Apple news and other topics of interest. Topics featured in this episode include:

• 2023 AppleVis Golden Apple Award Winners
• Apple Vision Accessibility: the 2023 AppleVis Report Card
• blood oxygen features Removed from Apple Watch
• At Last Apple Vision Pro has Arrived
• Apple’s Wall Garden Crumbling Before our Eyes Part 1: External App Payment Options
• Apple’s Wall Garden Crumbling Before our Eyes Part 2: Side Loading and Opening Tap to Pay Options
• What's in the new iOS 17.3
• Latest News on the Upcoming iPhone 16

Links:

• Be My Eyes, Timecrest, and Zanagrams Named 2023 AppleVis Golden Apple Award Winners
• Apple Vision Accessibility: the 2023 AppleVis Report Card
• Apple Watch Sales Ban Reinstated in U.S. Effective Tomorrow
• Apple Watches without banned blood oxygen features will go on sale Thursday morning
• Apple's biggest new product since the iPhone, the Vision Pro, launches soon — here's how to order the 'spatial reality' headset
• Apple’s 27% response to the Supreme Court decision is baiting antitrust regulators
• Apple Revises App Store Rules To Let Developers Link To Outside Payment Methods
• Apple wants $73.4 million from Epic Games for legal expenses
• Apple reportedly ready to enable sideloading for iOS users in the EU
• Exclusive-Apple offers to let rivals access tap-and-go tech in EU antitrust case, sources say
• Microsoft could offer one of the first third-party app stores on iPhones
• Apple Releasing iOS 17.3 Next Week With These New Features
• iPhone 16 Capture Button Will Respond to Touch and Pressure for Zooming and Focusing

If you have feedback or questions for the Unleashed team, you can reach them by email at unleashed@applevis.com or by leaving a voice message at 1-816-287-1482 (US number, call charges may apply).

In this episode, Thomas Domville demonstrates how to use Writing Tools in iOS 18.1. Writing Tools, released as part of the first set of Apple Intelligence features in iOS 18.1 is an impressive feature that allows users to rewrite text in different tones, such as friendly, professional, and concise, with an added proofread option.

To use this feature, open the text you want to edit and highlight it. Within the Edit section of your Rotor, you'll find the Writing Tools option. Different tone options will appear for you to choose from. Select the desired tone, and iOS will automatically adjust the text accordingly. If you opt for the proofread option, it will check for grammatical and stylistic errors, providing suggestions for improvement. This feature makes it easier to tailor your writing for different contexts and ensure it's polished and effective.

Transcript

Disclaimer: This transcript was generated by Aiko, an AI-powered transcription app. It is not edited or formatted, and it may not accurately capture the speakers’ names, voices, or content.

Hello and welcome.

My name is Thomas Domville, also known as AnonyMouse.

I'm going to be talking to you about an Apple Intelligent feature called the writing tools.

Now this is one of my most favorite feature of the Apple Intelligent that Apple has to offer.

Now in order to be able to use the Apple Intelligent, you must need the following iPhone criteria, which is iPhone 15 Pro, iPhone 15 Pro Max, or newer devices.

If you have those devices, then you will earn luck.

The first thing we need to do is make sure that Apple Intelligent is turned on.

Simple enough to turn it on, you'll have to head over to your settings.

So let's head over to settings, and let's do one finger double tap and open this.

And now what we're looking for, we're looking for Apple Intelligent in Siri, so swipe to the right until you find that button.

One finger double tap, open that.

Now you may have heard the word beta.

Well, at this time of the podcast that's being recorded, it is in beta.

So Apple Intelligent is in beta at this moment.

Now if you don't hear the beta, don't worry.

That might mean that the beta is no longer in beta.

So to make sure we are in the same place in this right area, let's go to the very top left hand corner where you have the back button.

To get to there, you can either tap at the top left or use a forefinger tap on the top half of your device until you hear the back button.

Now if you swipe to the right, that's where you heard the beta.

Now in your case, if you don't hear the beta, have no worries, let's keep going to the right.

Now we're into the Apple Intelligent section.

Now if you go to the right here, a personal intelligence system integrated deeply into your iPhone apps and Siri, learn more link, use the rotor to access links.

You can do that if you wish.

If you want to find more information about the Apple Intelligent and all the features that has to offer, double tap that and I'll take you to the web page at Apple to talk to you about more about Apple Intelligent.

But what we're looking for is the option to turn the Apple Intelligent on and that should be the next item up.

If you go to the…

Exhibition explores centuries-old letters from migrants.

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From my colleague, Rachel Wechsler: The Journal of Dispute Resolution is seeking articles related to labor and employment dispute resolution for its 2024 Writing Competition. The winners will be published in the Winter 2025 Issue of the Journal of Dispute Resolution. Writers should send submissions to umclawjournal@umsystem.edu with the subject line “2024 Writing Competition.” The … Continue reading Journal of Dispute Resolution Writing Competition – September 6 Deadline →

Well, it's been a busy summer writing-wise.  I'm letting a draft of a middle grade sci-fi adventure cure for a bit and also completed a work-for-hire project, and two-and-a-half nonfiction projects. (The half is still in-progress :-)).

Circa 1995.  No hills :-).

After the Cap Tex Tri weather debacle, I reconsidered my original plan to try the Austin Half-Ironman (or Ironman 70.3 as they're calling the things these days).   I'd wanted to do a couple Olympic distance races this summer (the other would've been the Tri Rock Austin Triathlon over Labor Day weekend) to get the kinks out before going for the longer distance.

Unfortunately, the schedule didn't quite work out (and I'm going to be doing some school and bookstore visits in October, prime training time :-)).  Also, this allows me to delay buying a new bike -- my current one is a 1989 Trek that is fine, but riding 50+ miles around the Hill Country, I can see where handlebar shifters would be useful :-).

So I decided to dive back in to the Austin Distance Challenge and take up the Austin Runners Club on the marathon training (which would also help with next year's triathlons).  My goal is a personal best or possibly Boston Marathon qualifying. (With the age-group corrections, BM qualifying has finally caught up with my PB :-)).

The ARC program is based on the Runner's World "Run Less, Run Faster" program, which has you run three days a week and do other cardio work two days a week.  One of the days is a track workout, one is a tempo run and the third is a long run, with pace times based on a one mile time trial we did a couple weeks ago. I have no idea if it will work, but I like it because I want to keep up the biking and running as well.

After the long run

I just completed the first week of the program and didn't actually hit any of my goal times, but I've never actually tried running for time, so at least the effort is interesting.  I ran a trial mile of 7:10, slightly slower than my 6:50 from last spring and a lot slower than my PB of 5:55 (granted, twenty years ago :-)).

From this, the track workout was supposed to be 4x1000 m at 4:09; my times were 4:20; 4:14; 4:15; and 4:22, so not terrible.  The tempo workout was supposed to be 4 miles at a 7:38 pace and my actual pace was 7:46. I figured it would be a challenge to hit those marks but was glad to have been close.  

The long run was supposed to be 11 miles at 8:57, which I though I could do, no problem, since I'd done my half marathons last year at around 8:24.  But with the humidity and heat (in August, hydration tends to be my biggest problem) and having only three hours of sleep (due to small feline mammals), I only did seven miles at a 9:07 pace.

Based on limited data, I like the program because it's not just about racking up mileage, which was getting a bit old. Also, the track workouts are not far from where I live :-). 

Anyway, I'm looking forward to the challenge of a new marathon best time, at the 2017 Austin Marathon!

Setting my PB on a wintry spring day

    



 

What started as Bernie Sanders writing an innocent thank you note to his field staff on a white board turned into memers filling it in with hotter takes and less savory messages. Seriously, people should know better at this point than to post images on the internet of people with white boards. It's just asking for bad news.

By Sara Truuvert

Sweaty palms, shaking limbs, and the distinct possibility of puking. Am I describing riding a rollercoaster or having a crush in middle school? These two thrill rides collide in Jake Maia Arlow's MG debut Almost Flying.

The novel follows thirteen-year-old Dalia, who has planned the perfect summer: finally ride a rollercoaster and make a new best friend. But when Dalia's dad announces he is engaged and expects Dalia to bond with her soon-to-be stepsister, Alexa, Dalia thinks her summer plans are shot. Luckily, Alexa agrees to take Dalia and Rani, a new girl from Dalia's swim team, on an amusement park road trip. What should be a smooth week takes a turn when Dalia realizes she might have more-than-friend feelings for Rani. Almost Flying launched on June 8th, 2021 with Dial Books and is widely available to order.

Jake Maia Arlow is a writer, podcast producer (listen to her work on shows like NPR's Invisibilia), bagel connoisseur, and co-writer of a musical about a gay demon competing in a reality TV show. You can find out more about Jake on her website, Twitter, and YouTube channel. Watch for her YA debut, How To Excavate A Heart launching from HarperTeen in 2022.

Q. A huge congratulations on your MG debut! Your protagonist Dalia is thirteen, which is such a weird, wild, sometimes(?) wonderful age. Did that time in your own life influence this story?

A. Thank you so much! That time in my own life absolutely influenced this story—mostly in that I was a complete weirdo in middle school. And while I wasn’t brave enough or self-aware enough to understand my own early queer feelings, I was so deeply idiosyncratic that I could write 1,000 middle grade novels and never touch on all of my bizarre behavior. For example: I wore mismatched toe socks to school every. Single. Day. 

Q. I love how unique Dalia is—for starters, she absolutely loves watching rollercoaster POVs (but would rather keep this hobby to herself!). Would you speak a bit about developing Dalia’s character?

A. Developing her character was one of the most exciting parts of the writing process, because it involved watching a ton of rollercoaster POV videos! Part of my process included taking notes on different POV videos in Dalia’s voice—some of those early free-writes even made it into the novel in various forms. It’s hard for me to start writing before I know a character’s voice, but Dalia’s came very naturally to me. She’s an anxious queer Jew from Long Island … just like me haha!

Q. Dalia has to navigate some complicated feelings she develops for her friend Rani. Did you map out the trajectory of their relationship before you began writing? Or was it more a matter of seeing where your writing took you?

A. I knew that Dalia had a crush on Rani from the very beginning, but it took me a few rounds of edits to realize that Rani also had a crush on Dalia from the start. Dalia overthinks everything, and even though Rani gives her some pretty clear signals, she doesn’t pick up on them. It was really more of a discovery writing process than I thought it would be!

Q. Do you have any writing routines or rituals that help you get into a good workflow?

A. Oooh, I love this question! I always have rain sounds playing in the background, regardless of whether or not it’s actually raining outside. Other than that, I do the pomodoro method (25 minutes of writing with a five minute break) and I try to have a friend around so I can bounce ideas off of them! 

Q. You have a helpful (and funny) post on your website about the process of getting your agent, which, understandably, involved a fair amount of nerves and panic. What would you say to an author who feels daunted by the idea of starting this process?

A. I’m thrilled that someone has read that! My advice is always to be over prepared. I am almost chronically over prepared because of my anxiety, but in this case it served me well. Listen to podcasts, read sample query letters, read the acknowledgements of your favorite books. There are so many incredible resources that you never have to go through this alone. 

Q. Do you have any advice for young writers?

A. YES! So many people like to say “read,” which is awesome advice, and you should absolutely do that, but my other piece of advice is to WRITE! Write in a journal, write your earth-shattering novel idea on a Google Doc and share it with friends, write recipes, write spells. Write anything and everything. At the very least, you’ll have something to look back on. 

Q. Finally, I understand that both you and Dalia are bagel connoisseurs. I must know, what separates a great bagel from a good bagel?

A. This is the greatest question I’ve ever been asked. First of all, if a bagel isn’t boiled, it’s not a real bagel— it’s just a piece of bread with a hole in the center. But other than that, a great bagel is freshly made, a little warm on the inside; it’s chewy on the outside and soft on the inside. And, most importantly, a great bagel is one that you eat with friends and family. 

------------------------------------------------------------------

Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter.

Synopsis of SWEET PEA SUMMER (Candlewick):

During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners.

Q. What inspired you to write Sweet Pea Summer?

My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself.

My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled.

I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think.

Q. What was the writing and illustration process like?

After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!).

The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story.

Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy.

I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit.

I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader.

My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc.

It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication.

Q. What advice do you have for young writers and illustrators?

My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work!

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For more insights from book creators, see my Inkygirl interview archives.

 

By Sara Truuvert

When your novel is deemed "the greatest idea for a book ever", you're probably on to something. That certainly seems to be the case for debut author Victor Piñeiro, whose novel Time Villains has garnered a starred review from Kirkus and a spot as an Amazon Best Book of the Month. The book promises time-hopping high jinx, historic and literary Easter eggs, and even some one-sentence Puerto Rican recipes.

Time Villains follows sandwich-obsessed Javi Santiago, who has to nail his homework assignment if he wants to pass sixth grade. The assignment seems simple enough: if you could invite any three people to dinner, who would they be? Plus, Javi has his best friend Wiki and little sister Brady to help him. What could go wrong? Turns out, a lot! The trio accidentally uses an antique dining table to summon the dinner guests for real. Now, Blackbeard the Pirate is on the loose, and Javi, Wiki, and Brady must figure out how to send him back (perhaps with the help of other historical figures...). Time Villains is the first novel in a three-part series. It launched on July 6th, 2021 with Sourcebooks and is widely available to order. 

Victor Piñeiro is an author and a Creative Director at HBO Max. He has also done a multitude of other cool things, like teach, make documentaries, lead content/social strategies for Big Spaceship, YouTube, Hasbro, and Google, and answer these interview questions while caring for his two-week-old child. You can find out more about Victor on his website, Twitter, and Instagram. 

Q. A huge congratulations on your literary debut! Would you tell me a bit about your journey to publication?

A. Thank you! Being a published author has been the dream since I was a kid, so it’s been quite the journey! In my teens and twenties I couldn’t silence my inner critic long enough to write novels, so I turned to poetry and screenplays, writing and producing documentaries for a spell. I finally coaxed a book out in 2017 after writing daily on my (long) commute for three years. It was a very unconventional first book—the only kind I could coax out on my first try—so I shelved it and started working on Time Villains. 

Three drafts in I sent Time Villains to a bunch of agents, and after chatting with a few, a friend put me in touch with Elana Roth Parker. I feel so incredibly lucky to work with Elana—she saw the seed of something in my draft and we developed it into something far more compelling. When Annie Berger at Sourcebooks showed interest in the book, it felt like winning the lottery twice. Annie and the whole team have been the most incredible partners—thoroughly brilliant and a complete joy to work with. And here we are—the book just hit shelves this week and I’m not sure what to do with myself!

Q. Would you please introduce us to the novel’s hero, Javi Santiago? (I must know what level of dedication to sandwiches it takes to be classified as ‘sandwich-obsessed’!)

A. Javi’s an aspiring chef and sandwichéaste (think cinéaste but for sandwiches) who’ll do anything to pass sixth grade. He’s a zany kid with an overactive imagination and a penchant for asking deep questions about food (because what makes a sandwich a sandwich, really?). He peppers in one-sentence recipes throughout the book—some of Puerto Rico’s most delectable dishes, mixed in with his own recipes (like the Spanglish Sandwich aka The Spanglo Sando™). And while he’s fun and eccentric, underneath the silliness he’s a first generation Puerto Rican kid struggling with imposter syndrome as he tries to excel at something in his life. 

Q. You offer us such a hilarious dynamic between your protagonists – we have the almost-failing student, Javi, paired with his best friend, Wiki, the human Wikipedia/young professor (plus, Javi’s little sister, who wants to be the president’s bodyguard!). How did you land on this dynamic? Is it something you envisioned from the get-go?

A. The characters were floating around my head disparately but when I put them together I realized how fun their dynamic would be. 

I know a few folks who are so brilliant they seem weighed down by their intelligence—it’s made them world-weary. I thought that’d be really fun to capture in an extremely-precocious sixth grader. As I was coming up with the character I remembered a line in a hip hop song I love, “Catch me solving mysteries like Wikipedia Brown.” And that’s where Wiki’s name emerged and the character solidified in my head.

In terms of Brady, I knew I wanted a hot-headed sibling/partner to steal the spotlight and do much of the butt kicking because I love that dynamic in stories, going all the way back to Frodo and Sam. I also have a few friends with wild kid sister energy and they’re the life of any party, so I knew I wanted to bring that to the trio. 

Q. You had to develop a wide array of voices for this story, including kid Mozart, the Earl of Sandwich, and Blackbeard the Pirate. Was that a challenge? A joy? A spiralling research nightmare?

A. A spiralling research dream! This series gives me the best excuse to research my favorite folks in history and fiction, and it’s been a blast. I loved reading old texts on pirates, delving into the specifics of Mozart at age twelve and dusting off copies of old novels with iconic characters as I researched this book. And I knew nothing about the Earl of Sandwich before writing this, but how could Javi not invite him?

There was one aspect of research that was a bit frustrating. A big focus of this series is exploring characters more representative of the world’s history and fiction, because I’m hoping this book is ultimately a gateway to other books, characters and historical figures for kids to explore. Finding a wealth of information about some historical and mythological figures from other cultures was incredibly difficult. I knew it wouldn’t be easy, but I wasn’t prepared for it to be quite so challenging—which invigorated me to include more of them in the book!

Q. You have such lovely, concise, concrete writing advice available on your website. Is there any advice my-novel-is-getting-published Victor would give I’m-starting-to-write-a-novel Victor?

A. So much advice! I think there are a few super important things that would’ve had me writing novels decades ago, so I take any chance I can get to relay them to other aspiring/young writers.

1. An hour a day can be enough. I always thought I needed to quit my job and write eight hours a day to finish a novel, which held me back for years. Then I read a Murakami interview where he said he completed his first novel by writing an hour a day after work. In that moment I felt like the universe gave me permission to write mine. 

2. Lower the bar far lower than you’re comfortable with for that first draft. (No, lower!) There are passages in the first draft of my books that are barely intelligible, but I now know that’s okay. The first draft is about discovery and getting the story out of your head and onto the page. It’s far too early to be precious about anything. Just get it all out and see what you’ve got when you’re done.

3. Don’t dread rewriting—it’s far more fun than expected. Before writing my first book I was terrified of it, but it’s become one of my favorite aspects of writing. (Which is a good thing considering it’s 75-90% of what you do as a writer!) 

Q. Do you have any advice for young writers in general?

A. Absolutely. Besides everything I said above, read about writing and join online writing communities. Screenwriting books are great for story structure basics, Stephen King’s On Writing is great for process, Brandon Sanderson’s free writing course on YouTube is absolutely brilliant, Neil Gaiman and David Mamet’s Master Class courses are gold, and Reddit’s /r/writing is a fantastic place to learn alongside others in the trenches. I also love John Truby and Lisa Cron’s books. But maybe it’s best to start with this short Ira Glass video. Or this brilliant reflection on writing advice Chuck Wendig just wrote.

Q. Finally, I read that you used to be a documentary filmmaker and a blogger. What are some questions you would ask Blackbeard, if you met him?

A. It’d be one of those long interviews—the kind that take up the entire documentary and usually take the film crew multiple days to shoot—because I’d want to lead up to asking him how many people he actually killed. (Some historians say almost zero!) And I’d also want to ask him a lot of questions about Stede Bonnet, “The Gentleman Pirate” who was an equally fascinating and thoroughly hilarious character. He was rich, had a midlife crisis, became a pirate, and got thoroughly swindled by Blackbeard. (Side note: I was so happy when I heard the news that Taika Waititi would be creating a show about him!) Finally, I’d ask him to get battle ready. Before a skirmish Blackbeard would light fuses or small candles in his beard, since the smoke gave him a demonic appearance. It was his favorite scare tactic. I’d love to see it live!

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Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

For the first day of NaBloPoMo (National Blog Posting Month), I want to start with something difficult, and the reason why I’m participating in this monthly challenge.

I’ve lost all affection for my writing voice, and I don’t entirely know why.

These days, it’s challenging for me to get excited about writing anything personal. Everything I post, aside from ink swatches, makes me cringe, even simple replies to others' posts. When I started writing online, it was so easy to share any little moss-bulb of detail, despite lacking confidence in my voice or purpose. It was enough to noodle in public; I had a stage (my website) and tap-tap-tapping its microphone didn’t make me feel immediately self-conscious.

A few years ago, I pushed — harder than I’ve pushed for many things in my life — for the “community” aspect of Micro.blog to be more than a shared timeline. I wanted it to be something I could lean back softly into, both an audience and support group, comprised of people who shared the same penchant for collecting and amplifying small treasures of moments.

The people exist (and they are wonderful, I read what they share with delight) but the community? I know now that what I was asking for doesn’t exist online in the same way it did, but I didn’t know that yet. I kept pushing and pushing, until one day I just … stopped. Everything I said seemed to repulse people instead of drawing them closer. It was easier to find what I needed and wanted in the friendships I was slowly and intentionally building offline than it was for me to do that online. And that was a first for me. Much of my life, up to that point, had been spent focusing on connecting online.

Because much of my life, up to that point, had been lived online.

I don’t really want to go back to living so much online. But sometimes I’m nostalgic for the feeling of being understood through my writing, shades of myself that I don’t know how to represent except through words.

It’s supremely cringey even to post this, but I’m going to push through in the hopes there’s some self-acceptance on the other side of it. I’m not ready to stop writing altogether. In some ways, I feel like I’ve barely begun.

Modern humans and Neanderthals interacted over a 200,000-year period, says geneticist Joshua Akey.

Register for our "Writing Seminar Research Clinic" to be held in the Firestone Library Tea Room on Sunday November 17 between 2:00 p.m. and 8:00 p.m. Consult with Writing Center Fellows and Librarians to move your Research Paper to the next level while munching on movie theater style popcorn, cookies, and sipping caffeinated beverages! Please register for a time slot here: 2:00pm-2:30pm 2:30pm-3:00pm 3:00pm-3:30pm 3:30pm-4:00pm 4:00pm-4:30pm 4:30pm-5:00pm 5:00pm-5:30pm 5:30pm-6:00pm 6:00pm-6:30pm 6:30pm-7:00pm 7:00pm-7:30pm 7:30pm-8:00pm If you need research help and none of these time slots work for you, feel free to sign up for a consultation with your seminar librarian.

Teachers can assess young students’ literacy skills and knowledge by encouraging them to produce books based on animal facts.

This article is by Emma Lammers.

Author’s note: neurodivergent is term used to refer to people whose neurological functions differ from the norm because of an innate or acquired condition. Examples of these conditions include autism, learning disabilities, mood disorders, traumatic brain injuries, and more. People who do not have any neurodivergent conditions are considered neurotypical.

To the delight of many readers, more characters in fantasy literature reflect aspects of real-world people than ever before. Today’s heroes can be people of colour, people of any gender or sexual identity, people of nearly any age. Writers are answering the call for more diversity in their work, and oftentimes they do it well, portraying realistic, nuanced characters from marginalized communities.

Some people, however, aren’t as likely to see themselves accurately reflected in the pages of a fantasy story. I’ve searched long and hard to find literary characters who experience autism, anxiety, and sensory processing disorder as I do, and very few of these characters show up in fantasy – a detriment to my favourite genre. Villainous characters are often portrayed as neurodivergent because writers think that this will make them scarier, and you will encounter the occasional hero with post-traumatic stress disorder, but  these depictions tend to lack accuracy, diversity, and consideration for the people who actually have the conditions used in the story.

Continue reading Writing Neurodivergent Characters in Fantasy at Mythic Scribes.

Oprah.com http://www.oprah.com/shiftyourlife/strategies-for-getting-unstuck/all Harvard Business Review How Perfectionists Can Get Out of Their Own Way GOOD Magazine Full article archive Mind Body Green 3 Tips To Stop Taking Criticism So Personally  

The post Highlights of My Writing from Around The Web appeared first on Dr Alice Boyes.

Cursive writing is experiencing a resurgence of sorts in North Carolina elementary schools thanks to a state law that was passed in 2013.