A special episode from Inflection Point with Lauren Schiller.

"To change the story, you have to change the storyteller."

With over 300 mass shootings so far this year, you'd think we'd be having a new conversation about guns and gun control.

Refugees literally sacrifice everything to keep their families safe. Christina Psarra, head of mission for Doctors Without Borders, a humanitarian aid organization, bears witness to their sacrifice and resourcefulness, giving everything she has to help them. Along the way, she's discovered that refugees are not victims--they are survivors and it's her job to help them survive.

What's so monumental about turning 40 that women need their own Facebook group? Turns out--pretty much everything. Nina Collins has created an "environment that's a little like Vegas...our special place to talk about what's really going on in our lives..." But why don't real life friends fill that need? Collins turned what she learned from the group--and her own experience with hitting 40--into a book "What Would Virginia Woolf Do?" Hear it all this week on Inflection Point with Lauren Schiller.

Zoom meetings have become ubiquitous during the COVID-19 pandemic, but so have concerns about the tool's security. Should you be worried? Not if you use the tools Zoom offers to make meetings more secure, say our experts.

Apple gets a lot of attention in podcasting, but Android is actually more popular than iOS. Here's how to not forget your Android podcast fans!

Working with other podcasters can be energizing, but it can also feed your inner troll. Here's how you can build friendships instead of enemies in podcasting.

A podcast failure doesn't mean you should quit podcasting. Here are 9 steps to help you recover and keep moving forward!

If you're frustrated by your WordPress theme's limitations, you don't know how to or don't want to write custom code, or you want a lot more flexibility in your website, you might want to consider a page-builder plugin for WordPress. Benefits of page-builders 1. You don't have to know HTML, CSS, PHP, or JavaScript to...

The RØDECaster Pro is my new favorite piece of podcasting gear! I'll have a thorough review soon. In the meantime, here are some tips to help with one of the biggest complaints I've heard about the RØDECaster Pro.

Senator Cory Booker burst onto the national scene about a decade ago, after serving as the mayor of the notoriously impoverished and dangerous city of Newark, New Jersey. To get that job, Booker challenged an entrenched establishment. “My political training comes from the roughest of rough campaigns,” he tells David Remnick. “You just won’t think it’s America, the kind of stuff we had to go up against. And it [was] such a great way to learn [that campaigning] has to be retail—grassroots. And so much of this, in those early primary states, is about that.”  

Booker spoke with Remnick about growing up black in a largely white area of New Jersey, where his parents had to fight to be able to buy a home; about his long relationship with the Kushner family, which started back when Jared Kushner’s father, Charles, was a leading Democratic donor; and why he’s proud to collaborate with even his direst political opponents on issues such as criminal-justice reform. “Donald Trump signed my bill,” Booker states. “I worked with him and his White House to pass a bill that liberated thousands of black people from prison” by retroactively reducing unjustly high sentences related to crack cocaine. “Tell that liberated person that Cory Booker should not deal with somebody that he fundamentally disagrees with.” 

Note: In this interview, Senator Booker asserts, “We now have more African-Americans in this country under criminal supervision than all the slaves in 1850.” The historical accuracy of this comparison has been challenged. More accurately, the number of African-American men under criminal supervision today has been compared to the number of African-American men enslaved in 1850. 

Ask This Old House landscape designer Jenn Nawada explains how to create a piece of artwork out of succulent plants

Ask This Old House landscape contractor Roger Cook shows the proper way to prune a branch without damaging the tree

Apply basic carpentry techniques to primed boards and molding to add a formal, elegant touch to any room

Ask This Old House general contractor Tom Silva helps a homeowner patch a hardwood floor to make it look seamless

Monday on Political Rewind , the challenges of holding elections amidst a public health crisis. We spoke to the current and former secretaries of state who joined us to talk about managing this year's elections amid the dangers of coronavirus. Panelists : Brad Raffensperger - Georgia Secretary of State Cathy Cox - Former Georgia Secretary of State, former candidate for governor, current Dean of the Walter F. Georgia School of Law at Mercer University Al Scott - Chatham County Commission Chairman Susan Catron - Savannah Morning News Executive Editor

Copyright 2020 NPR. To see more, visit https://www.npr.org.

References, recommendations, and referrals are more than just flattery—they can change the trajectory of your career. Join Emilie Aries as she breaks down how to leverage these powerful endorsements to go further at work. Learn who to ask, when to ask, and how to ask—and how to follow up on requests without seeming pesky. Plus, discover a simple framework you can use to make sure you're giving as much as you're taking from your network of supporters.

For police, the new coronavirus poses a dilemma: How do you apprehend a suspect in the era of social distancing? In India, they've come up with a way to lengthen the long arms of the law: giant tongs. In what looks more like a scene from a cops-and-robbers cartoon, this week police in the northern city of Chandigarh tweeted a video of an officer demonstrating how to use a 6-foot pole with a two-pronged claw at the end to detain a suspect. The officer, wearing a surgical mask, clamps the device around a man's waist and forces him into a pickup truck. "We call it a 'social distancing clamp' or a 'lockdown-breaker catcher,' " head constable Gurdeep Singh told NPR by phone from Chandigarh Police headquarters. "This is especially used in instances where we suspect that someone has the coronavirus and they are not cooperating with us." Chandigarh, the joint capital of the Indian states of Haryana and Punjab, has been declared a containment zone , with a high concentration of COVID-19 cases.

Dubspot's Rory PQ explains how to route audio and sidechain with third-party plugins in Ableton Live.

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The post How to Sidechain Third-Party Plugins in Ableton Live appeared first on Dubspot Blog.

Beanie Feldstein does not like the way teenage experimentation and growth gets dismissed as just a phase. "There tends to be the sort of stigma or judgment," she says, whether it's about dress, mood, makeup, or music choice. What she loves about her latest film, How to Build a Girl, is that it gives teen phases the respect they deserve. "Those phases matter ," she says. "It doesn't mean they're going to last, but they do matter. ... I think we could all be reminded of that lesson — especially adults." How to Build a Girl is a film adaptation of Caitlin Moran's 2014 semi-autobiographical novel about an awkward teen turned music critic. Feldstein stars as Johanna Morrigan, a 16-year-old growing up in England in the 1990s. Johanna "hasn't found her people yet," says Feldstein, and her closest confidants are her heroes (Julie Andrews, Freud, Sylvia Plath, Karl Marx) whose pictures are taped to her bedroom wall. Feldstein admits she sometimes felt nervous during filming, but found thinking

Copyright 2020 NPR. To see more, visit https://www.npr.org.

Hip hop DJing has a distinct sound when compared to other styles like house or techno. Besides the obvious scratching and turntablism techniques commonly associated with hip hop DJs, the dropmix is a signature technique that DJs should be familiar with. Even if you are not a hip hop DJ, the dropmix technique can be … Continued The post How To Dropmix Like A Pro Hip Hop DJ – Easy...

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A really great skill to learn that all DJs should know is how to mix with just a laptop – and with Serato making its laptop DJing software Serato Play free to everyone for the month of May 2020, now is a great time to start. In this lesson and video, I show you how. … Continued The post Tutorial: How To DJ With Just Your Laptop For Free With Serato! appeared first on Digital DJ Tips.

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When thinking about what drives human behavior there is what we say, what we do, and then what we reward. However, as Dr. Art Markman and Dr. Bob Duke talk about in this edition of Two Guys on Your Head, people tend to respond to these things in reverse order.

A traumatic event in life is like a scratch on a record. Every time the record player, or your mind, runs over the scratch, it skips. This skipping record thought pattern is called rumination. Until we’re able to fill the scratch, it will keep skipping. So how do we fill the scratch, move on and...

Time is important, especially when it comes to the brain. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about how our brains process and understand Time, and how we can reorient out goals within tasks to stay motivated and get more done.

From a Views and Brews recorded live at the Cactus Cafe KUT’s Rebecca McInroy talks with Dr. Art Markman and Dr. Bob Duke about the psychology behind how to interviewing for a job.

Writer’s block! That phrase might induce panic and a recollection of a familiar experience. It’s a very common phenomenon. So what is it? In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke explain the ins and outs of how and why we sometimes get stuck – and what...

Karen and Bradley listen to and discuss Pamela Chestek's talk from FOSDEM 2013, entitled How to Share a Trademark.

Show Notes:

Segment 0 (00:00:33)

Karen and Bradley introduce the talk.

Segment 0 (00:02:05)

Pam gave us slides, but it's all in one big SVG.

Segment 2 (00:55:10)

• The talk that Bradley mentioned was this talk that Karen gave at Linux Foundation Collaboration Summit 2012; he was unable to find a recording. (57:04)
• Note that most of the time the word source was used in the talk and Karen's comments, it means origin, not source code. (01:05:55)
• Bradley mentioned this Planet Money story about the 5¢ coke. (01:21:37)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

“The only thing constant is change.” That saying, or some derivation of it, is attributed to the ancience Greek philosopher Heraclitus around 500 BC. But it certainly rings as true now as it did then. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton discuss preparing...

Students have a lot of tugging at their energy and attention including classes, homework, jobs and activities. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton strategize on how to keep exhausted students engaged in the classroom. Ed received an email from a “Higher Ed” podcast...

As Dr. Ed Burger prepares to leave Southwestern University to become President and Chief Executive Officer of St. David’s Foundation in Austin, Texas, he and KUT’s Jennifer Stayton discuss the art of letting go, as they wrap up the KUT podcast “Higher Ed.” Ed says “letting go” in the workplace starts with a pretty straightforward...

We can’t dance to these sets in a club at the moment, so let’s use this opportunity to really watch what’s happening. Techno madman Florian Meindl takes us inside the craft of playing his fully live, all-hardware set. We’ve got detailed answers from Florian about how he works and plays, and copious links to all […]

The post How to bang: a deep dive into a live techno set from Berlin’s Florian Meindl appeared first on CDM Create Digital Music.

I’m currently hosting a series of live webinars for up to 150 people per event. In the past I’ve hosted in-person meetups but, due to current isolation initiatives (COVID-19), online is the way to go. This of course offers great opportunities for reaching a wider audience however does offer technical challenges different to those experienced […]

This article appeared first at ❤ OrganicWeb - Mailchimp training, consulting & integration experts.

How can we prepare for and mitigate the effects of economic depression as residents of a major US city (NYC)?

It's clear the world is headed for an extended economic depression. History teaches us that cities are badly affected by depressions. Crime goes up, local services get worse, "-isms" get worse, the world gets.....meaner and smaller and less stable.

We're fortunate enough that my partner and I are unlikely both to be made unemployed at the same time in the medium term and will thus keep our home and be able to pay bills. (And yes, we realize this is a position of immense privilege)

What should people such as ourselves - middle-class, middle-aged apartment owners who are not on the edge of precarity - do mentally and physically to prepare for and mitigate the consequences of economic depression?

I'm seeking advice on BOTH the mechanics of the obvious:, like improved situational awareness and security for themselves and their belongings, but ALSO other advice on activities, mentalities etc.

Open to links to discussions on this from other places as well..

We live in Queens, NY, near some neighborhoods that are already economically badly affected and will get worse. So, obviously, I'm particularly interested in NYC, USA, but more general relevant advice is welcome.

Me and my partner have decided to form a shared social distancing "bubble" with another of our couple friends. I believe we are following safe protocols for this but wanted to get an honest outside opinion as to whether we could be managing this better/safer/etc.

Here is the situation: I am a musician, and my main music collaborator used to live about a half hour from me. Back in January, he and his girlfriend relocated about 90 minutes away, in a major city that has had a large amount of COVID-19 cases. Where I live hasn't been as bad, but we are all still being cautious.

Musician friend and I are collaborating on a music recording project to combat boredom because we are both unemployed and obviously live gigs are right out. We have been doing most of our planning remotely, via Zoom and phone calls, but every now and again we do have to meet in person as his recording studio is in his apartment and sometimes he and the girlfriend come up here to ease the stir-craziness. We believe we are being safe in our methodology but wanted to confirm.

When we embarked upon this project, we made a pact with each other and our partners that the only people we would allow into our homes is each other. The way this works is, when I have to drive to his place to record, I wash my hands, mask up, and drive down to see him. He lives in a neighborhood with ample street parking near his building. When I arrive, I mask up again, buzz into his apartment, take off my outerwear and shoes immediately and keep it on a hook outside their front door, take mask off and put in my purse leave purse in one spot on a table, hand wash and hand sanitize. He and girlfriend also hand wash and hand sanitize, and have been cleaning all doorknobs and buzzer buttons and handrails of the stairs with disinfectant wipes before I arrive. When we record, we disinfect all microphones, headphones, gear we touch including instruments with wipes before and after use. When I leave, I wipe down the table where my purse was, wash hands again, mask up, drive home. All clothing I wear is promptly laundered.

When he comes up to work with me his protocol is similar: wash hands, mask up, drive to my house, where I have been disinfecting doorknobs and other surfaces. When he arrives, he parks in our drive, his outerwear and shoes stays out on our patio, he washes hands again and hand sanitizes, we rehearse for a couple hours, then he washes hands again, masks up, drives home, masks up, goes into building, washes hands. All clothes he wore go immediately into the laundry. Any surface he touches in my house gets pre-and-post wiped down with disinfecting wipes. We don't record in my home there is no gear to disinfect other than his guitar.

His girlfriend works from home and keeps herself separate from us when we record in their home. My boyfriend lost his job due to COVID but busies himself with projects in his home office while we rehearse in our home. The four of us have mutually agreed that we are the only other folks we will allow in our homes and we follow this safety protocol to the T every time we travel to see each other.

So, question 1) are we being safe enough, or are we being dumb? None of us so far has gotten sick and we are comfortable with our routine. How could we improve our safety protocol? Neither of us stop at gas stations to and from each other; we gas up on our own time and hand sanitize after doing so.

Question 2) Musician friend and I are getting ready to record a video of us performing a duet in his apartment. Our mutual friends know we no longer live near each other, and my fear is that when they see evidence that we haven't been keeping six feet apart at all times in his apartment we will get scorned by our colleagues, or near the brunt of actual anger because they are not aware of our safety routine. How can we explain that we have been talking proactive steps to keep ourselves safe and have chosen to be a somewhat long distance social isolation bubble with each other when we release this video to avoid angry responses? Is it necessary? Musician buddy is ambivalent, but I am a worrier and don't want to inadvertently bring us bad publicity.

Please be gentle with me. We are doing our best and we so far have not gotten sick with this protocol. Our partners are also proactive in hand sanitizing and/or hand washing once one of us leaves the other place. Are we being stupid? Is there a way to explain this succinctly when we release our video to pre-empt any judgement?

Seriously please be gentle. My anxiety is on high alert just from reading the news each day and I really hope this community will refrain from a pile on because we are doing everything we can to keep ourselves and our partners safe.

Any advice would be much appreciated. Thank you.

How to Be a Friend: An Ancient Guide to True Friendship by MARCUS TULLIUS CICERO [Download Audiobook] ⬇️ ⬇️ ⬇️.

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Ive been making music for couple of years now but still cant figure out why my mix doesnt sound professional. Im I doing something wrong? This is the link to my tracks http://www.ourmedia.org/node/300488 Someone please help me out.

The 100% guaranteed way to get your bedroom mixes to sound more professional (and by far the most expensive) is to spend time in a recording studio. Take the raw tracks to something you want to mix, import it into their ProTools setup (or whatever they use) and have a pro engineer (must be a talkative, friendly one, not a grumpy, cynical one) to mix it. ASK A BILLION questions, be a dork and write stuff down if you have to. The worst case scenario is that after 2/3 hours at least you'll know what questions to ask of Google or at the local tech book store. The best case is that your music impresses the engineer and he/she becomes a pseudo mentor for you. Engineering is by far my weakest area (along with playing in tune and in time) so everything that follows is said that caveat: I have found that going cheap on mastering tools (compression, limiters, eq) hurts bedroom mixes a lot. Money I've spent on the top utilities there (I use Waves) dwarfs all my other plugins put together by an order of magnitude. (Reason's mastering suite is pretty good so you may be covered there; although I've applied Waves L2 to mixes done after the 'final' Reason mixdown and there's no question there was a marked improvement in pro-sheen.) I have found tweakheadz site very useful, especially their mixing 101 page. Finally I have been told (and have experienced it myself) that posting often to ccM and asking for real, brutal reviews and feedback has helped a lot of people. I, for one, am very, very embarrassed by several of my uploads from 2 years ago here, while only very embarrassed by more recent ones; all strictly due to people hearing stuff I didn't.

that sounds good. ill look for a studio near my place. at the end you said that the comments from ccmixer is very useful but what shall i do if i want a brutal review of my own original mix? because on ccmixer i can only upload remixes or samples or separate tracks.

being a remix site and short on resources we can't handle original material. so, er, get remixing... ;)

my buddy des has a great blog he runs that can surely help almost anyone here with improving their production. http://www.hometracked.com/ also, his music is worth checking out, just so you can see that he knows what he's talking about. des is a great guy and a really excellent artist. http://www.deshead.com/

U need to have a good pair of monitors, headphones will not do at all! I agree with Fourstones, Waves is a very good suite. I use it within SoundForge and it really does help in cleaning up the frequencies. My mixes really improved when I had monitor speakers included in the set up. Experiment and let me know, I'll give u some quality feedback, no holds, sometimes the truth hurts! LOL! EZ m8 Morr

The best thing I can say is: learn about sound. Learn about frequencies, which ones sound like what and do what to the overall mix. Whether or not to use a low or high pass filter on something. Fiddle with EQs for hours. And more importantly, get criticism. It's the easiest way to learn what sound to look out for, and such. And most importantly of all: Practice. Mix till your ears bleed. (from the time spent listening to the same song, not due to the terrible mix :P) Mixing is one of my strong suits, but most of it is just being able to hear the song, and make the adjustments that I want, to be able to make the necessary changes and just know what needs to be done.

bravo!

That's a very good point- I started with a Mac LC, EZVision and an M1, with the only audio manipulation being Hypercard. I got good at customizing patches and finding seamless loop points manually just to get what I could out of what I had, with mastering being 1/4"-to-RCA from the headphone jack on the M1 to AUX IN on the cassette player, or the same thing with 1/8" adapter for the 'puter sound files. Then I'd record and bounce these cassette tracks to my 4-track, with final routing from 4-track's headphone-out back to the cassette. Ugly stuff, but that's what I had to work with...

This is a very good point. I think that it's easy to keep adding new gear, and thus miss the richness of existing gear and software. I like to work with more limited software sometimes, so that I can feel as if I am exploiting it to its fullness.

Ive been making music for couple of years now but still cant figure out why my mix doesnt sound professional. Im I doing something wrong? This is the link to my tracks http://www.ourmedia.org/node/300488 Someone please help me out. The first thing I noticed was the lack of higher frequencies in your mix... My mixes always end up being bass heavy (because I suck horribly) so I can see we both have the same problem... There's is (however) an over-abundance of frequency-fighting in your track... A lot of distorted things competing for my attention (at least in my ears). Dunno if any of this has been helpful, but we could all learn things...so hopefully you'll have advice for me in the future ;-) Good luck, and we me luck too! -Joel