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Campbell purchased noosa as part of the Sovos Brands, Inc. acquisition in March 2024.

Nothing says “you’re cool” like the gift of vinyl. by Jenni Moore

The holidays are a great time to support your loved one’s passions (read: greatest obsessions) by splurging on vinyl copies of their favorite albums and cult classic soundtracks. Selected from my home record collection, my own Christmas list, and some that I’ve had fun wrapping up as gifts, here are eight vinyl releases that make great gifts for the holidays in 2024.

1. 
Cowboy Carter & Homecoming:
The Live Album, Beyoncé 

For a while, Beyoncé only made special edition cover versions of Cowboy Carter available for purchase—I have one such copy—but today you can buy the classic cover version with that iconic image of Bey as the blonde-haired rodeo queen holding the American flag on horseback at places like Target and Amazon. If the Beyoncé fan in your life isn’t the biggest fan of Cowboy Carter (for whatever stupid reason), consider splurging on Homecoming: The Live Album, so your loved one can enjoy the Queen’s world-stopping Coachella performance that sees her slay nearly two hours of back-to-back hits from her three-decade career—Destiny’s Child reunion included—even when the internet goes out. The Homecoming vinyl includes four LPs that are enclosed in double-sided artwork sleeves, and the box set also comes with a 52-page booklet featuring stunning album artwork, which alone is worth the purchase.

2.
Wicked: The Soundtrack

We have full-body chills from the sneak listen of “Defying Gravity” in the Wicked theatrical trailers. As someone whose musical theater beginnings were shaped by the original cast soundtrack, the fact that the movie roles of Elphaba (Cynthia Erivo) and Glinda (Ariana Grande) are being played by two megastar performers in their prime is comforting. Nearing EGOT status and only missing an Oscar, Cynthia Erivo is a stunning talent whether she’s slaying roles like Aretha Franklin, Harriet Tubman, or Celie in a Broadway revival of The Color Purple. And Ariana Grande has more than proven herself as a top tier vocalist—just watch her concert doc Excuse Me, I Love You for the receipts. These are two women who could sing the phonebook (do those still exist?) and make it Grammy worthy. I can’t wait to hear how the two interpret songs like “Popular,” “Defying Gravity,” and how their voices blend on those iconic Wicked harmonies. Sadly, we’ll have to wait for the second film (to be released in November 2025) to hear this cast’s versions of favorite tracks like ”Thank Goodness,” “As Long As You’re Mine,” and of course, the heartfelt duet finale “For Good.” Available exclusively at Target and dropping November 22, the same day the movie hits theaters, we already know the first volume of the Wicked soundtrack is worth buying for the musical theater kid in your life. (For the Wicked purest or skeptics of the new cast, consider acquiring a vinyl copy of the original cast recording featuring Kristin Chenoweth and Idina Menzel.) 

3.
Merry Christmas, Mariah Carey

As far as Christmas albums go, you can’t lose with 1994’s classic Merry Christmas from Mariah Carey, which is basically synonymous with the period between Thanksgiving and Christmas. While “All I Want for Christmas Is You” tends to get a lot of the attention, there’s a reason MC’s album is one of the most acclaimed Christmas albums of all time; Mariah’s at her vocal peak on her renditions of songs like “O Holy Night,” “Christmas (Baby Please Come Home),” “Santa Claus Is Coming to Town,” and gospel tracks “Joy to the World,” and “Jesus (Oh What A Wonderful Child).”

4.
The Rise And Fall of a Midwest Princess, Chappell Roan

For the pop-loving progressivist and campy music fan in your life, get your hands on Chappell Roan’s debut, which clearly pulls aesthetic influences from the drag world, and sonic influences from 1980s synth-pop. The cinematic album depicts the artist’s journey of falling in queer love for the first time, and includes highlights like “Red Wine Supernova,” “Hot to Go!,” and “Pink Pony Club.”

5.
Self-Titled, Roman Norfleet and
Be Present Art Group

Driven by Roman Norfleet, improvised jazz and soul collective Be Present Art Group’s self-titled debut emerged from drum gatherings in Washington DC’s Malcolm X Park, which the album’s liner notes describe as “a pocket of freedom built on collective improvisation and shared rhythm.” In Portland, Norfleet assembled a collective of artists including Jacque Hammond and members of Brown Calculus to channel the spirit of those DC sessions. The group’s resulting earthy and spiritual self-titled album was released via Portland-to-Chicago label Mississippi Records in 2023. [Record label Mississippi Records is under the impression it lives in Chicago now, but the store and SPIRIT remain in Portland. -eds.]

6.
Songs in the Key of Life, Stevie Wonder

I was handed down a vintage copy of Stevie Wonder’s Songs in the Key of Life from my family’s record collection accumulated in the ’70s. The Grammy-winning Stevie classic is one of my favorites to bump around the house, especially while doing housework. Widely accepted as one of the best and most influential albums in history, Stevie’s 18th studio album embodies—if not invents—the concept of “no skips” with songs like “Love’s In Need of Love Today,” “Sir Duke,” “Village Ghetto Land,” “I Wish,” “Knocks Me Off My Feet,” “Ordinary Pain,” “Isn’t She Lovely,” “Joy Inside My Tears,” and “Black Man.” The subject matter feels as relevant as ever, with Stevie singing about evergreen topics like his childhood, first love, lost love, and poignantly tackling heavier topics like racial justice, and social justice for the poor and disenfranchised. 

7.
The Nightmare Before Christmas (Soundtrack)

I have a younger brother who was absolutely obsessed with The Nightmare Before Christmas growing up, and by proxy, I too came to love the creepy stop-motion film, especially the music. Whether you consider it a Halloween movie or a Christmas movie—I happen to believe it’s both—The Nightmare Before Christmas is a family-friendly cult classic, and the soundtrack is nostalgic, campy, moody, but most of all fun! The soundtrack can be enjoyed from October all the way to Christmas, bringing joy to its recipient with songs like “This Is Halloween,” “What’s This?,” “Making Christmas,” and “Jack’s Obsession.” 

8.
Mm..Food, MF Doom
(20th Anniversary Edition) 

For the MF Doom superfan in your life (we all have at least one), many a vinyl gift will do—from his studio debut album Operation: Doomsday to his epic collab with Madlib, Madvillainy. But this year is a particularly good time to gift the 2004 concept album Mm..Food, Doom’s fifth studio album with lyrics and song titles that reference different foods, as it celebrates its 20-year anniversary with a special edition vinyl release that comes with super cool new artwork that depicts a new take on the original illustrated cover, which features Doom sitting down to eat breakfast. On the updated cover, Doom is seen through a window, sitting down in the booth of a classic American diner.

On the ground and in the street…

Charlie Baker beat the highly touted Democratic ground game to win the Massachusetts Governor’s race. What does his victory mean for communities of color? And later in the show, the viral video that to date has gotten over 30 million views: men catcalling a woman while she's performing the simple act of walking through the streets of New York City. We’ll talk about what it shows, and why it has sparked a heated debate about street harassment, race, and sexism. Panelists:
- Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News
- Kim McLarin, Assistant Professor of Writing, Emerson College
- Peniel Joseph, Professor of History, Tufts University
- Phillip Martin, Senior Reporter, WGBH News
- Akilah Johnson, Reporter, The Boston Globe
(Image: Screenshot from the video by Hollaback!)

New York City's 2019 ride-hailing surcharge cut overall taxi and ride-share trips by 11 percent in Manhattan but failed to reduce traffic congestion, a key goal of the policy, according to a new NYU Tandon School of Engineering study published in Transportation Research Part A."While this surcharge differs from the MTA's proposed congestion pricing plan, the study's findings can contribute to the current discourse," said Daniel Vignon, who led the research.

New York City's 2019 ride-hailing surcharge cut overall taxi and ride-share trips by 11 percent in Manhattan but failed to reduce traffic congestion, a key goal of the policy, according to a new NYU Tandon School of Engineering study published in Transportation Research Part A."While this surcharge differs from the MTA's proposed congestion pricing plan, the study's findings can contribute to the current discourse," said Daniel Vignon, who led the research.

The title compound, C14H8Cl2F3NO, was synthesized by the condensation between trifluoromethylaniline and dichlorosalicylaldehyde by nucleophilic addition, forming a hemiaminal, followed by a dehydration to generate an imine. The compound crystallizes in an orthorhombic Pbca (Z = 8) space group with a dihedral angle of 44.70 (5)° between the two aromatic rings. In the crystal, the molecules pack together to form a zigzag pattern along the c axis.

The synthesis, crystal structure, and Hirshfeld surface analysis of N-(4-methoxyphenyl)picolinamide (MPPA), C13H12N2O2, are presented. MPPA crystallizes in the monoclinic space group P21/n, with a single molecule in the asymmetric unit. Structural analysis reveals that all non-hydrogen atoms are nearly coplanar, and the molecule exhibits two intramolecular hydrogen bonds that stabilize its conformation. Supramolecular features include significant intermolecular interactions, primarily C—H...π and various hydrogen bonds, contributing to the overall crystal cohesion, as confirmed by energy framework calculations yielding a total interaction energy of −138.3 kJ mol−1. Hirshfeld surface analysis indicates that H...H interactions dominate, followed by C...H and O...H interactions, highlighting the role of van der Waals forces and hydrogen bonding in crystal packing.

When you look at fast growing private companies in the U.S., you need look no further than a small city next to Los Angeles International Airport.

Steve Julian: Business analyst Mark Lacter, tell us about the company that's based in El Segundo.

Mark Lacter: It's called Fuhu, Steve - that might ring a bell with some parents because Fuhu is the maker of the Nabi.  The Nabi is an Android tablet for kids, and it's a very cool device that mimics a lot of the capabilities of regular tablet, including the ability to play games and get onto the Web (with controls that parents are able to set up).  Last year, they sold 1.2 million Nabis, and that helped push the El Segundo company to the very top of Inc. magazine's list of fastest-growing businesses.  That's number one on a list of 5,000 companies, with a three-year growth rate of 42,148 percent.  Or, to put it another way, company revenue was $279,000 in 2009; it was almost $118 million in 2012.  Now, by the standards of an Apple or a Samsung, those are still not huge numbers -

Julian: - and maybe that explains why there's been relatively little media coverage of this company.

Lacter: It might also explain why local tech companies in general get short shrift.  Many of them are quite successful, but they're often on the small side, and they're also privately held as opposed to publicly-traded on a stock exchange.  That's one big difference from Silicon Valley, which has so many huge public corporations: Apple, Intel, HP.  L.A. County has only six Fortune 500 companies, and not a single one devoted solely to technology.  In Silicon Valley, there are 22 in the Fortune 500.

Julian: And yet, the L.A. economy has more than held its own without those large corporations.

Lacter: Matter of fact, the accounting firm PriceWaterhouse studied more than two dozen cities around the world to determine where it was easiest to do business (that's based on factors like access to labor), and what they found - somewhat surprisingly - was that L.A. ranked ahead of both San Francisco and Tokyo.  And, you can see evidence of that with the increase in venture capital money coming into all parts of L.A.  Now, it's important to keep an eye on all these up-and-coming companies because these businesses are helping generate higher-wage jobs.  And, for an area with a still-high unemployment rate - still over 10 percent in some places -- that's a big deal.

Julian: Speaking of companies, does anyone want to buy the L.A. Times?

Lacter: The answer is yes - most recently, the controlling owner of the Dodgers, Mark Walter, said he was interested in both the Times and the Chicago Tribune (though there's no way to know whether there are actual discussions taking place).  You also have several local groups, including one that involves billionaire Eli Broad, that have been interested to one degree or another.  But what was thought would be a fairly straightforward auction process has turned enormously complicated.  It's now to the point where the Tribune board has decided spin off the papers into a separate business, and that process will take until next year to complete and could preclude any sales for quite some time after that.

Julian: So, it's Limbo-land for the Times for who knows how long.

Lacter: Steve, it's not that Tribune really wants to keep the newspapers.  But, selling them off presents huge tax implications.  Also, there are assets that the potential buyers thought would be part of the package - assets that include real estate - that Tribune wants to hold onto.  So, what's left to sell are just the newspapers themselves, and frankly, they're among the least valuable properties.

Julian: Now, last week came word that the billionaire Koch brothers, who were believed to be interested in the Tribune properties, decided not to pursue a deal...

Lacter: ...that's right, they don't consider the Times or the other dailies to be economically viable.  You might recall a bit of an outcry over the prospect of having the Kochs, who are staunch conservatives, becoming the owners of these papers.  So, they're out of the picture.  But for the L.A. Times, it's really the worst of all worlds: no new owner and no vision for recasting the paper, at least in the near term.

Mark Lacter writes for Los Angeles Magazine and pens the business blog at LA Observed.com.

This content is from Southern California Public Radio. View the original story at SCPR.org.

Rob Marshall is either the bravest director in Hollywood or the most foolhardy. Three of his five theatrical films — the musicals "Chicago," "Nine" and now "Into the Woods" — don't just invite comparison to the eccentric genius of other artists, they insist on it.

Originally a Bob Fosse stage project, "Chicago" was so imbued with Fosse's vitriolic spirit that even in Marshall's more straightforward hands the movie version felt like the missing piece in a triptych with Fosse's "Cabaret" and "All That Jazz."

"Nine" is the musical created from Fellini's masterpiece "8 1/2."

(Marcello Mastroianni in Fellini's "8 1/2")

Odd enough that someone thought Fellini's intimate but epic fugue on his own creative doubts and sexual fantasies should be adapted by others for Broadway; stranger still to re-import the hybrid back to the screen, in the workmanlike form Marshall gave to it.

And now we have "Into the Woods," a film placing Marshall in the long line of moviemakers defeated by Sondheim's difficult musical brilliance and penchant for challenging material. It's distinguished company, reaching back all the way to "A Hard Day's Night" director Richard Lester's re-invention of "A Funny Thing Happened (On the Way to the Forum)" as a kind of psychedelic Keystone Cops movie, and forward to Tim Burton's more adept but still wrong-headed Murnau-meets-Hammer-Horror approach to "Sweeney Todd."

Even director Hal Prince, the principal theatrical collaborator during Sondheim's most fertile and formative period, made an absolute hash of their shared stage success "A Little Night Music" in a film version later disavowed by both men, and mostly remembered for Elizabeth Taylor's chirpy and discernibly flat rendition of "Send in the Clowns."

Liz singing "Send in the Flat Clowns"

It's just possible that the real problem is that Sondheim's self-reflexive and deconstructive impulse (his musicals are almost always and to varying degrees commentaries on the Musical itself) makes his projects unfit for screen adaptation. In movies, we miss the artifice of the proscenium, the sweat on the actor's brow. But if any of Sondheim's late-period projects held out the hope of a successful movie version it was surely "Into the Woods," a droll recombination of the fairytale form's literary DNA into something like Sondheim's masterpiece "Company," set in a realm of magic beanstalks and slippers made of glass.

The characters are straight out of the Disney pantheon (or "Shrek"): Cinderella meets Rapunzel meets Red Riding Hood meets Jack and his Beanstalk, with a generic Wicked Witch, a couple of not so charming Prince Charmings, plus a peasant couple thrown in. But the issues at stake — marital fidelity, raising children, the fear of aging and death — are complicated, and filled with gray tones which Sondheim and librettist James Lapine masterfully etched across the fairytale's Manichean black and white.

What seemed audacious when Sondheim and Lapine conceived it in 1987 ought to fit comfortably into the era of "Sleepy Hollow" and "Maleficent," but in Marshall's hands, it does not. The good news is that though populated by what old school TV shows used to call a Galaxy of Today's Brightest Stars (Anna Kendrick as an appealingly unglamorous Cinderella; Chris Pine as the nymphomaniac Prince who stalks her; Meryl Streep quite moving in the Wicked Witch role made famous on Broadway by Bernadette Peters) this is mostly a very well-sung movie. There have been controversial excisions and revisions (enabled by Lapine, who is Marshall's screenwriter), but as an introduction to one of Sondheim's more beloved scores, "Into the Woods" makes for a solid musical primer.

WATCH: The "Into the Woods" trailer

But though Marshall has taken a lot of flack for daring to cut out characters (most notably the stage production's Narrator, who served as a kind of Greek Chorus in the original) and for softening plot points (Rapunzel died onstage), the big problem is that Marshall isn't nearly ruthless enough in rethinking "Into the Woods" as an honest-to-God movie. There are many moments (Johnny Depp ending a scene with a stagy howl at the Moon that virtually screams "and... fade out!;" the unseen death of a major character) where Marshall embraces the limitations of stagecraft when something bigger and more cinematic is needed, as if afraid to mar the pedigree of Broadway with Hollywood's debased visual stamp.

"Giants in the Sky," Jack's coming-of-age number, where he describes finding manhood in the sexual and physical dangers available above the clouds in the Giant's Castle, is a showstopper onstage, where we're willing to accept rhetoric in place of physical immediacy. Onscreen, it's simply frustrating for a character to suddenly appear and tell us he's just had the adventure of a lifetime, and that it's too bad we missed it.

The Woods themselves — both character and symbol onstage, a kind of living maze representing moral confusion — are lush here and geographically nondescript, like a particularly plush unit set, done up in a generic Lloyd Webber-meets-Disney house style.

Perhaps most unfortunately of all, Marshall seems constitutionally incapable of conveying the pervasive satiric impulse at the heart of the Sondheim/Lapine original, which could have been called "What Happens After Happily Ever After." Without ironic distancing, the film's second half, where the characters betray each other in decidedly contemporary sexual and self-interested terms, plays as non-sequitur.

It's possible to imagine a more idiosyncratic movie director who both understands and embraces the arsenal of cinematic effects available through editing, camera movement and design transforming "Into the Woods" into a rousing cinematic triumph — the young Terry Gilliam comes to mind. But Hollywood doesn't really embrace its daring cranks and visionaries very often, as Gilliam's difficult career demonstrates. Whenever possible, today's studios like to import genius at a safe remove, and then hand it off to a reliable journeyman who won't make waves or piss off the suits. The limitations of that approach are visible in every scene of "Into the Woods," and perhaps they explain its failure best of all. It's one thing not to be up to the task of adapting a work of odd brilliance. It's something else again to not even take it on.

This content is from Southern California Public Radio. View the original story at SCPR.org.

The new logo reinforces the snack manufacturer’s focus on premium branded snacks.

The new division will focus on developing innovative snacks and capitalizing on emerging consumer trends.

Express Oil discusses who the Braves are considering adding to the lineup for the upcoming season. They want to remind customers of the discounts they receive when the Braves play well.

Increasing the value of your home with a new garage door.

Atlanta tinting company, The Tint Guy, would like to discuss some of the benefits of getting your commercial tinting done in the off season.

Car Accident lawyer Anthony Carbone is proud to announce the launch of a new website to guide victims of car accident injuries

- Overseas Korean Unification Event held successfully in Leipzig, Germany on November 9 - North Korean defector's live painting and barbed wire bracelets highlighting reality attracts attention

Anthony Watts retired from Banc Mortgage Financial Corp in 2004

Valmet has expanded its IQ Quality Control System by launching four new measurements for raw material components, colour, and ash content. These innovations help optimise resource usage, reduce carbon footprints, and improve product quality. The new measurements include IQ Transmission Spectrum, IQ Reflection Spectrum, IQ Color, and IQ Total X-ray.

H&M is partnering with Glenn Martens for an Autumn 2025 collection. Known for merging streetwear and couture, Martens joins a line of iconic designers H&M has collaborated with since 2004, when it launched its first designer collection with Karl Lagerfeld. This initiative has made top-tier fashion accessible, reflecting each designer’s unique vision and values across two decades of partnerships.

Artificial intelligence (AI) is one?if not the?key technology of our decade. Technological advances in this field are not only fundamentally changing our economies, industries and markets, but are also exerting enormous influence on traditional business practices, many of which will disappear, while others will be transformed or completely reinvented.

Mini tripods have become increasingly popular over the last few years. They’ve become a versatile and invaluable part of many creators’ kit bags. There are...

The post The Mambapod is a compact tripod you can mount anywhere appeared first on DIY Photography.

Hundreds of "Wanted" posters targeting members of the University of Rochester community were found glued to campus buildings and classrooms, according to the Department of Public Safety.

Danny Sullivan, independent consultant, gave a talk entitled "Getting Your Web Site Listed".

Tony Hirst is an itinerant academic in the Department of Communication and Systems, and member of the Socialearn core project team. He blogs regularly about educational Web technologies and RSS feed powered mashups at http://ouseful.info/ (although most of his readers would being admit to being confused by most of the posts, most of the time). Tony will be facilitating a workshop on "Introducing Socialearn".

Chobani Australia is exporting yoghurt to Singapore less than 18 months after the American company set up in Victoria. Within 18 months, Chobani has grown production at its A$30 million yoghurt factory in Victoria from 25,000 cases a week to 25,000 cases a day, and become one of the biggest yoghurt manufacturers in Australia.

International consumer management company, Gigya, has opened an office in Melbourne as part of its expansion into the Asia-Pacific region. The move comes after strong growth in 2013 for the US-based company, during which it processed more than 800 million logins for clients in 46 countries, including Tommy Hilfiger, the Independent, the Globe and Mail, KLM, L'Occitane, Next Media, Japan Airlines and Canon.

New Zealand-based hydraulic equipment specialist, Transport Hydraulic Solutions (THS), has opened a large manufacturing facility in the Melbourne northern suburb of Campbellfield (26.5 km north of the city centre). “A growing number of Melbourne clients are located around this area, and for those who are based further away, our office is right near the freeway where the Western Ring Road and Hume Highway intersect,” said Managing Director of THS, Brenden Lyons.

Indian learning solutions company, Dexler, has opened its Australian headquarters in Melbourne. Dexler Education (Australia) is expected to create 25 new skilled jobs in Melbourne following its 2014 acquisition of Online Learning Australia which had clients including AMP, ANZ, BHP Billiton, Bluescope Steel, Coles, Myer, NAB, Target, Telstra and Westpac.

Indian company Ray Business Technologies (Raybiztech) has chosen Melbourne as its Australian headquarters. The company plans to create 30 new highly skilled local Information and Communications Technology (ICT) jobs over the next two years. Headquartered in Hyderabad, India, with offices in the USA and UK, Raybiztech delivers cloud, mobility, big data and social media solutions to its enterprise clients around the world, in the sectors of finance, healthcare, manufacturing, media, leisure and utilities.

Balluff Leuze has invested in a custom-built automation centre in Bayswater, located 40 minutes east of Melbourne’s city centre, as part of its continued Australian expansion plans. The German company, which specialises in technically innovative products for the Automation industry has been working in Australia for 15 years and is considered a leader in sensor technology. They also build a range of safety products that are used in the Victorian manufacturing sector.

The global mobile payments company, Square, will open its Australian headquarters in Melbourne, which will be its fourth global base after the United States, Canada and Japan.

Event Begins: Thursday, November 14, 2024 5:30pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Fernando Laposse specializes in transforming humble natural materials into refined design pieces. He has worked extensively with overlooked plant fibers such as sisal, loofah, and corn leaves. Laposse’s works are the result of extensive research which culminates in objects of “endemic design” where materials and their historical and cultural ties to a particular location and its people take center stage. He often works with indigenous communities in his native Mexico to create local employment opportunities and raise awareness about the challenges they face in a globalized world.
Laposse’s projects are informative and educational and touch on topics such as sustainability, the loss of biodiversity, community dissolution, migration, and the negative impacts of global trade in local agriculture and food culture. He does so by documenting the issues and announcing possible resolutions through the transformative power of design.
Laposse’s projects have been exhibited in the Triennale di Milano, the Cooper Hewitt Design Museum, The Design Museum in London, the Victoria and Albert Museum, and the World Economic Forum, among others. His work is held in the permanent collections of the Design Museum Gent, Le centre national des arts plastiques, Musée des Arts Décoratifs, the San Francisco Museum of Modern Art, the National Gallery of Victoria, and the Victoria & Albert Museum. Laposse studied at Central Saint Martins in London as a product designer and currently lives and works in Mexico City.
Presented in partnership with Design Core Detroit. This project was made possible by a grant from the Arts Initiative at the University of Michigan.
Series presenting partners: Detroit PBS and PBS Books. Media partner: Michigan Radio.

Event Begins: Thursday, November 14, 2024 12:00pm
Location: Burton Memorial Tower
Organized By: School of Music, Theatre & Dance

University Carillonist Tiffany Ng & Musicology PhD student Eric Whitmer perform on the Charles Baird Carillon, an instrument of 53 bronze bells located inside the Burton Memorial Tower. The largest bell, which strikes the hour, weighs 12 tons, while the smallest bell, 4½ octaves above, weighs just 15 pounds.

Thirty-minute recitals are performed on the Charles Baird Carillon at noon every weekday that classes are in session, followed by visitor Q&A with the carillonist. The bell chamber may be accessed via a combination of elevator and stairs. Take the elevator to the highest floor possible (floor 8), and then climb two flights of stairs (39 steps) to the bell chamber (floor 10). Earplugs are available from the carillonist upon request. Be prepared to walk on ice and snow in the bell chamber during winter. Built in 1936, the Charles Baird Carillon is not ADA accessible. Visitors with mobility concerns are invited to visit the Lurie Carillon: https://smtd.umich.edu/facilities/ann-and-robert-h-lurie-carillon/

Coat of Many Colors Limited Edition by Master Peace Collection is a(n) Limited Edition. The Edition is Limited to Limited Edition pcs

Coat of Many Colors Open Edition Print by Master Peace Collection is a(n) Open Edition. The Edition is Limited to N/A pcs

The new ZipDoor kit is a great way to create a dust barrier when all you need to seal is the doorway.

People's Bank of China USD/CNY reference rate is due around 0115 GMT.

The People's Bank of China (PBOC), China's central bank, is responsible for setting the daily midpoint of the yuan (also known as renminbi or RMB). The PBOC follows a managed floating exchange rate system that allows the value of the yuan to fluctuate within a certain range, called a "band," around a central reference rate, or "midpoint." It's currently at +/- 2%.

How the process works:

• Daily midpoint setting: Each morning, the PBOC sets a midpoint for the yuan against a basket of currencies, primarily the US dollar. The central bank takes into account factors such as market supply and demand, economic indicators, and international currency market fluctuations. The midpoint serves as a reference point for that day's trading.
• The trading band: The PBOC allows the yuan to move within a specified range around the midpoint. The trading band is set at +/- 2%, meaning the yuan could appreciate or depreciate by a maximum of 2% from the midpoint during a single trading day. This range is subject to change by the PBOC based on economic conditions and policy objectives.
• Intervention: If the yuan's value approaches the limit of the trading band or experiences excessive volatility, the PBOC may intervene in the foreign exchange market by buying or selling the yuan to stabilize its value. This helps maintain a controlled and gradual adjustment of the currency's value.

Yesterday the People's Bank of China propped up the yuan at this setting:

• PBoC promised stronger damping to support CNY, and that's what are seeing

I suspect we'll see similar support for the yuan again today.

The People's Bank of China set the onshore yuan (CNY) reference rate for the trading session ahead.

• USD/CNY is the onshore yuan. Its permitted to trade plus or minus 2% from this daily reference rate.
• CNH is the offshore yuan. USD /CNH has no restrictions on its trading range.
• A significantly stronger or weaker rate than expected is typically considered a signal from the PBOC.

Previous close was 7.2330

In open market operations (OMOs):

PBOC injects 328bn yuan via 7-day RR, sets rate at 1.5%

• 19bn yuan mature today
• net injection is 309bn yuan

VIENNA, 8 July 2016 – OSCE Representative on Freedom of the Media Dunja Mijatović, today expressed concern about a proposed law on the German Foreign Intelligence Agency (BND, Bundesnachrichtendienst), which was debated in the Bundestag, Germany’s Federal Parliament, today.

“Increasing surveillance capabilities of journalists is a clear threat to media freedom,” Mijatović said. “This draft law runs counter to the very core of fundamental freedoms such as media freedom and freedom of expression.”

The draft law increases BND’s capabilities to place foreign journalists under surveillance. Moreover, no exemption is made for the work of journalists, and journalists without citizenship of the European Union can be subjected to surveillance without an explicit court order.

“I call on the German Bundestag to revise the current draft law and ensure proper the protection of journalists regardless of their nationality,” Mijatović said.

The OSCE Representative on Freedom of the Media observes media developments in all 57 OSCE participating States. She provides early warning on violations of freedom of expression and media freedom and promotes full compliance with OSCE media freedom commitments. Learn more at www.osce.org/fom, Twitter: @OSCE_RFoM and on www.facebook.com/osce.rfom. 

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• OSCE Representative condemns incidents directed at journalists and independent voices in Bosnia and Herzegovina

Stockholders in financially troubled Spirit Airlines, the South Florida-based discount carrier, would see their shares canceled under a potential debt restructuring agreement that has been under negotiation between the airline and its bondholders, the company says.

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Research in 60 Seconds: A Tiny Technology to Neutralize Radiation  UCF

One new company’s AI technology is making content go viral  Fast Company

The NYT Strands hints and answers you need to make the most of your puzzling experience.

Answers to each clue for the November 13, 2024 edition of NYT's The Mini crossword puzzle.

Connections: Sports Edition is a New York Times word game about finding common sports threads between words. How to solve the puzzle.