Understanding what we want to make public and what we want to keep private might seem like an easy choice. However, as Dr. Art Markman and Dr. Bob Duke discuss in this episode of Two Guys on Your Head when it comes to life online, our brains aren’t quite equipped to navigate the complexity of...

Humans may take the card we swipe for granted at the grocery store when we buy food. We might look at our bank balance and not even think of how unique it is that we can translate those little numbers into experiences and things. It’s merely one of the benefits of having big brains. In...

As tax day nears, it’s not a bad idea to look at our spending habits. Typically when we experience a windfall, we tend to spend more. When we come up short, we spend less. So although objectively we should maintain an average amount of spending, our financial habits continue to be influenced by how much...

KUT’s Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the role of praise in motivating change.

It turns out that our motivational system has a lot to do with how we present ourselves. In this edition of Two Guys on Your Head,  Dr. Art Markman and Dr. Bob Duke talk about the psychology behind motivation and self-presentation and what that means when it comes to gender.

Karen and Bradley discuss Software Freedom Conservancy's announcement regarding its coordinated license compliance program.

Show Notes:

Segment 0 (00:36)

Karen and Bradley discuss Software Freedom Conservancy's announcement regarding its coordinated license compliance program.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss Mike Linksvayer's FOSDEM 2012 talk, Creative Commons 4.0 licenses and other opportunities for FLOSS/free culture legal/policy intersections from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:38)

Bradley and Karen suggest that you use the slides below when listening to Mike's talk.

Segment 1 (05:51)

Mike Linksvayer's slides for this talk are available in PDF format and in ODP format.

Segment 2 (33:43)

Segment 3 (34:25)

A special licensing message from Mike Linksvayer.

Segment 4 (35:09)

• Karen mentioned Bradley's favorite movie, It's a Wonderful Life.
• Bradley mentioned Asheesh Laroia, who appears to never blogged about his CC/credit-card-thief freenode confusion story. (48:00)
• Bradley mentioned Fontana's Copyleft.next project . (50:00)
• Bradley mentioned the ST:TNG episode, Unification, Part II, although he kept calling it Reunification during the episode. Please don't write in to complain; he realized the error after recording. (54:39)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Till Jaeger's talk from FOSDEM 2013, entitled What is a derivative work under European Copyright Law?.

Show Notes:

Segment 0 (00:00:31)

Karen and Bradley introduce the talk.

Segment 2 (00:02:41)

The speaker's that you hear are:

• Tom Marble, introduces the talk, and asks one of the questions.
• Till Jaeger, who gives the talk

The slides for Till Jaeger's talk are available.

Segment 2 (00:49:11)

• Bradley and Karen discuss Till's talk.
• Clarence Thomas spoke the first time in the Supreme Court. Bradley said that he said it did not, but apparently he actually said he did not. (59:49)
• Bradley scanned in his Brussels airport train ticket that had his notes on it, where you can read noa push caa. (01:06:40)
• Bradley mentioned the phrase Elvis has left the building. (01:07:15)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, Legally Cementing Licences in Legislation: Two Law Merchant Models for Free Software Licences by Maureen O’Sullivan given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:00:37)

• Bradley mentioned the Planet money t-shirt story (03:04)
• Bradley mentioned he buys Union made sweat pants (04:42)

Segment 1 (00:06:48)

Bradley and Karen introduce the talk.

Segment 2 (00:07:20)

This segment is the talk, Legally Cementing Licences in Legislation: Two Law Merchant Models for Free Software Licences by Maureen O’Sullivan given at FOSDEM 2013 on Sunday 3 February 2013. You can follow along with the slides.

Segment 3 (00:50:55)

• Bradley mentioned a talk he gave on 2005-03-12 at UC Irvine to a workshop of academics meeting about the research area of Computing Communities. Bradley still has some email archives regarding this, but can't find any online link to the workshop (URLs in the emails are all dead) or a recording of his talk. (58:52).
• As Bradley mentioned, ESR self-identifies as a gun nut. (01:00:19)
• Bradley mentioned FaiF 0x3A, which had Gabriel Holloway's talk (01:03:27)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss and criticize comments made by Linus Torvalds at his Q&A during DebConf 2014 in Portland, OR on 29 August 2014.

Show Notes:

Segment 0 (00:37)

Bradley and Karen discuss the Q&A with Linus Torvalds at DebConf 2014 in Portland, OR on 29 August 2014. (01:09)

Segment 1 (04:30)

• Ryan Lortie asked about an offensive public statement Linus Torvalds made on 6 July 2012. (05:04)
• Bradley mentioned that Linus Torvalds argued Red Hat was kowtowing to Microsoft using offensive language. (07:57)
• Karen mentioned that Linus called GNOME an unholy mess. (19:05)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley announce Conservancy's DMCA filing and Conservancy and FSF's joint launch of the copyleft.org project, and then discuss Eileen Evans' FOSDEM 2014 talk, entitled Licensing Models and Building an Open Source Community.

Show Notes:

Segment 0 (00:36)

• Conservancy file a DMCA petition regarding so-called “Smart TVs”. (02:00)
• Bradley mentioned the magic marker that was as circumvention technique under DMCA. Here's an amusing joke press release about the issue. (03:10)
• There isn't much documentation online of Bruce Perens live DMCA violation, but this article appears to be the main one on the subject, and there is also this interview (06:46).
• Bradley and Karen talked about the joint FSF/Conservancy copyleft.org announcement. (09:10)
• Bradley first pulled together the materials for copyleft.org for FSF's CLE seminars, particularly the one in March 2014. (10:00)
• Karen noted that Conservancy donated the time to write up a pristine example of good complete, corresponding source code for a GPL'd product. (11:30)
• Bradley discussed the incorrect GPLv2§2(a) violation accusations that some made against Red Hat regarding its changes to its publication of RHEL's Linux fork. (12:00)
• Karen and Bradley encouraged listeners to submit talk proposals for the FOSDEM 2015 Legal and Policy Issues DevRoom (15:03)

Segment 1 (19:38)

This is a recording of Eileen Evans' FOSDEM 2014 talk, entitled Licensing Models and Building an Open Source Community. If you'd rather watch the video, which includes the slides from her talk, it's available on FOSDEM's site.

Segment 2 (46:40)

• Bradley and Karen discuss Eileen's talk.
• Bradley mentioned the OpenStack CLA fight, which was covered in a panel discussion on FaiF 0x4B. (56:16)
• Karen mentioned the 501(c)(6) issues that OpenStack Foundation has faced, which were discussed already on FaiF 0x4E. (56:34)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Free as in Freedom host Christopher Allan Webber interviews Karen Sandler and Bradley Kuhn about their work on copyleft and at Software Freedom Conservancy. You can become a Supporter of this work!

Show Notes:

• Bradley mentioned Cygnus Solutions, ultimately acquired by Red Hat, which was an early for-profit supporter of copylefted projects.
• Bradley and Karen discussed the VMware lawsuit.
• Chris Webber wrote this blog post in response to a Shane Curcuru, who is VP of Brand Management at the Apache Software Foundation, anti-copyleft talk at OSCON 2015. Shane's talk is consistent with Apache Software Foundation's historical and recent anti-copyleft positions (12:23)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss Conservancy's ContractPatch Initiative that will help Free Software developers negotiate their agreements with employers.

Show Notes:

Segment 0 (00:38)

• Software Freedom Conservancy has two blog posts and a mailing list to discuss the Contract Patch initiative (02:40).
• Bradley searched for the NPR story he mentioned but just couldn't find it, but he did fine a similar one covering terms of service agreements (08:30)
• Karen mentioned the the Outreachy Project of Conservancy. (09:30)
• The Google Map API ToS states that you have to pay for it after a certain amount of usage (17:30)
• Bradley mentioned the book, What Color Is Your Parachute? (24:30)
• The “put it in writing” commercials from AT&T and MCI. (46:44)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Academia is divided over the wisdom of offering students extra credit on tests or projects. In this episode of the KUT podcast “Higher Ed,” KUT’s Jennifer Stayton and Southwestern University President Dr. Ed Burger discuss the utility and merit of offering extra points for extra effort. Ed says for the most part he supports extra...

The band Vampire Weekend started in 2006, in New York. Their third album came out in 2013, and was named one of the best albums of the year all over the place, and it won a Grammy. But it took six years for their next album, Father of the Bride, to come out. This album’s also been nominated for a Grammy, for album of the year. And the lead single from it, “Harmony Hall,” was nominated for Best Rock Song.

In this episode, Ezra Koenig from Vampire Weekend takes “Harmony Hall” apart. I spoke to him along with producer Ariel Rechtshaid, and the two of them detailed winding path the song went down, over several years, before it finally took shape.

songexploder.net/vampire-weekend

When Laetitia Tamko started making the second Vagabon album, she really wanted to produce the entire thing on her own. It would be a new sound, and producing was still a relatively new skill to her, but she wanted to tackle it head on, and do it all herself. On this song, though, "Water Me Down," Laetitia actually has a co-producer, Eric Littman. It’s the one exception to her otherwise entirely self-produced album. In this episode, she breaks down how she and Eric made the song, and why it was worth making that exception.

songexploder.net/vagabon

Yes, that is how it works - advantage being that you can see your message was being read .. erm .. seen .. erm .. opened. Glad I could solve it this easy :lol:

Great, :welcome:

At a time when only six percent of Americans hold a biblical worldview, will the coronavirus pandemic spark spiritual revival?

What does it mean to create a legacy? How do we hold at once the future and the present as we move through the world? In this installment of Liner Notes with Rabbi and jazz historian Neil Blumofe, we learn about the life and career of jazz great Joe Lovano, who continues to collaborate and...

Dub Like Air Vol. 1 is a multi-artist project built around a simple concept – collaboratively creating sounds culminating in a complimentary but unique track. We started the project by deciding on a key and tempo (100 bpm and Dm), then each artist created a set of loops and sounds (drums, synths, bass, pads etc) [...]

The post Various – Dub Like Air Volume 1 (Drift Deeper Recordings 015) appeared first on Drift Deeper Recordings.

As we observe Thanksgiving in the U.S. The Secret Ingredient takes a step back with this episode on Salmon with Valerie Segrest. Valerie is a native nutrition educator who specializes in local and traditional foods. As an enrolled member of the Muckleshoot Indian Tribe, she serves her community as the coordinator of the Muckleshoot Food...

In this episode of “This Song” Elizabeth McQueen sits down with Amelia Meath and Nick Sanborn of  Sylvan Esso to talk about the joys of Soul Coughing.  Then, Taylor Wallace talks to Jack Anderson, Isaac Winburne and Andrew Fontenot of the band SIP SIP about their influences, which range from Kool and the Gang and Stevie Wonder, to […]

Delta Spirit's Matthew Logan Vasquez explains how Bob Dylan's "To Ramona" helped him grapple with agnosticism, Michael Kingcaid from What Made Milwaukee Famous explains why Queen and David Bowie's "Under Pressure" showed him the importance of the Epic and Kevin Sekhani talks about how hearing Bowie's "Fame" made him feel feelings he hadn't felt before.

American rock and roll icon Dion describes how he, one night, heard the soul and rhythm of Hank Williams drifting out of his family radio and was forever changed. Later, Austinite Amanda Cevallos talks country with Elizabeth (who can talk some country) and they bond over their love of Waylon Jennings and Texas dancehalls.

Sydney Wayser, aka Clara Nova, talks about the impact Rufus Wainwright's song "Oh What A World" had on her own music and how her feeling of connection with artists, both visual and musical,  continues to inspire her creative process.

Thomas Ross Turner from Ghostland Observatory explains how hearing "White Horse" by Laid Back piqued his interest in electronic music and started him on his journey as a musician.

Sharon Van Etten explores how how listening to Neil Young's "Harvest" as a kid helped her connect with her father. She also shares how her own experiences with parenthood pushed her to pursue her own music again after a long break working on other projects.

Sahana Srinivasan, host of the popular Netflix science show for kids Brainchild explains how listening to "Where Will I Go" by Sweet Valley helped her find her voice a young artist. She also tells us about the artistic journey that led her to host Brainchild, and what it's like being the kind of role model she never had growing up.

Ezra Koenig, lead singer and songwriter for the band Vampire Weekend, explains why he recently became obsessed with  "I Don't Think Much About Her No More" by country singer and songwriter Mickey Newbury and explores what it was like to apply country music's direct approach to songwriting to some of the the songs on Father of the Bride.

Kathy Valentine, bass player in the seminal 80s all-girl rock group the Go-Go's, recently wrote a memoir titled All I Ever Wanted. In this episode of, Kathy explains what "Sunshine of Your Love" by Cream taught her about herself when she was 9 years old,  describes how she found her creative process as an author and details how music and storytelling intersected in her new book.

On this week’s In Black America program, producer and host John L. Hanson, Jr. presents a conversation with Valerie Jarrett, former Senior Advisor to President Barack Obama, moderated by Brittany Packett this past spring at the Summit on Race in America: Liberty and Justice for All.

This week on In Black America, producer and host John L. Hanson, Jr. speaks with Vanessa Wyche, Deputy Director of NASA’s Johnson Space Center in Houston, Texas.  She is the first African American deputy director at NASA.

A key Senate committee has scheduled a vote on the long-stalled nomination of Michael Pack, an ally of Stephen K. Bannon, to run the agency in charge of the Voice of America. Employees are worried.

Speaking to allies on a private call, the former president took a sharper line toward the Trump administration than he typically does in public.

IBM DB2 Advanced Workgroup Server Edition Restricted Use Activation V11.1 for Linux, UNIX and Windows Multilingual

IBM SDK, Java (TM) Technology Edition, Version 8 for Windows

All proceeds will provide emergency relief to New York City musicians whose freelance careers have been impacted by COVID-19. Presented by Sirintip, Thana Alexa, Owen Broder and nonprofit partner, MusicTalks...

As part of All About Jazz’s commitment to support livestream events, we wanted to identify the venues that present them—that includes clubs, festivals, home concert presenters, schools and studios. We began the process by seeding the directory here...

Thanks, in part, to our own fund drive, All About Jazz and Jazz Near You have pivoted to support livestream jazz events. The transformation, which started ten days ago, has a singular purpose: to raise awareness of livestream jazz events worldwide and help boost ticket sales or tip jar donations...

CGI Rochester International Jazz Festival Producers Marc Iacona and John Nugent announced today that the festival's 19th edition, originally scheduled for June 19-27, will be canceled on those dates due to the coronavirus (COVID-19) pandemic, but that they are working hard to reschedule the festival to fall of 2020....

Due to the coronavirus pandemic and following the measures imposed by government authorities, which include cancelling non-essential activities and restricting entry of non-residents to the territory, L'Équipe Spectra announces that the 2020 editions of Les Francos de Montréal (scheduled for June 12) and the Festival International de Jazz de Montréal (scheduled for June 25) will not be presented this summer....

"This year's Montreux Jazz Festival, which was set to take place from July 3 to 18, has been cancelled" announced Press Officer Marc Zendrini. Montreux Jazz Festival has regretfully announced that this year's event, which was due to be held between July 3—18th 2020, will not take place...

Many up-and-coming filmmakers' dreams for success have been crushed indefinitely due to the COVID- 19 pandemic. As pointed out in Shirley Li's piece in The Atlantic entitled The Pandemic Is Hitting One Part of Hollywood Especially Hard, film festivals around the world—arguably the most important life-line for new filmmakers—have been cancelled....

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The software I used to design the AudioCookbook REV2 Experimental Patch Bank has been refined and developed into a standalone application titled, REV2 Degrader™. It is currently in beta and will be available in early March, 2020. If you’re interested … Continue reading →

While the three tenor saxophone soloists with piano, bass, and drums was already a proven sextet formula, the Tiberian Mode is one of vast reproportioning and accelerated creativity. Led by big band divinity Frank Tiberi and two of his disciples, George Garzone, and Joe Lovano, the project unleashes power, vigor, and contrasting jazz sensibilities... [ read more ]

Sourc Sync has released Bedford Rascal, a free sample pack featuring the sounds of an old Bedford van. The sample pack contains a collection of percussive sounds, squeaky noises, and processed loops. These were all made by banging, hitting, and otherwise “mistreating” an old van. All samples are provided in WAV format and the library [...]

View post: The Sounds Of An Old Van – Bedford Rascal Free Sample Pack