In cities across America, black men are on the run. On April 4, 2015, in South Carolina, Walter Scott was killed while running away from a police officer. Eight days later, Freddie Gray ran from police in Baltimore. He was caught and later died in custody.

On this episode of Reveal, we explore the consequences of fleeing from the police through two stories, both set in Baltimore.

Head over to revealnews.org for more of our reporting.

Follow us on Facebook at fb.com/ThisIsReveal and on Twitter @reveal.

And to see some of what you’re hearing, we’re also on Instagram @revealnews.

Some police departments are embracing a set of tactics designed to reduce the use of force – and prevent police shootings. Rather than rushing in aggressively, officers back off, wait out people in crisis and use words instead of weapons.

But this training isn't required in most states. Reveal teams up with APM Reports and finds that most cops spend a lot more time training to shoot their guns than learning how to avoid firing them.

This episode was originally broadcast on May 6, 2017.

Don’t miss out on the next big story. Get the Weekly Reveal newsletter today.

Baltimore’s police department was already notorious.

But this year, eight former police officers were convicted on federal racketeering charges stemming from an FBI investigation. They belonged to an elite task force charged with getting guns off the city’s streets. Instead, the plainclothes cops roamed Baltimore neighborhoods at will, robbing people on the street, breaking into homes to steal money, drugs or guns and planting evidence on their victims.

The targets of the Gun Trace Task Force included drug dealers and ordinary citizens. One of its favorite tactics was to speed toward a group of men on a street corner, chase whoever ran and shake them down. On top of all this, the officers falsified their timesheets to almost double their salaries.

This episode of Reveal asks if the task force was simply a rogue operation or if the officers were aided and abetted by fellow cops and even supervisors within the department.

Don’t miss out on the next big story. Get the Weekly Reveal newsletter today.

How did one helicopter become the deadliest aircraft in the US military? To find out, Reveal partners with Investigative Studios, the production arm of the Investigative Reporting Program at the University of California Berkeley’s Graduate School of Journalism.

Don’t miss out on the next big story. Get the Weekly Reveal newsletter today.

They belonged to an elite police task force charged with getting guns off Baltimore’s streets. Instead, the plainclothes cops roamed the city, robbing people on the street, breaking into homes to steal money and drugs, and planting evidence on their victims.

Don’t miss out on the next big story. Get the Weekly Reveal newsletter today.

How did one helicopter become the deadliest aircraft in the US military? To find out, Reveal partners with Investigative Studios, the production arm of the Investigative Reporting Program at the University of California Berkeley’s Graduate School of Journalism.

Don’t miss out on the next big story. Get the Weekly Reveal newsletter today.

A reporter is threatened with prosecution, an officer outruns his past, and our host sits down with the president of the largest U.S. association of police officers to ask the question: When police officers misbehave, why does it stay secret?

**
*Don’t miss out on the next big story. Get the Weekly Reveal newsletter today.*

Cybercrime is booming, and victims are often at a loss about where to get help. In theory, Americans should report the crimes to the FBI, via its Internet Crime Complaint Center . In practice, the feds get hundreds of thousands of complaints a year, and have to focus on the biggest cases. But the other option, calling the police, can seem even less promising. "They didn't even respond," says Gregg Bennett, whose loss of 100 Bitcoin was described in an earlier NPR story about SIM-swap scams . He says he called his city's police department soon after discovering the theft, but concluded it was a dead end. "They have no ability to look up something like this," Bennett says. "It certainly is not local — this is not a local issue." It's conventional wisdom that cybercrime is too technical and too international for local police to handle. But as daily life becomes more digital, so does everyday crime, and some police say they can no longer avoid wading into the world of phone spoofers,

We are getting reports of Facebook blocking users who repeatedly attempt to broadcast their DJ sets containing copyrighted music on Facebook Live. While on nearly all platforms it is technically not allowed to broadcast material you do not own the copyright for, or have permission to use directly from the rights holder (ie nearly every … Continued The post Facebook Blocking DJs For...

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Bradley and Karen discuss types of copyleft generally and introduce the basics of license compatibility and -or-later clauses.

Show Notes:

Segment 0 (00:38)

• This show discusses copyleft and basic issues of license compatibility (04:09)
• Karen mentioned an episode of the old Software Freedom Law Show, Episode 0x08, where Bradley and Karen discussed selecting a FLOSS license and what the various options are. (04:45)
• license compatibility 06:28
• Bradley incorrectly said that the original Emacs license didn't have the word General in it. However, the other explanations appear to be correct. There's a useful history page that someone wrote about the history of GPL. It appears the non-general GNU copylefts existed from 1984-1988. (06:57)
• Karen noted that the Library GPL was renamed to the Lesser GPL which happened in 1999. (09:30)
• Bradley mentioned that when he and RMS worked on the GNU Classpath Exception, Bradley suggested it be called the Least GPL. (10:38)
• GPL doesn't have a choice of law clause. If another copyleft does, it surely is incompatible with the GPL. (14:17)
• AGPLv3 § 13 and GPLv3 § 13 explicitly make themselves compatibility with each other, which Bradley calls compatibility by fiat. (15:40)
• Karen mentioned that the Mozilla Public License § 13 has a section about multiple licensed code (16:50).
• Bradley mentioned that Mozilla Firefox uses a combinatorial license: (GPL|LGPL|MPL), which is a disjunctive tri-license. (19:00).
• Bradley mentioned that the old Software Freedom Law Show Episode 0x17 discussed compatibility of permissively licensed software and copylefted software. (20:22)
• Apache Software License 2.0 was likely the first FLOSS license to have an explicit patent licensing provision (23:40)
• Bradley and Karen discussed the fact that -only vs. -or-later are options with the GPL, while they are not with other copylefts, such as CC-By-SA. (30:11)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss John Sullivan's talk entitled Is Copyleft Being Framed? from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:34)

• Dave Neary wrote an article based on his FOSDEM talk, and we're trying our best to fix the audio and have a FaiFCast of his talk, but it may not be salvagable.

Segment 1 (06:35)

• Follow along with John's slides from his FOSDEM talk.

Segment 1 (37:23)

• John referenced the source Black Duck numbers for which there is no methodology posted (38:30)
• Bradley mentioned Chris DiBona's keynote at OSCON 2010. (39:14)
• John mentioned the FLOSS Mole project in his talk. (42:50)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss Michael Meeks's FOSDEM 2012 talk, Risks and Benefits of Copyright Assignment from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:35)

Bradley and Karen introduce Michael's talk.

Segment 1 (01:56)

Michael's slides are available from faif.us and from his blog post on the talk.

Segment 2 (26:47)

• Bradley mentioned GNU Mediagoblin as an example of a true upstream multi-copyright-holder AGPLv3'd project. (28:10)
• Bradley mentioned that LibreOffice is “wealthy” as well by Michael Meeks standards, given their successful fundraisers. (29:38)
• Bradley mentioned the Desktop Summit panel that he and Michael were on and Karen moderated. (34:06)
• Bradley and Michael co-authored (with Vincent Untz) the GNOME Copyright Assignment Guidelines. (35:30)
• FSF was previously supportive of MySQL AB back in 2002, but Michael also used to support the Sun JCA. (38:20)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss the copyright decision in the Oracle vs. Google case.

Show Notes:

Segment 0 (00:33)

• Bradley mentioned the BPM for the human heart is to the Bee Gee's song, STayin' Alive. (01:55)
• FaiF's bandwidth is provided by OSU-OSL. Please donate to OSU-OSL. (09:50)
• Bradley and Karen discuss the copyright decision in the Oracle vs. Google case. (12:26)
• Bradley couldn't find quickly a full telling of the windings/SCO font thing, but this blog mentions it (29:34)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss the LWN article, GnuTLS, copyright assignment, and GNU project governance and other issues related to copyright assignment.

Show Notes:

Segment 0 (00:46)

• Bradley didn't want his words compared to the Ayn Rand's quote from an interview with Phil Donahue where she said I'm not going to die, it's just that world will end. (02:54)
• Bradley discussed the reaction to on 0x36 that occurred in this identi.ca thread. (04:20)
• Bradley and Karen discussed the LWN article, GnuTLS, copyright assignment, and GNU project governance. (11:15)
• Bradley pointed out that every other copyleft license allows for relicensing under newer versions automatically (i.e., they have an automatic -or-later ), and Karen asked whether Sun's CDDL does. Bradley checked later, Karen was correct that CDDL's later version clause (Section 4) is similar to the GPL policy. (23:00) However, Fontana wrote to us on IRC to say CDDL's license upgradeability clause is not entirely like GPL's. The GPL states that if no version number is specified, any version can be used. CDDL does not say this; it seems to assume that it will always be clear what version CDDL code will be distributed under, whereas GPL seems to assume otherwise.
• Bradley mentioned the interview he did with The H Online on GPL enforcement. (41:57)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Till Jaeger's talk from FOSDEM 2013, entitled What is a derivative work under European Copyright Law?.

Show Notes:

Segment 0 (00:00:31)

Karen and Bradley introduce the talk.

Segment 2 (00:02:41)

The speaker's that you hear are:

• Tom Marble, introduces the talk, and asks one of the questions.
• Till Jaeger, who gives the talk

The slides for Till Jaeger's talk are available.

Segment 2 (00:49:11)

• Bradley and Karen discuss Till's talk.
• Clarence Thomas spoke the first time in the Supreme Court. Bradley said that he said it did not, but apparently he actually said he did not. (59:49)
• Bradley scanned in his Brussels airport train ticket that had his notes on it, where you can read noa push caa. (01:06:40)
• Bradley mentioned the phrase Elvis has left the building. (01:07:15)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, copyleft-next: an Introduction by Richard Fontana given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:37)

Bradley and Karen introduce the talk.

Segment 1 (05:37)

The slides Fontana's talk on copyleft-next are available.

Segment 2 (01:06:51)

• Bradley mentioned the issue of Noam Chomsky's points on concision (01:13:23).
• Bradley mentioned the anti-GPL keynote by Tom Preseton-Werner of Github at OSCON 2013. (01:14:53)
• Bradley and Karen discussed the Harvey Birdman Rule. (1:27:45)
• Bradey mentioned a comment he posted about CHR-governed policy meetings. (01:29:00)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, Copyleft vs. Permissive vs. Contributor License Agreements: A Veteran’s Perspective by Simo Sorce given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:00:38)

Bradley and Karen introduce Simo's talk.

Segment 1 (00:03:02)

The slides from Simo's talk are available, if you want to follow along

Segment 2 (00:59:50)

• Bradley menitoned his blog post about CLA's on Conservancy's website. (01:00:10)

Segment 3 (01:10:22)

Bradley and Karen are still trying to decide what to do about the FOSDEM 2014 talks.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss what plagiarism is (or isn't) and how it interacts with copyleft licenses.

Show Notes:

Segment 0 (00:00:37)

• Please donate to to send Dan to a conference. There's a progress bar on faif.us now.
• You can also donate to support Software Freedom Conservancy, where Bradley and Karen work, by becoming a supporter.
• Karen mentioned her blog post about the supporter program. (00:08:30)
• Bradley mentioned his blog post about the supporter program as well. (00:09:30)

Segment 1 (00:16:16)

• Bradley and Karen pick up on a topic original discussed in Segment 1 of FaiF 0x02. (00:16:50)
• Bradley discussed the Laurie Stearns' article from the California Law Review, entitled Copy Wrong: Plagiarism, Process, Property, and the Law (00:23:50)
• Bradley mentioned The GNOME Foundation Copyright Assignment Guidelines that he co-authored. (00:28:05)
• Bradley mentioned the Doris Kearns Goodwin Plagiarism controversy, and how it would have been simply redressed if the material she reused had been copylefted. (00:29:26)
• Karen mentioned that Flickr made different policies for CC-BY-SA'd works when selling printed versions. (32:30)
• Bradley mentioned that even software freedom advocates just comply with the copyleft licenses and don't work collaboratively, particularly during hostile forks, using Conservancy's Kallithea project as an example. (00:35:25)
• Bradley reiterated a point he made in FaiF 0x08, where he discussed that Linus Torvalds switched to GPL for Linux because he realized non-commercial restrictions weren't appropriate. (00:37:50)
• Bradley mentioned the hostile fork of GCC called egcs. The H-Online years later wrote a long article that discussed the egcs fork egcs fork. (00:39:46)
• Bradley mentioned that plagiarism is ultimately about attribution, and modern DVCS systems makes attribution easy and renders plagiarism impossible (if DVCS logs are accurate). (00:44:15)
• Bradley mentioned that he continually has learned the lesson that if you let your employer keep copyright, you lose everything you had when you switch employers (if the work isn't copylefted). (00:47:00)
• Bradley discussed the methods of attribution required in GPLv3. (00:50:05)
• Bradley mentioned that copyright notices are the primary method of attribution in copyleft licenses, and even non-copyleft ones too. (00:53:19)
• Karen discussed the attribution requirements in text of CC-BY-SA 4.0. (00:53:49)
• Bradley wants to do a whole FaiF show about how CC-BY-SA may not be a true copyleft since it has no source code requirement (00:54:40)
• Bradley mentioned the “fake name” that film directors use when they wish to disavow a work they aren't happy with. The name is, in fact, Alan Smithee, and indeed the 1984 film Dune lists Smithee as a director even though David Lynch is known publicly to be the director. (00:58:40)
• Bradley mentioned the unfair accusations against Red Hat when they stopped publishing their internal Linux Git repository and instead released a more standard ChangeLog. (01:05:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss Conservancy's Debian Copyright Aggregation project. (Note: While it was released just after DebConf16, this episode was recorded well before DebConf16; the discussions about DebConf refer to DebConf15.)

Show Notes:

Segment 0 (00:38)

Note: While it was released just after DebConf16, this episode was recorded well before DebConf16; the discussions about DebConf refer to DebConf15.

• Bradley mentioned his talk at DebConf. This was recorded before DebConf 16, so Bradley is talking about DebConf 15, which was summarized in this blog post and his keynote from DebConf15. A video of that talk is available. (02:00)
• Bradley mentioned this bug about the copyright notice on the Debian website (07:47)
• Ian Jackson asked about bequeathing copyright at Bradley's talk. (15:45)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen interview their own producer, Dan Lynch, on site at Copyleft Conf 2019.

Show Notes:

Segment 0 (00:46)

• Karen now teaches teaches a course at Columbia University. (03:40)
• In addition to being the producer of Free as in Freedom, Dan Lynch was the host of Rat Hole Radio, the co-host of Linux Outlaws, and currently co-hosts Hollywood Outlaws. (04:30)

Segment 1 (5:19)

• Dan helps co-organize Oggcamp which is having its tenth-anniversary event on Saturday 19 October 2019. (08:00)
• Bradley mentioned the phrase from IT Crowd quote: Did you see that ludicrous display last night? (11:08)
• Dan talked about The Manchester Ship Canal. (13:16)
• Dan promoted Hollywood Outlaws where he and his co-host Fab talk about Bosch. (23:18)
• Dan promoted his own podcast about comics called Tales of the Unattested. (23:27)
• Dan Lynch has a personal website, which has his blog. (23:55)
• Bradley referenced the phrase You are no Jack Kennedy which was stated by Bentsen on Wednesday 5 October 1988 during the VP debate between Quayle and Bentsen for the 1988 USA Presidential campaign. Details and background of this are explained by NBC in this story. (26:30)

Segment 2 (28:23)

Bradley and Karen briefly dissect the interview with Dan.

Segment 3 (32:22)

Karen and Bradley mention that they'll discuss the Linux Foundation initiative, “Community Bridge” in the next episode. If you want a preview Bradley and Karen's thoughts, you can read their blog post about Linux Foundation's “Community Bridge” initiative.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen enjoy and discuss Molly De Blanc's keynote at the first annual CopyleftConf, entitled The Margins of Software Freedom, followed by an exclusive interview with Molly!

Show Notes:

Segment 0 (00:37)

• Bradley mentioned (without the title) the film, When a Stranger Calls, which is indeed a real movie, not a TV movie, and was from the late 1970s — although Bradley saw it on TV sometime in the 1980s. (02:15)

Segment 1 (04:11)

A recording of Molly De Blanc's keynote at the first annual (2019) CopyleftConf, entitled entitled The Margins of Software Freedom. Slides for Molly's talk are available on her gitlab account.

Segment 2 (20:11)

Bradley and Karen talk about the keynote and set up the interview.

Segment 3 (23:56)

Extended interview with Molly from on site at CopyleftConf 2019!

Segment 4 (34:06)

• Bradley and Karen discuss what ideas Molly's interview got them thinking about.
• Bradley wrote a blog post about Delta's anti-union marketing. (40:50)
• Molly De Blanc is now an employee at the GNOME Foundation and President of the Open Source Initiative (52:53)

---

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).



Full Article

How can we triumph despite our trials? Why does God allow difficult things to happen?

How can we triumph despite our trials? Why does God allow difficult things to happen?

Cut/Copy founder Dan Whitford explains how hearing The Avalanches "A Different Feeling" when he first started his career helped open his eyes to how creative and expansive dance music could be.

Citizen Cope details how his emotional connections to legends such as Randy Newman and Trouble Funk aided his understanding of the powerful energy that music can have. Cope then goes on to discusses how his experiences of the last seven years led him to the songs on his latest record "Heroin and Helicopters."

Megan Rapinoe considers Sunday to be the final insult. The Women's World Cup final will have to compete with two others men's finals, the Copa America and the CONCACAF Gold Cup. "It's ridiculous, and disappointing, to be honest," Rapinoe said.

AGAINST the sad backdrop of the coronavirus pandemic, we are discovering – or rediscovering – the pleasure of spending time with family, baking, watching TV and life without gym. The Bulletin asked a few Gold Coast celebs about their life in ‘iso’ and what they are looking forward to when social distancing restrictions are lifted.

Tonight, we're heading all the way to Dublin, Ireland, where the football stadium has become a drive-through testing clinic and medical students have had their exams fast-tracked so they can become doctors sooner.

Thirty years since the Hubble Space Telescope launched it's still providing vital space data having delivered us more than 1.4 million observations.

Cope’s solo standout, and a record he’d naturally never repeat.

Tasmania's largest salmon producer applies for a research permit to trial spraying water on seals to move them away from fish farming pens, but the Greens say the proposal raises serious animal welfare concerns.

How a little-known polio epidemic in Denmark led to the birth of the intensive care unit and the remarkable feat of heath care ingenuity that saved hundreds of lives.

High levels of dust in a central Queensland town have been attributed to lower-than-average rainfall, but residents say more needs to be done to ensure it isn't coming from nearby mining operations.

The dire predictions for Africa are all in place, but so far they haven't come true.

A high-tech telescope situated in Western Australia's desert discovers a galaxy almost five billion light-years away.

Dozens of residents from the Peregian Beach area have evacuated.

Once an outback oasis, Copi Hollow is now almost all that's left of the Menindee lakes system, but its future is uncertain.

Finding ways to attract and retain doctors to regional areas is an ongoing challenge for many communities but there is some good news coming out of a study conducted by the University of WA.

What does it take to prepare for a pandemic? Many hospitals around the world are already overwhelmed by patients infected with COVID-19. Australian doctors and nurses are bracing for something most of them have never faced before. In our country hospitals, resources are already stretched: beds are in short supply and there’s a greater proportion of older people. Preparation will, in many cases, be the difference between life and death.
 ABC National Regional Reporter Jess Davis takes us inside the Wimmera Base Hospital in Horsham, Victoria, as the team tries to prepare for the unimaginable.

A recent inquiry finds first responders have PTSD at a rate more than double that of the general population. So how are those who care for us caring for themselves?

With many people struggling to adapt to social isolation and other issues associated with coronavirus, a growing number are turning to mental health services to help them cope with anxiety.

The most senior police officer on the Sunshine Coast is warning would-be tourists that breaching the 50km travel limit for a Mother's Day picnic is a bad idea and could cost a $1,334 fine.

Words like 'iso' and 'sanny' are slipping into every day vocabulary, as COVID-19 slang goes viral like, well, "the 'rona'. Experts say its creating a sense of community.