La última fábrica de máquinas de escribir anuncia el cierre, en Bombay. ¿Recordáis cómo aporreábamos las teclas en las redacciones?

CBP agreed to enact a new policy presuming pregnant officers can continue to serve in their positions, rather than being systematically placed on light duty.

The post In $45M settlement, CBP to make reforms addressing workplace discrimination first appeared on Federal News Network.

Col. Craig Frank, the CIO of the Space Systems Command, said to reduce cyber risks satellites and ground control systems are using zero trust capabilities.

The post Space Systems Command’s 2,000 mile cyber screwdriver first appeared on Federal News Network.

House lawmakers are demanding answers from VA officials, after they approved nearly $11 million in bonuses to ineligible career senior executives.

The post Scrutiny intensifies regarding VA ‘bonus blunder’ first appeared on Federal News Network.

ECI Software Solutions, provider of business management software and services, has introduced Ridder iQ, the business management software designed to cater to the specific needs of SMEs that are discreet manufacturing companies requiring tighter integration between engineering, R&D and production processes.

In the name of consumer protection, a slew of U.S. federal agencies are working to make it easier for Americans to click the unsubscribe button.

The post The US government wants to make it easier for you to click the ‘unsubscribe’ button first appeared on Federal News Network.

iPhone 13 screen cracked? Here's how Apple stops Face ID working if you try to fix it yourself

Need a compact smart monitor that can handle both work and play? ASUS jumps onto the smart monitor bandwagon with ZenScreen Smart MS27UC. #asus #smartmonitor #monitor

Cloud provider allegedly approached by Google ratted out shady group to Microsoft.

In this episode I share with you a quick tip about pitching your managed service provider solutions.

Source: Don’t Pitch, Prescribe - Technibble.com

As unpleasant as this guilt is, the good news is that those feelings, if you listen to them, can help encourage healthier choices for you and your kids.

If you are looking for an alternative to Google Maps, OpenStreetMap is the best option to embed maps on the website. OpenStreetMap is a free and open-source platform that provides geographic data service without any cost. You can use OpenStreetMap API to embed maps in webpage without any restriction of the auth key. Similar to Google Maps, OpenStreetMap is allowed to add map in HTML with a marker and popup window. The marker helps to point the exact location on Map and the popup window displays the info over the marker. To simplify the OpenStreetMap integration process, the Leaflet JavaScript

The post Embed OpenStreetMap with Marker in HTML using JavaScript appeared first on CodexWorld.

OpenStreetMap is a free and open-source platform that is used to embed maps on the website. You can use OpenStreetMap API to embed maps with marker in HTML. Similar to Google Maps, OpenStreetMap is used to display maps with marker and info window. Mostly, the single marker is pointed on the map to display the location with marker and info window popup. We can embed maps with multiple markers and info-windows using OpenStreetMap API. Map with multiple markers are very useful when you want to show multiple locations on a single map. The user can see multiple locations with markers

The post OpenStreetMap with Multiple Markers and Info Windows using JavaScript appeared first on CodexWorld.

Mostly the server-side scripting language such as PHP is used to upload file to the server. With this method, an HTML form is submitted to upload the selected file to the server. To provide a better user interface, we can use client-side technology such as jQuery Ajax to upload files without page refresh. Moreover, you can use simple JavaScript to upload files to the server. The JavaScript FormData interface provides an easy way to construct key/value pairs with form fields and send them to the server side using the XMLHttpRequest method. This technique can be used to upload files to

The post Upload Multiple Files with JavaScript using PHP appeared first on CodexWorld.

The web form is a commonly used element in each website. In some cases, the user is allowed to select files with the input data so that the files are attached to the form data. Mostly the default HTML file input interface is used to select and upload files. But if you want to make web form UI more effective, drag and drop file upload feature can be used. The drag-and-drop feature provides an advanced file upload interface on the web page. The user can drag the files from the local drive and drop them into the DOM element. In

The post Create Web Form with Drag and Drop File Upload using JavaScript and PHP appeared first on CodexWorld.

Location: Electronic Resource- 

Location: Electronic Resource- 

Location: Engineering Library- QA76.73.J39B76 2016

Location: Engineering Library- QA76.73.J39M36 2015

One of my accounts in Outlook went from “Trying to connect” to “Need Password” in the Status Bar.

However, pressing on the “Need Password” icon doesn’t bring up the dialog to enter my username and password. The dialog isn’t hidden behind Outlook either, although sometimes it looks like it opens and closes really fast again.

No dialog comes up either when clicking on the "Type Exchange Password & Connect" button nor when the Notification comes up that Outlook needs your password.

How do I get myself in a Connected state again?

1150: Inscription of Tiglath Pileser I

570: The Inscription of King Nebuchadnezzar of Babylon

Inscription of an Assyrian King

Chaldean Patriarchate to restore ancient manuscripts, rebuild Christian future

One of the most challenging aspects of reading from a teleprompter has always been speed control. Unless you get the speed just right, you either have to rush or slow down your narration, and either adjustment adds stress to your delivery that can force a glitch and another retake. Fortunately, Elgato has two hardware options you can use to control scrolling speed; the Stream Deck+ ($199.99) and Stream Deck Pedal ($89.99). Elgato was kind enough to send both options for me to try, and I'll briefly recount my experience here.

California legislators for years have granted extensions on a 1994 law requiring hospitals to retrofit their buildings to withstand earthquakes. Gov. Gavin Newsom in September vetoed an extension for all hospitals but signed a bill granting relief to rural and "distressed" hospitals and some others.

On Thursday, the USTA announced a new 11-year multiplatform broadcast deal with ESPN. The deal will start in 2015 and will make the network the exclusive home of all U.S. Open tennis tournament coverage.

Former President and current GOP presidential front-runner Donald Trump has announced he will host a screening of the movie Sound of Freedom at his own golf course in New Jersey.

X, formerly Twitter, released a formal global transparency report Wednesday for the first time since Musk took over the social media platform.

A divided FTC adopted a powerful rule that requires companies to make it just as easy to cancel a subscription as it is to sign up for one.

The Washington Post has lost about 8% of its readers and the L.A. Times 1.8%. But some argue to stay with the newspapers for their roles in reality checking Donald Trump.

Mute Steve Kornacki, unclench your jaw, and scroll through these sweet scenes from Sea-Meow. by Megan Seling

Photos by Madison Kirkman

Sea-Meow, which bills itself as Washington’s largest cat convention, invaded Seattle Center’s Exhibition Hall over the weekend and brought with it appearances from the Two Crazy Cat Ladies, Moshow the Cat Rapper, and Christopher Watson aka the Catluminati, as well as a cat costume contest, a cat-calling contest, cat bingo, and dozens of vendors slinging everything from cat beds to catnip to cat coffee. (That is, cat-themed coffee that benefits cat rescues and not, like, coffee for cats.)

But most importantly, there were cats. So many cats. Old cats, young cats, kitten cats. Cats available for adoption, cats available for snuggles, and cats being pushed, carried, and cradled in backpacks and strollers and those bags with little clear bubble cutouts that make them look like grumpy-faced astronauts. 

Election results won’t be in for several hours, and even then, it may take days to know who won. So close Twitter (what are you still doing on that hell site anyway???), mute Steve Kornacki, unclench your jaw, and scroll through these sweet scenes from Sea-Meow.

"These pigs locked me up to see what color I'd rot into!" by Suzette Smith

Like any fan of Seattle hardcore band the Blood Brothers, I have found myself at a show, pressed up against a wall of people, shouting the wrong lyrics to their songs. For instance, on their hit "USA NAILS" there's a hook where you think you're singing a cheer-style "one, one, and two!" but the lyrics are actually: "These pigs locked me up to see what color I'd rot into!"

The energetic screamo group was active from 1997-2007, during which time they released five critically-acclaimed albums, completed several European tours, and even played a set on Jimmy Kimmel Live, overcoming the reservations of the show's freaked-out producers. Perhaps the best indicator of their success is the fact that their US reunion tour—which hits Seattle on November 14 and 15—is selling out in several cities.

Ever ones to cut the bullshit, Blood Brothers don't have a new record; they're playing the fucking hits. Still, the tour is timed with Epitaph's anniversary reissue of one of their biggest albums Crimes (2004) on vinyl.

When we sat down to talk to Johnny Whitney, who fronts the band with fellow singer/screamer/guttural whisperer Jordan Blilie, he noted that plenty of lyrics websites list incorrect verses for Blood Brothers songs. "It's hilarious how wrong some of them are," Whitney said. "The lyrics on Spotify are not even close to what I'm actually saying. Just buy the fucking CD, and look it up. Come on, people."

We spoke with Whitney and Blilie separately, over sprawling phone calls that we have organized into this piece. For clarity, we're listing their responses together, as we seek to get into the nitty gritty of this group's  danceable, screaming-nightmare material.

Foremost, Whitney and Blilie both began by gushing about the other three members of their band: frenetic drummer Mark Gajadhar, vigorous guitarist Cody Votolato, and ultra-versatile bassist Morgan Henderson, who is currently best known as a member of Fleet Foxes.

"I cannot fucking believe that I got to work with these guys," Whitney says. "I just took all those things for granted at the time. Everybody was, and still is, coming from totally different places [musically], but there was always something really special about all of us together that was there from the moment that we started."

THE STRANGER: Johnny, I've always gotten the impression that you're the major force behind the lyrics.

JOHNNY WHITNEY: I came up with the majority of the lyrics, but it certainly was collaborative between Jordan and I. I would freewrite as much as I could, to have material to draw from, and going back to those notebooks kept things as free and fresh and not contrived as possible. The drawback of that approach is the lyrics are very abstract and hard to parse direct meaning from, but that's also kind of the point. I found myself writing about the absence of answers, or the absence of concrete truths that you can hold onto.

A lot of times, my process would center around coming up with a cool idea: a song name or some common refrain that we would want to work into a song, like "Burn Piano Island, Burn." Something that has a hook or conveys an image or feeling. Then we would reverse engineer the lyrics from that.

JORDAN BLILIE: I would absolutely say that I felt like Johnny was the driver, and for good reason. He's really good. When you see someone who is in a flow state, you do your best to accentuate and collaborate, to help mold and shape and add your pieces. It was always stuff that I was really excited to dig into. It was just that rich and that vibrant. The challenge for me was what can I add to it, you know? It always pushed me to try and come up with the most creatively-inspired stuff that I could.

You two have such an engaging stage style. People would call it sassy, but that has always felt like a description from people who have never been to a play and can't recognize theater. Do either of you have a background in theater arts?

WHITNEY: I wanted to be a child actor—I actually auditioned for that movie Blank Check (1994). Actually, a year after Jordan and I met, we were both in a Jr. High production of Alice in Wonderland. He was the Mad Hatter, and I was the Mock Turtle.

BLILIE: Why would you say that? [Laughs]

"USA NAILS" was such a hit, and it involved a phone number everyone could scream. How did that come to be?

WHITNEY: The name and the "1-900-USA-NAILS" comes from the chain nail salon, but we reverse-engineered it into a song about somebody using their one phone call from the county jail to call a phone sex line. It's the idea of loneliness, disaffection, and parasocial relationships with things that exist solely for their own profit or gain.

And yet it's also danceable. There are these moments live where you have an audience of people shaking their asses and shouting "to see what color I'd rot into!" Did you start with that idea and work backwards, or just jam it into that moment of the song?

WHITNEY: At that time, the band would all sit together in a room and have a kind of song tribunal about how each part should go. Then, at some point, we'd have a semi -finished version and [Jordan and I] would just try to fit lyrics to the songs. Especially on Burn, Piano Island, Burn. Some of those songs needed an editor so bad, right? I wouldn't change a thing about it, but looking back, there are parts where it sounds like everybody's playing a different song at the same time, but it kind of works, right? And for the lyrics, sometimes we just had to make it work.

That wasn't the first time Jordan whispered his lyrics in a guttural tone, but it's one of the more emblematic, right? How did that start?

BLILIE: By necessity—I don't have much of a range, you know? I have this weird baritone. Very early on we were drawing from crust punk, where you just have two voices screaming. And we didn't put a whole lot of thought into even what the other person was doing. But then, as we continued to develop, the stuff became more complex, and there was more room for different sorts of shadings of what we could do vocally. So it was just finding out: What is it I can do other than scream at the top of my lungs?

WHITNEY: Jordan's part at the end just works right? He was very inspired by Jarvis Cocker.

BLILIE: Yeah, you can trace that right back to Pulp. If you listen to any Pulp song, there's gonna be some whispery storytelling, with the compression cranked up so you can kind of hear every lick of the lips.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/burn-piano-island-burn">Burn, Piano Island, Burn by The Blood Brothers</a>

BLILIE: Some of my favorite moments of writing with Johnny are the ones that we would where we would crack each other up.

Can you give an example?

BLILIE: Every lyric of "Guitarmy." We really got a kick out of the idea of opening our major label debut with the words, "do you remember us?" Because of the audacity, the absurdity of it.

So you guys all started this band when you were in your teens.

BLILIE: Yeah, we started when we were like, 15-16.

Are there any lyrics that have not aged well, in your opinion?

BLILIE: I'm sure they're the ones that we're not playing. [Laughs.] This question reminds me of something one of my professors said. It was my first class at UCLA, Queer Lit from Walt Whitman to Stonewall. In class discussions my fellow classmates would critique writing from the 1800s for not satisfying certain criteria, and our professor would say: You cannot look at the text backwards. You have to look at it forwards. You can't apply current day criteria to something that was written when that criteria didn't even exist. You have to engage with it in the context of when it was written. I don't think anything we wrote is in a canon warranting that level of examination, but it's useful nonetheless. It's a way for me to remind myself that I was 20, and I had the tools of a 20-year-old. It helps me to not beat myself up too much about it.

WHITNEY: There's a story behind this. When we were doing the song "Camouflage, Camouflage" on Young Machetes, Jordan and I were going back and forth on the lyrics. He was like, "Yeah, I'm great with all this." But he put a line through one verse, where I say: "All the girls in Montreal are smashing skateboards in the street." And I was just like: Fuck you, dude. I'm gonna keep this in. But he was right, because it sounds stupid, and it's like, really horny and makes me want to light my skin on fire. So I'm changing it to something else, probably something different every night.

I wonder about imagery in Blood Brothers' songs that seems to be responding to beauty standards at the time. Like, in "Ambulance, Ambulance" you've got this blistering segue to the chorus: "What is love? / What is scam? / What is sun? / What is tan?"

WHITNEY: That's a double meaning. Because it's like tan—like suntan—but also tan is a blah color, right? It's like the color of a dentist's office wall. If you think of the idea of love being something that could feel on-fire, passionate, the color of a dentist's office wall is the opposite. Although, tanning does come into play in a lot of our lyrics. I've noticed as well.

Or on "Beautiful Horses" the lyrics are "gallop into your romance novels / dance atop heavy pectorals."

BLILIE: I think we were seeing an increasingly vapid culture, and we were trying to dig into that—dig into: What does it do to someone when they're bombarded by these sorts of images and messages? There was a lot of that in that writing; I can't say specifically with "Beautiful Horses," but I think "Trash Flavored Trash," would probably fit under that umbrella.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/crimes-bonus-track-version">Crimes (Bonus Track Version) by The Blood Brothers</a>

In "Rats and Rats and Rats for Candy" there's an ongoing narrative of rats living inside a woman. It's like a play. There are characters. And the rats eventually chew out of her and try to find a new body to live in. I wondered if that was also about beauty standards or body dysmorphia?

WHITNEY: That song, it's about that, but it's also about manipulation, right? Not to get too personal, but I grew up with somebody who weaponized being sick—faked being sick—for their entire life in order to manipulate people and extract something they needed out of them. The character in that song is kind of a victim, but like a siren at the same time. They're trying to lure somebody in.

Is that person the rats, or are they Candy?

WHITNEY: The rats are in Candy. I mean, it's both.

What about "The Shame?" Your group resonates so much with "everything is gonna be just awful / when we're around" that you're putting it on t-shirts 20 years later. What does it mean?

WHITNEY: The whole premise of that song is having to sell yourself—how to commoditize yourself. It's about how you function in a capitalist society. You sink or swim by your ability to market yourself, make yourself desirable—whether it be in relationships, job market, blah blah blah. I've always been repulsed by that and was especially at the time we wrote it, which was in Venice Beach, while we were recording Burn, Piano Island, Burn. It was the longest time I'd ever been in LA, and that's the epicenter of being a self-salesman. That line encapsulates the feeling of being sold something. And you're in a position where, in order to survive, you have to be your own salesman.

Salesmen show up in other songs, like "The Salesman, Denver Max." That's another one that almost feels like a short story.

WHITNEY: I initially cribbed the idea for that song's lyrics from the Joyce Carol Oates short story, "Where Are You Going? Where Have You Been?" It follows a narrative of a very dangerous, predatory man in the process of stalking and kidnapping somebody. “Denver Max” was a huge, uncomfortable gamble for me, because I wrote the entire song on my acoustic guitar, recorded it to a 4-track, and then played it for the guys—totally expecting them to hate it. It was really daunting to try to contribute as a songwriter; Cody, Morgan, and Mark are such talented musicians. I think they may have hated it; I don't really remember how we ended up recording it. It was nobody's favorite thing, but we just tracked it, and it sounded great and worked.

Have you read anything by playwright Caryl Churchill?

WHITNEY: Never heard of her.

"Live at the Apocalypse Cabaret" has a lyric in it that reminds me of her play Far Away, which has a scene of milliners making hats for people to wear at a public execution, so I always felt a symmetry there, because of the lyrics "the cross-eyed map of the afterlife is knitting tiny neck ties." 

WHITNEY: I'm going to be super honest, the songs that I'm the most familiar with the lyrics of, at this very moment, are songs that were going to be playing, because I've been rehearsing them. But I do remember, with that song, we were trying to be funny without being silly. Like, a cross-eyed map is a map that makes no sense, where you don't know where you're going. Knitting tiny neckties are noose ties. It's like dressing yourself up for death, right? It's trying to dress up something that's really heinous and horrible and incomprehensible, and also trying to navigate that, through a map that makes no sense.

At this moment you have cracked my understanding of a play you haven't even read. But I digress, I've read that "Celebrator" was a direct response to Toby Keith's "Courtesy of the Red, White and Blue."

BLILIE: That pumped up patriotism felt gross when taken in context with the images and much of the information that we were seeing come out of Iraq and Afghanistan.

Is that why there are so many mentions of amputated limbs on Crimes?

BLILIE: The bulk of Crimes was trying to engage with war so that's where you get a lot of that grizzly imagery.

Well, personally, it's so nice that you're touring right now. Blood Brothers are great for when you need to scream, but you can't. You can scream along to the Blood Brothers in your head, or out loud at a show.

BLILIE: I'm glad that we could be of service, in that regard. It's hard for me not to go into a really bleak mindset when I look at our current political landscape. I find myself equal parts enraged and terrified. And there are times when I have to just close all news down. I guess it is a good time to get up and scream.

The Blood Brothers play the Showbox Thurs, Nov 14 and Fri, Nov 15. Thursday's show is all ages, and Friday's is 21+. 

This story was originally published in our sister paper, Portland Mercury.

Famous scenes from R-rated films, done in a children's book style by Josh Cooley, an artist at Pixar.

What even is a 2021 movie?…

The former daytime talk show host thanks the 'Charlie's Angels' actress for pioneering green-screen chat technology as she uses the effect for her own 'Oprah Conversations' show.

In this episode, Thomas Domville introduces us to Aiko, a free, high-quality on-device transcription app that can easily convert speech to text from meetings, lectures, and more. The app is powered by OpenAI's Whisper running locally on your device, which ensures that the audio never leaves your device. Whether you need to import an existing audio or video file or record directly within the app, Aiko offers flexibility and convenience. Aiko prioritizes accuracy over speed. Transcriptions can be exported the to various file formats and the app supports over 100 different languages.

In addition to the iOS app demonstrated by Thomas, Aiko will also work on a Mac where it is recommended that you have at least 16GB of RAM.

In this episode, Thomas Domville will be discussing how to use Microsoft Bing on iOS to describe photos. Bing has a feature that allows users to upload a photo and receive a description of the image. This feature is powered by advanced artificial intelligence and machine learning algorithms that can recognize and describe the content of the photo.

So if you’re an iOS user looking for a way to get a description of a photo, be sure to check out Microsoft Bing’s image description feature.

In this episode, Thomas Domville teaches you how to use Screen Recording on iOS and iPadOS.

Screen Recording is a feature that allows you to capture what's happening on your screen. This can be useful for creating tutorials, demos, or simply sharing something interesting with your friends and family.

To set up this feature, go to Settings > Control Center and double-tap the "Insert Screen Recording" button under the "more controls" heading. To create a recording, open Control Center by placing your finger on the top edge of the device until you hear a tone, and sliding it straight down until you hear the second tone (devices without a Home button) or placing your finger on the status bar and swiping up with three fingers (devices with a Home button). Double-tap the Screen Recording button; there will be a three-second countdown before recording starts.

To stop recording, either press the Side button to lock the device, double-tap the Screen Recording button in Control Center again, or double-tap the screen recording button in the status bar. By default, the recording will be saved to your Photos library, however this can be changed if you wish by focusing on the "Screen recording" button in Control Center and choosing the "open controls" rotor action.

In this episode, Tyler demonstrates how to customize the lock screen on iOS, specifically how to remove the flashlight and camera buttons and replace them with other controls.

In addition to viewing the time, date, and notifications, the Lock Screen can be customized to remove or replace the camera and flashlight buttons with other controls, or show certain types of information at a glance, such as upcoming calendar events or current weather conditions. To customize the Lock Screen, perform a one-finger triple-tap on either the time or date, double-tap Customize, and then double-tap “Customize Lock Screen wallpaper.” From here, you can double-tap the Remove buttons for default controls, the “add quick action” button to select alternative controls, or the “Add widget” button to select a widget.

transcript

Disclaimer: This transcript is generated by AIKO, an automated transcription service. It is not edited or formatted, and it may not accurately capture the speakers’ names, voices, or content.

Hey, Apple Vissers, Tyler here with a quick tip for how to customize the lock screen on iOS.

By default, the iOS lock screen includes the time, date, any notifications received since the device was last used, and at least on devices without a home button, shortcuts to the flashlight and camera functions.

Over the years, the iOS lock screen has gradually become more customizable, with the ability to add widgets introduced with iOS 16 in 2022, and the ability to remove the camera and flashlight functions or replace them with other controls the user might find more useful introduced with iOS 18 in 2024.

If, like me, you don't find the camera or flashlight functions particularly useful, or at least not useful enough to where you would want them to be among the first things you see when you wake your iPhone, you can replace them with other things you might find more useful.

So for me, I replace them with a shortcut to the alarm and also a single action shortcut that I created to set a 20-minute timer.

So when I'm about to work out, I just take out my phone, wake it, unlock it, and double tap the workout timer button on the lock screen.

And when I want to set an alarm, I don't have to go into Control Center or open the clock app or use Siri anymore.

I just double tap the alarm button on the lock screen and I'm taken right there.

So to demonstrate this, I'm going to wake my iPhone now and I'm just going to explain so I don't have to explain while voiceover is talking and compete with that sound.

Once I unlock it, I'm going to triple tap either the time or the date.

Either one works.

You can triple tap or you can double tap and hold either one.

So I'm going to wake my iPhone now.

Do not disturb Friday 1 a.m. Okay, triple tap.

Astronomy wallpaper weather sunrise and sunset widget and clock next alarm widget button and illustration of red, blue and yellow rectangle.

Okay, so if I swipe left astronomy, that's the first element on the screen.

It's the current wallpaper I have.

You can have multiple.

So if you want to have different lock screens, like, for example, if you're working, you might want access to different types of information than if you're just on your own time.

If you want to link focuses, you can do that.

So if you have a work focus, you can have it…

In this episode, Thomas Domville demonstrates the call recording and transcription feature in iOS 18.1. This update brings an exciting built-in call recording capability to iPhones. Recording a call is straightforward: just double-tap the Record button in the top left corner during a call (note that you might need to hide the keypad to see the button). A voice message will notify all participants that the call is being recorded. These recordings are saved directly in the Notes app, which uses end-to-end encryption to keep your conversations private. To review a call, simply go to the Notes app, and you'll find your recordings securely stored there. Additionally, iOS 18.1 offers automatic transcription, generating real-time captions and notes during your call. This feature makes it easy to reference important points later, with transcriptions handled entirely on your device to ensure privacy, with no data sent to external servers. Furthermore, supported iPhone models can provide summaries of these recordings, making it even easier to keep track of your conversations.

Transcript

Disclaimer: This transcript was generated by Aiko, an AI-powered transcription app. It is not edited or formatted, and it may not accurately capture the speakers’ names, voices, or content.

Hello and welcome.

My name is Thomas Domville, also known as AnonyMouse.

I want to show you a feature called call recording and transcription.

This is a beautiful feature that allows you to record your phone call.

And yes, you're able to get a transcription of what transpired within that conversation of the phone call.

Very useful for any time that you want to record a meeting or conversation.

Maybe perhaps you're doing an interview with somebody or just simply just want to record for keepsake.

Whether there's somebody close to your family you just want to have for record, for archival, or maybe you have a business transition or phone call you just want to make sure it's recorded.

Now a couple things I want to note about this feature is that I always like to let people know that I'm about to record them.

So it's kind of a respectful kind of a thing and not to get them caught off guard.

So some people can maybe kind of leery about those kind of things that you just all of a sudden you just pop on them that you're recording their phone calls and such.

Make sure you tell them that you're about to record them.

Now even though Apple put a great safety feature in this and if you begin the recording no matter what you do it's going to let that recorder know that the phone call is being recorded.

So that is a nice feature that Apple ensured that everybody knows that the phone call is being recorded.

Now before you can use this feature you'll have to turn this option on and that's within the settings.

So let's head over to settings.

Settings.

Double tap to open.

You one finger double tap on settings.

Settings.

Now what we're looking for and we're looking for the phone app.

Now the phone app now lives in the app section.

Yep.

So at the very bottom of the settings so I'm going to do a four fingers tap at the bottom half of my phone here.

Apps.

Button.

Which will directly to get me to the app…

Richard Lutz finds the toughest TV film of the week on his 90" flatscreen.

Constituents "penalised for something beyond their control"

Following last week’s elections and the referendum on AV, Steve Beauchampé takes the political temperature.

Birmingham Royal Ballet director Carlos Acosta presents Electric Cinema event.

Both Paul McGrath and Michael Rosewall lead English Touring Opera musicians through Barber of Seville and Eugene Onegin for the next two weeks in both University of Warwick and Cheltenham's Everyman Theatre.

With the Eurozone crumbling and billions being allocated to bank bailouts, financial stability might seem out of reach.

RICHARD LUTZ carves his way through the week's tv schedules to find the movies you can't afford to miss.

The planned action signals growing regulatory scrutiny of Walmart-owned Flipkart and Amazon when their sales are rapidly growing in India's $70 billion e-commerce market. An antitrust investigation also found the two companies breached laws by favouring select sellers, Reuters has reported.

India's food safety regulator directed e-commerce and quick commerce companies to follow shelf life guidelines for packaged food deliveries. The regulator emphasized a minimum remaining shelf life of 30% or 45 days upon delivery. This action follows complaints about companies not disclosing expiry dates. The regulator stressed the importance of clear expiry dates and adherence to labeling regulations.