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In this session, Col. Bruce Hampton recorded at Capricorn Studio. Col. Bruce is a legend of Georgia music who has been unafraid to wave his freak flag high since the 1960s. In this interview with Chris Nylund and Jared Wright of the Field Note Stenographers music collective, Col. Bruce introduces us to the numerology of Southern humidity and gives us a glimpse of the weird heyday of a late 60s music boomtown called Macon. A note, in this first story, Gregg is none other than Gregg Allman. Tracks include Say Thanks To Chank, Arkansas and Basically Frightened.

By Robert Wildner

Advertisers are starting to invest more in finding quality users for their apps – those who will either make purchases or engage with the app long enough to consume ads.

Buffalo Wild Wings is looking to capture the attention of lucrative customers attached to March Madness thanks to a new video and Snapchat campaign called “We Do It For You.”

Until she was in her 30s, Vivian Howard was ashamed of being from rural North Carolina, and the food she grew up eating felt embarrassing. Thankfully, a number of influential cooks, critics and restaurants ushered in a revival of Southern food — and Howard is among them. She’s a chef, restaurateur, writer and Peabody award-winning television host. Her new series, Somewhere South , began last month on PBS. Each of the six episodes explores a single dish, and how those foods reflect the history, evolution and people of the region.

Many people are finding social distancing difficult or lonely. Those challenges can become compounded for people recovering from substance abuse disorders. In fact, the coronavirus pandemic and resulting quarantine conditions have been identified as a “relapse trigger.” And it has become a dangerous reality for those who struggle with sobriety. The Georgia Council on Substance Abuse estimates that some 800,000 Georgians are in recovery from alcohol and drug addiction.

For many lucky enough to still have a job, getting dressed and made-up is a vestige of normalcy in a world that feels upended. For others, gray roots, shaggy beards and chipped nails are the last thing to worry about. But what has this unprecedented period behind closed doors revealed about our self-care and priorities? And what will happen to the beauty market when it’s all over? On Second Thought e xplores these questions, which are particularly pertinent now that Gov. Brian Kemp has given the green light for barbershops and hair and nail salons to re-open. The closure of schools, restaurants and hotels has wreaked havoc on the nation’s food culture, from one end of the supply chain to the other. Jon Jackson, founder of Comfort Farms in Milledgeville, joined On Second Thought to share what they’re dealing with, as well as how he got into farming in the first place. We also learn about StagVets , of which he’s executive director, and how it helps veterans dealing with PTSD.

The closure of schools, restaurants and hotels has wreaked havoc on the nation’s food supply. Dairy farmers are pouring out milk, hog prices are plummeting, and unhatched eggs are being crushed. Jon Jackson is executive director of StagVets and founder of Comfort Farms in Milledgeville. He relies on veterans to help raise heritage breeds of animals and produce — specialty items that were once in big demand from some of Georgia’s top restaurants. Now, Jackson is making them available to hungry families through a virtual farmers market.

Another cog in the supply chain disrupted by the pandemic: diapers. And as struggling families with young children face more challenges to making ends meet, one local group has stepped up to help. Just over five years ago, Jamie Lackey was a social worker, nonprofit professional and mother, when she noticed gaps in services for families in need, particularly when it came to baby supplies. Financial assistance programs like SNAP, for example, don’t allow for purchasing diapers and other essentials.

“The Squad” gets a lot of media attention, but they are just one part of the record number of women elected to Congress in 2018. In fact, it was the most diverse freshman class ever elected: the first Muslim women representatives ever, the first Native women, the first two Latina members from Texas, two black women from New England, and the two youngest members ever elected to the House of Representatives.

On this week’s return to our archives, On Second Thought is presenting some of our favorite arts and media stories. From movies to “Mobituaries,” motivate your Monday with some memorable pieces from yesteryear. 1) First, She Got Oprah's Attention. Now, She's On Netflix. What Will Kyanna Simone Simpson Do Next? Decatur native and University of Georgia graduate Kyanna Simone Simpson has seen a meteoric rise in the last few years. She stars in Netflix’s Chambers , as well as Ma (2019) alongside Octavia Spencer, the CW’s Black Lightning , and The Immortal Life of Henrietta Lacks (2017), a HBO biopic. Her career caught the attention of Oprah Winfrey, who cast Simone Simpson in her own biopic. She joined On Second Thought and reflected on media representation and her own experiences in the industry. 2) Pat Mitchell On 'Becoming A Dangerous Woman' — And The Importance Telling Their Stories Pat Mitchell is a massive name in the news industry — as president of CNN Productions and the first

Artists and arts organizations were quick to adapt to coronavirus. Museum tours, operas, Broadway shows, author talks, home concerts and classes for kids sprung up online shortly after closures were announced. But as the dust begins to settle on our new normal, many worry about the long-term economic impact and outlook for the artists, performers and independent organizations essential to the cultural ecosystem. Doug Shipman , president and CEO of the Woodruff Arts Center, joined On Second Thought to talk about how the coronavirus pandemic is affecting the arts world now – economically, culturally, and artistically – and how that might change as things open back up.

Artists and arts organizations were quick to adapt to quarantine and coronavirus. Museum tours, operas, Broadway shows, author talks, home concerts and classes for kids sprung up online shortly after closures were announced. But as the dust begins to settle on our new normal, many worry about the long-term economic impact and outlook for the artists, performers and independent organizations essential to the cultural ecosystem.

Billy Bragg is many things: a poet, punk rocker, folk musician, and singer-songwriter. He’s also an activist, music historian, and best-selling author. In the words of another poet, he contains multitudes. Bragg’s newest work, The Three Dimensions of Freedom , is a slim volume that makes a weighty argument. It’s a pamphlet in the tradition of Thomas Paine, whose influential polemics helped spark the American Revolution, and later got him convicted of sedition.

Some dream researchers have seen a 35% uptick in dream recall since the start of the pandemic. And when people process traumatic events — like a terrorist attack, or widespread health crisis — scientists have noticed that people's dreams start to follow similar themes and patterns. We want to know: How have your dreams changed since the start of the pandemic? Call and leave us a voicemail at 404-500-9457 with your wildest, craziest COVID-19 dreams, and share your reflections on how dreaming as a whole may have shifted for you during the pandemic.

Compared to the lockdowns and shuttered businesses in countries across the world, Sweden is an outlier. Swedish officials have advised citizens to work from home and avoid travel, but most schools and businesses have remained open. This relaxed approach aims to minimize impact on the economy, and slow the spread of the virus through what is known as “herd immunity.” Now, as the U.S. weighs further spreading the disease against the impact of a tanked economy, some Americans — particularly conservatives — are looking toward Sweden’s model as an option. On Second Thought unpacks the merits, risks and strategy behind Sweden’s approach, and what has become a political talking point here in the U.S.

In addition to changing many aspects of our waking lives, coronavirus has also shifted how we dream. Institutions around the world have been collecting examples of dreams since the outset of the pandemic, and some researchers found a 35% increase in dream recall since lockdown. On Second Thought sat down with Harvard University Assistant Professor Deirdre Barrett to learn more about the impact of COVID-19 on our dreaming minds. Barrett has analyzed dreams of World War II soldiers, 9/11 first responders, and Kuwaitis under Iraqi occupation. Since March, she’s collected details on more than 7,000 dreams to study how people are responding to coronavirus in their dreams.

On average most policies are put in place to help people, protect people, or regulate dangerous behavior, so why don’t these policies work? In the most recent episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the unintended consequences of policy, and how psychology can help us discover...

We’re biased towards what we pay attention to, and we generally pay more attention to outcomes rather than process. Yet, if we really want to learn from our mistakes or our successes, we have to look at the process as well. On this edition of Two Guys on Your Head, Dr. Art Markman and Dr....

We might think that in order to keep order in our households, workplaces, or classrooms, that it’s important to hold people accountable for their negative behavior. However, what that can lead to is a playing field that allows for either nothing to happen or punishment. It is more important to focus on the behaviors we...

Time is important, especially when it comes to the brain. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about how our brains process and understand Time, and how we can reorient out goals within tasks to stay motivated and get more done.

We might think that confidence is a performance and that some people are more believable than others because they exude a certainty that we don’t have. However, it turns out that confidence comes with experience and knowledge, and that having some hesitation about accuracy can be beneficial. In this edition of Two Guys on Your...

Join KUT’s Rebecca McInroy along with professors Art Markman and Bob Duke as they talk about the psychology of social activism, the effectiveness of deterrence, and the health consequences of negative emotions. Views and Brews is free and open to the public, hope to see you at the Cactus soon!

Sometimes we get so wrapped up in a debate that it doesn’t occur to us to change the frame of the conversation. However, as Dr. Art Markman and Dr. Bob Duke talk about in this episode of Two Guys on Your Head, it’s always important to find new ways to talk about and think about...

We might fancy ourselves as responsible, socially conscious people, but when new technologies such as communal scooters are introduced into our environments all that can easily fly out the window. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the psychology of scooter culture in Austin.

Many times we use metaphors not only to illustrate what we are talking about but also to denote that we belong in a certain group. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the psychology of metaphors and framing discourse.

When we invest a lot into something, be it a relationship, job, or even a used car, it can be tough to cut your losses and start anew. So why are we so prone to sticking with it rather than moving on? In this episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke...

Even though we know how unreliable our visual memory is, we still put a huge amount of stock into what someone says they saw. Why is an eyewitness account so important in legal proceedings and beyond, and why should we question the value of an eyewitness testimony? On this episode of Two Guys on Your...

We know our minds are our bodies, but as Dr. Art Markman and Dr. Bob Duke talk about on this edition of Two Guys on Your Head, how these connections work is more complex than we might think.

Dr. Art Markman and Dr. Bob Duke talk about some problems with research on embodied cognition and look at what it means and what it doesn’t.

Join KUT’s Rebecca McInroy along with Lana McGilvray co-founder of Purpose, Kathleen Hessert founder of WeAreGenZ, and Joy Diaz of The Texas Standard as they talk about why it’s important to advocate for public communication; for fair and balanced digital media laws; and for the voices of the young, minorities, and women in media and...

In this episode of Free as in Freedom, Karen and Bradley discuss in the first segment recent press coverage of sexist attitudes at Free Software conferences, and in the second segment, discuss the public filings related to the Novell sale.

Show Notes:

Segment 0 (00:40)

• Karen and Bradley discuss an article called The Dark Side of Open Source Conference, which was covered some in the tech press, in press outside of technology. Deb Nicholson wrote a blog post about it, as did Valerie (the original article's author. (01:06)
• Bradley mentioned his blog post where he discussed issues of gender equality across all Computer Science, not just the Free Software community. (05:29)
• Karen mentioned Kirrily “Skud” Robert. (10:27)

Segment 1 (32:18)

• There was an announcement that Novell will be sold (32:15)
• Karen mentioned that Andy Updegrove blogged twice on the subject (32:30)
• Karen talked about the 8K filing that Novell made regarding the purchase. (34:30)
• Karen mentioned a post on groklaw. (42:43)
• Bradley mentioned that the OIN patent license is incredibly narrow and not particularly useful, because the definition of the “Linux system“ is so narrow, and because OIN is a pro-patent, for-profit company that doesn't have the interest of Free Software at its heart. (45:30)
• Karen disagrees with Bradley's comments on OIN and thinks his characterization of the patent pool is a serious exaggeration. (46:00)

These show notes are Copyright © 2010, Karen Sandler and Bradley M. Kuhn of Free as in Freedom, and are licensed under the Creative Commons Attribution-Share-Alike 3.0 Unported license (CC-By-SA-3.0 Unported).

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss non-commercial-only commons licenses, particularly the CC-By-NC license, and how they compare to Free Culture and Free Software licenses, and why some authors pick NC licenses instead of Free Culture/Software ones.

Show Notes:

Segment 0 (00:36)

• Listeners seeking a show on how to select a Free Software license, differences between copyleft and non-copyleft, and how they interact with copyright are encouraged to listen to episode 0x08 of the old Software Freedom Law Show which covered these topics. Please write in again if that show doesn't cover your questions on the issue. (02:10)
• Bradley reminisced about the crass “Brian and O'Brien” show on Baltimore's B-104 Gary Huddles who was notorious locally in Baltimore because he was implicated in Maryland's version of the 1980s Savings and Loan scandals. (03:30)
• Karen mentioned that freedomdefined.org is the source for the Free Culture definition that defines what licenses are Free Culture licenses. (12:54)
• Bradley suggested listening to some of the old versions of RMS' Copyright vs. Community in the Age of Computer Networks. In fact, there is an audio recording of the one at MIT on 19 April 2001 that Bradley attended, and an audio recording of the one that Bradley heard at Cardozo Law School. There is audio of the Q&A session, wherein RMS engages in that discussion Bradley mentioned with Free Culture activists. (10:10, 14:04)
• Bradley mentioned that Linus Torvalds switched to GPL for Linux because he realized non-commercial restrictions weren't appropriate. (Search the string GPL on that link to find Linus' answer on that.) (19:00)
• Karen mentioned that Creative Commons did a study considering what people understand commercial vs. non-commercial to mean. (20:43)
• Karen and Bradley discussed the text of CC-By-NC. (23:00)
• Karen mentioned various CC-By-SA licensed derivatives that had been made from Sita Sings the Blues. (38:24)
• Bradley discussed the Harry Potter Lexicon case and Karen mentioned the so-called IP Colloquium discussion on it. (44:30)
• Bradley mentioned Memory Alpha, which is a CC-By-NC wiki regarding Star Trek, which is tolerated by Paramount. (45:20)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss types of copyleft generally and introduce the basics of license compatibility and -or-later clauses.

Show Notes:

Segment 0 (00:38)

• This show discusses copyleft and basic issues of license compatibility (04:09)
• Karen mentioned an episode of the old Software Freedom Law Show, Episode 0x08, where Bradley and Karen discussed selecting a FLOSS license and what the various options are. (04:45)
• license compatibility 06:28
• Bradley incorrectly said that the original Emacs license didn't have the word General in it. However, the other explanations appear to be correct. There's a useful history page that someone wrote about the history of GPL. It appears the non-general GNU copylefts existed from 1984-1988. (06:57)
• Karen noted that the Library GPL was renamed to the Lesser GPL which happened in 1999. (09:30)
• Bradley mentioned that when he and RMS worked on the GNU Classpath Exception, Bradley suggested it be called the Least GPL. (10:38)
• GPL doesn't have a choice of law clause. If another copyleft does, it surely is incompatible with the GPL. (14:17)
• AGPLv3 § 13 and GPLv3 § 13 explicitly make themselves compatibility with each other, which Bradley calls compatibility by fiat. (15:40)
• Karen mentioned that the Mozilla Public License § 13 has a section about multiple licensed code (16:50).
• Bradley mentioned that Mozilla Firefox uses a combinatorial license: (GPL|LGPL|MPL), which is a disjunctive tri-license. (19:00).
• Bradley mentioned that the old Software Freedom Law Show Episode 0x17 discussed compatibility of permissively licensed software and copylefted software. (20:22)
• Apache Software License 2.0 was likely the first FLOSS license to have an explicit patent licensing provision (23:40)
• Bradley and Karen discussed the fact that -only vs. -or-later are options with the GPL, while they are not with other copylefts, such as CC-By-SA. (30:11)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

This episode is a recording of Richard Fontana's talk, Open Source Projects and Corporate Entanglement from the 2011 Linux Collaboration Summit, with some commentary from Bradley and Karen on the talk.

Show Notes:

Segment 0 (00:34)

• Bradley is still recovering from a rhinovirus which he didn't take care of and also made him sicker, which explains the problems with his voice. In fact, the coughing in the background during Fontana's talk is all Bradley. He apologizes. (00:50)
• This show is Richard Fontana's Linux Collaboration Summit 2011 talk, Open Source Projects and Corporate Entanglement. (03:24)

Segment 1 (03:48)

• Richard Fontana's slides for his talk, Open Source Projects and Corporate Entanglement are available on his website. (04:29)
• Bradley was live-denting Fontana's LCS talk. (04:31)
• Richard Fontana is the purveyor of the disturbing group on identi.ca. (04:30)
• Fontana makes reference to a Bradley's blog post on switching back to Debian from Ubuntu. (05:55)
• Fontana pointed out that the GNU Manifesto deals a lot with how Free Software is completely compatible with many business models. (12:30)
• Fontana pointed out that many of the relationships between companies in Free software have great variability in level of transparency. (16:00)
• In the background, you hear Bradley saying something. He's giving Josh Berkus credit for the phrase throw code over the wall, a phrase which both Fontana and Bradley now use regularly. (32:28)

Segment 2 (48:25)

• Fontana made an interesting analogy to commissioned art and its similarity to FLOSS. (50:33)
• Fontana noted later on identica that he does support non-profit as solution to entanglement problem. (54:48)
• Bradley mentioned the 60 Minutes story about Mortenson's Central Asia Institute (CAI). (55:30)
• Fontana now talking about GE/NBC relationship, but Bradley was surprised that Fontana didn't mention Ben Bagdikian's book, The Media Monopoly. (18:26, 56:30)
• Bradley was glad that Fontana called proprietary relicensing illegitimate. Bradley points out that sometimes community members, including himself, have too easily forgiven business models on the edges of software freedom. (25:13, 30:50 58:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Dan Lynch (filling in for Karen) and Bradley discuss a few examples where licensing decisions by companies impacts the health of the software development community.

Show Notes:

Segment 0 (00:00:36)

• Dan interviewed the CentOS developers on FLOSS Weekly. (00:05:52)
• Bradley has a blog post that describes RHEL licensing model. His previous blog post to that one, while mostly off-topic here, has a few points of interest. (00:10:36)
• Dan Lynch mentioned The Smoking Man from the The X Files television series. (00:17:22)
• Bradley mentioned that Lennart Poettering is a Red Hat employee working on systemd, which is now in Fedora, but not in RHEL yet (as far as we know). (00:18:53)
• Bradley suggested that developers starting projects read Karsten Wade's The Open Source Way, and Karl Fogel's Producing Open Source Software: How to Run a Successful Free Software Project, and Bradley's blog post about developing in public. (00:22:16)
• Dan and Bradley briefly discussed copyright abolition. Dan mentioned Stallman's writing on the Pirate Party's copyright positions.

Segment 1 (00:32:30)

• Bradley briefly discussed the history of StarOffice, and the creation of OpenOffice.org. (00:33:40)
• Bradley explained issues related to the LibreOffice fork of OpenOffice.org. (00:37:30)
• Bradley has talked about how proprietary relicensing is very dangerous (00:39:50)
• Fedora, Ubuntu, and OpenSUSE all switched to LibreOffice as a default. Bradley didn't know at recording time that the OpenOffice package in wheezy is a transition package to switch to LibreOffice. (00:41:24)
• Bradley and Dan mentioned a blog post by IBM's Rob Weir that misquotes the FSF to support IBM's positions on the OO.o relicensing issue. (00:58:26)
• Bradley mentioned the idea that Apache-2.0 work can be relicensed under LGPLv3-or-later, as he discussed in his blog post about the OO.o relicensing (01:00:45)
• Dan mentioned Jeremy Allison's comment on the aforementioned post on Rob Weir's blog. (01:02:08)

Segment 2 (01:16:09)

Bradley thanked Dan, on behalf of Karen, for all his work to make Free as in Freedom possible.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen announces her new job, and Bradley and Karen discuss the recent USA Supreme Court decisions on patents.

Be sure to make sure you're subscribed to feeds available on faif.us if you haven't already!

Show Notes:

Segment 0 (00:37)

• If you have not moved your RSS feed already away from softwarefreedom.org, and to faif.us, you should do that now! Here's links to the ogg RSS feed and mp3 RSS feed. New FaiF shows won't appear on softwarefreedom.org.
• Karen is now the Executive Director of the GNOME Foundation. (04:30)
• Bradley served on the GNOME Foundation Executive Director Hiring Committee, but resigned when Karen became a serious candidate. (05:13)
• Karen will continue as General Counsel of Question Copyright, and pro-bono counsel to Software Freedom Conservancy, and will also continue pro bono on some matters for SFLC. (06:30)
• Bradley has been working on GNU Bash. (07:34)
• Berlin's Tegel airport is closing soon. (14:40)
• Bradley mentioned that he incorrectly said in 0x11 that Red Hat doesn't provide sources publicly for RHEL. The RHEL SRPMS are actually on Red Hat's FTP site. (18:20)
• There are various identica threads on the RHEL issue from 0x11.(18:47)
• Bradley has previously explained the history of the term “punditocracy” in episode 0x0A. (27:46)

Segment 1 (28:58)

• Bradley and Karen discuss the USA Supreme Court decision in the Global-Tech Appliances, Inc. v. SEB S. A. case, on which SFLC submitted an amicus brief, which was previously discussed in FaiF Episode 0x05. (29:55)
• Bradley and Karen discuss the USA Supreme Court decision in the Microsoft Corp. v. i4i Ltd. Partnership case, on which the EFF submitted an amicus brief. (40:11)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss Karen's OSCON keynote and her 2011 O'Reilly Open Source Award, as well as other happenings from OSCON.

Show Notes:

Segment 0 (00:35)

• Bradley and Karen just returned from the 2011 O'Reilly Open Source Software Convention (OSCON). (00:45)
• Karen received one of the 2011 O'Reilly Open Source Awards. (Video of the award ceremony is online.) (03:05)
• Karen now has a blog called GNOMG. (05:03)
• Karen's wrote a blog post about winning the 2011 Open Source Award. (03:47)
• Karen now has a redirector to her blog via gnomg.org. (05:42)
• Listener Michael Dexter let Bradley stay at his house for part of the time of OSCON, and Bradley later shared a room with listener Richard Fontana. (06:40)

Segment 1 (10:22)

• Karen keynoted at OSCON, entitled Software Freedom: From my Heart to the Desktop. (10:22)
• Bradley had a live-denting thread of Karen's keynote at OSCON 2011.
• Karen's 2011 OSCON keynote is available YouTube. You can also hear the audio on the show itself, but if you prefer video, use the preceding link. If you watch instead of listen, just skip the audio in the oggcast up to Segment 2 below:

Segment 2 (24:49)

• Bradley mentioned conferences can be ephemeral on his blog about GUADEC 2010. (28:25)
• Bradley and Karen are about to go to the Desktop Summit. (29:15)
• Bradley, Michael Meeks and Mark Shuttleworth will be on a panel on copyright assignment moderated by Karen. (29:25)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen play a speech recording of Richard Fontana's presentation at OSCON 2011, entitled Contributor Agreements Considered Harmful.

Note: this show and the slides from Richard Fontana are licensed under CC-By-SA-3.0 USA. This will be the new license of the show for this and future episodes.

Show Notes:

Segment 0 (00:34)

• This show is a recording of Richard Fontana's talk Contributor Agreements Considered Harmful. (03:13)

Segment 1 (03:34)

• Richard Fontana has made his slides from his talk available on his website.
• Bradley live-dented Fontana's talk from OSCON.
• Richard Fontana references Michael Meeks' essay, Some thoughts on Copyright Assignment (29:55)

Segment 2 (45:17)

• Bradley and Karen were on a panel discussion on copyright assignment at Desktop Summit. (45:33)
• Bradley mentioned that Mark Shuttleworth's obsession with cadence had a similar weird effect on a different debate. (58:30)
• Karen has done some pro bono work for PubPat, and also Question Copyright (01:01:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen play a speech recording of Bradley's presentation at OSCON 2011, entitled 12 Years of FLOSS License Compliance: A Historical Perspective.

Show Notes:

Segment 0 (00:36)

• Bradley mentioned that time travel requires special verb tenses according to the Douglas Adams' book, The Restaurant at the End of the Universe. (01:48)
• Bradley gave a keynote at Ohio Linux Fest 2011 (01:58)

Segment 1 (05:02)

• This segment is a recording of Bradley's OSCON 2011 talk, entitled 12 Years of Copyleft License Compliance: A Historical Perspective. The slides are available on Bradley's website so you can follow along during the talk if you like.
• There is a live denting identi.ca thread from Bradley's talk. (03:50)
• Bradley wrote a blog post about a minor GPL violation in the Emacs codebase. It has since been fixed.
• RMS mentioned the NeXT/Objective C GPL violation in his essay, Copyleft: Pragmatic Idealism.

Segment 2 (52:35)

• Bradley will be speaking at the Google Summer of Code Mentor Summit 2011 and at LinuxCon Europe 2011. (55:05)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the various news and comments on Steve Jobs' death and his legacy, and their own thoughts on the issue.

Show Notes:

Segment 0 (00:36)

• Bradley still hasn't made the blog post he keeps saying he'll make about one year at Conservancy. (01:30
• Bradley mentioned the character Cat from Red Dwarf's obsession with “shiny things” in the episode Waiting for God. (20:23)

Segment 1 (21:12)

• Karen mentioned Paula Rooney's article Steve Jobs: an open source pioneer? You bet, which Bradley pointed out was a pure link-bait. (21:20)
• Bradley mention Andy Rooney has retired (32:10)

Segment 1 (33:40)

• Bradley mentioned RMS' comments on Steve Jobs' death (34:09)
• Bradley mentioned the gawker article that was critical of Steve Jobs
• Bradley mentioned a comment that discussed how RMS' lack of tact can help software freedom. (40:43)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).