Ioanna Lachana, OSCE Mission to Skopje

Mirvete Islam, OSCE Mission to Skopje

The Head of the OSCE Mission to Skopje Nina Suomalainen attended an Iftar (fast-breaking) dinner on 20 June 2016 in Skopje, organized by the local NGO Woman Affirmation Association with the support of the Mission.

The event brought together women from different ethnic and religious backgrounds who sent a message of mutual respect, harmony, and understanding.

“Empowering women, providing equal opportunities for both women and men and integrating gender equality into policies and practices is one of our Mission’s main goals. By organizing this Iftar, you foster dialogue and respect among the different religious and ethnic communities and learn more about each other’s cultures and beliefs,” said Suomalainen in her address, wishing the Muslim community a blessed and joyful Ramadan.

The Woman Affirmation Association works on the affirmation, protection and development of the rights and position of women in society.

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TBILISI, 5 July 2016 – At the close of the OSCE Parliamentary Assembly’s 25th Annual Session in Tbilisi today, members of the Assembly elected Austrian parliamentarian Christine Muttonen as President. Muttonen has previously served as OSCE PA Vice-President and Special Representative for Central and Eastern Asia, and is Deputy Head of the Austrian Delegation to the PA.

Upon being elected, Muttonen said that she would pursue direct talks with governments and other OSCE institutions on advancing avenues for closer co-operation.

“Parliamentarians can play a very important role in securing peace and stability,” she said. “It will be my duty to make sure they have the possibility to do so.”

OSCE PA Vice-Presidents were also elected today: Vilija Aleknaite Abramikiene (Lithuania), Azay Guliyev (Azerbaijan), and Isabel Santos (Portugal) were elected to three-year terms, and Victor Dobre (Romania) was elected to a one-year term.

On Monday, the OSCE PA’s General Committee on Political Affairs and Security elected its leadership. Members of the committee re-elected Roger Wicker (United States) and Margareta Cederfelt (Sweden) Chair and Rapporteur, respectively, and Guglielmo Picchi (Italy) was elected Vice-Chair.

In the General Committee on Economic Affairs, Science, Technology and Environment on Sunday, members elected Nilza Sena (Portugal) Chair and Artur Gerasymov (Ukraine) Vice-Chair. Italian parliamentarian Marietta Tidei was re-elected Rapporteur.

Members of the General Committee on Democracy, Human Rights and Humanitarian Questions on Monday elected Ignacio Sanchez Amor (Spain) Chair and Kyriakos Kyriakou-Hadjiyanni (Cyprus) Rapporteur. Vice-Chair Ivana Dobesova (Czech Republic) was re-elected by acclamation.

In his final address as Assembly President, Finnish parliamentarian and former Chairperson-in-Office of the OSCE Ilkka Kanerva noted that he has led the PA during challenging times.

“In these times, it is important to recall the validity of all ten Helsinki Final Act principles. As President, I have worked to reaffirm these principles, even as they have been put to the test lately. I believe that reviving the spirit of Helsinki requires ensuring that the OSCE Parliamentary Assembly remains an Assembly that is inclusive, open and transparent,” he said.

He also highlighted his special paper distributed at the Tbilisi Annual Session entitled “Our common vision for the OSCE Parliamentary Assembly.”

Kanerva was elected President of the Assembly at the Baku Annual Session in July 2014, and will now serve as President Emeritus of the Assembly.

For the full text of the OSCE PA’s Declaration and resolutions adopted today in Tbilisi, as well as speeches, photos, videos and more, please visit http://www.oscepa.org/meetings/annual-sessions/2016-tbilisi-annual-session. Additional photos are available on the Georgian Parliament’s Flickr pages at https://www.flickr.com/photos/geoparliament  and https://www.flickr.com/photos/oscepatbilisi/.

The OSCE Parliamentary Assembly is comprised of 323 parliamentarians from 57 countries spanning Europe, Central Asia and North America. The Assembly provides a forum for parliamentary diplomacy, monitors elections, and strengthens international co-operation to uphold commitments on political, security, economic, environmental and human rights issues.

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KYIV, 15 July 2016 – The OSCE Project Co-ordinator in Ukraine today opened a new sphere of project assistance to Ukraine – improving democratic control of defence and security sectors – with a presentation of international experience and best practices at a conference in Kyiv.

The event, co-organized with the Parliament and the Ministry of Defence, brought together more than 120 parliamentarians, military and civilian representatives of various ministries, experts, and civil society activists to learn about the basic principles in this area, as well as practical examples from other countries.

During the conference, the OSCE Code of Conduct on Politico-Military Aspects of Security and the OSCE Security Sector Governance and Reform Guidelines were presented. Ukrainian translations of these documents can be found at www.osce.org/fsc/41355  and www.osce.org/uk/secretariat/253156, respectively.

The participants discussed in detail the national models of parliamentary and civic control over the defence sectors of Austria, Bulgaria, Denmark, Germany, and Norway.

“The ability of Parliament, and of society at large, to exercise control over its security services is a true litmus test for democracy and rule of law,” said Jeffrey Erlich, Senior Project Officer at the OSCE Project Co-ordinator’s Office. “Such oversight contributes to a much more effective security sector by rooting out corruption, and by strengthening the bond between society and the armed forces.”

Igor Dolgov, Deputy Minister of Defence, said: “For me there is no question of whether it is possible to simultaneously deal with current crisis and implement reforms in defense sectors, including strengthening mechanisms of democratic control over armed forces. It is needed and it is already happening.”

Until the end of the year, the OSCE Project Co-ordinator will provide expertise in developing a concept paper and implementation plan for democratic oversight; assist in promoting dialogue between the military, parliamentarians, experts and civic activists; and contribute to raising awareness among the public by publishing relevant online resources.  Further assistance efforts will continue after 2016.

In partnering with the Geneva Centre for the Democratic Control of the Armed Forces (DCAF), the project will also draw on their expertise.

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VIENNA, 20 July 2016 – OSCE media freedom representative Dunja Mijatović today condemned the murder of journalist Pavel Sheremet in Kyiv, Ukraine.

This morning, Sheremet, a journalist with Radio Vesti and the Ukrainskaya Pravda online media outlet, was killed in a car explosion.

“This killing and its circumstances must be swiftly and thoroughly investigated, and the perpetrators brought to justice,” Mijatović said, noting President Petro Poroshenko’s strong condemnation of the act and immediate action to investigate. “We have lost a prominent and dedicated journalist and my sincere condolences go out to Sheremet’s family, friends and colleagues.”

Sheremet, originally of Belarus and recipient of the 2002 OSCE Parliamentary Assembly’s Prize for Journalism and Democracy (www.osce.org/pa/54293), worked as a journalist in Ukraine, Belarus and Russia during his career.

“This morning’s gruesome incident reminds us all that the safety situation for journalists in Ukraine must be addressed effectively and timely,” Mijatović said.  

The Representative recalled the murder of the prominent Ukrainian journalist Georgyi Gongadze in 2001, the founder of Ukrainskaya Pravda, and reiterated her call on the authorities to fully investigate that crime.                                              

The OSCE Representative on Freedom of the Media observes media developments in all 57 OSCE participating States. She provides early warning on violations of freedom of expression and media freedom and promotes full compliance with OSCE media freedom commitments. Learn more atwww.osce.org/fom, Twitter: @OSCE_RFoM and on www.facebook.com/osce.rfom. 

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Women account for roughly 60% of Seaver College students. The inverse is true in the Business Administration Division, which could negatively impact women (and men) in college and beyond.

The post Gender Gap Persists in Seaver Business Division appeared first on Pepperdine Graphic.

Pepperdine is expanding its TimelyCare program and offering Narcan training to address the rise in fentanyl overdoses and mental health issues affecting students on campuses nationwide. This initiative equips students with essential tools for their well-being.

The post Pepperdine Introduces New Opioid Awareness and Mental Health Resources appeared first on Pepperdine Graphic.

KYIV, 20 May 2015 – The OSCE Special Monitoring Mission to Ukraine (SMM) will hold its regular news briefing tomorrow in Kyiv.

Alexander Hug, the SMM’s Deputy Chief Monitor, will talk about the recent Mission’s activities and the general security situation throughout Ukraine.

Journalists are invited to attend the news briefing tomorrow, 21 May, at 13:15 (Kyiv time), at the Ukrainian Crisis Media Centre, at 2 Khreshchatyk street, Ukrainian house.

Live online streaming of the news briefing will be available at http://uacrisis.org/ru/stream/#eng

 

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KYIV, 18 February 2016 – The OSCE Special Monitoring Mission to Ukraine (SMM) will hold its regular news briefing tomorrow in Kyiv.

Alexander Hug, the SMM’s Principal Deputy Chief Monitor, will talk about the recent Mission’s activities and the general security situation throughout Ukraine.

Journalists are invited to attend the news briefing tomorrow, 19 February, at 15:30 (Kyiv time), at the Ukrainian Crisis Media Centre, at 2 Khreshchatyk street, Ukrainian house.

Live online streaming of the news briefing will be available at http://uacrisis.org/ru/stream/#eng.

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KYIV, 7 June 2016 – The OSCE Special Monitoring Mission to Ukraine (SMM) will hold its regular news briefing tomorrow in Kyiv.

Alexander Hug, the SMM’s Principal Deputy Chief Monitor, will talk about the recent activities of the Mission and the general security situation throughout Ukraine.

Journalists are invited to attend the news briefing tomorrow, 8 June, at 10:30 (Kyiv time), at the Ukrainian Crisis Media Centre, at 2 Khreshchatyk street, Ukrainian house.

Live online streaming of the news briefing will be available at http://uacrisis.org/ru/stream/#eng

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In a personal interview with Dr. Linda Livingstone, Caroline Nahas, Managing Director for the Southern California Offices of Korn/Ferry International, shares her insight about executive recruitment, employment, and the economy.

Caroline Nahas, Managing Director for the Southern California Offices of Korn/Ferry International, shares her thoughts and insights in the field of executive recruitment, employment, and its impact on the current state of the economy. (Part 1 of 2)

Caroline Nahas, Managing Director for the Southern California Offices of Korn/Ferry International, sits down for an interview with Dr. Linda Livingstone, Dean of the Graziadio School of Business and Management. Caroline also answers various questions from audience members. (Part 2 of 2)

PineappleNet has a Black Friday special for home internet - $49 for 150Mbps symmetrical speeds. Certainly a lot better prices, speed and service than NBN.

PineappleNet is a reseller of the DGTek fibre network, who operate only in buildings in very limited areas near Melbourne CBD and some South Eastern suburbs. And not in every building, so check your address to see if they're available.

I've been a customer for over 2 years and very happy to recommend.

Referral solicitation removed — Mod.

Note: This is not NBN FTTP.

SINGAPORE — Thai artist Natee Utarit's monumental embroidered work of a classical European building facade is the first thing that confronts viewers upon entering The Private Museum, a non-profit private museum in Singapore situated in Osborne House, a colonial mansion on Upper Wilkie Road.

The Ministry of Public Health is encouraging people, especially children and those in physical contact with them, to get vaccinated against whooping cough, after it started spreading in a Bangkok school.

The U.S. military released a video it said showed Iran's Revolutionary Guard (IRGC) removing an unexploded mine from the side of one of the two oil tankers attacked earlier in the day. - REUTERS

The Democratic National Committee names the 20 presidential candidates who qualified for the first pivotal debate at the end of June. A sitting U.S. governor and a congressman are among the four left off the stage. - REUTERS

SCB EIC, the research centre of Siam Commercial Bank, predicts that the transfer of new residential units in Greater Bangkok will decline by 10% this year, with a further contraction of 1-3% projected for 2025, mainly due to the country's sluggish economy.

The Board of Investment (BoI) expects two Chinese electric vehicle (EV) makers to fuel growth of the Thai EV industry through their planned investments here.

The Board of Investment (BoI) is working with seven state and private agencies to support and facilitate the investment of Chinese electric vehicle (EV) maker GAC Aion, the third-largest seller of EVs in China, as the company aims to expand its business into Thailand.

Greek picture magazine for "Goldfinger"

Thanks to Anagnostis for sharing this!

 Chinese comics books from 1989

Artwork from the September 2021 issue of "Neue Zürcher Zeitung". Illustration by Colin Murdoch. 

Issue 4 of "Layered Butter" - a magazine dedicated to cinema and alternative art. This issue is about James Bond.

Hand-painted cinema front for "No Tine To Die" in Munich

M. Night Shyamalan had his eye on casting Clint Eastwood and Paul Newman in Signs at one point. Here's why they passed on his alien invasion thriller.

Marvel Legends' new Deadpool & Wolverine action figures are among the best Marvel Cinematic Universe collectibles that Hasbro has released so far.

Saturday Night Live star Chloe Fineman has revealed the identity of the SNL guest who made her cry when they hosted the show a few years back.

The Good Old Boat Magazine crew join in a sing-along of "The Sloop John B" at the 2010 U.S. Sailboat Show in Annapolis, MD. During the sing, we get a look a several of new sailboats featured at the show. Professional musician and sailor Al McKegg spent a couple of days entertaining the visitors (and the staff!) at the Good Old Boat booth. One look at this singalong will convince you we all had a good time. If you attend the Annapolis Sailboat Show next year, stop by and join in for a sing a long. "No Strings" FREE ISSUE Good Old Boat is the sailing magazine for the rest of us. It focuses on affordable (slightly aging) fiberglass cruising sailboats that a couple can comfortably maintain, sail, and enjoy. Each issue is filled with helpful information about maintenance, upgrades, and good old boat reviews. If you live in North America and U.S. Territories, get your "no strings" free issue. GOB will send you a sample copy right away. If you don't subscribe, they won't bug you. If you do subscribe, they won't charge you for the sample. It really is free. Sailing Documentaries from $2.99. Brought to you by TheSailingChannel.TV

CLICK TO PLAY Taleisin cuts through building seas as a squall approaches. Read Lin and Larry Pardey's article, Squall Line, in the September 2012 issue of Cruising World Magazine. Then check out their videos and books at www.thesailingchannel.tv/pardey. If you are going to be at the Annapolis Sailboat Show in October 2012, please stop by our booth and say hello to Lin & Larry. Look for us in Section F under Lin & Larry Pardey and TheSailingChannel. Lin & Larry will also be featured speakers at the 26th Annual Seven Seas Cruising Association Annapolis GAM September 28-30, 2012. On Friday evening at 7pm on Sept 21, Lin & Larry will be at The Annapolis Bookstore at 35 Maryland Avenue in Annapolis for a book reading and signing of Lin's Willa Cather award-wining, Bull Canyon. Presented by TheSailingChannel.TV Browse our VOD collection Join our eNewsletter for news and discount offers. Sailing Documentaries and How-To Videos. Brought to you by TheSailingChannel.TV

The future looked quite bleak even before the events of last week, but now Asif Kapadia’s speculative hybrid feature 2073 feels all the more relevant following the disastrous American election. Following its Venice Film Festival premiere, the Samatha Morton-led project will arrive on December 27 and now the new trailer has been unveiled from NEON. […]

The post Asif Kapadia and Samantha Morton Imagine the Future in Trailer for La Jetée-Inspired 2073 first appeared on The Film Stage.

Directed with a sense of tranquil serenity and grounded maturity one might be accustomed to finding in the work of a seasoned director, Allen Sunshine is, quite remarkably, the debut feature of 25-year-old Harley Chamandy. The Montreal-born, New York-based filmmaker received the 2024 Werner Herzog Film Prize for his feature following its Munich Film Festival […]

The post Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling first appeared on The Film Stage.

The Good Old Boat Magazine crew join in a sing-along of "The Sloop John B" at the 2010 U.S. Sailboat Show in Annapolis, MD. During the sing, we get a look a several of new sailboats featured at the show. Professional musician and sailor Al McKegg spent a couple of days entertaining the visitors (and the staff!) at the Good Old Boat booth. One look at this singalong will convince you we all had a good time. If you attend the Annapolis Sailboat Show next year, stop by and join in for a sing a long. "No Strings" FREE ISSUE Good Old Boat is the sailing magazine for the rest of us. It focuses on affordable (slightly aging) fiberglass cruising sailboats that a couple can comfortably maintain, sail, and enjoy. Each issue is filled with helpful information about maintenance, upgrades, and good old boat reviews. If you live in North America and U.S. Territories, get your "no strings" free issue. GOB will send you a sample copy right away. If you don't subscribe, they won't bug you. If you do subscribe, they won't charge you for the sample. It really is free. Sailing Documentaries from $2.99. Brought to you by TheSailingChannel.TV

CLICK TO PLAY Taleisin cuts through building seas as a squall approaches. Read Lin and Larry Pardey's article, Squall Line, in the September 2012 issue of Cruising World Magazine. Then check out their videos and books at www.thesailingchannel.tv/pardey. If you are going to be at the Annapolis Sailboat Show in October 2012, please stop by our booth and say hello to Lin & Larry. Look for us in Section F under Lin & Larry Pardey and TheSailingChannel. Lin & Larry will also be featured speakers at the 26th Annual Seven Seas Cruising Association Annapolis GAM September 28-30, 2012. On Friday evening at 7pm on Sept 21, Lin & Larry will be at The Annapolis Bookstore at 35 Maryland Avenue in Annapolis for a book reading and signing of Lin's Willa Cather award-wining, Bull Canyon. Presented by TheSailingChannel.TV Browse our VOD collection Join our eNewsletter for news and discount offers. Sailing Documentaries and How-To Videos. Brought to you by TheSailingChannel.TV

Deadline reports that Marv Films (Matthew Vaughn's UK-based production company) "is plotting 'something like seven more Kingsman films' as part of the company’s expansion plans." That's... ambitious! But other spy franchises have certainly sustained that many or more. At least one of those seven films is expected to be a spinoff centered on the American spies (including Channing Tatum and Jeff Bridges) introduced in the second movie, Statesman. If previous plans mooted by Vaughn are still in effect, another is likely to be a third and supposedly final movie about the characters from the first two films, Eggsy (Taron Edgerton) and Harry Hart (Colin Firth), said to close out that trilogy. 

The next Kingsman movie we see will definitely be the WWI-set prequel The King's Man, long in the can and delayed by the global pandemic. That's currently slated for February, but likely to change again. It stars Harris Dickinson, Ralph Fiennes, Gemma Arterton, Rhys Ifans, Tom Hollander, and Daniel Brühl. With a cast like that an an exciting new time period less well mined by other spy franchises (and even a more serious tone judging from the trailers), I'm hopeful some more of these upcoming Kingsman films are sequels to The King's Man. Perhaps Dickinson and Fiennes will get as many movies as Edgerton and Firth.

According to Marv Group CEO Zygi Kamasa (per the trade), the company also has a Kingsman TV series in the works. 

AIP’s Vincent Price vehicle Dr. Goldfoot and the Bikini Machine was one of the first Sixties Bond parodies I ever heard of, long before I actually saw it. In a way, that was a good thing, because it afforded the movie years to percolate in my imagination, growing far beyond a potential it could possibly live up to when I finally saw it. Ultimately I was bound for disappointment, because, let’s face it, Dr. Goldfoot and the Bikini Machine is a far better title than it is a movie. But because of all those years that it lived in my mind as pure potential, I went into it for the first time after college (during college I had tried in vain to track down a 35mm print to program on campus) with a pre-built nostalgia, and nostalgia is a wonderful—and possibly essential—cushion for a movie like this. If you remember it from your childhood, you’ll probably enjoy it more than it deserves to be enjoyed. And the same can be said if you’ve somehow approximated such a nostalgia like I did. But even after that lengthy apologia for liking the movie, I have to admit that I only really like certain parts of it. Most of it is pretty bad.

Made at the height of the Sixties (and here I’m grudgingly conceding that that phrase, which I usually use very positively, can also have negative connotations), Dr. Goldfoot and the Bikini Machine is a as much a blend of what was popular then as those Seltzer and Friedberg “parody” movies (usually with “movie” in the title) were in the early 2000s. (Though to be fair it’s a lot better than those!) And since it was made by American International Pictures, it’s a blend of its time that particularly reflects that studio’s output. Therefore it’s as much a parody of their two bread-and-butter genres—Frankie and Annette beach movies and Poe-inspired Vincent Price horror movies—as it is of James Bond. While I’m indifferent to beach movies, I do love those Poe movies… so I’m not being an espionage chauvinist when I say that the only bits that really work are those inspired by the spy craze. And even then the hit-to-miss ratio is probably 50/50... at best.

Appropriately, Dr. Goldfoot and the Bikini Machine opens with one of the strangest title sequences of any Sixties spy movie. Under a rather great and undeniably infectious theme song performed by the Supremes (available on the stellar Ace Records Sixties spy theme compilation Come Spy With Us), instead of the Bond-style credits most spy spoofs opted for, Bikini Machine treats us to Claymation, courtesy of Gumby creator Art Clokey. And the entire Claymation sequence is built around the stupidest thing in the whole movie: a pair of stupid gold elf shoes with little bells on their pointed toes that Price’s character wears to justify his name, Dr. Goldfoot. I’m aware that I just used the word “stupid” twice in that sentence, but that’s because these shoes are seriously stupid. I don’t know whose idea they were, but I sure am glad that Ken Adam wasn’t struck by a similar necessity to equip Gert Frobe with jingling golden thimbles.

After the titles, we meet an attractive robot woman (Susan Hart) in a trenchcoat and fedora walking through the streets of San Francisco. We learn that she’s a robot woman through a series of stupid gags (there’s that word again… are you detecting a pattern?), like a car crashing into her and getting wrecked (because she’s metal, get it??), or two bank robbers escaping and crashing into her and getting knocked down (because she’s metal!), then shooting her full of holes with no discernable result (because… you’ve figured it out by now, haven’t you?). Then we meet Frankie Avalon being annoying in a restaurant and sporting a really annoying helmet of hair. (Uh-oh. There’s another word that bore repeating twice in one sentence!) The robot woman comes in and drinks a sip of his milk and then spouts out gallons of the white stuff (all from that one sip, apparently) through the “bullet holes” in her body. (John Cleese would recycle the same questionable gag years later in that Schweppes commercial on the original Licence to Kill VHS.) Despite her leakage, the holes (which aren’t visible) don’t seem to have damaged her mechanics one bit, and in minutes she’s successfully picked up Avalon and is heading back to his apartment with him.

Avalon is Craig Gamble, a bumbling agent of Secret Intelligence Command (or SIC, which I think is supposed to pass for a joke) who decorates his walls with a picture of Sherlock Holmes, apparently for inspiration. The robot woman is named Diane, and she talks with an annoying put-on Southern accent and, we and Gamble soon come to learn, wears only a gold lamé bikini underneath her fashionable spy trenchcoat! (The latter makes up for the former.) But what made her pick him?

The answer comes back at Dr. Goldfoot’s lair, where we meet the diabolical mastermind and his sidekick, Igor (occasional Elvis cohort Jack Mullaney). While Vincent Price deserves an iconic entrance in any movie he makes, it’s kind of undercut here by those stupid gold shoes, which really are quite stupid. (Have I mentioned that?) I am not a production designer, nor a fashion maven, but I am confident I could have designed much better gold shoes for the same purpose. And regular readers will know that I am not given to making such claims. Anyway, it transpires at Goldfoot HQ that the idiotic Igor programmed poor Diane to go after the wrong man. While Gamble hasn’t got two pennies to rub together, she was supposed to be seducing Avalon’s beach buddy Dwayne Hickman, as millionaire playboy Todd Armstrong. (As either an inside joke or laziness, Hickman’s character is named after Avalon’s character in Ski Party, and Avalon’s Craig Gamble is named after Hickman’s character from that movie.) To Igor’s credit, the two actors do look a lot alike (in a very generic Sixties heartthrob way), and that fact actually makes the movie a little bit confusing. The fact that Gamble turned out to be a secret agent was just bad luck—or bad scriptwriting. Luckily Dr. Goldfoot can operate Diane by remote control, and he’s able to reprogram her to suddenly walk out on Craig and set off to lay a trap for Todd.

Diane’s trap for Todd involves bending over and pulling her trenchcoat far enough aside to expose a glimpse of that golden behind as she pretends to inspect a flat tire. It also involves Dr. Goldfoot somehow taking remote control of Todd’s car, and driving him backwards until he sees Diane. (Dr. Goldfoot possesses a magical universal remote long before its time, and uses it primarily for making cars drive the wrong direction and various things blow up. He also threatens people with it a lot, though I’m not sure if he’s threatening to blow them up or to reverse them.) One glimpse of Diane, however, is enough to make Todd forget that it might be a little suspicious and just a tad weird to find yourself suddenly pulled backwards by an unseen force while driving. Their meeting also offers the movie’s choicest bit of dialogue—and, yes, it’s every bit as sexist as you would expect/hope for from a movie called Dr. Goldfoot and the Bikini Machine.

“Thank heavens you came along, darling, I’m completely flat!” declares Diane as she opens the front of her trenchcoat.

“Well, I wouldn’t say that,” replies Todd, ogling her gold bikini-clad breasts jutting out of the London Fog.

So what’s all this about? Well, sadly all of Dr. Goldfoot’s ingenuity is expended on a simple gold digging scheme. Diane is supposed to get millionaire Todd to marry her and then make him sign over power of attorney to her (which is of course the same as signing it to Dr. Goldfoot). Honestly, I find it a little disappointing that Dr. Goldfoot has the ingenuity and the wherewithal to build perfectly human-looking robots and universal remotes that control anything, and yet the best scheme he can come up with is gold digging. Why not aim higher, Dr. G? Why not strive for world domination? (Well... that's what sequels are for!)

Anyway, Igor’s error with the target has accidentally tipped off an agent of SIC to the mad doctor’s big gold digging plot. Fortunately for Dr. Goldfoot, though, he’s not a very good agent.

Gamble’s code number is only Double O and a half. “Why they won’t even let you carry a gun until you get a digit instead of a fraction!” yells his boss and uncle, Uncle Donald (genuine comic genius Fred Clark, of Zotz! and Hammer's Curse of the Mummy's Tomb). Donald’s not really in any position to berate his nephew, though, because he’s not the sharpest knife in the drawer himself. When Igor shows up in his office dressed in what looks like a Sherlock Holmes Halloween costume (deerstalker and Inverness cape) claiming to be SIC director Inspector Abernathy, Donald believes him despite Gamble’s protestations.

The gags in this movie are mostly lame (as opposed to lamé), and recycled for the hundredth time. When an upper file cabinet drawer is closed, a lower one pops out knocking someone on the head. A beautiful girl robot is mis-programmed (Igor!) and starts talking like a Brooklyn gorilla. When Igor tries to spy on his boss using a periscope, Dr. Goldfoot splashes some ink on the top end giving Igor a black ring around his eye from the viewer. (Actually, that one's still kind of funny.) Even the spy-specific jokes tend to fall flat a lot of the time. Igor shows Dr. G a new attaché case (pronounced the American way, not the British “attachee”) with its own From Russia With Love-style gadgetry. What surprises does it have in store?  Would you believe a fist with a boxing glove that pops out and punches someone when they open it? (Neatly and obviously accomplished by situating a stuntman underneath the table the case is set on, easily able to reach through a hole in the table and the case.)

While the jokes often fall flat, highlights come in the form of random outbursts of go-go dancing, whether from Dr. Goldfoot’s bikini girls (whose default mode seems to be set as “go-go,” befitting their gold bikini costumes) or in nightclubs. (There’s a odd number from a band all dressed up as Fred Flintstone credited as Sam and the Apemen and accompanied by—you guessed it—go-go girls. But for some reason the go-go girls aren’t dressed in fur bikinis, just regular bikinis.)

Price himself camps it up to the extreme (surprise, surprise), parodying his own other AIP performances and even donning costumes from a few of them at times. To that end, the movie becomes more and more of an AIP in-joke as it proceeds (complete with an Annette Funicello cameo), and eventually Gamble and Todd end up in Dr. Goldfoot’s torture chamber, getting a tour that includes portraits of all his illustrious forebears (again bearing certain resemblances to famous Price roles past) and lots of familiar torture implements. It’s poor Todd who ends up strapped down beneath the swinging pendulum from The Pit and the Pendulum.

But then, in its final act, something unexpected happens. The movie becomes… really fun! The undisputable high point of the film is the fifteen-minute-long final chase through the streets of San Francisco in which the heroes and villains keep changing vehicles. It’s accomplished mostly through obvious rear projection, but the San Francisco scenery is quite real. The heroes (Gamble and Todd) start out in a gadget-laden Cadillac spy car whose gags include inflatable seats that inflate when you don’t want them to and a steering wheel that switches sides between the driver and the passenger at inopportune moments. The villains start out in a motorcycle and sidecar that become detached in the course of the chase and eventually manage to re-attach themselves. When Dr. Goldfoot uses his magic remote control device to blow up their spy car, the heroes swipe a red convertible (a Sunbeam Alpine, like Bond drove in Dr. No), and when the motorcycle and sidecar end up smashed on the front of a train, the villains (their faces coated in black soot, just like a cartoon character’s after surviving such a collision) appropriate an E-Type Jag. Eventually the heroes are on a bicycle while the baddies commandeer a San Francisco cable car—and manage to drive it right off its tracks and all over town! By the end the good guys are in a boat on a boat trailer careening wildly down San Francisco’s steep hills. It’s all pretty fun, really, in a typically zany way.

The end titles feature those stupid gold shoes again (though not Claymation this time), performing a disembodied dance (accomplished simply—and effectively—enough with a dancer dressed all in black dancing in front of a pitch black background) alongside gold bikini-clad go-go dancers—and similarly disembodied writhing gold bikini tops and bottoms. (That’s actually a really cool effect!) All of which handily beats (and makes up for) the Claymation opening in my book.

Even though Doctor Goldfoot and the Bikini Machine leaves things open for a sequel with Dr. Goldfoot and Igor surviving their cable car crash (and subsequent bombardment by gunboats) and turning up on the plane winging our victorious heroes off to Europe, the end credits instead tout the next beach movie, The Girl in the Glass Bikini. Which kind of brings us back to this movie’s title. Say it out loud to yourself. Think about it. Based on that title more than my (or any) review, I suspect you already know if this movie is for you or not.

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