The Wonderful Wizard of Oz: In 1900, Baum and Denslow (with whom he shared the copyright) published The Wonderful Wizard of Oz to much critical acclaim and financial success. The book was the best-selling children's book for two years after its initial publication. Baum went on to write thirteen more novels based on the places and people of the Land of Oz. ... His final Oz book, Glinda of Oz was published on July 10, 1920, a year after his death. The Oz series was continued long after his death by other authors, notably Ruth Plumly Thompson, who wrote an additional nineteen Oz books. ... Baum also anonymously wrote The Last Egyptian: A Romance of the Nile. -- Baum continued theatrical work with Harry Marston Haldeman's men's social group, The Uplifters, for which he wrote several plays for various celebrations. He also wrote the group's parodic by-laws. The group, which also included Will Rogers, was proud to have had Baum as a member and posthumously revived many of his works despite their ephemeral intent. Although many of these play's titles are known, only The Uplift of Lucifer is known to survive (it was published in a limited edition in the 1960s). Prior to that, his last produced play was The Tik-Tok Man of Oz (based on Ozma of Oz and the basis for Tik-Tok of Oz), a modest success in Hollywood that producer Oliver Morosco decided did not do well enough to take to Broadway. Morosco, incidentally, quickly turned to film production, as would Baum. -- In 1914, having moved to Hollywood years earlier, Baum started his own film production company, The Oz Film Manufacturing Company, which came as an outgrowth of the Uplifters. He served as its president, and principal producer and screenwriter. The rest of the board consisted of Louis F. Gottschalk, Harry Marston Haldeman, and Clarence R. Rundel. The films were directed by J. Farrell MacDonald, with casts that included Violet MacMillan, Vivian Reed, Mildred Harris, Juanita Hansen, Pierre Couderc, Mai Welles, Louise Emmons, J. Charles Haydon, and early appearances by Harold Lloyd and Hal Roach. Silent film actor Richard Rosson appeared in one of the films, whose younger brother Harold Rosson photographed The Wizard of Oz (1939). After little success probing the unrealized children's film market, Baum came clean about who wrote The Last Egyptian and made a film of it (portions of which are included in Decasia), but the Oz name had, for the time being, become box office poison and even a name change to Dramatic Feature Films and transfer of ownership to Frank Joslyn Baum did not help. Unlike with The Fairylogue and Radio-Plays, Baum invested none of his own money in the venture, but the stress probably took its toll on his health. -- On May 5, 1919, Baum suffered from a stroke. He died quietly the next day, nine days short of his 63rd birthday. At the end he mumbled in his sleep, then said, "Now we can cross the Shifting Sands." He was buried in Glendale's Forest Lawn Memorial Park Cemetery. ... Political: Women's suffrage advocate - Sally Roesch Wagner of The Matilda Joslyn Gage Foundation has published a pamphlet titled The Wonderful Mother of Oz describing how Matilda Gage's radical feminist politics were sympathetically channeled by Baum into his Oz books. Much of the politics in the Republican Aberdeen Saturday Pioneer dealt with trying to convince the populace to vote for women's suffrage. Baum was the secretary of Aberdeen's Woman's Suffrage Club. When Susan B. Anthony visited Aberdeen, she stayed with the Baums. Nancy Tystad Koupal notes an apparent loss of interest in editorializing after Aberdeen failed to pass the bill for women's enfranchisement. Some of Baum's contacts with suffragists of his day seem to have inspired much of his second Oz story, The Marvelous Land of Oz. In this story, General Jinjur leads the girls and women of Oz in a revolt by knitting needles, take over, and make the men do the household chores. Jinjur proves to be an incompetent ruler, but a female advocating gender equality is ultimately placed on the throne. His Edith Van Dyne stories, including the Aunt Jane's Nieces, The Flying Girl and its sequel, and his girl sleuth Josie O'Gorman from The Bluebird Books, depict girls and young women engaging in traditionally masculine activities. ... Religion: Originally a Methodist (albeit a skeptical one), Baum joined the Episcopal Church in Aberdeen to participate in community theatricals. Later, he and his wife, encouraged by Matilda Joslyn Gage, became Theosophists, in 1897. Baum's beliefs are often reflected in his writing. The only mention of a church in his Oz books is the porcelain one which the Cowardly Lion breaks in the Dainty China Country in The Wonderful Wizard of Oz. The Baums believed that religious decisions should be made by mature minds and sent their older sons to "Ethical Culture Sunday School" in Chicago, which taught morality, not religion.

I’m thrilled to announce new ebook editions of my Hugo Award-winning novel Hominids, its Hugo Award-nominated sequel Humans, and the bestselling final volume Hybrids. Together, they are the Neanderthal Parallax trilogy, which won the Canadian Science Fiction and Fantasy Award (“the Aurora”) for best work of the entire decade. The trilogy tells of a parallel […]

'I may not have accrued a large bank balance, but I think I've earned something far valuable. Respect.' 'That's what Andaz Apna Apna brought me, and I wouldn't exchange that respect for any amount of money in the world.'

We may think that we prefer something brand-new to something we’ve seen before, but the truth is we are more likely to enjoy things we are familiar with. In this edition of Two Guys On Your Head, Dr. Art Markman and Dr. Bob Duke talk about the psychology behind why we like sequels.

Director Jon M. Chu said while sequels to the hit romantic comedy “Crazy Rich Asians” are in the works, he and producers are not currently casting for “new lead roles,” as falsely indicated by a phony press release and social media post, which have since been taken down. Chu took to his Twitter account on […]

The theatrical release of the much anticipated two chapters in actor Tom Cruise's action franchise - 'Mission: Impossible 7' and 'Mission: Impossible 8' - has been delayed by Paramount pictures due to COVID-19 crisis. The seventh sequel of the franchise was initially set to hit the theatres on July 23 this year which will now debut on November 19, 2021.

Meanwhile, 'Mission: Impossible 8,' originally due in theatres on August 5, 2022, will hit the big screens on November 4, 2022, reported Variety.

The shoot of the 'Mission: Impossible 7' was put to a pause as a precautionary measure to combat the spread of the coronavirus.

The 57-year-old actor had been about to start filming in Venice, Italy, when the studio pumped the breaks in late February.

Having Christopher McQuarrie at the helm, the upcoming sequel will have the Cruise returning as the seemingly indestructible secret agent Ethan Hunt.

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One of the key figures in the surprise success of Crazy Rich Asians has 'exited' the film's proposed sequels, according to Variety. Adele Lim left the films 'due to a dispute over pay disparity'.

Chu posted a lengthy statement to Twitter on Monday that began: 'For those of you who are asking, you bet your a** I stand with Adele!'

James Cameron's 'Avatar' sequels are some of the most anticipated projects in the history of film business.

Angry Nerd used to love Pixar. Then they got lazy, churning out one tired sequel after another. Has this once shining beacon of creativity totally sold out?