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Pronouns and terms of address

Seen several variations of this floating around. This particular version I got from ghoti_mhic_uait who pointed out that whether and how some of them are gendered can be really regional.

It/its - Basically nobody ever uses 'it' spontaneously unless they are trying to insult people for being GNC or perceived as trans. Most people perceive me as a not particularly feminine woman, so 'it' pretty much doesn't happen. I don't have any wish to be insulted by people who hate non-binary folk, but in the abstract I somewhat prefer 'it' to 'they'.

She/her - Most usual pronouns for me, and what I'll pick if people ask for pronouns and I don't want to be that annoying cis person who says 'I don't mind'. But actually I kind of don't mind.

He/him - I about equally don't mind 'he' as 'she', but in practice nobody ever reads me as male. I'll correct it if we're in an online discussion where people assume that articulate and sensible = male, but otherwise, emotionally it would be fine, realistically not very likely.

They/them - I feel guilty for saying this but I somewhat dislike being referred to as 'they'. I think it's the same objection I used to have when 'Ms' became common. It ought to mean that my gender (marital status) is irrelevant to what people are saying about me, which is correct, but actually it seems to mark me as one of those people for whom non-binary gender (or non-determinate marital status) is really important. So I don't like 'they' because I feel like I'm being gendered as a gender rebel, which I'm really not, I have no spare energy for activism around not fitting into the female box. I am entirely happy to refer to other people as they and hopefully wouldn't make too many assumptions about anybody else's gender politics, but I dislike it for myself.

Neo-pronouns - If it were a politically uncomplicated choice, and didn't have the same problem as 'they' that neo-pronouns mark you as a gender rebel, this would probably be my preference. I particularly relate to zie / hir ; some people object to this set because it sounds like German 'sie' meaning 'she' and therefore isn't truly gender neutral. But actually that matches pretty well how I feel about myself. I'm sort of female-ish, if people think of me as somewhere on the female side of neutral, that's about right. Also, as you can see from my icon, my preferred pronoun in Swedish is definitely 'hen'; yes, it does sound like the feminine gendered English word 'hen', which is a problem for many bilingual people, but for me personally it works really well.

Mr. - Can't really imagine this happening to me. Sometimes I choose it in a fit of pique if I'm choosing from a fixed list with only inappropriate title options. But just like I'm never going to be called 'he' spontaneously, nobody ever calls me Mr.

Mx - Don't love Mx but I'm ok with it. If social norms shift to the point that Mx is the default that people start out with rather than assuming Mr or Ms, that would be ok with me. But I don't love it anywhere near enough to insist on it if people are using a different title. (I don't like to spell it with a dot as it was in the list I copied from, 'Mx.' just looks wrong to me because it isn't an abbreviation for anything.)

Miss - My preferred title if Dr. isn't available. I dislike when people who don't know my name just call me 'Miss', but in a formal context where we're using titles, I will opt for 'Miss Surname'.

Ms - I guess, if I can't have Dr or Miss, then Ms is probably better that the other options. I am less prickly about being identified as a feminist than I was years ago, but it kind of doesn't really feel like me and I'd rather have Mx.

Mrs. - Don't like this because there is no sensible combination of 'Mrs.' with a surname. I don't have the same surname as my husband, so calling me 'Mrs. Hisname' is incorrect, but calling me 'Mrs. Myname' doesn't work either because it's not a married name, it's the same surname I was assigned at birth. A few distant relatives on both sides do default to 'Mrs. Hisname', and I don't really take offence at it, it's just a slightly incorrect formalism, not an insult. It just feels completely irrelevant to how I think of myself.

Dr. - This is my correct and earned title, which is incidentally gender neutral. I don't like being pretentious enough to insist on it always, but if I have to give a formal title to a random customer service bod, then Dr. is more correct than any of the other options. I'm happy to be addressed as 'Dr. Surname' if we are being formal. I'm not a fan of being addressed as just 'Dr.' or 'Doc', but I suppose it's better than plain 'Miss'.

Sir - I can't imagine a situation where someone would call me Sir outside a kink scene. And even then I'm almost exclusively submissive so it's not very likely. If I hypothetically did get read as male, and hypothetically it was the kind of context where 'Sir' is polite, I would be ok with it, but I'm not willing to go to the effort to be read as male, so it's not going to happen.

Ma'am - The cross-section of class and region I'm most familiar with doesn't use this. I have occasionally been called 'Madam' and I'm ok with that if it's a mark of genuine respect from someone who doesn't have a clue what my name or title are, not if it's sarcastic.

Dude - Relatively gender neutral in my dialect, but mostly used as an expression of surprise. So I wouldn't expect to be called 'dude' for real, but if it happened it would be ok.

Bro/bruh - I don't think anyone has ever called me either of these. If I heard it from someone from a similar sort of race and class background to me, I would assume they were taking the mick, either mocking me, or mocking what they perceive as a working class or ethnic minority dialect. If I were called 'bro' by someone who regularly calls people 'bro' that would be ok but again, unlikely because it's too male-gendered.

Sis - Fine from my actual siblings, and one particular friend with whom I have a negotiated fraternal relationship. Fine from people who are expressing feminist solidarity; I think I broadly prefer 'sister' over 'sis' but either is fine.

I'm also totally fine with Muslim women calling me 'sister' if they come from a culture where that's the general term of respect for anyone perceived as a woman. And if they normally only call fellow-Muslims 'sister' then it's a compliment to include a Jewish woman in the sisterhood. I don't expect it from Christians because I'm not a nun and not likely to be mistaken for one.

I wouldn't like to be called 'sis' by a stranger trying to get my attention though, it's one of the words that assumes intimacy.

Sib - Nobody really calls me 'sib' (or 'fam' for that matter). I like them, but they don't really belong in my culture and dialect.

Woman - I'm totally fine with being described as a woman. I strongly dislike being addressed as 'woman'; I can't think of a context where that would be anything other than deliberately rude.

Man - I don't think people call me 'man' directly. People use 'man' as an expression of emphasis, like, man, you're fast!. But I don't perceive that as being addressed as 'man'.

I have a few friends who will refer to me as a man if I happen to be wearing more masc attire than I usually do, and I am somewhat uncomfortable with that, because I'm not more male in trousers than a skirt, though I appreciate the underlying thought process which is to acknowledge gender-fluidity.

Boy - Implausible.

Girl - In a feminist-disapproved way, I do to some extent think of myself as a 'girl'. I am ok with other people calling me 'girl' in a context where it's obviously positive, like you go, girl!, but I wouldn't respond to someone calling me 'hey girl!' in the street. I might slightly ironically say 'because I'm a girl' when discussing some gender unfairness. I don't like people referring to me as a girl, because that can be patronizing. I particularly don't like 'girl' as a modifier; I'm not a 'girl scientist' or a 'girl manager' or a 'girl blogger', I'm a woman or female scientist.

King - I don't move in the kind of circles where this would ever be a term of address.

Queen - I think you have to be a certain kind of gay man or African American to call someone 'Queen' so this doesn't seem to fit me.

Prince - Implausible.

Princess - I kind of dislike this even as a term of endearment. It feels like a name for either a young child, or someone you don't really respect as a person but think of as basically an ornament or toy.

Captain - Completely irrelevant. The only time I'm ever even slightly likely to be addressed as 'Captain' is if someone is gently ribbing me for being bossy, which I suppose is ok if we have the kind of relationship where that sort of teasing is accepted.

Lady - As a term of address where this is culturally normal, fine. I don't feel personally excluded or hurt if someone addresses a speech to 'Ladies and Gentlemen'. If a complete stranger is trying to get my attention, I probably prefer 'lady' over 'girl', though neither is great. I don't mind when parents tell their children, say thankyou to the nice lady or similar. I would not expect anyone who knows my name to call me 'lady' instead. If someone is describing me rather than addressing me, I think 'woman' is a better word than 'lady', and 'person' is a better word still.

Feminine compliments - I don't entirely agree with the various examples from different versions of the meme of what constitutes a feminine, masculine or gender-neutral compliment. I broadly dislike 'feminine' compliments from people who don't know me well, because they are almost all about appearance, and because they are often belittling. If I'm in a close relationship with someone and feel comfortable with them complimenting my appearance, I prefer the gender-neutral 'gorgeous' over the more feminine-ish 'beautiful' as terms of address, but if it's a description rather than a name then it depends on the person giving the compliment.

Masculine compliments - I would love to be described as 'handsome', but it's never going to happen, because I'm really not. Also I don't like being addressed as 'handsome' in place of a name or title. What other masculine compliments even exist? I can't think of any of the top of my head.

Neutral compliments - In place of a name, supposedly neutral compliments are often feminized. Like, if a stranger calls me 'cute' or 'hot' or 'sexy' because they don't know my name, they're quite likely to be asserting gendered power over me and I don't like that. If someone wants to describe me in a sentence using complimentary language, I usually prefer neutral over explicitly feminine.

Honey, sweetie etc - If it's normal in someone's dialect to call random strangers by terms of endearment, that's fine. I think doing so can be gendered slightly female, but it doesn't bother me if someone calls me 'darling' or 'sweetheart' because they perceive me as female. I dislike endearments once I'm having an ongoing interaction with someone, in that case I want them to ask my name (or title, in a more professional context) and use it.

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Boots. Mended. We’ll see how the patches hold up. Now I just need to acquire a sufficiently long raincoat.

View on Instagram https://ift.tt/2mPe4Ss




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【FromStaff】『NO TRAVEL,NO LIFE』 ボイスドラマ CD 出演決定!

『NO TRAVEL,NO LIFE』 ボイスドラマ CD 販売決定!!原作:須田 誠 脚本・演出:吉田武寛■出演■<CUBA 編>反橋宗一郎 /中村裕香里/吉澤 翼/武藤賢人/千歳ゆう/鵜飼主水/伊藤玲奈<ASIA 編>反橋宗一郎/遠藤三貴/北乃颯希/久下恭平/星守紗凪/KIMERU/伊藤玲奈■販売■NO TRAVEL,NO LIFE ボイスドラマ CD (CUBA 編/ASIA続きをみる

『著作権保護のため、記事の一部のみ表示されております。』




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It’s okay to not be okay

I feel bad that I haven’t written anything funny here in awhile.  I know you can tell that I’ve been up and down but I think that’s pretty common for everyone going through this.  I have a million things I … Continue reading




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Wimpie Nortje: Database migration libraries for PostgreSQL.

It may be tempting at the start of a new project to create the first database tables manually, or write SQL scripts that you run manually, especially when you first have to spend a significant amount of time on sifting through all the migration libraries and then some more to get it working properly.

Going through this process did slow me down at the start of the project but I was determined to use a migration tool because hunting inexplicable bugs that only happen in production just to find out there is a definition mismatch between the production and development databases is not fun. Using such a tool also motivates you to write both the setup and teardown steps for each table while the current design is still fresh in your mind.

At first I considered a standalone migration tool because I expect them to be very good at that single task. However, learning the idiosyncrasies of a new tool and trying to make it fit seamlessly into my development workflow seemed like more trouble than it is worth.

I decided to stick with a Common Lisp library and found the following seven that work with PostgreSQL and/or Postmodern:

I quickly discounted Crane and Mito because they are ORM (Object Relational Mapper) libraries which are way more complex than a dedicated migration library. Development on Crane have stalled some time ago and I don't feel it is mature enough for frictionless use yet. Mito declares itself as being in Alpha state; also not mature enough yet.

I only stumbled onto cl-mgr and Orizuru-orm long after making my decision so I did not investigate them seriously. Orizuru-orm is in any case an ORM which I would have discounted because it is too complex for my needs. CL-mgr looks simple, which is a good thing. It is based on cl-dbi which makes it a good candidate if you foresee switching databases but even if I discovered it sooner I would have discounted it for the same reason as CL-migrations.

CL-migrations looks very promising. It is a simple library focusing only on migrations. It uses clsql to interface with the database which bothered me because I already committed to using Postmodern and I try to avoid adding a lot of unused code to my projects. The positive side is that it interfaces to many different databases so it is a good candidate if you are not committed to using Postmodern. It is also a stable code base with no outstanding bug reports.

The two projects I focused on was Postmodern-passenger-pigeon and Database-migrations because they both use Postmodern for a database interface.

Postmodern-passenger-pigeon was in active development at the time and it seemed safer to use than Database-migrations because it can do dry runs, which is a very nice feature when you are upgrading your production database and face the possibility of losing data when things go awry. Unfortunately I could not get it working within a reasonable amount of time.

I finally settled on Database-migrations. It is a small code base, focused on one task, it is mature and it uses Postmodern so it does not pull in a whole new database interface into my project. There are however some less positive issues.

The first issue is a hindrance during development. Every time the migrations ASDF system (or the file containing it, as ASDF prefers that all systems be defined in a single file) is recompiled it adds all the defined migrations to the migrations list. Though each one will only be applied once to the DB it is still bothersome. One can then clear the list with (setf database-migrations::*migrations* nil) but then only newly modified migration files will be added. The solution then is to touch the .asd file after clearing the migrations list.

The second negative point is quite dangerous. The downgrade function takes a target version as parameter, with a default target of 0. This means that if you execute downgrade without specifying a target version you delete your whole database.

I am currently using Database-migrations and it works well for me. If for some reason I need to switch I will use cl-migrations.

Using Database-migrations

To address the danger of unintentionally deleting my database I created a wrapper function that does both upgrade and downgrade, and it requires a target version number.

Another practical issue I discovered is that upgrades and downgrades happen in the same order as they are defined in the migration file. If you create two tables in a single file where table 2 depends on table 1 then you can not revert / downgrade because Database-migrations will attempt to delete table 1 before table 2. The solution here is to use the def-queries-migration macro (instead of def-query-migration) which defines multiple queries simultaneously . If you get overwhelmed by a single definition that defines multiple tables the other option is to stick with one migration definition per file.




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Quicklisp news: April 2020 Quicklisp dist update now available

New projects:

  • anypool — General-purpose pooling library — BSD 2-Clause
  • avl-tree — An implementation of the AVL tree data structure. — MIT
  • cl-aubio — Aubio bindings for Common Lisp — GPLv3
  • cl-interval — Intervals, interval trees — NewBSD, LLGPL
  • cl-liballegro — Allegro 5 game programming library bindings for Common Lisp — Allegro 5 - http://alleg.sourceforge.net/license.html
  • cl-mime-from-string — A one function library to return a mime-type based on the file extension found at the end of a string. ie abc.txt -> text/plain. The common types implemented are from https://developer.mozilla.org/en-US/docs/Web/HTTP/Basics_of_HTTP/MIME_types/Common_types — MIT
  • cl-telegram-bot — Telegram Bot API, based on sovietspaceship's work but mostly rewritten. — MIT
  • dns-client — A client for the DNS protocol. — zlib
  • feeder — RSS, Atom and general feed parsing and generating — zlib
  • perceptual-hashes — Perceptual hash algorithms for images — 2-clause BSD
  • portable-condition-system — A portable condition system for Common Lisp — CC0
  • ten — Template System for Common Lisp — MIT
  • trivial-custom-debugger — Allows arbitrary functions to become the standard Lisp debugger — MIT
  • trivial-with-current-source-form — Helps macro writers produce better errors for macro users — GPLv3
  • vom-json — A json-formatted logger for vom — MIT
  • vp-trees — Perceptual hash algorithms for images — 2-clause BSD
Updated projects3b-bmfont3bgl-shader3bmd3bza-cl-loggeralexandriaaprilasync-processbdefbpccldocchungacl+sslcl-anacl-capstonecl-cffi-gtkcl-collidercl-containerscl-environmentscl-gamepadcl-gservercl-inotifycl-marklesscl-packcl-patternscl-pythoncl-rdkafkacl-shlexcl-sparqlcl-strcl-tuicl-utilscl-webkitclinenoiseclipcloser-mopconcrete-syntax-treecroatoancserial-portdartscltoolsdefenumdeploydexadordiff-match-patchdissectdjuladoubly-linked-listeasy-routeseclectorescalatorfast-generic-functionsfast-ioflexi-streamsflexichainfloat-featuresfsetfuccfunctional-treesfxmlgendlgraphgtirbhu.dwim.computed-classhu.dwim.defhu.dwim.perechu.dwim.presentationhu.dwim.quasi-quotehu.dwim.walkerhu.dwim.web-serverhunchentoot-multi-acceptorironcladkeystonelispqrliterate-lispmaidenmaxpcmcclimmmapmodularizemutilitynodguinumclnumpy-file-formatoriginosicatoverlordparachutepatchworkpetalisppetriphoe-toolboxplumppolicy-condpolisherpostmodernpzmqqtoolsquilcqvmroanrpcqs-graphvizs-http-clients-http-servers-sysdepss-utilssanity-clausescalplsealable-metaobjectsselselect-fileserapeumsketchskippy-renderersnappysoftdrinkspinneretstaplestumpwmsucleswank-clientswank-crewtootertrace-dbtrivial-featurestrivial-file-sizevgplotwoo.

Removed projects: cl-password-store, fomus, rfc3339-timestamp, rpc4cl.

All the removed projects are removed because they no longer build. For the first two (cl-password-store and fomus), I was unable to get a response from the authors. The other two (rfc3339-timestamp, rpc4cl) the author was responsive, but has abandoned the projects.

To get this update, use (ql:update-dist "quicklisp"). Enjoy!

A number of people support Quicklisp with a monthly contribution through PayPal. I recently set up a Quicklisp Patreon page as an alternative - if you are interested in supporting Quicklisp, feel free to check it out.




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CALL FOR NOMINATIONS: The 2019 Theszies (the rec.sport.pro-wrestling Awards)

This is the Call for Nominations for the 2019 Theszie Awards (the rec.sport.pro-wrestling Awards). To nominate candidates for all categories, you may use this form. Nominations are due by January 5, 2019. Finally, to see previous years’ results, click here for 2018, click here for 2017, here for 2016, here for 2015, here for 2014, […]



  • Interactive Fun Time Party
  • The RSPW Awards / The Theszies
  • Wrestling











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Quarantine Music: Bonobo

musicisart magazine Quarantine Music: Bonobo

Perhaps there’s no better time than now to discover Quarantine Music to relax and escape to. Bonobo (AKA Simon Green) has been creating beautiful waves of downtempo, sensually instrumental music for over twenty years. His music incorporates heavy bass, programmed drums, and layers of electronics. Bonobo is a recognized pioneer in the ways he can […]

The post Quarantine Music: Bonobo appeared first on musicisart magazine.





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Not A Dusk

To imagine our worlds as settled in some aspects, to understand that some people dear to us are no doubt now part of our pasts, that while we may correspond  we will never be in each others’ physical presence again, yet still we shall continue to speak to and share in each other in all other […]





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Malta is not the centre of the world

In today’s The Times one can read a veryAlpha interesting article under Social by Kristina Chetcuti. She has a view on Malta and Maltese 'view of themselves which is very readable. She confirms what The Observer wrote under the heading "Malta-a Lilliput state with potentates separated from and above the people?", that Maltese people are ignorant about the world around them and that is something intrinsically wrong with the Maltese perspective, adding that there is high time to address this. Well said! The Observer could not agree more!




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Again, the Maltese judicial system is proven to have collapsed and now it also seems ridiculous



Today one can read in The Times of a man being sentenced to one month in prison and fined 233€ for illegal gambling. The fantastic and almost unbelievable fact is that the crime was committed in 2001 and the man pleaded guilty in 2002. The man had to wait ten years to be punished for a crime he had admitted almost immediately! To make this even more surprising (well, maybe not so surprising; this is probably typically for the judicial system in Malta) the judge found that the prosecution had failed to prove the allegations against the man, but, since he had admitted the crime the judge had to find him guilty. The Observer sincerely hopes that the latter is not true. In most other countries, with a more sophisticated and functioning judicial system than Malta, an admission is not enough to prove that a person has committed a crime.  When famous murders occur, quite many people come to the police and plead guilty. This is a well-known fact among Alphacriminologists. Probably and hopefully The Times has not published full details about why the judge had to find the man guilty.








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Notes on notation and thought

(via HN)

A nice collection of quotes on notation as a tool of thought. Mostly not programming related, which actually makes them more interesting, offering a richer diversity of examples. We used to have quite a few discussions of notation in the early days (at least in part because I never accepted the prevailing dogma that syntax is not that interesting or important), which is a good reminder for folks to check the archives.




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Histogram: You have to know the past to understand the present by Tomas Petricek

Histogram: You have to know the past to understand the present by Tomas Petricek, University of Kent

Programs are created through a variety of interactions. A programmer might write some code, run it interactively to check whether it works, use copy and paste, apply a refactoring or choose an item from an auto-complete list. Programming research often forgets about these and represents programs as the resulting text. Consequently, thinking about such interactions is often out of scope. This essay shifts focus from programs to a more interesting question of programming.

We represent programs as lists of interactions such as triggering an auto-complete and choosing an option, declaring a value, introducing a variable or evaluating a piece of code. We explore a number of consequences of this way of thinking about programs. First, if we create functions by writing concrete code using a sample input and applying a refactoring, we do not lose the sample input and can use it later for debugging. Second, if we treat executing code interactively as an interaction and store the results, we can later use this information to give more precise suggestions in auto-complete. Third, by moving away from a textual representation, we can display the same program as text, but also in a view inspired by spreadsheets. Fourth, we can let programmers create programs by directly interacting with live previews as those interactions can be recorded and as a part of program history.

We discuss the key ideas through examples in a simple programming environment for data exploration. Our focus in this essay is more on principles than on providing fine tuned user experience. We keep our environment more explicit, especially when this reveals what is happening behind the scenes. We aim to show that seeing programs as lists of interactions is a powerful change of perspective that can help us build better programming systems with novel features that make programming easier and more accessible. The data exploration environment in this interactive essay may not yet be that, but it gives a glimpse of the future.













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Zero Notebook 1: Cover

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Look what I found!

Some time ago, I posted every page of the Image Notebook I created to help me imagine the world and people of Industrialized Faerie for The Iron Dragon's Mother. What I didn't mention was that it was actually the second such notebook I'd made. The first notebook I lost--forever, I thought. But as it turned out, it had been misfiled in my office.

This is why you should clean your workspace at least once a decade.

The Zero Notebook, as I think of it, was begun all the way back in 2009. I pasted images from magazines and newspapers into it, created collages, some of which I altered, sought inspiration from the uncanny but visualizable. The end result is something very close to (but not identical with) outsider art.

I'll spare you the bulk of the images. But starting today I'll be posting ten images from the notebook. One on each weekday when I don't have any other news to pass along. This is the first one: the notebook's cover.


And what, you ask, does it mean . . . ?

The eye, of course, represents the eye of a dragon. It's slashed across the oval to create a zero.  The dot to the lower right is meant to suggest that the glyph represents the letter Q.,  though, of course, not exactly. That's because I wasn't looking for Answers. Just Questions.

There are a few (not many) words in the notebook. Here's an entry I ran across that begins with (almost) the cover glyph:

Q. What does the Goddess want?
A. Wrong question.

All of the above carried through into the novel and became a major, if close to undetectable, theme. The Iron Dragon's Mother would have been a very different book if I had started it with a different image.

The crinkly stuff is wide transparent tape, used to seal the image onto the cover. If this notebook ever winds up in somebody's collection, that's going to be a major conservation issue. Not my problem.


Above: First image. Nine to go.


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Zero Notebook 2: Caitlin

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Here on the inside cover of the Zero Notebook is a first glimpse of Caitlin. It's a photograph of a young Russian doctor and, although it misrepresents Caitlin's ethnicity entirely, it does capture her innate seriousness. Added to which are birds in flight, because flight is in her nature, and a miniature of a painting by Lucian Freud. This last was included for its lack of glossy magazine glamor but also, with a touch of irony, because I knew that the novel would be going deep into Carl Jung territory.


And what, you ask, does it mean . . .?

It doesn't. The page is a first, fumbling-in-the-darkness attempt to find the heart and soul of the novel.


Above: Second image. Eight to go.


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Zero Notebook 3: Jinx

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Excerpt 3 from the Zero Notebook for The Iron Dragon's Mother.  Jinx is a pretty neat character. I'm sorry I couldn't find a place for her in the novel. She looks like trouble, doesn't she?


And I have to apologize . . .

I promised to post these on every day I didn't have news and then got so caught up on writing chores I lost track of the blog entirely. My bad. I'll do better, I promise.

For a while, anyway. 


Above: Third image. Seven to go.


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Zero Notebook 4: A Vision of God

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This is the single most important image in the Zero Notebook. As my scrawled notation says: Her first glimpse/vision of Him. It is an image of God.

At this distance, I could not say why I specified Him rather than Her, given that my fictional universe is presided over by the Goddess. Probably I didn't want that fictional level of deniability. 

Below the picture it also says:

To say that the world is a fiction
is not the same as to say it is a lie.

And to the side:

How do you describe what cannot be described?


And what, you ask, does it mean . . . ?

If I knew, I would tell you. 


Above: Fourth image. Six more to go.

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Zero Notebook 5: Hermes/Fire Sprite

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Another character that didn't make it into The Iron Dragon's Mother. Industrialized Faerie is a rich world. The three novels I've set in it can only only hint at how rich and strange it is.

This image, for a rarity, was hardly altered at all.


And where, you ask, did I find this. . . ?

The image came from the Body Works show that toured the world some years ago. A large number of corpses were flayed and then carefully preserved, in order to display the wonders of anatomy. The show was controversial at the time because the corpses came from China and there were those who claimed the bodies hadn't been voluntarily donated but those of criminals who had died in prison. The truth of the matter was impossible to ascertain.

The show, however, was extremely popular. My son, Sean Swanwick, worked for a summer as a guide when it was displayed at the Franklin Institute and he told me that they had to watch the people touring it like hawks... Every now and then, someone would try to snap off a finger or other appendage to take home as a souvenir.


Above: Image five. Five more to go.


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Zero Notebook 6: Mother Eve

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She never appears in person in The Iron Dragon's Mother, but Mother Eve is central to the entire enterprise. Unsettling, isn't she?

Judith Berman once told me that most of the First People have Trickster tales. But of the hundreds of tribes in North America, only two--and they small tribes--have a female trickster. The female trickster is, apparently, difficult for people to imagine.

So you can imagine my delight when I found one right inside my own culture.


But what, you ask, does it mean . . .?

Trickster is a strange and difficult character, neither a good guy nor an evil one. She exists somewhere in between, a creator of chaos and a provider of a special Something that it seems human beings require. It might be corn and it might be fire. Trickster gets blamed for a lot of the woes of existence, but it seems that without him/her, we're skunked.

I wonder if Pandora was originally a Trickster,  before they allegorized her to hell and back? It bears thinking on.


Above: Image Six. Four to go.


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Zero Notebook 7: Helen

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Introducing Helen. There's more to her than meets the eye.

Written upside-down--so they won't necessarily be taken as gospel by any readers are three quick notes scrawled to myself:

Mother as Mind Spider

Storyteller as Spider & Weaver

Chrone as Spider

I apologize for the misspelling of "crone." But I was writing (and thinking) too fast to care much for accuracy.


But what, you ask, does it mean . . . ?

The influence of Louise Bourgeois is pretty obvious here. Late in life, she created those wonderful, terrifyingly realistic giant spiders with long steel needles at the end of their legs and said that they were all about her mother. Who made a living repairing tapestries, using long steel needles. So it's not the slap in her face it might seem.

I liked the spider representing the archetypal woman-as-maker, which fit Helen right down to the ground. I was also fighting a fight all the way through with received archetypal images of women were were almost all pretty or dainty or passive. I wanted to get at that primal fierceness that lurks inside us all.

And, ounce for ounce, you don't get much fiercer than a spider.


And tomorrow and Friday . . .

There will be news.


Above: Seventh image. Three to go.


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Zero Notebook 8: Frog

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Originally, this was going to be a character named Frog--one who never materialized in The Iron Dragon's Mother. A wood-fey, obviously, and possibly a marsh-weller.

But look at that wistful, lost expression. I think this guy eventually became Fingolfinrhod. I really do.


Above: Image Eight. Two more to go.


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Zero Notebook 9: Dragon Skull

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Dragons are, as everybody knows, half fighter jet and half fire spirit.

Here's the skull of one.


Above: Image Nine. One more to go.


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Zero Notebook 10: Helen

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Our revels now are ended. These our images, as I foretold you, were all spirits and are melted into air, into thin air...

But before we go, one more page, the back inside cover to be specific. It contains two more images of Helen. One is a publicity shot from a period she was going to leave out of the autobiography she never wrote, when she made a brief, ill-fated stab at acting. The other is from a dark period in her middle age.

She was far better-looking than she'd ever admit to being.


And what, you ask, does it mean . . . ?

To find that out, you're just going to have to read The Iron Dragon's Mother, now aren't you?


Above: Tenth image. Tout finis!

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Introducing: Another Glass Box, a new weekly architecture feature

Keesmaat’s Next Venture, Shitty Architecture Men, Mod Squad, Presto Problemo, Bench Press, and more in this debut edition.

Another Glass Box is a weekly roundup of urban design news in Toronto (and occasionally beyond), in bite-size pieces. It’s curated by Dan Seljak, who’s done marketing and communications work for architecture and construction companies for the last seven years—and who still loves this city enough to line up for brunch.  Content warning: some of the […]

The post Introducing: Another Glass Box, a new weekly architecture feature appeared first on Torontoist.




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Another Glass Box: The Stalinist “Bunker” Edition

Mayoral foibles, Google's urban charm offensive, finalists for George Brown's new wood building, and how many avocado toasts will you need to give up?

1 Please don’t poke the mayor – Ottawa Mayor Jim Watson found himself criticized in light of calling George Bemi’s award-winning Ottawa Library a “Stalin-ist bunker”. Watson’s rebuke wasn’t so elegant, but the following debate explored how contemporary ideas of wellness and accessibility requires real investment in restoration and renovation. Here in Toronto, Mayor John […]

The post Another Glass Box: The Stalinist “Bunker” Edition appeared first on Torontoist.