WildArk wants to inspire action that encourages conservation action and community engagement.

WildArk created the Tuke Rainforest Conservancy to protect the people and biodiversity of the area.

Startling new research suggests that dark energy might be nothing more than a simple measurement mistake.

Many amphibians are biofluorescent and researchers have several ideas why the trait evolved.

Scientific inquiry can be described as a sequence of observations leading to a hypothesis which must be tested by experimentation. The results either validate or invalidate the hypothesis which was under test. Unfortunately, the interpretation of the data sometimes does not elucidate some new truth but rather eclipses our thoughts into a new era of ignorance.

The Eye Camp programmes team up with a host ophthalmologist, to provide some training if it is required, and to help provide equipment, such as microscopes and autoclaves (used for sterilising surgical instruments). Repeat visits are made to the same country to maintain the projects' momentum.

The Dark Side is a docufiction film shot during and after Hurricane Sandy that mixes together the unlikely pair of a Romantic Comedy and a documentary. NY writer/director Richard Ledes is releasing The Dark Side on Youtube.

Halloween Campaign Powered by 8th Wall Technology and Amazon Sumerian

Fifteen talented authors, one amazing paranormal romance box set

It may still be winter but Xbox Series X talk is heating up! We discuss the "old thing" Microsoft's new studio, The Initiative, might be working on. Plus: Star Wars Jedi: Fallen Order is a hit, EA talks up the Xbox Series X, the mystery port on the back of the Series X might not be for diagnostics, and more!

Vantablack is a pigment that reaches a level of darkness that’s so intense, it’s kind of upsetting. It’s so black it’s like looking at a hole cut out of the universe. If it looks unreal because Vantablack isn’t actually a color, it’s a form of nanotechnology. It was created by the tech industry for the tech industry, but this strange dark material would also go on to turn the art world on its head.

Their Dark Materials

We manufactured a crisis much before the pandemic hit the financial world.

Grand Canyon National Park invites public to a special dark skies program with Charley Bulletts from the Kaibab Band of Paiute Indians. https://www.nps.gov/grca/learn/news/darkskiesstorytellingatgrand-canyon.htm

The National Park Service (NPS) and the International Dark-Sky Association (IDA) announced at last night’s Star Party that Grand Canyon National Park is now a Provisional IDA International Dark Sky Park. https://www.nps.gov/grca/learn/news/provisional-dark-sky-park.htm

Grand Canyon National Park is officially certified as an International Dark Sky Park by the International Dark Sky Association. https://www.nps.gov/grca/learn/news/dark-sky-designation.htm

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment. The first story is as dramatic and layered as his bold scenic and lighting designs for area stages:...

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment.

The first story is as dramatic and layered as his bold scenic and lighting designs for area stages: “Benjamin Stuben Farrar” is not his actual name.

He was born Stewart Benjamin Farrar 41 years ago in Kentucky. He didn’t want to go through life as “Stewie,” so he went by “Benjamin,” until he got to college at Vanderbilt University in Nashville. He ran into so many other Bens, that his buddies decided to combine his names into “Stuben.”

That name followed him to grad school at the University of Iowa in 2002, where he earned an MFA in theater design. But when he moved to New York City in 2006 to pursue his career, he didn’t like hearing “Stuben” shouted across the theater.

“It sounded too much like ‘stupid,’ ” he said, “so I reverted back to Benjamin.”

But nicknames have a way of sticking. When he and his wife moved back to Iowa City in 2015 to raise their daughter, he switched to “Stuben” again, since that’s how people knew him there.

Professionally, he uses “S. Benjamin Farrar” and on Facebook, he goes by “Benjamin Stuben Farrar” so friends from his various circles can find him. Even though most people now call him “Stuben,” he still introduces himself as “Benjamin.”

“To this day, I have 12 different names,” he said with a laugh. “Only the bill collectors know me as ‘Stewart.’”

Like his name, his artistry knows no bounds.

He has planted apple trees on Riverside Theatre’s indoor stage in Iowa City; a child’s outdoor playground on the Theatre Cedar Rapids stage; and dramatic spaces for Noche Flamenca’s dancers in New York City venues and on tour.

These days, however, his theatrical world has gone dark.

His recent designs for “The Humans,” “The Skin of Our Teeth” and “Kinky Boots” at Theatre Cedar Rapids and “A Doll’s House, Part 2” at Riverside Theatre have been canceled or postponed in the wake of the coronavirus pandemic. He has “The Winter’s Tale” in the works for Riverside Theatre’s free Shakespeare in the Park slated for June, but time will tell if that changes, too.

“Within the course of two weeks, five productions were canceled or moved indefinitely,” he said.

Looking ahead, he’s not sure what shows he’ll have time to design for the upcoming seasons. He’s used to juggling three or four productions at a time, but he said that could become really difficult if the shows fall on top of each other at the various venues.

As with so many artists right now, his world keeps changing.

He and his wife, Jody Caldwell, an editor and graduate of the UI Writers’ Workshop, are both freelancers, leaving them with no income during this pandemic. So Farrar has been wading through red tape and delays to secure unemployment compensation and the government stimulus check, for which he’s still waiting. One bright spot was receiving a $1,000 Iowa Arts & Culture Emergency Relief Fund grant given to 156 Iowa creatives who have lost income from canceled projects.

With his regular revenue streams drying up, he’s been considering other ways to earn money through teaching theater or creating and selling more of his digital and film photography — an outgrowth of his fascination for the way lighting can sculpt a scene on stage.

“I love doing nature (photography). I love doing details,” he said. “I love photographing people, too, especially on stage — I love photographing my own shows. It’s just a lot of fun.

“For me, nature’s so interesting, especially living where we do in North America, there’s vast changes from one time of year to another. I just love looking at that on a very small scale, and how light happens to fall on that particular surface — how that surface changes color,” he said.

“Right now the redbuds are out. The magnolias came out two weeks ago and then they started to fall. It changes the landscape dramatically, especially based on whether it’s a morning light or afternoon light or evening light, whether it’s cloudy, whether the sun’s peeking through clouds and highlighting a few individual leaves. I find that super fascinating.

“That’s how I can look at the same boring tree at different times of year, at different times of day, and find something interesting to photograph.”

While his scenic designs create an immediate visual impact and help tell the story swirling around the actors, Farrar was a lighting designer before he became a scenic designer.

It wasn’t love at first sight. He took a light design course in college, but didn’t “get” it.

“It’s really difficult to wrap your head around it,” he said.

His aha moment came when he was running lights for an operetta in college.

“I just had these little faders in front of me so I could raise certain lights up and down. And the music was happening in front of me and I thought, ‘I control this whole little universe. I can make things completely disappear. I can sculpt things from the side, I can make things feel totally different — just like music can — just based on how it’s lit.’ And then I finally started to understand how the lighting hooked things together,” he said.

From there, his interest in lighting soared.

“I absolutely love lighting,” he said. “I think it’s probably given me more joy than anything else, just because I can go for a walk someplace and just the way the lighting changes as the clouds come in or out, or as the time of year changes and the angle of the sun changes, I really enjoy seeing that — and that’s what got me into photography.”

While his design work is a collaborative process with the director and other production team members, the ideas begin flowing as soon as he starts reading a script. With the flamenco dance company in New York, he might start working on a show two years in advance. With Theatre Cedar Rapids, the lead time is generally six months to look at the season overall, and four months to “get things going” on a particular show, he said. The lead time is about two months for Riverside Theatre shows, which have shorter rehearsal periods.

He begins thinking about the theater spaces, the text that the audience never sees, the show’s technical demands, and the scale in relation to the human body. He still likes to do some of his design work by hand, but computers and the 3D printer he has in his basement workshop have made the process much quicker for creating the drawings and scale models for each show.

He also enjoys the variety and challenge of moving between the small space inside Riverside Theatre and the large space inside Theatre Cedar Rapids, as well as the theaters at Grinnell College and Cornell College in Mount Vernon, as well as the theaters in New York and the touring venues that have housed his designs.

Ultimately, the goal of scenic design “is always about the storytelling,” he said.

“There’s a version of a show that exists in a script, if there is a script. Assuming it has a script, there is a scaffolding for that show in the script, and then there’s a version of the show in the director’s head, and then there’s a version of the show that’s performed in my head as I read the script. So there’s all these different versions.”

If the show is a musical, the choreographer brings in another idea, and the musical score adds another element. Sometimes Farrar knows the music very well, but other times, he doesn’t.

“Hopefully, I can integrate that well if I listen to the music while working on the show — not usually when I’m reading the script, but while I’m drafting the show. I’ll listen to the music to get a sense of how the show wants to move.

“Integrating all these different versions of the show — the text, what’s in my head, what’s in the director’s head, what’s in the choreographer’s head, the role the music plays — and then you synthesize all those elements, and then you find out how the show wants to move in the space it has. And how a show moves is one of the most important things to me. ...

“You get a sense that the show becomes this conscious element that wants a certain thing, and will reveal those things over time.”

And time is something he has right now.

Comments: (319) 368-8508; diana.nollen@thegazette.com

Great news for the users of Presence — our multipurpose theme. We have finally released the long-awaited 2.0 version, which features major changes and improvements. What’s new in Presence 2.0? Beaver Builder Integration Dark Skin New Demo: Organic Shop New Typography and Colors options in the Customizer New Templates in Page Builder Beaver Builder Integration If you have followed recent […]

https://css-tricks.com/making-dark-theme-switcher-with-postcss/

There is something instantly remarkable about a website with a strong, dark color scheme.

One of the most commonly requested software features is dark mode (or night mode, as others call it). We see dark mode in the apps that we use every day. From mobile to web apps, dark mode has become vital for companies that want to take care of their users’ eyes. Dark mode is a supplemental feature that displays mostly dark surfaces in the UI. Most major companies (such as YouTube, Twitter, and Netflix) have adopted dark mode in their mobile and web apps.

A big part of the video content we consume from video providers consists of genres featuring low-light aesthetics. Low light sequences have special characteristics, such as spatio-temporal varying acquisition noise and light flickering, that make the encoding process challenging. To deal with the spatio-temporal incoherent noise, higher bitrates are used to achieve high objective quality. Additionally, the quality assessment metrics and methods have not been designed, trained or tested for this type of content. This has inspired us to trigger research in that area and propose a Grand Challenge on encoding low-light video sequences. In this paper, we present an overview of the proposed challenge, and test state-of-the-art methods that will be part of the benchmark methods at the stage of the participants' deliverable assessment. From this exploration, our results show that VVC already achieves a high performance compared to simply denoising the video source prior to encoding. Moreover, the quality of the video streams can be further improved by employing a post-processing image enhancement method.

When it comes to the music scene in the midst of the coronavirus pandemic, the math is pretty simple: No shows equals no revenue.…

The present invention provides a family of dark quenchers, termed Black Hole Quenchers (“BHQs”), that are efficient quenchers of excited state energy but which are themselves substantially non-fluorescent. Also provided are methods of using the BHQs, probes incorporating the BHQs and methods of using the probes.

An X-ray arrangement is suitable to record absorption, phase contrast, and dark field images of an object. The visibility of low absorbing specimens is improved and required radiation dose is reduced. The assembly includes an X-ray source; two or more gratings; a position-sensitive detector with spatially modulated detection sensitivity; a recorder for recording the images; an evaluator for evaluating the intensities for each pixel to identify the characteristic of the object for each individual pixel as an absorption and/or a differential phase contrast and/or an x-ray scattering dominated pixel. Images are collected by rotating from 0 to n or 2n either the sample or the assembly. The gratings are produced with planar geometry. The X-rays pass through the gratings parallel to the substrate. The grating structures extend along the X-ray path which determines the phase shift. The attenuation of the X-rays caused by the grating structures is no longer given by the thickness, but by the length of the grating structures.

A microelectromechanical system (MEMS) is comprised of a micromirror attached to a semiconductor device. A stack of inorganic high index materials comprised of titanium oxide, titanium nitride, and titanium is deposited above metal levels within the semiconductor device. Another stack of inorganic high index materials comprised of titanium oxide, titanium nitride, and titanium may be deposited in a continuous or dis-continuous layer within one or more of the dielectric layers. Each stack of high index material films is deposited at a depth and of thickness to achieve a minimum reflectance for the entire film system and to ensure maximum destructive interference at the targeted wavelength range. The high index material stack results in reduced light scattering during operation of the micromirror and improves contrast of the display system.

An adapter frame assembly is provided to receive and support an extra-large 110 mm×110 mm ADF, safety lens and diopter within the viewing window of an existing welding helmet. The adapter frame assembly provides for replacement of the safety lens without removing the ADF and installation or removal of a diopter without removing the safety lens or diopter. The ADF, safety lens and diopter are all easy to install and change.

Dark Souls Remastered is the perfect opportunity to return to one of gaming’s most rewarding and memorable series.

Bandai Namco announced today that the release of the Switch version of Dark Souls Remastered has been postponed.

Cinetools has released its new Trailer Cue Series sample library Metropia, a collection of dark sci-fi thriller cues that offers you an insight into the new cybernetic world full of avant-garde technology. The pack is geared towards surreal sci-fi projects, suspicious and engaging scenes, and background music for an utopian world. “Metropia” featuring high-end trailer […]

The post Metropia by Cinetools delivers dark sci-fi thriller trailer cues appeared first on rekkerd.org.

Audio Plugin Deals has launched a sale on the Fresh+Dark Bundle by Sampletraxx, offering over 80% off on a collection of three sample libraries. Powered by the full version of Kontakt 5.8, this bundle features the latest sample libraries from SAMPLETRAXX: BRAAMS vol. 2, Rituals and Antisystem. This bundle is perfect for horror, sci-fi and […]

The post Save 82% on Sampletraxx Fresh+Dark Bundle, on sale for $49.99 USD appeared first on rekkerd.org.

Loopmasters has launched a sample pack by Dubmatix and turntablist The Hip Assassin titled Hip Hop & Beatbox – The Style Bots Arrive, a collection of dark synthesized bass sounds, original tight beat box grooves, sci-fi effects and disturbing alien vocals. This unique collection introduces the Style Bots – robots from either the future or […]

The post Loopmasters delivers otherworldly dark sounds with Hip Hop & Beat Box appeared first on rekkerd.org.

Dark Heart News is a high-energy rock and roll trio from Chicago. They have a wide range of influences from rock legends like Led Zeppelin, Red Hot Chili Peppers, and The White Stripes, to blues masters such as Stevie Ray Vaughan. Hear Dark Heart News' full performance in Studio A right here! You can keep up with the band and purchase their music at their website . Dark Heart News performing "Snake Eyes" live in WNIJ's Studio A Dark Heart News performing "Driven and Lonely" live in WNIJ's Studio A Dark Heart News performing "House of Kings" live in WNIJ's Studio A

This week on Open Air, KALW’s weekly radio magazine for the Bay Area performing arts, host David Latulippe talks with Susi Damilano (pictured, left), star of the new production of Tiny Beautiful Things at SF Playhouse - and also the company’s producing director. Performances are through March 7 at SF Playhouse (450 Post St.) in San Francisco.

This variation on a loop from the first generation of the Buddha Machine was as much a test for the AV Squad as it was for the Music Department. I’m trying out a new camera, and the good news is the audio sounds good (as with yesterday’s, the audio was recorded straight to the camera, […]

Returning with another pop gem, UK artist Harry Strange releases the melancholic dark-pop single "Turn Away." Following the previous EARMILK approved single "Four In The Morning", this new track takes a different approach to songwriting by delving into moodier melodies and sadder lyricism. Submerged in hazy synths and infectious underlying bass grooves, "Turn Away" captures […]

The post Harry Strange reveals dark-pop single "Turn Away" appeared first on EARMILK.

There are many benefits to mindfulness, but it might not be for everyone. On this week’s edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the more negative elements of being present.

In psychology, the “Dark Triad” refers to narcissism, Machiavellianism, and psychopathy. How do we identify those who are “high in the Dark Triad” and in what ways can these people be detrimental to our professional or personal life? In this episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke discuss the Dark Triad.

Natasha Khan makes music under the name Bat for Lashes. She’s released five albums, including Lost Girls, which came out in September 2019.

In this episode, she breaks down the making of the lead single from that album, called “Kids in the Dark.” But just before she started writing it, she wasn't sure if she would make another album at all.

songexploder.net/bat-for-lashes

Right now, Radiotopia is holding its annual fundraiser. You can help support Song Exploder and the network that makes it possible. Make your mark. Go to Radiotopia.fm to donate today.

Hard as it is to believe, the wonderful Hiljaisuus (Aerophonic, 2019) documented the first encounter between Chicago reedman Dave Rempis, North Carolina-based Bhutanese guitarist Tashi Dorji and drummer Tyler Damon, under the banner Kuzu... [ read more ]

This is a stressful time for everyone, not least among us the artists in Seattle. Here, six local writers, artists and creatives share the places in and around Greater Seattle that they find inspiration.

After 23-year-old Stacy Falcon-Dewey and her 3-year-old son, Jake, were found slain in 1994, Renton police detectives chased one dead-end lead after another. But even after a break in the case came years later, charges were never filed and the case slipped through the cracks. All the while, the victims’ grieving family learned virtually nothing.

Individuals and organizations store all kinds of data. What do we do with it all? Can we call it up as we need it? Can all that data be analyzed quickly and efficiently? Or, does it tie up storage resources and languish for years because the cost of going through it and discarding what's obsolete is too high? Discover the utility and wisdom of storing dark data.

Johnny Depp makes a good vampire, but there really is no life in this lavish laugh-fest from Tim Burton.

Johnny Depp, Michelle Pfeiffer, Eva Green, Helena Bonham-Carter

Christopher Nolan's Batman series reaches its cinematic crescendo with a third act that fails to match the middle movement, but serves as a fitting farewell nonetheless.

Christian Bale, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Anne Hathaway, Michael Caine, Morgan Freeman

Trapped deep under layers of solid Antarctic ice are air bubbles from before the industrial age holding clues to a climate riddle which could radically reshape our understanding of global warming.

In expert hands, even memory loss can be a topic for satisfying drama, says ABC 720's cultural correspondent Victoria Laurie

Residents in the Great Southern town of Broomehill West have expressed frustration over a lack of information during a recent blackout.