Deadpool and Wolverine took a while to get off the ground because Ryan Reynolds was attempting to fold Deadpool into every MCU movie.

In his “Theses on the Philosophy of History”, Walter Benjamin suggests that all cultural treasures “owe their existence not only to the efforts of the great minds and talents who have created them, but also to the anonymous toil of their contemporaries. There is no document of civilization which is not at the same time a document of barbarism”. The most obvious and prominent examples of cultural treasures in Benjamin’s discourses can be found in monumental architectural works, and history has shown that rulers have really been interested in such splendor stone statements. Benjamin’s discourse challenges a dominant idea that seeks to give an ambitious image of these architectural works with the purpose of confirming and endorsing a splendid cultural past so that it can give shape to an integrated and arbitrary cultural geography. This theoretical study, which has been conducted using library resources, employing the discourse and method of “cinematic thinking”, attempts to review the role of these monumental architectural works in estab-lishing and shaping national cultural geography. This process is an effort to open boundaries of theorization in area of art and architecture, with the help of ideas that moving cinematic images leave in place.

In a creative stroke inspired by Hollywood wizardry, scientists from Harvard Medical School and Technion-Israel Institute of Technology have designed a simple way to observe how bacteria move as they become impervious to drugs.

read more

The journey of an artist across Asia, Oceania and America

Washington, D.C. -- The new CineCentral destination at the 2023 NAB Show gives attendees an opportunity to learn side-by-side with Hollywood's award-winning production professionals and gain skills with hands-on training inspired by NAB’s Cine Consortium. CineCentral is located in Central Hall (C7345) and adjacent to the Create Experiential Zone featuring sessions on Cine+Live, the burgeoning live production style where cinematic tools and storytelling is integrated into live entertainment. Additional workshops will be presented by American Cinema Editors, American Society of Cinematographers, International Cinematographers Guild/Local 600 and The Society of Camera Operators.

YouTube reveals significant upgrades across desktop and mobile app, including a sleek new logo.

Read more: It feels cinematic: YouTube rolls out a major redesign across mobile and desktop

Tonal, a smart home gym looking for a holiday sales boost, has dropped an epic long-form commercial shot entirely in black and white and set in the Victorian era. A major departure for the fitness category--with inspiration coming from classic sports marketing and indie auteurs like Michel Gondry--Tonal's 2-minute hero ad contrasts its pricey tech-enabled...

Academy Award–nominated cinematographer Rodrigo Prieto, renowned for The Wolf of Wall Street, Barbie, and Killers of the Flower Moon, chats with us on the transformative impact AI and machine learning has had on his creative process and unravels the evolving dynamics between movies, technology, and audience engagement. What is his vision for Hollywood and moviemaking at large?

Award winning film ‘Bhagini Nivedita’ remains a worthy documentation of Sister Nivedita’s life.

Though pricey, this premium soundbar offers great sound and is full-featured

One woman, one camera, NO crew. Shalyse Dominique makes a big splash with her directorial début "Legal ThreaT".

Cinematic Street Photography by Victor Cambet

Spitfire Audio has announced availability of Cinematic Percussion, a new Originals series instrument for the Spitfire Audio App. Epic swells and hits, performed by London’s best percussion players and recorded at AIR Studios — home of blockbuster film scores. Cinematic Percussion features London’s best percussion players. Recorded at London’s AIR Studios, home of blockbuster film […]

The post Spitfire Audio releases Cinematic Percussion instrument library appeared first on rekkerd.org.

Ghosthack has announced the release of Tesseract Universal Cinematic Sounds, a huge 12 GB collection of samples and construction kits for filmmakers and music producers. Tesseract covers a wide range of different cinematic styles: No matter if you’re looking for some 80s synthwave in the style of Stranger Things, aggressive trailer music, dark horror sound […]

The post Ghosthack launches Tesseract Universal Cinematic Sounds at intro discount appeared first on rekkerd.org.

Singomakers has released a collection of piano samples with Cinematic Piano Grace, a collection of sounds ready to add a cinematic touch to your productions. If you want to add some magical cinematic feeling to your music, doesn’t matter if it’s some addition for Drum & Bass Breakdowns, Chopped parts for Hip-Hop Beats, Chill, Psytrance […]

The post Singomakers releases Cinematic Piano Grace & Diabolic Hardcore appeared first on rekkerd.org.

Audio Plugin Deals is offering a discount of 80% on the Cinematic Keys sample library by Sample Logic for a limited time. Weighing in at over 8 GBs, CINEMATIC KEYS is a complete collection of 850+ traditional and mutilated Instruments & Multis derived entirely from recordings of keyboard instruments powered by Kontakt Player. CINEMATIC KEYS […]

The post Save 80% on Cinematic Keys for Kontakt Player by Sample Logic appeared first on rekkerd.org.

The post Review: Struman Optics Cinematic Lenses for Smartphones appeared first on Digital Photography School. It was authored by Lee Herbet.

The argument of whether smartphones can take good photos or not has been settled – they can! In this article, we are going to have a look at a set of lenses for smartphones from an Australian company, Struman Optics. While there are many lenses for smartphones on the market, I found a manufacturer that […]

The post Review: Struman Optics Cinematic Lenses for Smartphones appeared first on Digital Photography School. It was authored by Lee Herbet.

Vin Diesel stars as Bloodshot as Valiant Comics finally makes it to the big screen.

Between the infamous Peloton commercial, the wild Boyhood wannabe that ended up being a Subway ad, and the endless #girlboss marketing reminding you that even women can be part of the capitalist machine, 2019 was a year for advertising. 

But nothing quite tops this one, which was released in September but resurfaced in a viral tweet on Friday.  

The ad starts off with a bleak statistic: women hold just 10 percent of all patented inventions. Then, it pans over to a delightful montage of ambitious young women. Each one is filmed preparing for their career goals, from mixing delicate chemicals in a laboratory to carefully testing the consistency of soil.  Read more...

Between the infamous Peloton commercial, the wild Boyhood wannabe that ended up being a Subway ad, and the endless #girlboss marketing reminding you that even women can be part of the capitalist machine, 2019 was a year for advertising. 

But nothing quite tops this one, which was released in September but resurfaced in a viral tweet on Friday.  

The ad starts off with a bleak statistic: women hold just 10 percent of all patented inventions. Then, it pans over to a delightful montage of ambitious young women. Each one is filmed preparing for their career goals, from mixing delicate chemicals in a laboratory to carefully testing the consistency of soil.  Read more...

This revamp of an 1830s apartment mixes modern materials to create a modern space.

Kalank
U/A: Action, Drama, History
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur
Rating: 

Not one to get wooed by the scale and production value of a film, I can't help but be smitten by the sheer beauty of Abhishek Varman's Kalank. In 2019, when Netflix rules our lives, this film is a rare cinematic experience that blends in opulence, glamour with a solid story about a family torn by its own skeletons in the closet. Star crossed pairs, their infidelities and how it destroys the world around them.

Drawn to forbidden pleasures and immoderate love is Roop, played with heft by Alia Bhatt. Varman's vast screenplay primarily plays off the luminous chemistry between Bhatt and co-star Varun Dhawan. There's a tantalising quality about their pairing and Varman uses this element to full effect. But a lot of the emotions drown in its self imposed ornate design of the film, which gives it a synthetic quality.

Watch the trailer of Kalank here:

So when a feisty Rajputana girl (Alia's Roop) is compelled by circumstances to marry a man (Aditya Roy Kapur's Dev) she can't even recognise in broad daylight, you want to discover more about their faulty dynamics. Or even how a well-educated woman like her, who has opinions strong enough to be voiced in front of an all-male team of writers running a flourishing newspaper, would fall for a visibly dubious man (Varun Dhawan's Zafar) with a promiscuous life. All of this and much more about the period's socio-political submerges beneath Binod Pradhan's gorgeous cinematography. It's almost as if there is a barrier between the audience and the characters - a gulf presumably created because of the director's reluctance to delve deeper into the plot.

Kalank movie poster

It's at the casting department, Varman scores big. Raging with simmering pain, Varun's aching performance beautifully transcends from showing him as a bitter man thirsty for revenge to a kind soul softened by love. Aditya's character has little graph but he adds soul to his act, supported adequately by Sonakshi Sinha who keeps her brief role serene all through. The seniors - Madhuri Dixit and Sanjay Dutt bring their effortless experience in a climactic sequence which packs a punch. Kunal Kemmu's grey part is portrayed with flair.

Also Read: Kalank: Here's everything you should know about the multi-starrer film

By no means is Kalank an unbearable film, despite being nearly 2 hours 48 minutes long. But there is a constant tryst to divert our attention from its storyline; Varman distracts us with his suggestive background scores, special numbers and sometimes even the perfectly created Manish Malhotra costumes. It's also equally problematic that a film set in pre-Partition doesn't stir up much political conversations throughout the narrative. There are stray mentions of their noble intentions but it remains largely detached from the divisive politics of the time it is set in. It also pays a tribute to Sanjay Leela Bhansali's school of filmmaking by borrowing a lot of his trademark sequences (especially Alia's entry which reminds one of Aishwarya's first scene in Hum Dil De Chuke Sanam). Varman's prism is fresh - his women aren't caricatures, his characters aren't perfect. Roop is innately flawed, her decisions are damaging but she fights back for love with all her might. His men aren't all heroic and larger than life; they stumble, are unforgiving and equally faulty.

Watch the video of the Kalank movie review here:

I was reminded of Deepa Mehta's masterpiece - 1947, Earth, rightly melodramatic, potently emotional which walked the tightrope of a love triangle in stormy times in a balanced way. Kalank doesn't aim for that depth. It's content in being pretty even when it has the potential of so much more.

Kalank screening: Janhvi Kapoor, Alia Bhatt, Aditya Roy Kapur attend:

Also Read: Kalank Celeb Review: B-town can't stop praising this period drama

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- By RJ Archana Pania

It hasn't yet sunk in, and I wonder if it ever will that Rishi Kapoor ji is no more.

I first met him at the special screening of Saawariya, and he was watching his son Ranbir turn into an overnight star in the auditorium post the show. He was so concerned that his son would be manhandled by the huge crowd! I walked up to Rishi ji to share that my family and I were his huge fans, and he in his inimitable Kapoor candour with outstretched hands smilingly said "thank you" while keeping an eye on Ranbir.

I still can't remember when our RJ to actor connect turned into friendship. During interviews at RK Studios, he would proudly show me around, and his eyes would light up while talking about his father, Raj Kapoor saahab, and his grandfather Prithviraj Kapoor Ji.

He had reservations about his own physique, and always said, "If I had maintained my weight I would give all the young guns a run for their money." It's not for nothing that the tag of a chocolate hero stayed with him for over three decades. His performances could very well range from an angry lover boy (Kabhi Kabhie) to the most caring sweetheart (Chandni).

In my almost two decades of a radio career, no actor brought us treats. In fact, invariably, we would be ordering food for them. Rishi ji and Neetu ji, however, came in for their film Do Dooni Chaar's promotions and got us all at Radio City studio a huge hamper of goodies from his favourite food joint. Croissants, pastries, puffs, muffins... you name it and he got it. That's when one could see the largess of his heart.

I had some of the best memories at his home during Ganpati celebrations. He loved the festival and had Bappa home for five days, and would say that he wanted Bappa to stay longer than that. Every year, promptly, his invitation would arrive. Post the aarti he would sit all of us down and we would indulge in some "gupp-shupp". Poonam Dhillon ji, Padmini ji would all be in splits thanks to his candid ways of recalling the times gone by.

My most favourite memory of him is how one day he called me to scold me for using "Tu" while addressing my listeners. He said, "Let that boy (my co-RJ Salil Acharya) with you do "tu-tadaka", you continue saying "aap" the way you do, you are from a good family." I wondered about the kind of care that call reflected, the concern he had for people he was fond of. Sometimes, I would call him on his landline to wish him on his birthday or to congratulate him for a great performance in a film. Typically, he would first express irritation like it's all an everyday thing. But then, he would oblige me with an interview with heartfelt involvement.

But no matter what our conversations would be about, we always ended up discussing Ranbir's projects (where he felt Ranbir should take up more work and not work on single projects for so long) and his one smile gave away how proud he was of his son.

I am sure the legendary actor will see his legacy being carried forward beautifully by Ranbir, who has never ceased to astound us with his talent.

Rishi ji, I know you had so much zest for doing more. No one romanced life and cinema as you did on an everyday basis. Thank you for giving us countless memories and conversations to remember forever. Our industry won't be the same after today...

Some of my favourite songs of RK ji:

Dafli Wale - Sargam
Hoga Tumse Pyaara Kaun - Zamane Ko Dikhana Hai
Chukkk Chukk Bombay Se Baroda Tak - Rafoo Chakkar
Om Shaanti Om/Kya Umar Thi - Karz
Humko Tumse - Amar Akbar Anthony
Chal Kahee Door - doosra Aadmi
Tu Tu Hai Wahi - Yeh Vaada Raha
Jeevan Ke Din Chhote Sahi - Bade Dilwale
Lambooji-Tinkuji - Coolie
Chandni - Chandni O Meri Chandni
Sochenge Tumhe Pyaar/Teri Umeed - Deewana

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Rotch Library - N6537.T665 Z85 2018

Hayden Library - PN1995.9.B67 T73 2018

Hayden Library - PN1995.9.D6 F868 2019

Hayden Library - PN1995.9.H6 J66 2018

Hayden Library - PN1993.5.E8 E5225 2018

Hayden Library - PN1995.9.S45 Y68 2018

Hayden Library - PN1997.B55 B57 2019

Online Resource

Hayden Library - PN1995.9.W45 C73 2018

Hayden Library - PN1995.9.H55 P69 2019

Dewey Library - PN1999.W27 H59 2019

Hayden Library - PN1998.3.T358 R63 2018

Hayden Library - PN1995.A43 2018

Insdorf, Annette, author

Thompson, Katrina Daly, 1975-