29 Dicembre - Alessandro Schiffer & Dr. Hannibal (live percussions)

Auer Hall, Simon Music Center
Sunday, November 10, 2024, 11am – 12pm

More info: events.iu.edu…

Euphoric Whispers This event is free, but a ticket is required to attend. To reserve a ticket, use the University Ticketing website. This concert features a rare NJ appearance of Ali Akbar Moradi and Pejman Hadadi, two of Iran’s most renowned musicians. Moradi is the greatest living master of the tanbour, an ancient 2-stringed long-necked fretted lute traditionally used in religious ceremonies. Hadadi is the innovative percussionist (tombak, daf) who has been a member of the Dastan Ensemble for over 20 years and has collaborated with countless master musicians in Persian and world traditions. They will perform ecstatic and trance-inducing Kurdish music from western Iran – music that is little known in the US. Featured are meditative improvisations based on the repertoire of the Yarsan people, and the beauty and complexities of the art of this region. “Love, spirituality, intoxication with the divine and the power of music…With one string providing a drone, everything else rides on a single string of the tanbour, and in Mr. Moradi’s hands, that string encompasses an expressive universe.” - New York Times "The masterful Hadadi delivers an astonishing array of sounds." - Los Angeles Times Aliakbar Moradi Aliakbar Moradi, often hailed as “the best tanbour player alive” (Songlines Magazine, Issue 26, 2004), was born in 1957 in Guran, near Kermanshah, the central city of Kermanshah Province, Iran. Encouraged by his grandfather and father, he began studying the Tanbur at the age of six. Under the guidance of masters such as Sayyed Hachem Kafashyan, Sayed Mahmoud Alavi, Ali Mir Darvishi, Allah Morad Hamidi, and Sayyed Vali Hosseyni, he not only mastered the instrument but also delved deeply into the Kurdish maqam repertoire. Moradi gave his first recital at the age of 14 in Kermanshah. A year later, he established the first Tanbur group within the cultural department of Kermanshah. He then embarked on tours across Iran and later co-founded the renowned Shams Tanbur Ensemble. In 1991, he won first prize at the String Instrument Festival. Starting in 1992, he conducted extensive research on the ancient maqams of the Tanbur, resulting in a significant publication: a set of four CDs and a booklet released in 2002 by Maison des Cultures du Monde. Over the years, Moradi has published more than 23 recordings and books. He has collaborated with numerous esteemed musicians, including Shahram Nazeri, Kaykhosro Pournazeri, Kayhan Kalhor, Ardeshir and Bijan Kamkar, Pejman Hadadi, Erdal Erzincan, Ulaş Özdemir, Pezhham Akhavass, Mehdi Bagheri, and Arash and Kourosh Moradi. In addition to his research, recordings, and performances, Moradi teaches Tanbur in Tehran and Kermanshah. Currently residing in Kurdistan, Iran, he founded the cultural center The House of Tanbur in Guran. This center offers year-round music classes and hosts annual Tanbur and Kurdish music festivals to preserve and promote the rich cultural heritage of the region. Pejman Hadadi Pejman Hadadi, a renowned percussionist from Tehran, Iran, began his musical journey at age 10, studying under Master Tombak player Assadollah Hejazi. Influenced by greats like Bahman Rajabi and Hossein Tehrani, he later mastered the Daf, inspired by Bijan Kamkar’s recordings. Moving to the US in 1989, Pejman began his professional career in 1991, collaborating with notable musicians such as Hossein Alizadeh, AliAkbar Moradi, Kayhan Kalhor, Shahram Nazeri, and joining the Dastan Ensemble in 1995. He co-founded ZARBANG, the pioneering Iranian percussion ensemble, in 2000. Pejman’s innovative techniques on the Tombak, including tunable frame drums, and his partnership with REMO to develop synthetic-skin Dafs, have significantly expanded the instruments’ global reach. Dedicated to education, he established Neyreez World Music Institute and has received the Durfee Foundation Master Musician Award twice. Pejman’s compositions span dance and film, including soundtracks for Prince of Egypt and Prince of Persia.

Telangana Chief Minister A. Revanth Reddy made it clear that the government is not going to spare encroachers and that HYDRAA has been given full powers 

Festive season GST receipts hold a critical signal for growth

May 10, 2020 Nasser Al Nasser: The Kingdom's infrastructure investments helped it contain the repercussions of the Corona crisis Eng. Nasser Sulaiman Al Nasser, stc Group CEO, said that he is proud of the Kingdom's infrastructure that helped it contain the repercussions of the Corona crisis that affected economy all over the world. Al Nasser said that investing in the digital infrastructure a long time ago has enabled the telecom sector undertake its central role in this crisis. Stc Group CEO said: 'I am proud of our country's achievements in facing these circumstances we are living. This...

Sunderland's move to write off £20.5m loan as an exceptional operating expense will have a big impact, according to a football finance expert

A tap dance platform for producing pitched sounds in response to energy imparted onto the surface of the platform having a flat base surface and parallel spaced-apart supports disposed on the flat base. Disposed on each of the spaced-apart supports are a plurality of flat spaced-apart keys which define a sound chamber between the base and the bottom of the keys. The supports are spaced-apart to engage the keys at their vibrational nodes. On the top surface of each of the spaced-apart supports are resilient strips to insulate the keys from the supports and the base to enhance the tonal sound. There are also provided side apertures in both the vertical supports and the side walls of the platform, to allow the sound to come out and to determine the desired sound quality. The ends of the platform are also recesses so that sound can travel out of each end of the platform. Thus, tap dancers can dance on the keys and create unique pitched, percussionlike sounds resembling a marimba.

For use with a percussion instrument, the combination comprises a clamp base to support the percussion instrument, a clamp jaw, adjustable connector structure connecting the jaw to the base for displacing the jaw toward and away from the base, and clamping structure carried on at least one of the jaw and the base to be clamped against a support member in response to relative clamping displacement of the jaw and base, whereby adjustment of the structure accommodates to clamping of different size support members by clamping structure.

The invention relates to an apparatus for mounting a percussion instrument onto a stand. The apparatus comprises a support portion and a retaining portion, the support portion comprising a support member arranged for attachment to the stand and including a shaft, the retaining portion comprising a gripping member having a pair of elements spaced apart from each other and one or more spreader means arranged to urge the spaced apart elements away from each other, wherein the support and retaining portions are adapted to mount the percussion instrument therebetween, the shaft engageable with the retaining portion, the elements of the gripping member normally biased to a first position that is capable of retaining the shaft between the elements in a locked position in the said retaining portion, the elements movable to a second position in which the retaining portion can be received on or removed from the first position on the shaft, the elements movable from the first position to the second position by activation of the or each spreader means.

A percussion device includes (1) a platform portion composed of a first material having an exposed striking portion composed of a second material different from the first material; (2) a base portion separated from, and substantially parallel to, the platform portion by a predetermined distance; (3) at least one unitary sidewall portion positioned between the platform portion and the base portion at respective opposing edges of the platform portion and the base portion; and (4) a non-flexible surface below, and in contact with, at least a portion of the exposed striking portion.

Spitfire Audio has announced availability of Cinematic Percussion, a new Originals series instrument for the Spitfire Audio App. Epic swells and hits, performed by London’s best percussion players and recorded at AIR Studios — home of blockbuster film scores. Cinematic Percussion features London’s best percussion players. Recorded at London’s AIR Studios, home of blockbuster film […]

The post Spitfire Audio releases Cinematic Percussion instrument library appeared first on rekkerd.org.

Sonixinema has announced a sale on the Abstract steel percussion library for Kontakt, offering 30% off during the month of May. Abstract is a steel percussion library like no other. Recorded in exceptional detail and performed with a range of sticks, mallets, bows, this wonderful library features a range of energetic hits and abstract effects. […]

The post Sonixinema offers 30% OFF Abstract Unique Metallic Percussion for Kontakt appeared first on rekkerd.org.

Plugin Boutique has announced an exclusive sale on the Loc-Ness drum and percussion processor designed to give your drum sound the classic crunch of analog. Drums…, the most crucial part of your mix that can make or break a track. For decades pro engineers have used various combinations of compressors, pre-amps ,eq’s and saturation to […]

The post Tone Empire’s Loc-Ness drum & percussion processor on sale for $29 USD appeared first on rekkerd.org.

L’entité Sécurité d’IBM (NYSE: IBM) a annoncé aujourd'hui les résultats de son étude annuelle sur l'impact financier des violations de données sur les organisations. Selon le rapport, le coût d'une violation de données a augmenté de 12 % au cours des cinq dernières années et coûte désormais 3,92 millions de dollars en moyenne. Ces dépenses croissantes sont représentatives de l'impact financier pluriannuel des violations, de la réglementation accrue et du processus complexe de résolution des attaques criminelles .

Paris ; Londres : Baillière ... : Legoubey, libraire ... ; J.B. Baillière ..., 1831.

Swaminathan

Born to a long line of musical heritage, V Selvaganesh first brush with music maestros was at home itself. His father, TH Vinayakam, fondly known as Vikku Vinayakam is a Grammy winning ghatam player, while his grandfather TR Harihara Sharma was among the pioneers of percussion in India. "I believe that I am blessed to be a part of a heritage that has made music its tradition rather than just a profession," says Selvaganesh, who is touted as the 'kanjira king'. He along with his son Swaminathan will be in the city to match beats in what promises to be a fun concert.

Speaking of his son, Selvaganesh says, "To perform alongside your child on one stage is a feeling that cannot be described. Swaminathan is an amazing son and a musician and most of the credit goes to my father. He is the one under whom Swami has trained." This father-son duo entirely relies on the magic of spontaneity when it comes to performing. "Our performances are not planned or rehearsed because everything is about that moment. It's like we play question and answers in the language of music. I throw questions at him and he responds. So, if you have to expect anything from this concert, that would be nothing. Everything will happen in that moment and you have to be there to witness it," he says.

Swaminathan will be playing the Kanjira with his father Selvaganesh

His first instrument of choice was the mridangam. But, despite that his grandfather would urge him to play the kanjira. "He made me understand that very few people are keen on playing the instrument, and fewer are good at it. When I realised it, I took up this instrument and weaved my career around it. Today, to have an entire album revolving around this instrument is a very proud feeling," says Selvaganesh.

When: 9 pm, June 1
Where: The Quarter
Entry: Rs 749-Rs 1,499
Log on to: insider.in

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

MEDIA PhonCD P937 col

MEDIA PhonCD T3485 pad

And an unprecedented pandemic of Covid-19 continues to rise! The toll has been ascending every single hour at a much faster rate showing no sign of descent in its trajectory, sweeping off the entire world with fear, anxiety, infections, and deaths. For the first time in history, next to 2009’s H1N1 swine flu virus outbreak, […]

The post COVID-19 – Current bottlenecks and its probable repercussions appeared first on TIMES OF ASSAM by Anmona Handique Mahanta.

STACK SCORE Mu pts C58 dou

Lewis Library - MT655.U36 2019