'We tried to tell that story, but it defeated us every time'

The actors were directed over Zoom for the ambitious four-part ITV series – and judging by the inaugural episode, the results are laudable

The show is due to return in September

Trump took time away from coronavirus crisis to call Kimmel 'wacko' in a social media rant

Presenter said she is 'proud' of craft show despite criticism

This series' great beauty is that it's about relationships in all their unpredictability – perfect for locked-down viewers who are seeking out human interaction vicariously

Actor said he had to ask himself 'who am I?' after his 'world completely changed'

All the clues you need in one picture

Ninety minutes in the company of the former first lady is like an inspirational infomercial, says Annie Lord

Series is a humorous response to Trump's actual Space Force

Director's new series stars Andre Holland as a once-famous American jazz pianist who has been unable to play since his son died

(Matador)
The indie maverick is a purveyor of all styles on his studiously eclectic 12th album

There’s a strange psychological cross-pollination going on behind the mask that Will Toledo, the artist mostly known as Car Seat Headrest, sports on the cover of his 12th album. Indulging an alter ego called Trait, Making a Door Less Open seeks out deliberately eclectic hybrids of his wry, lo-fi indie rock style (heir to the likes of Beck, Lou Barlow and Eels) and the satirical EDM he and his drummer Andrew Katz make as 1 Trait Danger. The result is much better than anyone who’s heard the latter, who often veer perilously close to a Bloodhound Gang remix project, might expect: Can’t Cool Me Down has a sultry 80s electropop feel, while the roil of self-deprecation and naked emotion on There Must Be More Than Blood underlines Toledo’s debt to LCD Soundsystem.

The new styles don’t all gel. The sleazy, fuzzy synth-rocker Hollywood is pleasingly punchy, but brought down by facile lyrics (apparently Tinsel Town isn’t the dreamland it’s cracked up to be – who knew?). Two sister songs – the lumpen alt-rock Deadlines (Hostile) and the Hot Chip-with-extra-dour Deadlines (Thoughtful) – fail to charm, while What’s With You Lately is a wan, mopey strum that seems to have wandered in from an entirely different, very bad record. But on the likes of the pulsing, uplifting Famous and Life Worth Missing, Toledo finds new energy.

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(Clover Music)
With this long-awaited fourth album, the former teen idol has finally arrived as the kind of artist she was always meant to be

‘Look at me now” is a fitting opening line for Good to Know, the fourth studio album from R&B singer JoJo. The artist has been on a storied journey through the music industry and the public eye: first emerging as the 13-year-old singer of Leave (Get Out), she then spent years mired in legal disputes with her label that prevented her releasing music. After reigniting her passionate fanbase with a string of independent, darker-sounding mixtapes (and one viral Drake cover), she released Mad Love, her long-delayed third album, in 2016. But Good to Know, released on her own imprint Clover Music, with its themes of independence and self-knowledge, carries with it a sense that she has finally arrived as the kind of artist she was always meant to be.

(Pias)
Since his last outing, the south London musician and producer has eased up and moved to Margate. Yet this atmospheric return still carries the weight of the world

Ghostpoet – the brooding alias of south London-born Obaro Ejimiwe – is roughly a decade old this year. This dour bard has long been an artist ahead of his time. A track such as Cash and Carry Me Home, one of the highlights of his eclectic, jazz-inflected debut album – 2011’s Peanut Butter Blue and Melancholy Jam – defied genre as it mourned the self-inflicted pain of one drink too many. It now locates Ghostpoet as roughly adjacent to the south London jazz renaissance of the past few years – a multi-hyphenate scene in which most things go. Were it to be released today, its languorous, self-aware aperçus would find an even more receptive audience.

(Matador)
Will Toledo’s alt-rockers have emerged out of lo-fi fuzz, but seem unsure of where to turn as they drift toward the mainstream

Anyone wondering how things have changed in the world of lauded US alt-rockers Car Seat Headrest might consider the four years that separate Making a Door Less Open from their last album of new material. Ordinarily there would be nothing unusual about that gap – but in the first four years of Car Seat Headrest’s existence, its mastermind, Will Toledo, released seven albums (one of them a two-hour double), four EPs (one of them as long as an album) and two compilations of outtakes. That’s more than 150 songs and 12 hours of music: a lo-fi spewing forth of ideas that won Toledo a cult following, which then grew exponentially, both in size and rabidity, when he recruited a band and signed to the august US indie label Matador.

OVO
There are flashes of skill and rawness in this odds-and-ends mixtape but it feels like a clumsy lunge at commercial success

In a world where the boundary between mixtapes and albums is becoming ever more blurred, the title of Drake’s latest album highlights its interstitial nature. That said, it’s still slightly misleading. There are tracks here that sound like demos – the mopey James Blake-isms of Chicago Freestyle are audibly unpolished – but for the most part, it ’s a way of collecting up leftovers and leaks, spare tracks he apparently has lying around the studio.

Those inclined to view Drake’s career with a cool eye might be surprised he has any spare tracks lying around the studio, given the state of his last album. Listening to Scorpion, 25 songs long, required a certain degree of mental stamina: you needed to steel yourself against the panicky sensation that you might die of old age before it ended. But it wasn’t the sheer quantity that was the problem so much as the quality of what was there. Scorpion had its moments but was so hopelessly uneven that it was easy to buy into the theory that its length was not due to its author’s teeming multiplicity of fantastic ideas, but an attempt to game the streaming services: more songs means more streams, more streams means a higher chart placing.

(Family Hour/Thirty Tigers)
Sean and Sara Watkins are back and in reflective mood

California’s Sean and Sara Watkins are akin to royalty in American folk circles, firstly as founding members of the hugely successful Nickel Creek, and secondly as hosts of an 18-year residency at LA’s Largo club, where they perform alongside invited guests. Brother Sister draws on both strands of their history. Like its self-titled 2015 predecessor, the album sets aside the pizzazz of Nickel Creek for a down-home approach, but instead of boisterous, star-studded cover versions come five original songs and a minimal musical palette.

Alternating on lead, the pair’s vocals remain a model of sibling harmony, while the interplay between Sean’s intricate guitar picking and Sara’s elegant fiddle is similarly impressive – the breakneck bluegrass instrumental Bella and Ivan is a case in point. Mostly, however, the mood is reflective. Lafayette and Miles of Desert Sand chronicle the search for a better life, and Fake Badge, Real Gun is an artful snipe at Trump – “Throw your tantrums but the truth will be waiting”. Warren Zevon’s forlorn Accidentally Like a Martyr fits in neatly, while Charley Jordan’s ribald Keep It Clean is a gleeful example of a Largo session.

(Orchid Classics)
Natalya Romaniw (soprano), Lada Valešová (piano)
The on-the-rise soprano excels in this deeply personal Russian-Czech recital

Born in Swansea of Ukrainian descent, the outstanding young soprano Natalya Romaniw was singing – stunningly – the title role of Puccini’s Madam Butterfly at English National Opera when Covid-19 restrictions forced the abrupt termination of the run. She should also have performed the title role of Dvořák’s water nymph, Rusalka, at Garsington Opera this summer, where she made an impact in Tchaikovsky’s Eugene Onegin in 2016 and Smetana’s The Bartered Bride last summer. Disappointing for her at this turning point of her career, and for her growing number of fans.

Romaniw’s new album, Arion: Voyage of a Slavic Soul – dedicated to the memory of her Ukrainian grandfather, “my great musical inspiration”, explores repertoire by the Russians Tchaikovsky, Rimsky-Korsakov and Rachmaninov, and the Czechs Dvořák, Janáček and Novák. The pianist Lada Valešová captures the varied colours of the piano writing expertly, an equal and supportive partner. These 28 songs, especially the folk-rich examples by Janáček and Novák, suit Romaniw’s generous, big-toned voice, its timbre flecked and speckled with character and emotion. The eight songs by Dvořák grouped as Love Songs, Op 83, melancholy and lyrical, make us even more impatient to hear her Rusalka when the time comes.

• Rickie Fowler and Matthew Wolff the opposition at Seminole
• Broadcast to be screened live in UK and United States

Rory McIlroy, Dustin Johnson, Rickie Fowler and Matthew Wolff are to take part in an event to raise money for coronavirus charities. The foursome will play in the TaylorMade Driving Relief – a two-team skins challenge over 18 holes – at Seminole in Florida on 17 May.

McIlroy, the world No 1, will team up with Johnson against Fowler and Wolff, with up to $3m (£2.38m) going to the American Nurses Foundation and CDC Foundation. All four will follow strict physical-distancing measures and comprehensive testing will be used to protect players, TV staff and others at the course.

Related: Golf must be force for good when it makes long-awaited return | Ewan Murray

Shriver’s contentious views on diversity thread through the story of a couple’s strained relationship with exercise

Lionel Shriver’s scabrously funny 15th novel presents a dyspeptic view of people in thrall to exercise. In 2013 Shriver’s own daily regime involved “130 press-ups, 200 side crunches, 500 sit-ups and 3,000 star jumps … The jumps take 32½ minutes, or three every two seconds”. The Motion Of The Body Through Space was written, she recently revealed, after she realised that she may be more dedicated to her exercise than to her writing.

The protagonist, Serenata Terpsichore (“rhymes with chicory”), is a 60-year-old woman from upstate New York with a beguiling voice and ruined knees. The former she puts to lucrative use as a voiceover artist and narrator of audiobooks. The latter are the result of a lifetime’s adherence to the doctrine of working out; in particular the belief that 10-mile runs are the key to longevity and good health.

Corporate watchdog’s move comes after a court earlier banned Mayfair 101 from advertising two other products

The corporate watchdog is looking into a new investment product issued by Mayfair 101, the group that has bought the cyclone-ravaged Dunk Island resort, after alleging in court that it had misled people by comparing its previous offerings to bank term deposits.

On Thursday, the Australian Securities and Investments Commission issued a general warning against advertisements that compare fixed-interest products to bank term deposits as part of a broader crackdown on potentially misleading marketing by investment groups.

The comic essayist on crying over Olive Kitteridge, his love for Richard Yates and the books that make him laugh

The book I am currently reading
Hidden Valley Road. It’s a nonfiction book about a family with 12 children, half of whom turn out to be schizophrenic. In the opening pages the mother sews a live bird’s eyes shut. And she’s one of the few who isn’t mentally ill!

The book that changed my life
Kurt Vonnegut’s Breakfast of Champions. A friend read it out aloud to me when we were hitchhiking across America in 1976, and it made me think: “That’s right – books!” After high school I had forgotten about them. As soon as I got a stable address, I secured a library card, and started making up for lost time.

News Corp is campaigning full-bore for the US president, with reports of a Wuhan lab ‘intelligence’ dossier being seeded across its empire

In liberal democracies, the integrity, impartiality and professionalism of intelligence agencies matters. That’s why it is essential that intelligence agencies remain aloof, not only from the political debates of the day, but also from the policy decisions that individual governments may take. The intelligence community’s core task is to provide brutally realistic analysis on the threat environments we face so that governments can then make the best-informed policy decisions possible to preserve our common security.

The failures of the intelligence community before the Iraq war, the gullibility of much of the western media, as well as the cynical manipulation of both by the political class of the day, provide us with a stark reminder of what can go radically wrong. On 8 September 2002 the New York Times published one of this century’s most consequential news articles. The front-page story, supplied by the Bush administration, claimed that Saddam Hussein had stepped up his quest for weapons of mass destruction by acquiring key components for a nuclear weapon. In the UK, the Blair government’s “dodgy dossier” compounded the error. John Howard did the same in Australia. The problem was that it just wasn’t true. These were over-egged stories designed to soften the public up for what would become a disastrous war.

One study suggests one in three people from 16 to 64 have been victims of image-based abuse. But most will never step foot in a police station

When Laura* was 14, she was convinced that her boyfriend was the love of her life. So, when several girls messaged her to say he had sent them a video of her drunk and engaging in a sexual act, she told herself they were lying.

“I was just like, ‘Oh, you don’t know anything about our relationship. I don’t believe you,’” she says. “But after we broke up, he pretty much sent it to everyone that I knew.

Hurricane season is fast approaching and it is likely to be active -- maybe even an extremely active -- season.

Coronavirus: The symptoms

The comedian and her husband Chris Fischer welcomed their first child in May last year

Turley and her boyfriend Finn Tapp are currently staying with her parents in Scotland

The comedian had one last act of defiance before renouncing his new moniker

But which role could he have played?

The comic has presented the Golden Globes five times

The actor and his wife both tested positive for the virus in Australia

The actor and his wife Sabrina both tested positive for Covid-19 last month

The baby will be the pop couple's third child

James McAvoy has praised the NHS for saving his life when he suffered a botched surgery.

Rapper and fashion designer Kanye West is officially a billionaire, according to Forbes Magazine.

Rylan Clark-Neal has revealed his career could have taken an entirely different turn if he'd accepted an unexpected offer made by the former US presidential candidate Hillary Clinton.

The couple met while the judge was on the Strictly tour

The Hotter than Hell singer has revealed her new 'do in a sweet Instagram post

The director has explained the 'creative differences' that led him to walk away

Star-studded stories from the silver screen

The comedian asked her fans to 'please ignore' the lengthy post which has been doing the rounds on social media

Fancy an Olympic torch? Or perhaps a four poster bed? You've come to the right place...

Coronavirus: The symptoms