Tesla and SpaceX CEO Elon Musk accused a senior NATO officer of Orwellian tendencies in a post on X Wednesday, a day after Donald Trump named the world's richest man to a top government post.

Who Will Be By His Side While He Tries To Help Himself

What Stories Can The Walls Of A House Tell.

What Has He Learned To Help Earth Grow

What Does Life Have In-store For Him

Audiobooks and podcasts have been sky-rocketing in popularity over the past three or four years. In 2019, the number of Americans who had listened to an audiobook passed 50%, a first for the medium. Podcasts are also on the rise, with investments from companies like Spotify and Pandora further encouraging a virtious cycle of audience growth and a broadening pool of podcasters.

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Frederica examines those books in her library that are difficult to categorize, but that also contain insights that have helped her understand the culture.

Trump et Poutine auraient discuté de la guerre en Ukraine, "une pure fiction", selon le Kremlin

Aim/Purpose: Parasocial relationships are today established on social media between influencers and their followers. While marketing effects are well-researched, little is known about the meaning of such relationships and the psychological mechanisms behind them. This study, therefore, explores the questions: “How do followers on Instagram interpret explicit fiction cues from influencers?” and “What does this reveal about the meaning of parasocial attachment?” Background: With a billion-dollar advertising industry and leading in influencing opinion, Instagram is a significant societal and economic player. One factor for the effective influence of consumers is the relationship between influencer and follower. Research shows that disclosing advertisements surprisingly does not harm credibility, and sometimes even leads to greater trustworthiness and, in turn, willingness to purchase. While such reverse dynamics are measurable, the mechanisms behind them remain largely unexplored. Methodology: The study follows an explorative approach with in-depth interviews, which are analyzed with Mayring’s content analysis under a reconstructive paradigm. The findings are discussed through the lens of critical psychology. Contribution: Firstly, this study contributes to the understanding of the communicative dynamics of influencer-follower communication alongside the reality-fiction-gap model, and, secondly, it contributes empirical insights through the analysis of 22 explorative interviews. Findings: The findings show (a) how followers rationalize fiction cues and justify compulsive decision-making, (b) how followers are vulnerable to influences, and (c) how parasocial attachment formation overshadows rational logic and agency. The findings are discussed with regard to mechanisms, vulnerabilities, rationalizations and cognitive bias, and the social self, as well as the ethics of influencer marketing and politics. Recommendation for Researchers: The contribution is relevant to relationship research, group dynamics and societal organizing, well-being, identity, and health perspectives, within psychology, sociology, media studies, and pedagogy to management. Future Research: Future research might seek to understand more about (a) quantifiable vulnerabilities, such as attachment styles, dispositions, and demographics, (b) usage patterns and possible factors of prevention, (c) cognitive and emotional mechanisms involved with larger samples, (d) the impact on relationships and well-being, and (e) possible conditions for the potential of parasocial attachment.

If you ever had the app, odds are you were reading some barely coherent narrative about One Direction or Harry Potter

Russia's President Vladimir Putin and US President Donald Trump talk during a bilateral meeting at the G20 leaders summit in Osaka, Japan. — Reuters/FilePutin has "no concrete plans" for any contacts with Trump: Kremlin.Trump spoke to Ukrainian President Zelenskiy last...

British writer Samantha Harvey won the Booker Prize for fiction on Tuesday with "Orbital," a short, wonder-filled novel set aboard the International Space Station.

It’s beach season and you might just be looking for your perfect beach read. Bloodshed, deceptions and steamy love stories make for great beachside companions ... Read more

The post Five Composers Whose Private Lives Were Better Than Fiction appeared first on CMUSE.

Understanding electrical safety on the job is critical. But can you separate electrical safety myths from facts?

Laura Barnett wrote a novel about an aging singer-songwriter sizing up her life in 16 tracks. Then she approached musician Kathryn Williams, who created the book's original soundtrack.

Award-winning writer Clark Hilton debuts a spellbinding science fiction novel "BAMBOO: A Post-Apocalyptic Odyssey," available now to buy online.

McMaster deftly weaves WWII in Ukraine, coming of age, antisemitism, forbidden marriage, PTSD, and substance abuse into a masterpiece of a novel that delivers a breathtaking story of love, courage, and sacrifice.

The ebook version of Little Bit Of Faith will be available at no charge August 20 through August 21, 2024 at Amazon.

More than 10,000 affordable and collectible paperback books in such genres as horror, science fiction, crime, fantasy, sex, romance, mystery, westerns, and sports are now available at one of America's top rare and used bookstores.

Voyage Of Life is a magnificent work that explores the full range of human emotion and demonstrates how love can withstand even the most profound events without fading away with time.

The new eBook again paints a stunning portrait of ancient Biblical history. It is the third in the Empire of Israel series. All the ebooks in the series have achieved bestseller status.

McMaster deftly weaves WWII in Ukraine, coming of age, antisemitism, forbidden marriage, PTSD, and substance abuse into a masterpiece of a novel that delivers a breathtaking story of love, courage, and sacrifice.

McMaster deftly weaves WWII, a coming of age Ukrainian, antisemitism, forbidden marriage, PTSD, and substance abuse into a masterpiece of a novel that delivers a breathtaking story of love, courage, and sacrifice.

A Tapestry of Redemption and Hope - Think "It's a Wonderful Life" Meets "Blind Slide," This Narrative Delivers

"Disturbed Tombs" and "Road to Elysium" Triumph with Unforgettable Stories of Love, Tragedy, and Redemption.

Saverio Monachino amalgamates an odd collection of authors like John Irving, Tom Robbins, and Louise Penny into one, and the servings he presents—psychological fiction thrillers—come complete with a side order of comedy. Saverio believes adding

All the Empire of Israel series books have received rave reviews and have achieved bestseller status.

Saverio Monachino amalgamates an odd collection of authors like John Irving, Tom Robbins, and Louise Penny into one, and the servings he presents come complete with a side order of comedy.

Voyage Of Life is a magnificent work that explores the full range of human emotion and demonstrates how love can withstand even the most profound events without fading away with time.

Aaron's War is a masterful piece of writing that will likely take its place as one of the best WWII historical fiction novels ever written. McMaster deftly weaves coming of age, antisemitism, PTSD, and substance abuse into a masterpiece of a novel.

'Monster On Mars' is a delightful and engaging children's science fiction story, offering a new twist on the hero's journey that the whole family can enjoy.

Coyote Junction is another book from Bijou Entertainment that creates movies in the mind, and is part of their "Film on Page Series"

The Coupe is another book from Bijou Entertainment that creates movies in the mind, and is part of their "Film on Page Series".

Gun Games is another book from Bijou Entertainment that creates movies in the mind, and is part of their "Film on Page Series".

I came across this blog comment from a couple years ago saying that, whatever was going on in the head of Brian “Pizzagate” Wansink when he wrote up those papers with the fake data, in any case his papers papers … Continue reading →

In science fiction literature and films, holography has received much attention. These tales frequently depict holograms as entertainment, communication tools, or live creatures. Their depiction in these sources is typically far more sophisticated than what is now technologically feasible. Holography is beginning to play a more significant part in current communications and technologies as technology […]

Some of the most influential and beloved novels of the last few years have been about money, finance, and the global economy. Some overtly so, others more subtly. It got to the point where we just had to call up the authors to find out more: What brought them into this world? What did they learn? How were they thinking about economics when they wrote these beautiful books?

Today on the show: we get to the bottom of it. We talk to three bestselling contemporary novelists — Min Jin Lee (Pachinko and Free Food for Millionaires), Emily St. John Mandel (Station Eleven, The Glass Hotel and Sea of Tranquility), and Hernan Diaz (Trust, In the Distance) – about how the hidden forces of economics and money have shaped their works.

This episode was hosted by Mary Childs and Alexi Horowitz-Ghazi. It was produced by Willa Rubin, edited by Molly Messick, and engineered by Neisha Heinis. Fact-checking by Sierra Juarez.

Help support Planet Money and get bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.

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The punk pioneers talk about their ninth and final studio album.

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When it comes to telling the story of climate change, we need both journalism and fiction to imagine a better world.

Location: Special Collections Hevelin Collection- PS3560.O4864S65 1952

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Ursula K. Le Guin's Revolutions - "Le Guin's work is distinctive not only because it is imaginative, or because it is political, but because she thought so deeply about the work of building a future worth living."

"Imaginative fiction trains people to be aware that there other ways to do things, other ways to be; that there is not just one civilization, and it is good, and it is the way we have to be," Le Guin says in Arwen Curry's new documentary, The Worlds of Ursula K. Le Guin.[1,2,3,4] Le Guin spoke in defense of science fiction and fantasy, which were and often still are maligned or outright ignored by critics. But her statement admits another, deeper necessity: We must be trained to imagine. But imagine what? ... A feminist and a critic of capitalism, Le Guin must have known that progress was as much a necessity as it was an uncertainty. Nobody knows exactly what will happen when they set out to do what no one else has ever done. Le Guin's work is distinctive not only because it is imaginative, or because it is political, but because she thought so deeply about the work of building a future worth living. She did not just believe that a society free of consumerism and incarceration, like Shevek's homeworld, could exist; she explored how that society could be built and understood the process would be hard work, and probably on some level disappointing. The future is not a static thing; to its architects, it is always in motion, always mid-creation, never realized. Le Guin's utopianism perhaps explains why her characters exhibit a certain adaptability, as did Le Guin herself. In her work, she mostly eschewed great battles; a reader of her work should not expect to find a clash at Helm's Deep. A Le Guin character may be at war with his basest self, but the health of the body politic can be at stake at the same time. In The Left Hand of Darkness, Genly Ai only completes his mission to bring Winter into the Ekumen after he overcomes his own prejudicial beliefs about the people who live there. Le Guin found herself embroiled in a similar struggle, which she recounts to Curry. As acclaimed as The Left Hand of Darkness became, feminists criticized it because, while Le Guin's alien race changed genders, in their default state they used male pronouns. Genly is male, too. "At first I felt a little bit defensive," she told Curry. "But as I thought about it, I began to see that my critics were right." There's a quiet radicalism about her admission.

Yuval Noah Harari & Natalie Portman - "Yuval Noah Harari sits down with the award-winning actress, director, and Harvard graduate Natalie Portman to discuss his new book 21 Lessons for the 21st Century."[5]

0:57 The myth factory 2:22 The role of fictions 4:38 Fictions and co-operation ...

Balance of power: The Economic Consequences of the Peace at 100 - "Ann Pettifor finds astonishing contemporary resonance in John Maynard Keynes's critique of globalization and inequity."[6]

In December 1919, John Maynard Keynes published a blistering attack on the Treaty of Versailles, signed in June that year. The treaty's terms helped to end the First World War. Keynes's The Economic Consequences of the Peace[(fre)eBook] revealed how they would also pave the way to the Second... This is a bold, eloquent work unafraid of the long view. It contributed to the economic stability of the mid-twentieth century. And in a world still grappling with the socio-economic and environmental costs of globalization, Keynes's critiques — not least of the era's international financial system, the gold standard — remain powerfully germane.[7] Keynes censures the disregard of world leaders for the "starving and disintegrating" people of war-torn Europe. "The future life of Europe was not their concern; its means of livelihood was not their anxiety," he wrote. Keynes, however, was concerned for Europe's future. His book's significance lies in his revolutionary plan for financing recovery not just in Europe, but across the world. Keynes called for a new international economic order to replace the gold standard, which had held from the 1870s until the start of the war. That system had led to a form of globalization that benefited the wealthy, but impoverished the majority and ultimately destabilized both the financial and political systems... For a book published 100 years ago, the contemporary resonance is unsettling. Keynes writes: "England still stands outside Europe. Europe's voiceless tremors do not reach her ... But Europe is solid with herself." In another passage, he notes that the "principle of accumulation based on inequality was a vital part of the pre-war order of society". And in an era innocent of Amazon and containerized shipping, Keynes wrote that wealthy Londoners could order by telephone "the various products of the whole earth" and expect "their early delivery" to their doorstep. The globalized pre-First World War economy was the template for the modern one. Driven as it was by the international financial sector, the consequences of this economic system were predictable: rising inequality, economic instability, political volatility and war. Thus, a bankrupt Germany and its allies (the Central Powers) — all heavily indebted sovereign governments — were to endure increasingly frequent economic crises after 1919. Their creditors, the victorious Allied Powers, made no effort towards a sound and just resolution of these crises.[8,9,10]

Now's the time to spread the wealth, says Thomas Piketty - "His premise is that inequality is a political choice. It's something societies opt for, not an inevitable result of technology and globalisation. Whereas Marx saw history as class struggle, Piketty sees it as a battle of ideologies."[11]

Every unequal society, he says, creates an ideology to justify inequality. That allows the rich to fall asleep in their town houses while the homeless freeze outside. In his overambitious history of inequality from ancient India to today's US, Piketty recounts the justifications that recur throughout time: "Rich people deserve their wealth." "It will trickle down." "They give it back through philanthropy." "Property is liberty." "The poor are undeserving." "Once you start redistributing wealth, you won't know where to stop and there'll be chaos" — a favourite argument after the French Revolution. "Communism failed." "The money will go to black people" — an argument that, Piketty says, explains why inequality remains highest in countries with historic racial divides such as Brazil, South Africa and the US. Another common justification, which he doesn't mention, is "High taxes are punitive" — as if the main issue were the supposed psychology behind redistribution rather than its actual effects. All these justifications add up to what he calls the "sacralisation of property". But today, he writes, the "propriétariste and meritocratic narrative" is getting fragile. There's a growing understanding that so-called meritocracy has been captured by the rich, who get their kids into the top universities, buy political parties and hide their money from taxation. Moreover, notes Piketty, the wealthy are overwhelmingly male and their lifestyles tend to be particularly environmentally damaging. Donald Trump — a climate-change-denying sexist heir who got elected president without releasing his tax returns — embodies the problem... Centre-right parties across the west have taken up populism because their low-tax, small-state story wasn't selling any more. Rightwing populism speaks to today's anti-elitist, anti-meritocratic mood. However, it deliberately refocuses debate from property to what Piketty calls "the frontier" (and others would call borders). That leaves a gap in the political market for redistributionist ideas. We're now at a juncture much like around 1900, when extreme inequality helped launch social democratic and communist parties.

Ideological differences in the expanse of the moral circle - "Do clashes between ideologies reflect policy differences or something more fundamental? The present research suggests they reflect core psychological differences such that liberals express compassion toward less structured and more encompassing entities (i.e., universalism), whereas conservatives express compassion toward more well-defined and less encompassing entities (i.e., parochialism)."[12,13,14,15,16,17]

• In Our Time, The Rapture - "Melvyn Bragg and guests discuss the idea that believers will vanish from the world, touching on religious entrepreneurialism, William Miller, dispensational modernism, premillennialism, and other such eschatological battiness."
• Medieval cannibal babies - "How a collective of intellectuals can engage in the production of unlikely stories to protect a cherished theory."
• Three Decades Ago, America Lost Its Religion. Why? - "'Not religious' has become a specific American identity—one that distinguishes secular, liberal whites from the conservative, evangelical right."[18,19]

Zadie Smith: Fascinated to Presume: In Defense of Fiction - "I could never shake the suspicion that everything about me was the consequence of a series of improbable accidents—not least of which was the 400 trillion–to-one accident of my birth. As I saw it, even my strongest feelings and convictions might easily be otherwise, had I been the child of the next family down the hall, or the child of another century, another country, another God."[20] We should all be reading more Ursula Le Guin - "Her novels imagine other worlds, but her theory of fiction can help us better live in this one."[21]

"The Carrier Bag Theory of Fiction,"[pdf] an essay Le Guin wrote in 1986, disputes the idea that the spear was the earliest human tool, proposing that it was actually the receptacle. Questioning the spear's phallic, murderous logic, instead Le Guin tells the story of the carrier bag, the sling, the shell, or the gourd. In this empty vessel, early humans could carry more than can be held in the hand and, therefore, gather food for later. Anyone who consistently forgets to bring their tote bag to the supermarket knows how significant this is. And besides, Le Guin writes, the idea that the spear came before the vessel doesn't even make sense. "Sixty-five to eighty percent of what human beings ate in those regions in Paleolithic, Neolithic, and prehistoric times was gathered; only in the extreme Arctic was meat the staple food." Not only is the carrier bag theory plausible, it also does meaningful ideological work — shifting the way we look at humanity's foundations from a narrative of domination to one of gathering, holding, and sharing. Because I am, despite my best efforts, often soppy and sentimental, I sometimes imagine this like a really comforting group hug. But it's not, really: the carrier bag holds things, sure, but it's also messy and sometimes conflicted. Like when you're trying to grab your sunglasses out of your bag, but those are stuck on your headphones, which are also tangled around your keys, and now the sunglasses have slipped into that hole in the lining. Le Guin's carrier bag is, in addition to a story about early humans, a method for storytelling itself, meaning it's also a method of history. But unlike the spear (which follows a linear trajectory towards its target), and unlike the kind of linear way we've come to think of time and history in the West, the carrier bag is a big jumbled mess of stuff. One thing is entangled with another, and with another. Le Guin once described temporality in her Hainish Universe (a confederacy of human planets that feature in a number of her books) in the most delightfully psychedelic terms: "Any timeline for the books of Hainish descent would resemble the web of a spider on LSD." This lack of clear trajectory allowed Le Guin to test out all kinds of political eventualities, without the need to tie everything neatly together. It makes room for complexity and contradiction, for difference and simultaneity. This, I think, is a pretty radical way of looking at the world, one that departs from the idea of history as a long line of victories. Le Guin describes her discovery of the carrier bag theory as grounding her "in human culture in a way I never felt grounded before." The stick, sword, or spear, designed for "bashing and killing," alienated her from history so much that she felt she "was either extremely defective as a human being, or not human at all." The only problem is that a carrier bag story isn't, at first glance, very exciting. "It is hard to tell", writes Le Guin, "a really gripping tale of how I wrested a wild-oat seed from its husk, and then another, and then another, and then another, and then another, and then I scratched my gnat bites, and Ool said something funny, and we went to the creek and got a drink and watched newts for a while, and then I found another patch of oats..." As well as its meandering narrative, a carrier bag story also contains no heroes. There are, instead, many different protagonists with equal importance to the plot. This is a very difficult way to tell a story, fictional or otherwise. While, in reality, most meaningful social change is the result of collective action, we aren't very good at recounting such a diffusely distributed account. The meetings, the fundraising, the careful and drawn-out negotiations — they're so boring! Who wants to watch a movie about a four-hour meeting between community stakeholders? ... We will not "beat" climate change, nor is "nature" our adversary. If the planet could be considered a container for all life, in which everything — plants, animals, humans — are all held together, then to attempt domination becomes a self-defeating act. By letting ourselves "become part of the killer story," writes Le Guin, "we may get finished along with it." All of which is to say: we have to abandon the old story.[22]

Future Tense Fiction: Stories of Tomorrow Has Arrived - "A thought-provoking excursion into the futures we would and would not want to live in."[23]

Photo by Bart Everson, via Flickr (https://www.flickr.com/photos/editor/)

Today is a very good day to dig into a few fantasy stories about strangers joining forces to save each other, so come check out brainwane's latest links to several awesome stories!

Films at BUEI continue at the Bermuda Underwater Exploration Institute [BUEI] with the screening of the 2023 Dramatic Comedy, ‘American Fiction’ on Saturday, April 13th at 7.30pm in the Tradewinds Auditorium. A spokesperson said, “Films at BUEI continue at the Bermuda Underwater Exploration Institute [BUEI] with the screening of the 2023 Dramatic Comedy, ‘American Fiction’ […]

If you enjoy fiction novels, here is a list of some popular ones you can read in your spare time: Daniel Silva’s Portrait of an Unknown Woman– Daniel Silva’s book about a famous spy and art restorer is a wonderfully fascinating tour into the negative side of the world of art. David Baldacci’s The 6:20 ... Read more

The post List Of The Best Fiction Books first appeared on Storytellers Unplugged.

The post Breaking the Fourth Wall: Fiction Meets Reality in ARG Trust No One appeared first on Xbox Wire.

Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain (1880-1932) wrote speculative science fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms.

LONDON — British writer Samantha Harvey won the Booker Prize for fiction on Tuesday with "Orbital," a short, wonder-filled novel set aboard the International Space Station that ponders the beauty and fragility of the Earth. Harvey was awarded the 50,000-pound ($64,000) prize for what she has called a "space pastoral" about six orbiting astronauts, which she began writing during COVID-19 pandemic lockdowns. The confined characters loop through 16 sunrises and 16 sunsets over the course of a day, trapped in one another's company and transfixed by the globe's ever-changing vistas. "To look at the Earth from space is like a child looking into a mirror and realizing for the first time that the person in the mirror is herself," said Harvey, who researched her novel by reading books by astronauts and watching the space station's live camera. "What we do to the Earth we do to ourselves." She said the novel "is not exactly about climate change, but implied in the view of the Earth is the fact of human-made climate change." She dedicated the prize to everyone who speaks "for and not against the Earth, for and not against the dignity of other humans, other life." "All the people who speak for and call for and work for peace — this is for you," she said. Writer and artist Edmund de Waal, who chaired the five-member judging panel, called "Orbital" a "miraculous novel" that "makes our world strange and new for us." Gaby Wood, chief executive of the Booker Prize Foundation, noted that "in a year of geopolitical crisis, likely to be the warmest year in recorded history," the winning book was "hopeful, timely and timeless." Harvey, who has written four previous novels and a memoir about insomnia, is the first British writer since 2020 to win the Booker. The prize is open to English-language writers of any nationality and has a reputation for transforming writers' careers. Previous winners include Ian McEwan, Margaret Atwood, Salman Rushdie and Hilary Mantel. De Waal praised the "crystalline" writing and "capaciousness" of Harvey's succinct novel — at 136 pages in its U.K. paperback edition, one of the shortest-ever Booker winners. "This is a book that repays slow reading," he said. He said the judges spent a full day picking their winner and came to a unanimous conclusion. Harvey beat five other finalists from Canada, the United States, Australia and the Netherlands, chosen from among 156 novels submitted by publishers. American writer Percival Everett had been the bookies' favorite to win with "James," which reimagines Mark Twain's "Huckleberry Finn" from the point of view of its main Black character, the enslaved man Jim. The other finalists were American writer Rachel Kushner's spy story "Creation Lake"; Canadian Anne Michaels' poetic novel "Held"; Charlotte Wood's Australian saga "Stone Yard Devotional"; and "The Safekeep" by Yael van der Wouden, the first Dutch author to be shortlisted for the Booker. Harvey is the first female Booker winner since 2019, though one of five women on this year's shortlist, the largest number in the prize's 55-year history. De Waal said issues such as the gender or nationality of the authors were "background noise" that did not influence the judges. "There was absolutely no question of box ticking or of agendas or of anything else. It was simply about the novel," he said before the awards ceremony at Old Billingsgate, a grand former Victorian fish market in central London. Founded in 1969, the Booker Prize is open to novels originally written in English published in the U.K. or Ireland. Last year's winner was Irish writer Paul Lynch for post-democratic dystopia "Prophet Song." Lynch handed Harvey her Booker trophy at the ceremony, warning her that her life was about to change dramatically because of the Booker publicity boost. Harvey said she was "overwhelmed" but remained down-to-earth about spending her prize money. She said she'd disburse "some of it on tax. I want to buy a new bike. And then the rest — I want to go to Japan."

From Harlan Ellison to Haruki Murakami, via an intergalactic cooking competition, this month has plenty of science fictional treats on offer