Schubert has developed a new, compact solution to automate the infeed of carton blanks to the packaging machine.

The innovative machine platform can be offered in either intermittent-motion or continuous motion and has the flexibility to handle carton opening from either direction.

The case packer, known as Pakman, will be integrated with Yaskawa Motomon HC10 and HC20 collaborative robots.

Packaging Strategies asked SOMIC America, Inc. to provide its single- and multi-component machine capabilities. First, a look at what’s trending.

 Police Innovations LLC eliminates damage in transit with orbital wrapper.

Wrapper prevents loads from sliding off the pallet and adds protection from damage in transit.

The VELTEKO WASHDOWN-360 vertical packaging machine can be used in operations with more stringent hygiene requirements as well as anywhere that liquids need to be packaged.

The PowerPak 1000 has been specially developed as an entry-level machine for the thermoforming segment and offers advanced functions previously reserved for machines in the higher performance range.

The need to modernize technology, automate, and provide sustainable solutions – plus supply chain woes – influence the billions being poured into expansion.

Antares Vision Group systems are part of DIAMIND, the integrated ecosystem of solutions connecting physical products with digital identities.

Groundbreaker Podcast associate producer Javed Mohammed [@JavedMohammed] first encountered Dr. Hulme in January 2020 at Oracle OpenWorld Middle East in Dubai, where Dr. Hulme, a featured speaker, delivered a session on “AI and the Future of Business” as part of the Transformational Technologies track. ”I was so impressed with his vision and his unconventional thinking,” Javed says. This program, which features Javed’s conversation with Dr. Hulme, grew out of their meeting in Dubai.

In this conversation Oracle Community Manager Javed Mohammed speaks with three AI-ML experts.

Autonomous technologies such as artificial intelligence (AI) and machine learning (ML) are on the tip of every tongue in tech. But what is the difference between AI and ML? What are interesting use cases? What is “under the hood” of AI/ML and the algorithms that power ML models?

We have three Subject Matter Experts who share their insights into a fascinating and at times humorous conversation.

• Charlie Berger, Sr. Director of Product Management for Machine Learning, AI and Cognitive Analytics at Oracle.
• Heli Helskyaho, CEO Miracle Finland  Oracle ACE Director, Groundbreaker Ambassador. Author. Doctoral student, University of Helsinki. Also known as HeliFromFinland.
• Katharine Jarmul, Head of Product at Cape Privacy, she is a Privacy activist, AI dissenter, machine learning engineer. Author and teacher for O'Reilly.

Listen to learn about what makes AI and ML solutions powerful as well as the challenges we face from them. Charlie, Heli and Katharine explain some of the fundamentals about this revolutionary technology but also share personal stories which make for a memorable Podcast.

Read the complete show notes here.

Red Bull Racing Honda and Oracle Team up on a Series of Machine Learning HOLs — First Lab for Beginners on Wednesday August 11 at 8 AM PST

Jim Grisanzio and Chris Bensen from Oracle Developer Relations preview the first in a series of unique hands-on labs. Starting on August 11 at 8 AM PST developers will have the opportunity to team up with Red Bull Racing Honda and Oracle in a hands-on lab that uses race data to teach machine learning. Video. 

Register for the lab here! Same link for on demand!

Podcast Host: Jim Grisanzio, Oracle Developer Relations
https://twitter.com/jimgris
https://developer.oracle.com/team/ 

Made at the height of the Sixties (and here I’m grudgingly conceding that that phrase, which I usually use very positively, can also have negative connotations), Dr. Goldfoot and the Bikini Machine is a as much a blend of what was popular then as those Seltzer and Friedberg “parody” movies (usually with “movie” in the title) were in the early 2000s. (Though to be fair it’s a lot better than those!) And since it was made by American International Pictures, it’s a blend of its time that particularly reflects that studio’s output. Therefore it’s as much a parody of their two bread-and-butter genres—Frankie and Annette beach movies and Poe-inspired Vincent Price horror movies—as it is of James Bond. While I’m indifferent to beach movies, I do love those Poe movies… so I’m not being an espionage chauvinist when I say that the only bits that really work are those inspired by the spy craze. And even then the hit-to-miss ratio is probably 50/50... at best.

Appropriately, Dr. Goldfoot and the Bikini Machine opens with one of the strangest title sequences of any Sixties spy movie. Under a rather great and undeniably infectious theme song performed by the Supremes (available on the stellar Ace Records Sixties spy theme compilation Come Spy With Us), instead of the Bond-style credits most spy spoofs opted for, Bikini Machine treats us to Claymation, courtesy of Gumby creator Art Clokey. And the entire Claymation sequence is built around the stupidest thing in the whole movie: a pair of stupid gold elf shoes with little bells on their pointed toes that Price’s character wears to justify his name, Dr. Goldfoot. I’m aware that I just used the word “stupid” twice in that sentence, but that’s because these shoes are seriously stupid. I don’t know whose idea they were, but I sure am glad that Ken Adam wasn’t struck by a similar necessity to equip Gert Frobe with jingling golden thimbles.

After the titles, we meet an attractive robot woman (Susan Hart) in a trenchcoat and fedora walking through the streets of San Francisco. We learn that she’s a robot woman through a series of stupid gags (there’s that word again… are you detecting a pattern?), like a car crashing into her and getting wrecked (because she’s metal, get it??), or two bank robbers escaping and crashing into her and getting knocked down (because she’s metal!), then shooting her full of holes with no discernable result (because… you’ve figured it out by now, haven’t you?). Then we meet Frankie Avalon being annoying in a restaurant and sporting a really annoying helmet of hair. (Uh-oh. There’s another word that bore repeating twice in one sentence!) The robot woman comes in and drinks a sip of his milk and then spouts out gallons of the white stuff (all from that one sip, apparently) through the “bullet holes” in her body. (John Cleese would recycle the same questionable gag years later in that Schweppes commercial on the original Licence to Kill VHS.) Despite her leakage, the holes (which aren’t visible) don’t seem to have damaged her mechanics one bit, and in minutes she’s successfully picked up Avalon and is heading back to his apartment with him.

Avalon is Craig Gamble, a bumbling agent of Secret Intelligence Command (or SIC, which I think is supposed to pass for a joke) who decorates his walls with a picture of Sherlock Holmes, apparently for inspiration. The robot woman is named Diane, and she talks with an annoying put-on Southern accent and, we and Gamble soon come to learn, wears only a gold lamé bikini underneath her fashionable spy trenchcoat! (The latter makes up for the former.) But what made her pick him?

The answer comes back at Dr. Goldfoot’s lair, where we meet the diabolical mastermind and his sidekick, Igor (occasional Elvis cohort Jack Mullaney). While Vincent Price deserves an iconic entrance in any movie he makes, it’s kind of undercut here by those stupid gold shoes, which really are quite stupid. (Have I mentioned that?) I am not a production designer, nor a fashion maven, but I am confident I could have designed much better gold shoes for the same purpose. And regular readers will know that I am not given to making such claims. Anyway, it transpires at Goldfoot HQ that the idiotic Igor programmed poor Diane to go after the wrong man. While Gamble hasn’t got two pennies to rub together, she was supposed to be seducing Avalon’s beach buddy Dwayne Hickman, as millionaire playboy Todd Armstrong. (As either an inside joke or laziness, Hickman’s character is named after Avalon’s character in Ski Party, and Avalon’s Craig Gamble is named after Hickman’s character from that movie.) To Igor’s credit, the two actors do look a lot alike (in a very generic Sixties heartthrob way), and that fact actually makes the movie a little bit confusing. The fact that Gamble turned out to be a secret agent was just bad luck—or bad scriptwriting. Luckily Dr. Goldfoot can operate Diane by remote control, and he’s able to reprogram her to suddenly walk out on Craig and set off to lay a trap for Todd.

Diane’s trap for Todd involves bending over and pulling her trenchcoat far enough aside to expose a glimpse of that golden behind as she pretends to inspect a flat tire. It also involves Dr. Goldfoot somehow taking remote control of Todd’s car, and driving him backwards until he sees Diane. (Dr. Goldfoot possesses a magical universal remote long before its time, and uses it primarily for making cars drive the wrong direction and various things blow up. He also threatens people with it a lot, though I’m not sure if he’s threatening to blow them up or to reverse them.) One glimpse of Diane, however, is enough to make Todd forget that it might be a little suspicious and just a tad weird to find yourself suddenly pulled backwards by an unseen force while driving. Their meeting also offers the movie’s choicest bit of dialogue—and, yes, it’s every bit as sexist as you would expect/hope for from a movie called Dr. Goldfoot and the Bikini Machine.

“Thank heavens you came along, darling, I’m completely flat!” declares Diane as she opens the front of her trenchcoat.

“Well, I wouldn’t say that,” replies Todd, ogling her gold bikini-clad breasts jutting out of the London Fog.

So what’s all this about? Well, sadly all of Dr. Goldfoot’s ingenuity is expended on a simple gold digging scheme. Diane is supposed to get millionaire Todd to marry her and then make him sign over power of attorney to her (which is of course the same as signing it to Dr. Goldfoot). Honestly, I find it a little disappointing that Dr. Goldfoot has the ingenuity and the wherewithal to build perfectly human-looking robots and universal remotes that control anything, and yet the best scheme he can come up with is gold digging. Why not aim higher, Dr. G? Why not strive for world domination? (Well... that's what sequels are for!)

Anyway, Igor’s error with the target has accidentally tipped off an agent of SIC to the mad doctor’s big gold digging plot. Fortunately for Dr. Goldfoot, though, he’s not a very good agent.

Gamble’s code number is only Double O and a half. “Why they won’t even let you carry a gun until you get a digit instead of a fraction!” yells his boss and uncle, Uncle Donald (genuine comic genius Fred Clark, of Zotz! and Hammer's Curse of the Mummy's Tomb). Donald’s not really in any position to berate his nephew, though, because he’s not the sharpest knife in the drawer himself. When Igor shows up in his office dressed in what looks like a Sherlock Holmes Halloween costume (deerstalker and Inverness cape) claiming to be SIC director Inspector Abernathy, Donald believes him despite Gamble’s protestations.

The gags in this movie are mostly lame (as opposed to lamé), and recycled for the hundredth time. When an upper file cabinet drawer is closed, a lower one pops out knocking someone on the head. A beautiful girl robot is mis-programmed (Igor!) and starts talking like a Brooklyn gorilla. When Igor tries to spy on his boss using a periscope, Dr. Goldfoot splashes some ink on the top end giving Igor a black ring around his eye from the viewer. (Actually, that one's still kind of funny.) Even the spy-specific jokes tend to fall flat a lot of the time. Igor shows Dr. G a new attaché case (pronounced the American way, not the British “attachee”) with its own From Russia With Love-style gadgetry. What surprises does it have in store?  Would you believe a fist with a boxing glove that pops out and punches someone when they open it? (Neatly and obviously accomplished by situating a stuntman underneath the table the case is set on, easily able to reach through a hole in the table and the case.)

While the jokes often fall flat, highlights come in the form of random outbursts of go-go dancing, whether from Dr. Goldfoot’s bikini girls (whose default mode seems to be set as “go-go,” befitting their gold bikini costumes) or in nightclubs. (There’s a odd number from a band all dressed up as Fred Flintstone credited as Sam and the Apemen and accompanied by—you guessed it—go-go girls. But for some reason the go-go girls aren’t dressed in fur bikinis, just regular bikinis.)

Price himself camps it up to the extreme (surprise, surprise), parodying his own other AIP performances and even donning costumes from a few of them at times. To that end, the movie becomes more and more of an AIP in-joke as it proceeds (complete with an Annette Funicello cameo), and eventually Gamble and Todd end up in Dr. Goldfoot’s torture chamber, getting a tour that includes portraits of all his illustrious forebears (again bearing certain resemblances to famous Price roles past) and lots of familiar torture implements. It’s poor Todd who ends up strapped down beneath the swinging pendulum from The Pit and the Pendulum.

But then, in its final act, something unexpected happens. The movie becomes… really fun! The undisputable high point of the film is the fifteen-minute-long final chase through the streets of San Francisco in which the heroes and villains keep changing vehicles. It’s accomplished mostly through obvious rear projection, but the San Francisco scenery is quite real. The heroes (Gamble and Todd) start out in a gadget-laden Cadillac spy car whose gags include inflatable seats that inflate when you don’t want them to and a steering wheel that switches sides between the driver and the passenger at inopportune moments. The villains start out in a motorcycle and sidecar that become detached in the course of the chase and eventually manage to re-attach themselves. When Dr. Goldfoot uses his magic remote control device to blow up their spy car, the heroes swipe a red convertible (a Sunbeam Alpine, like Bond drove in Dr. No), and when the motorcycle and sidecar end up smashed on the front of a train, the villains (their faces coated in black soot, just like a cartoon character’s after surviving such a collision) appropriate an E-Type Jag. Eventually the heroes are on a bicycle while the baddies commandeer a San Francisco cable car—and manage to drive it right off its tracks and all over town! By the end the good guys are in a boat on a boat trailer careening wildly down San Francisco’s steep hills. It’s all pretty fun, really, in a typically zany way.

The end titles feature those stupid gold shoes again (though not Claymation this time), performing a disembodied dance (accomplished simply—and effectively—enough with a dancer dressed all in black dancing in front of a pitch black background) alongside gold bikini-clad go-go dancers—and similarly disembodied writhing gold bikini tops and bottoms. (That’s actually a really cool effect!) All of which handily beats (and makes up for) the Claymation opening in my book.

Even though Doctor Goldfoot and the Bikini Machine leaves things open for a sequel with Dr. Goldfoot and Igor surviving their cable car crash (and subsequent bombardment by gunboats) and turning up on the plane winging our victorious heroes off to Europe, the end credits instead tout the next beach movie, The Girl in the Glass Bikini. Which kind of brings us back to this movie’s title. Say it out loud to yourself. Think about it. Based on that title more than my (or any) review, I suspect you already know if this movie is for you or not.

Management requirements for federated machine learning systems

Functional architecture of machine learning-based quality of service assurance for the IMT-2020 network

Framework for data handling to enable machine learning in future networks including IMT-2020

Architectural framework for machine learning model serving in future networks including IMT-2020

ITU-T Y.3800-series - Quantum key distribution networks - Applications of machine learning

FIGI - DFS - Big data machine learning consumer protection and privacy

TR.sgfdm - FHE-based data collaboration in machine learning

Technical framework for the shared machine learning system

Requirements for applications and services in smart manufacturing based on machine vision

Requirements for artificial intelligence based machine vision system in smart logistics warehouse

AI is coming to fitness, with the amp machine designed to leverage AI for a more personal routine, transforming the home fitness experience.

With a history spanning 65 years following its inception in 1958, Guangxi LiuGong Machinery Co. Ltd. has established itself as one of the worldwide leaders in construction & earthmoving machinery manufacture. Having developed the first modernised wheel loader in China in 1966, LiuGong has expanded its product range to encompass 19 top-of-the-range product lines which it proudly showcases today.

Zebra Technologies Corporation has announced that I.D.E.A. S.r.l. (Intelligent Development Engineered Applications), the Italian partner company of M.O.S.A.I.C. (Motion System and Information Control), has selected Zebra to drive efficiency and productivity in its quality assurance inspection process.

Zebra Technologies Corporation – the digital solution provider enabling businesses to intelligently connect data, assets and people – has introduced a series of advanced AI features enhancing its Aurora machine vision software to provide deep learning capabilities for complex visual inspection use cases.

The new subsidiary of Körber’s Business Area Pharma in Dublin enjoys growing demand for its integrated solutions for pharmaceutical and biotech production in the UK and Ireland.

How are AI/ML strategies evolving to meet tomorrow’s mission?

The post Federal Executive Forum Artificial Intelligence & Machine Learning Strategies in Government Progress and Best Practices 2024 first appeared on Federal News Network.

Location: Electronic Resource- 

Location: Electronic Resource- 

Location: Electronic Resource- 

Location: Engineering Library- QA76.9.D343M34 2016

Co-released on Time Lag and Indian Queen Records, & Hope Still is the debut album from one Silent Land Time Machine, a one-man recording project of a fellow from Texas who has managed to teach himself how to play a lot of different instruments and build up a beguiling little album with some crafty layering and subtle shifts in sound that call to mind a ton of different artists but doesn't really sound like any one of them in particular.

In this episode, Thomas Domville takes us on a journey through the world of FruitPot 2, a fun-filled slot machine game for iOS. FruitPot 2 is a game that will take you back to the 80s with its retro graphics and sounds. The game features an ever-changing fruit machine slot, as well as more than 15 mini-games that appear as you progress through the game. With the Bucks you earn, you can purchase items from stores at the mall. FruitPot 2 is a great game to play when you're looking for something to relax and have fun with.

FruitPot 2 is available for free on the App Store:
https://apps.apple.com/us/app/fruitpot-2/id6444378324?l=en

Richard Lutz queries just who benefits from ever-newer levels of digital technology.

Hidden changes are warping the already broken ecosystem that determines how many citizens—particularly in America—construct their sense of reality. (slSubstack)

Y'all, I know there are folks who don't like Substack/NYT links but here we are and I thought this was worth posting in the aftermath of a disastrous election.

The Shakespearean Sonnet Machine is a slighty pointless little randomiser app that spits out endless variations of Shakespeare's 154 sonnets. (Well, not quite endless, but there should be 562,448,656 different ones in there if you're patient enough to keep reloading.)

[Link

On today's social media platforms, people speak in code to elude algorithmic censors, an example of how improvisation reshapes language.

via GitHub Public Timeline Feed https://ift.tt/EHbhjky

Plus a new, four-way collaborative single.

Bermuda HealthCare Services [BHCS] announced that their MRI machine is “now fully operational following recent recovery efforts after Hurricane Ernesto’s impact.” A spokesperson said, “With essential services restored, BHCS is ready to accept clients for MRI procedures.” Dr. Ewart Brown, Chairman of BHCS, remarked, “We are delighted to inform the community that our MRI services […]

In This Episode Erin and Weer’d discuss court cases involving: machine guns being ruled as bearable arms; California required to issue Non-Resident Carry permits; another challenge to the Maryland assault weapons ban. David brings us an interview with Jan Wolbrecht … Continue reading →

Tracing the Line is a book of plotter art available for preorder now, coming out this November. Many of our featured artists are included in the book, and AxiDraw makes several appearances in the video teaser. Looks like it will be fantastic!