Rishi Sunak promises gradual end to coronavirus wage subsidies as concerns grow

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The chancellor Rishi Sunak has held talks with nine of Britain’s union leaders to try to reassure them plans to phase out the government’s furlough scheme will be gradual and minimise the impact on unemployment.

In the run-up to an announcement next week about the future of the wage subsidy scheme, Sunak sought to dampen union concerns that the coronavirus support package would be brought to an abrupt halt at the end of June.

The Treasury cannot afford to spend £10bn a month indefinitely, but a cliff-edge end to Covid-19 wage subsidies is not the answer

What’s the safest way for Rishi Sunak to wind down his wage-support furlough scheme? Well, start by finding the correct language. The imagery in the current political talk about “weaning” businesses off an “addiction” is absurd.

When the chancellor introduced the coronavirus job retention scheme on 20 March, he said it was to “protect, as far as possible, people’s jobs and incomes”. There will be trouble if, less than two months later and with lockdown still in place, companies and their workers are portrayed as needy infants or addicts who should know better.

Business models reliant on maximum footfall are at odds with social distancing, leaving space for local shops and mutual aid

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With most local shops shuttered and online sales booming, it’s easy to imagine that coronavirus will deal a mortal blow to the high street. The images of empty public spaces that have come to define this crisis could be a warning of what life will be like after the lockdown, when people will fear crowds and social distancing will continue, either through self-policing or government directive.

The decline of public life is one of the biggest casualties of Covid-19. Zoom, Amazon and Netflix are unlikely to replace our human craving for it. Public discourse has shrunk to encompass the virus, while our daily lives have retreated into the private domestic sphere. Streets and public places, high streets in particular, are the physical setting for public life, and the impact of the virus is that life lived outside – socialising, shopping, working – has been almost entirely curtailed.

Social preferences, economic realities and government policy will shape the future of the high street

Related: 'It's really shocking': UK cities refusing to reveal extent of pseudo-public space

Joseph Gilgun and ne’er-do-well pals are back – and planning to rob a circus. Plus: is change afoot in Devs? Here’s what to watch this evening

A teenager bonds awkwardly with her cousin as they take the bus from a rural community to New York so that she can have a termination

The four words in this title are the four possible replies to bureaucratic tick-box questions about the frequency of your various sexual experiences. A young woman here must answer them, before she is allowed to have an abortion. However rigid and blandly routine it seems, the four-part answer grid is cleverly designed to get information about vulnerability: it is so easy instinctively and evasively to deny a difficult question structured as a yes/no, but much harder to check the “never” box, when “rarely”, “sometimes” and “always” are coolly offered as equivalently non-judgmental options.

The lead character in Eliza Hittman’s tough, realist drama is confronted with this central, four-part inquisition about her life in one brilliantly controlled, enigmatic scene. Theoretically, it is just a bit of form-filling that doesn’t appear to promise any real revelation to the audience. Yet it does just that, delivering a penny-drop moment of realisation. Or perhaps it’s more of an ambiguous hint and all the more disquieting for that.

Related: Sleazy bosses, exploited barmaids: US cinema finally discovers the left behinds

Coronavirus prompted an emergency operation to house rough sleepers in Travelodges and Holiday Inns. In many ways it has been a success – but what happens next?

To begin with, Clare Sutcliffe found the shift from sleeping in a doorway in Soho to a king-size bed in a central-London hotel very disorientating. After 15 months sleeping rough, she found it hard to relax and really believe she was in a safe space.

“The first couple of nights, I couldn’t sleep with the light off,” she says. “This might sound mad, but I was a bit scared. It was different; when you’re used to sleeping out in the open outside and then all of a sudden you’re in a bed, in a room, with a door that shuts.” When she arrived at the hotel five weeks ago, she was a skeletal six-and-a-half stone; since then, with three meals delivered to her room every day, her health has begun to improve.

For his latest drama, Corneliu Porumboiu revived a language unique to the valleys of La Gomera in the Canary Islands; a steep learning curve for his actors – and our writer

Try to imagine the least film-noir scene possible and you might come up with a group of five-year-olds learning to whistle. It is late morning, pre-lockdown, in a classroom at Nereida Díaz Abreu school on La Gomera in the Canary Islands, and the teacher – a bent knuckle crammed in his mouth – is relaying instructions in a piercing, swooping, set of whistles. The kids look quizzically skywards, then collapse in hysterics, although most eventually nail it.

“Touch your left ear with your right hand,” the teacher reiterates in Spanish.

Related: The Whistlers (La Gomera) review – thrilling Romanian corrupt-cop noir

We say to the kids: when you go to Tenerife and say you’re from La Gomera, people will ask you if you can whistle

Coming live from Melbourne, London and Huddersfield, the Last Leg presents its take on the week’s events. Plus: VE Day 75: An Evening Celebration

The lighthearted TV responses to lockdown have been abundant so far, from video-linked episodes of Have I Got News For You to Matt Lucas’s sketches and Grayson Perry’s Art Club. Yet, none have quite managed to capture the mix of anxiety, uncertainty and unexpected humour many of us have been experiencing – which is where the Last Leg comics come in. Live from Melbourne, London and Huddersfield, the trio will present their typically incisive take on the week’s events. Ammar Kalia

(Air Texture)
Shuffling Mestizo melodies meet eerie techno in this stellar compilation taken from Ecuador’s pulsating club scene

While most would name Colombia as the home of South America’s forward-thinking club scene, neighbouring Ecuador has quietly been carving out its own dancefloor identity in recent years. The country has produced breakout talents such as DJ Nicola Cruz and home-grown labels like ZZK and Wonderwheel Recordings, operating under the social restrictions of a largely Catholic state and in the midst of devastating austerity measures. Most of its key players reside in Quito, and bring together a community at the capital’s inclusive nights, including Cruz’s La Sagraria.

Often marked by downtempo, undulating house rhythms and samples of Andean pan flutes and instruments such as the lute-like charango, their output is organic-sounding. Yet Place: Ecuador, a new charity compilation, showcases a grittier and more kinetic side to the scene. It’s the fourth release in New York label Air Texture’s location-specific charity series (previous editions have covered Georgia, Colombia and the Netherlands), benefiting the indigenous Waorani people’s legal battles against the Ecuadorian government’s sale of their land for mineral rights.