A visual perception illusion by Edward H. Adelson.

The official rollout of the new visual identity will debut next summer, with packaging hitting shelves as early as May 2025.  

As part of the brand refresh, the Somersby tree has been redesigned to make it more iconic, with a simplified, more recognizable shape that is naturally uplifting. Its canopy with its distinctive shape can flex to aid flavor navigation.

DUSHANBE, 29 July 2016 – The OSCE Office in Tajikistan today donated audio-visual equipment to the Police Academy of Tajikistan’s Ministry of Internal Affairs with the aim of supporting the Academy’s lecturers to use interactive teaching techniques on the investigation of crimes related to the trafficking of human beings.

The equipment includes a computer, a projector, a screen, speakers, a printer, and an Uninterruptible Power Supply device (UPS). An external hard disk drive was also donated to allow for the storing of an electronic library of thematic video films and other informational resources in this field.

“This equipment will improve the teaching of the Course on Combating Trafficking in Human Beings, and will therefore enable the police to more effectively address this serious social problem,” said Fabio Piana, Deputy Head of the OSCE Office in Tajikistan.

Karim Soliev, the first Deputy Director of the Police Academy, thanked the OSCE for its continued support in building the capacity of future law enforcement staff and Police Academy cadets in combating human trafficking and domestic violence in Tajikistan. “This equipment is of great help to lecturers who will now be able to apply more interactive teaching techniques,” he said.

In previous years, the OSCE has provided expert support to the Police Academy, including the development of the Lecturer’s Guidelines on teaching this specialized and compulsory 20-hour course. The OSCE has also trained the team of lecturers on modern interactive teaching techniques and has recently updated the Course on Combating Trafficking in Human Beings with regard to new legislation in this field.

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Parametric bitstream-based quality assessment of progressive download and adaptive audiovisual streaming services over reliable transport

Parametric bitstream-based quality assessment of progressive download and adaptive audiovisual streaming services over reliable transport - Video quality estimation module

Parametric bitstream-based quality assessment of progressive download and adaptive audiovisual streaming services over reliable transport

Parametric bitstream-based quality assessment of progressive download and adaptive audiovisual streaming services over reliable transport - Quality integration module

Scenarios for the subjective evaluation of audio and audiovisual multiparty telemeeting quality

Subjective quality evaluation of audio and audiovisual multiparty telemeetings

Parametric bitstream-based quality assessment of progressive download and adaptive audiovisual streaming services over reliable transport - Quality integration module

Parametric bitstream-based quality assessment of progressive download and adaptive audiovisual streaming services over reliable transport - Video quality estimation module

Parametric bitstream-based quality assessment of progressive download and adaptive audiovisual streaming services over reliable transport - Audio quality estimation module

DSTR-DFSUAAFR - Review of DFS user agreements in Africa: A consumer protection perspective

TR.CUP - Concept of a common user profile format used to personalize audiovisual media

Requirements for communication resource management in intelligent visual surveillance systems

Procedures for establishing communication between two multiprotocol audiovisual terminals using digital channels at a multiple of 64 or 56 kbit/s

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Library - Art Library, Location - LIB, Call number - N6604.M37 G67 2015

Library - Art Library, Location - LIB, Call number - N6604.M37 C33 2015

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21-Year Old WWII Soldier's Sketchbooks Reveal a Visual Diary of His Experiences

A visual diary with 158 pencil sketches brings to life the wartime experience of noted architect Victor A. Lundy, who served in the U.S. 26th Infantry Division during World War II. In 1942, Lundy was 19, studying to be an architect in New York City. Excited about rebuilding Europe post-war, he and other college men enlisted in the Army Special Training Program (ASTP). But, by 1944, with D-Day planned, the Army needed reinforcements, and Lundy and his company were thrown into the infantry. Lundy couldn't believe it and recalled during an oral history interview that during lectures, he "never listened, I was busy sketching." But soon, "I sort of took to it. ... war experience just hypnotizes young men." Lundy, who is now 92, recalls his inability to listen during lectures. “I was busy sketching,” he admits. During his time in the infantry, he continued to sketch in his pocket-sized notebooks. The drawings, which were created between May and November 1944—when Lundy was wounded—take us from his initial training in Fort Jackson to the front lines in France. The vivid images show everything from air raids to craps games for cigarettes. A sense of longing for home is a recurring theme in his sketches, which include detailed drawings of his bunk as well as particularly dream-like drawing, titled Home Sweet Home, that shows a soldier lounging on a hammock. Lundy, who went on to have an acclaimed architecture career, donated his eight sketchbooks to the Library of Congress in 2009. The sketchbooks have all been digitally archived and are now available for viewing online. Lundy’s gift is a precious one, as in this age of continued war and terror it is more important than ever to learn from our past history.

THROUGH OCT. 24 PROVOCATIVE BEAUTY: SELECTIONS FROM THE ART COLLECTION OF DRS…

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This is the first in a series of live audiovisual collaborations with Chris LeBlanc and Shawna Lee. The performance was captured at at the Lakely in the Oxbow Hotel, Eau Claire, Wisconsin on September 30, 2023. Chris and Shawna produced … Continue reading →

This is the second in a series of live audiovisual collaborations with Chris LeBlanc and Shawna Lee. The performance was captured at at the Lakely in the Oxbow Hotel, Eau Claire, Wisconsin (https://www.theoxbowhotel.com/lakely/) on September 30, 2023. Chris and Shawna … Continue reading →

This is the last in a series of live audiovisual collaborations with Chris LeBlanc and Shawna Lee. The performance was captured at at the Lakely in the Oxbow Hotel, Eau Claire, Wisconsin (https://www.theoxbowhotel.com/lakely/) on September 30, 2023. Chris LeBlanc and … Continue reading →

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