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DALLAS, May 4, 2020 — Tomorrow, on #GivingTuesdayNow, a global day of philanthropic action to address the COVID-19 pandemic, the American Heart Association – the leading global public health organization devoted to a world of longer healthier lives – is...

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Matt Ridley on putting everything in perspective I love this guy… he always has a fresh perspective on things. Daily Photo – Carnival Row at Disney When I was at Disneyland in Anaheim, I thought this would make excellent subject-matter for an HDR shot. This mix of lights and textures usually comes out pretty cool. […]

The following is a guest post by Austin Gunter of WPEngine.com. If you’re looking to boost performance for a content-heavy WordPress installation, adding a cache like Varnish is a great way to boost your site’s performance. NB - This is an advanced topic, and only relevant if you have full control over your server (e.g. you're on a VPS). It does not apply to regular webhosting.

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KARINE HATESA LEOTA-EVANS
Cedar Rapids

Karine Hatesa Leota-Evans, 16, of Cedar Rapids, passed away on April 20, 2020 at St. Luke's Hospital. Home going services will be held at 2 p.m. Sunday, May 17, at Cedar Memorial Park Cemetery, Garden of Serenity.
Karine was a sweet, loving, well-mannered and soft-spoken daughter, granddaughter, sister, niece and cousin.
She loved to watch and take pictures of sunsets, road trips to her aunts and uncles in Missouri and Wisconsin, sing, dance, connecting on social media, shopping and her cat Miss Samoa. She will be greatly missed by her family and everyone who knew and loved her.
Karine was preceded in death by her mother/grandmother, Karine Hatesa Apineru-Evans.
Left to cherish Karine's memories are her parents, Jennifer and Nofoasaefa Leota; sisters, Fagaeolemasina "Mary" and Taofegauia'i "Amayah"; brother, Rapi Quincy; father/grandfather, Shawn Evans; her Apineru Family; and her Leota Family.
Condolences may be left at www.cedarmemeorial.com under obituaries.
Messages from your sisters.
A message to my little sister:
Karine, this was such unexpected timing, I was hoping to go see grandma first, but I guess you beat me to it. You were such a special girl, beautiful and always full of imagination and the resemblance between the two of us is uncanny. This year 2020, I am to graduate high school, and I was hoping to finally get to meet you in person, I loved our long phone calls but I wanted the real life version of everything but I guess that shall wait till it is my turn to join you up there. It has been four years since I have heard your sweet voice, and it pains me to say I was not able to hear it again one final time before your departure. Here on Earth everything feels different, there is an emptiness. I hope you're dancing in the sky; I hope you're singing in the angel's choir, and I hope the angels know what they have. It must be so nice up in Heaven since you arrived. Never had I ever cried a river of tears, but when you decided to leave there was no holding back, the 4 oceans could not withstand the flood of tears that ran quickly down my face. But I am sorry, I never told you all I wanted to say, never had I imagined living without you, but I know you're shining down on me from Heaven. Tell grandma, Mama Susie, Pops, Nana, Pago and everyone we love up there with you that I said I hope one day I can make all of them proud, and that I miss all of them very much. I am your big sister Rine, and I hope you know how much I love you uso! Always and forever, till no end.
-- Taofegauiai Amayah Leota

To my dearest beloved baby sister,
No words can explain how much I love and miss you, it's even harder for me to write this to you because I never thought of losing you in such a short period of time. Ever since I heard the news of your loss I didn't know what to do or how to feel but deep inside there's a pain that I never felt in a long time, especially losing my own baby sister it was something really unexpected and heartbreaking. I was really looking forward to seeing you one day and spending time with you and have a sisterly bond with you that I will cherish every moment of it. But now without you, my life will be like a book without page numbers. The story will go on, but it might feel out of order. I miss her, my sister, her spirit dulled to a whisper. My sister was a gift I never asked for, but I always wanted. A lost sister is like the missing piece in the game of life. When she was alive, I didn't always miss my sister - now I can't stop missing her. See you when I see you ok, kisses to the sky to you uso. I love you with every beat of my heart and I miss you every day of my life.
--Your older sister, Fagaeolemasina Mary Leota.

CATHY VAN NEVEL
Belle Plaine


Cathy Van Nevel, 63, of Belle Plaine, passed away Thursday, May 7, 2020, at Keystone Care Center, following a long illness.
Cathy was born Feb. 4, 1957, to Tom and Donna (Looney) Kelley in Burlington, Iowa. She graduated from Marion High School in 1976. She married Bill Van Nevel Nov. 18, 1988. Cathy and Bill loved to travel, especially going on cruises. She enjoyed spending time with family, camping, roller skating, shopping and caring for her grandchildren.
She is survived by her husband, Bill Van Nevel of Belle Plaine; sister, Debbie (Mike) Whitson of Cedar Rapids; brother, Charles Kelley of Cedar Rapids; children, Jason (Stephanie) Van Nevel of Iowa City, Jenny (Jaime Gutierrez) Perez of Marion, Stacey (Brett Feuerhelm) Van Nevel of Van Horne, Jeff Van Nevel of Belle Plaine and Donna (Dan) Sun of Cedar Rapids; and grandchildren, Cheyanna, Breanna, Savanna, Elysia, Mia, Allie, Kaylee, Cameron, Ashlyn, Adrian and Oliver.
She was preceded in death by her grandparents, David and Marjorie Looney, Bruce and Iva Kelley; parents, Tom and Donna Kelley; mother-in-law, Marcella Van Nevel and three granddaughters, Selena, Bella and Aria.
A private family graveside service will take place at Oak Hill Cemetery, Belle Plaine. In lieu of flowers, please make donations to the Huntington's Disease Society of America, HDSA.org. Online condolences can be sent to the family at neuhausfuneralservice.com.
Hrabak-Neuhaus Funeral Service is assisting the family.

After more than a decade in the making, the Tea Party moment has finally arrived.

The movement originated in 2009 as a challenge to runaway taxes, spending and regulation. Organizers sought to restore the constitutional balance of power between the states and the federal government.

Eventually, the Tea Party devolved into a catchall for right-wing populism, and a magnet for xenophobes and culture warriors. In 2016, its early adherents overwhelmingly fell in line with President Donald Trump, choosing protectionism over freedom.

But that original Tea Party spirit — the charge to buck the national government in favor of local control — was on full display recently from two unlikely sources.

Trump decided early on in the coronavirus pandemic that the federal government would not centrally coordinate the purchase and distribution of medical supplies. That might have worked fine, except the Trump administration actively undermined state governments’ efforts. The federal government has outbid state buyers and even seized products from states.

After 3 million masks ordered by the Massachusetts governor were confiscated in New York, Republican Gov. Charlie Baker decided to sidestep the usual procurement process. He sent a New England Patriots’ private airplane to bring supplies back from China.

In Maryland, Republican Gov. Larry Hogan coordinated a large COVID-19 test order from South Korea. The delivery was facilitated by the National Guard and state police, and the tests were put in a secure location with armed security.

“We guarded that cargo from whoever might interfere with us getting that to our folks that needed it,” Hogan said last week in an interview with Washington Post Live.

Hogan and Baker don’t fit the common perception of the Tea Party mold. They both have harshly criticized President Donald Trump and supported the impeachment inquiry. Hogan openly considered challenging Trump for the GOP presidential nomination.

They are among the last vestiges of moderate conservatism in American executive office, and yet they are the ones waging a battle over federalism and states’ rights.

The political minds built for this moment — the ones who have long fantasized about escalating the state-federal power struggle — are not up to the task. The conservative firebrands who should be taking up this fight instead are beholden to Trump and whatever cockamamie plans he comes up with.

At a news conference last month, Trump made a striking claim about his powers in managing the public health crisis: “When somebody is the president of the United States, the authority is total. And that’s the way it’s got to be. It’s total.”

That should have been a flashpoint for conservatives, the beginning of a revitalized Tea Party that recognizes the enormous threat Trumpism poses to our values.

But it wasn’t. Loyalists brushed it off, again, as Trump misspeaking.

The small-government philosophy is founded on the likelihood that the levers of government power will eventually be grabbed by some menace, an incompetent or malicious figure. But when that menace is your friend, your fundraiser and your public relations manager, it proves hard to slap his hand away.

adam.sullivan@thegazette.com; (319) 339-3156

I grew up on a Heritage farm (150 years in the same family) near Sutliff, and attended K-12 in the Lisbon school system. I am an alumnus of the University of Iowa. I have held several positions in the field of human services, including six years with the Department of Human Services and six years as executive director of the Arc of Johnson County.

I am married to Dr. Melissa Fath, a research scientist at the University of Iowa and a volunteer pharmacist at the Free Medical Clinic. We have three adult children — Rachel, Jordan and BJ, and have served as foster parents for another 50+ children.

I am a member of several community organizations, including: St. Andrew Presbyterian Church, Iowa Foster & Adoptive Parent Association, NAMI, Center for Worker Justice, ACLU Hawkeye Chapter, AFT Local 716, and Iowa City Federation of Labor. I also served four years as chairman of the Johnson County Democratic Party.

Some of the accomplishments of which I am proud:

• Leadership during the COVID-19 crisis.

• Leadership during 2008 floods.

• Raising the minimum wage — the first county in Iowa to do so.

• Passed a Human Rights Ordinance — the first county in Iowa to do so.

• Passed a Sensitive Areas Ordinance — the first county in Iowa to do so.

• Passed the Conservation Bond Initiative — the first county in Iowa to do so.

• Passed the Community ID Program — the first county in Iowa to do so.

• Started 1105 Project with gift of old Public Health building.

• Saved Sutliff Bridge after 2008 floods.

• Started trails funding.

• Created the Free Tax Help project.

• Created the Livable Community for Successful Aging.

• Added outdoor warning sirens to unincorporated Johnson County.

• Created the Local Foods Policy Council.

• Heritage AAA Outstanding Elected Official — 2009.

If reelected, my goals are:

1. Continue community recovery from COVID-19;

2. Begin serving people at the GuideLink Center;

3. Improve affirmative action results;

4. Renegotiate six union contracts to the benefit of all.

I am grateful for your past support, and I thank you for your future consideration. I promise to never take this position for granted! I respectfully request your vote on or before June 2.

Rod Sullivan is a candidate in the Democratic primary for Johnson County Board of Supervisors.

Are you seeing a 503 service unavailable error in WordPress? The problem with the 503 error is that it gives no clues about what’s causing it which makes it extremely frustrating for beginners. In this article, we will show you how to fix the 503…

Ricardo Sousa, who writes for Smashing Magazine created a great plugin called Twittar. This plugin will use someones Twitter Gravatar if their email address is not connected with a Gravatar. For more info check out the full post at Twitter Avatars in Comments: A WordPress plugin Image credit: Ricardo Sousa

The post Twitter avatars inside your WordPress comments appeared first on WPCult.

Benefits include the Black Canvas theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

The post Revolution Two: Black Canvas appeared first on WPCult.

BIG NEWS: My custom Lightroom presets are now available and 50% off for a limited time with discount code HOLIDAY50. Link in profile!

This collection includes two styles (Everyday and Clean) that I use to edit every shot on this feed. I can’t wait to see what you all do with them! Stay tuned to my upcoming tutorials on how to put the presets to good use. ???? (at Toronto, Ontario)

Wow, this has been a busy period. I’m just back from the Ampersand web typography conference in Brighton, and having a catch-up day in Mild Bunch HQ. Just before that I’ve been working flat out. First on Mapalong which was a grass-roots sponsor of Ampersand, and is going great guns. Then on an article for The Manual which is being published soon, and on 8 Faces #3 which is in progress right now. Not to mention the new talk for Ampersand which left me scratching my head and wondering if I was making any sense at all. More on that in a subsequent post.

In the meantime two previous events deserve a mention. (This is me starting more of a journalistic blog. :)

First of all, an interview with Simon Pascal Klien, the typographer and designer who’s curating the Design Festival podcast at the moment. We talked about all things web typography. Pascal cheekily left in a bit of noise from me in the prelude, and that rant pretty much sets the tone for the rest of the conversation. Thanks for your time, Pascal! If anyone reading this would care to listen in, the podcast can be downloaded or played from here:

Secondly, Daniel Bogan of The Setup sent me a few questions about my own tools. My answers are pretty clipped because of time, but you may find it interesting to compare this designer’s setup with your own:

I should note that in the meantime I’ve started writing with Writer, and discovered the great joy of keeping a journal and notes with a Midori Traveler’s Notebook. The latter is part of an on-going search I’m having to find Tools for Life. More on that, too at some point. Here’s my current list of topics I want to write about shortly:

• Ampersand, the aftermath
• Marrying a FujiFilm X100
• No-www
• Tools for life
• Paper versus pixels

There, I’ve written it!

The new General Data Protection Regulation (GDPR) of the European Union will be implemented on May 25th, 2018. We used this opportunity to rework many of our internal data processing structures, removed unnecessary trackers and apply this strict and transparent regulation also to all our customers worldwide.

Image from pixapay.com.

At Auphonic we store as few personal information as possible about your usage and production data.
Here are a few human-readable excerpts from our privacy policy about which information we collect, how we process it, how long and where we store it - for more details please see our full Privacy Policy.

Information that we collect

• Your email address when you create an account.
• Your files, content, configuration parameters and other information, including your photos, audio or video files, production settings, metadata and emails.
• Your tokens or authentication information if you choose to connect to any External services.
• Your subscription plan, credits purchases and production billing history associated with your account, where applicable.
• Your interactions with us, whether by email, on our blog or on our social media platforms.

We do not process any special categories of data (also commonly referred to as “sensitive personal data”).

How we use and process your Data

• To authenticate you when you log on to your account.
• To run your Productions, such that Auphonic can create new media files from your Content according to your instructions.
• To improve our audio processing algorithms. For this purpose, you agree that your Content may be viewed and/or listened to by an Auphonic employee or any person contracted by Auphonic to work on our audio processing algorithms.
• To connect your Auphonic account to an External service according to your instructions.
• To develop, improve and optimize the contents, screen layouts and features of our Services.
• To follow up on any question and request for assistance or information.

When using our Service, you fully retain any rights that you have with regards to your Content, including copyright.

How long we store your Information

Your Productions and any associated audio or video files will be permanently deleted from our servers including all its metadata and possible data from external services after 21 days (7 days for video productions).
We will, however, keep billing metadata associated with your Productions in an internal database (how many hours of audio you processed).

Also, we might store selected audio and/or video files (or excerpts thereof) from your Content in an internal storage space for the purpose of improving our audio processing algorithms.

Other information like Presets, connected External services, Account settings etc. will be stored until you delete them or when your account is deleted.

Where we store your Data

All data that we collect from you is stored on secure servers in the European Economic Area (in Germany).

More Information and Contact

For more information please read our full Privacy Policy.

Please do not hesitate to contact us regarding any matter relating to our privacy policy and GDPR compliance!

Lots of users have asked us about more customization and control over the sound of our audio algorithms in the past, so today, we have introduced some advanced algorithm parameters for our singletrack version in a private beta program!

• Leveler Presets are basically complete new leveling algorithms
• Maximum Loudness Range (LRA) Target to control the strength of our Leveler
• Maximum True Peak Level
• Better Hum and Noise Reduction Controls

UPDATE Nov. 2018:
We released a complete rework of the Adaptive Leveler parameters and the description here is not valid anymore!
Please see Auphonic Adaptive Leveler Customization (Beta Update)!

Please join our private beta program and let us know how you use these new features or if you need even more control!

Leveler Presets

Our Adaptive Leveler corrects level differences between speakers, between music and speech and will also apply dynamic range compression to achieve a balanced overall loudness. If you don't know about the Leveler yet, take a look at our Audio Examples.

Leveler presets are basically complete new leveling algorithms, which we have been working on in the past few months:
Our current Leveler tries to normalize all speakers to the same loudness. However, in some cases, you might want more or less loudness differences (dynamic range / loudness range) between the speakers and music segments, or more or less compression, etc.
For these use cases, we have developed additional Leveler Presets and the parameter Maximum Loudness Range.

Preset Medium:

This is our current leveling algorithm as demonstrated in the Audio Examples.

Preset Hard:

The hard preset reacts faster and applies more gain and compression compared to the medium preset. It is built for recordings with extreme loudness differences, for example very quiet questions from the audience in a lecture recording, extremely soft and loud voices within one audio track, etc.

Preset Soft:

This preset reacts slower, applies less gain and compression compared to the medium preset. Use it if you want to keep more loudness differences (dynamic narration), if you want your voices to sound "less compressed/processed", for dynamic music (concert/classical recordings), background music, etc.

Preset Softer:

Like soft, but softer :)

Preset Speech Medium, Music Soft:

Uses the medium preset in speech segments and the soft preset in music segments. It is built for music live recordings or dynamic music mixes, where you want to amplify all speakers but keep the loudness differences within and between music segments.

Preset Medium, No Compressor:

Like the medium preset, but only (mid-term) leveling and no (short-term) compression is applied. This preset is optimal if you just use a Maximum Loudness Range Target and want to avoid any additional compression as much as possible.

Maximum Loudness Range (LRA) Target

The loudness range (LRA) indicates the variation of loudness over the course of a program and is measured in LU (loudness units) - for more details see Loudness Measurement and Normalization or EBU Tech 3342.

The parameter Max Loudness Range controls how much leveling is applied:
volume changes of our Adaptive Leveler will be restricted so that the loudness range of the output file is below the selected value.
High loudness range values will result in very dynamic output files, low loudness range values in compressed output audio. If the LRA value of your input file is already below the maximum loudness range value, no leveling at all will be applied.

It is also important which Leveler Preset you select, for example, if you use the soft(er) preset, it won't be possible to achieve very low loudness range targets.

Also, the Max Loudness Range parameter is not such a precise target value as the Loudness Target. The LRA of your output file might be off a few LU, as it is not reasonable to reach the exact target value.

Use Cases: The Maximum LRA parameter allows you to control the strength of our leveling algorithms, in combination with the parameter Leveler Preset. This might be used for automatic mixdowns with different LRA values for different target platforms (very compressed ones like mobile devices or Alexa, very dynamic ones like home cinema, etc.).

Maximum True Peak Level

This parameter sets the maximum allowed true peak level of the processed output file, which is controlled by the True Peak Limiter after our Global Loudness Normalization algorithms.

If set to Auto (which is the current default), a reasonable value according to the selected loudness target is used: -1dBTP for 23 LUFS (EBU R128) and higher, -2dBTP for -24 LUFS (ATSC A/85) and lower loudness targets.

The maximum true peak level parameter is already available in our desktop program.

Better Hum and Noise Reduction Controls

Hum Base Frequency:

Set the hum base frequency to 50Hz or 60Hz (if you know it), or use Auto to automatically detect the hum base frequency in each speech region.

Hum Reduction Amount:

Maximum hum reduction amount in dB, higher values remove more noise.
In Auto mode, a classifier decides how much hum reduction is necessary in each speech region. Set it to a custom value (> 0), if you prefer more hum reduction or want to bypass our classifier. Use Disable Dehum to disable hum reduction and use our noise reduction algorithms only.

Behavior of noise and hum reduction parameter combinations:

Advanced Parameters Private Beta and Feedback

At the moment the advanced algorithm parameters are for beta users only. This is to allow us to get user feedback, so we can change the parameters to suit user needs.
Please let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

y6KCBI4yo0 ksIFEsmI1y BDZec2a21V i4XRGLlVm2 0UDxuS0vbu aaBxi35sKN aaiDSZUbmY bu8lPF80Ih eMsSl6Sf8K DaWpsUnyjo
2YM00m8zDW wh7K2pPmSa jCX7mMy2OJ ZGvvhzCpTF HI0lmGhjVO eXqVhN6QLU t4BH0tYcxY LMjQREVuOx emIogTCAth 0OTPNB7Coz
VIFY8STj2f eKzRSWzOyv 40cMMKKCMN oBruOxBkqS YGgPem6Ne7 BaaFG9I1xZ iSC0aNXoLn ZaS4TykKIa l32bTSBbAx xXWraxS40J
zGtwRJeAKy mVsx489P5k 6SZM5HjkxS QmzdFYOIpf 500AHHtEFA 7Kvk6JRU66 z7ATzwado6 4QEtpzeKzC c9qt9Z1YXx pGSrDzbEED
MP3JUTdnlf PDm2MOLJIG 3uDietVFSL 1i7jZX0Y9e zPkSgmAqqP 5OhcmHIZUP E0vNsPxZ4s FzTIyZIG2r 5EywA0M7r5 FMhpcFkVN5
oRLbRGcRmI 2LTh8GlN7h Cjw6Z3cveP fayCewjE55 GbkyX89Lxu 4LpGZGZGgc iQV7CXYwkH pGLyQPgaha e3lhKDRUMs Skrei1tKIa

If you have an invitation code, you can enter it here to activate the advanced audio algorithm parameters:
Auphonic Algorithm Parameters Private Beta Activation

Last weekend, at the Subscribe10 conference, we released Advanced Audio Algorithm Parameters for Multitrack Productions:

We launched our advanced audio algorithm parameters for Singletrack Productions last year. Now these settings (and more) are available for Multitrack Algorithms as well, which gives you detailed control for each track of your production.

• Fore/Background Settings: keep your music/clip tracks unchanged and set a custom background gain
• Multitrack Leveler Parameters: control the stereo panorama, leveling algorithm, dynamic range and compression
• Better Hum and Noise Reduction Controls for each track
• Maximum True Peak Level setting for the final mixdown
• Full API Support

Please join our private beta program and let us know how you use these new features or if you need even more control!

Fore/Background Settings

The parameter Fore/Background controls whether a track should be in foreground, in background, ducked, or unchanged, which is especially important for music or clip tracks.
For more details, please see Automatic Ducking, Foreground and Background Tracks .

Unchanged (Foreground):

We sometimes received complaints from users, which produced very complex music or clip tracks, that Auphonic changes the levels too hard.
If you set the parameter Fore/Background to the new option Unchanged (Foreground), Level relations within this track won’t be changed at all. It will be added to the final mixdown so that foreground/solo parts of this track will be as loud as (foreground) speech from other tracks.

Background Level:

It is now possible to set the level of background segments/tracks (compared to foreground segments) in background and ducking tracks. By default, background and ducking segments are 18dB softer than foreground segments.

Leveler Parameters

Similar to our Singletrack Advanced Leveler Parameters (see this previous blog post), we also released leveling parameters for Multitrack Productions now.
The following advanced parameters for our Multitrack Adaptive Leveler can be set for each track and allow you to customize which parts of the audio should be leveled, how much they should be leveled, how much dynamic range compression should be applied and to set the stereo panorama (balance):

Leveler Preset:

Select the Speech or Music Leveler for this track.
If set to Automatic (default), a classifier will decide if this is a music or speech track.

Dynamic Range:

The parameter Dynamic Range controls how much leveling is applied: Higher values result in more dynamic output audio files (less leveling). If you want to increase the dynamic range by 3dB (or LU), just increase the Dynamic Range parameter by 3dB.
For more details, please see Multitrack Leveler Parameters.

Compressor:

Select a preset for Micro-Dynamics Compression: Auto, Soft, Medium, Hard or Off.
The Compressor adjusts short-term dynamics, whereas the Leveler adjusts mid-term level differences.
For more details, please see Multitrack Leveler Parameters.

Stereo Panorama (Balance):

Change the stereo panorama (balance for stereo input files) of the current track.
Possible values: L100, L75, L50, L25, Center, R25, R50, R75 and R100.

If you understand German and want to know more about our Advanced Leveler Parameters and audio dynamics in general, watch our talk at the Subscribe10 conference:
Video: Audio Lautheit und Dynamik.

Better Hum and Noise Reduction Controls

Noise Reduction Amount:

Maximum noise and hum reduction amount in dB, higher values remove more noise.
In Auto mode, a classifier decides if and how much noise reduction is necessary (to avoid artifacts). Set to a custom (non-Auto) value if you prefer more noise reduction or want to bypass our classifier.

Hum Base Frequency:

Set the hum base frequency to 50Hz or 60Hz (if you know it), or use Auto to automatically detect the hum base frequency in each speech region.

Hum Reduction Amount:

Maximum hum reduction amount in dB, higher values remove more noise.
In Auto mode, a classifier decides how much hum reduction is necessary in each speech region. Set it to a custom value (> 0), if you prefer more hum reduction or want to bypass our classifier. Use Disable Dehum to disable hum reduction and use our noise reduction algorithms only.

Behavior of noise and hum reduction parameter combinations:

Maximum True Peak Level

In the Master Algorithm Settings of your multitrack production, you can set the maximum allowed true peak level of the processed output file, which is controlled by the True Peak Limiter after our Loudness Normalization algorithms.

If set to Auto (which is the current default), a reasonable value according to the selected loudness target is used: -1dBTP for 23 LUFS (EBU R128) and higher, -2dBTP for -24 LUFS (ATSC A/85) and lower loudness targets.

Full API Support

All advanced algorithm parameters, for Singletrack and Multitrack Productions, are available in our API as well, which allows you to integrate them into your scripts, external workflows and third-party applications.

Join the Beta and Send Feedback

Please join our beta and let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

8tZPc3T9pH VAvO8VsDg9 0TwKXBW4Ni kjXJMivtZ1 J9APmAAYjT Zwm6HabuFw HNK5gF8FR5 Do1MPHUyPW CTk45VbV4t xYOzDkEnWP
9XE4dZ0FxD 0Sl3PxDRho uSoRQxmKPx TCI62OjEYu 6EQaPYs7v4 reIJVOwIr8 7hPJqZmWfw kti3m5KbNE GoM2nF0AcN xHCbDC37O5
6PabLBRm9P j2SoI8peiY olQ2vsmnfV fqfxX4mWLO OozsiA8DWo weJw0PXDky VTnOfOiL6l B6HRr6gil0 so0AvM1Ryy NpPYsInFqm
oFeQPLwG0k HmCOkyaX9R G7DR5Sc9Kv MeQLSUCkge xCSvPTrTgl jyQKG3BWWA HCzWRxSrgW xP15hYKEDl 241gK62TrO Q56DHjT3r4
9TqWVZHZLE aWFMSWcuX8 x6FR5OTL43 Xf6tRpyP4S tDGbOUngU0 5BkOF2I264 cccHS0KveO dT29cF75gG 2ySWlYp1kp iJWPhpAimF

If you have an invitation code, you can enter it here to activate the Multitrack Advanced Audio Algorithm Parameters:
Auphonic Algorithm Parameters Private Beta Activation

A look into the characteristics of the Havana environmental graphic design and city wayfinding system.

https://www.anychart.com/blog/2020/05/06/javascript-choropleth-map-tutorial/

https://mitchum.blog/building-a-crossword-puzzle-generator-with-javascript/

Among all of the design agencies’ headaches, artwork proofing is probably one of the most acute ones. Forwarding countless numbers of requests, following up your approvers with reminders that they have a file to check, searching for their feedback in the endless pile of emails or messages… Quite daunting, to say the least, and quite […]

Solar power is a free natural source of energy from up above, it's a gift of God, we call it the sun and it is for everyone to use. Solar cost may be much lower than you might expect.

As a huge fan of media on the web, I’m always excited about enhancements to how we can control our media. Maybe I get excited about simple things like the <video> tag and its associated elements and attributes because media on the web started with custom codecs, browser extensions, and Flash. The latest awesome media […]

The post JavaScript Picture-in-Picture API appeared first on David Walsh Blog.

All websites are somewhat interactive…we click on links or scroll a page, but truly interactive websites take us on a user-driven adventure or draws us in through motion and sound while giving us the power of choice. Interaction can be as simple as a series of clicks that navigate us through a story or landscape, […]

The post 30 Truly Interactive Websites Built With CSS & JavaScript appeared first on Web Designer Wall.

13 Questions You Should Ask Before Backing A Crowdfunding Project on Kickstarter, Indiegogo and Beyond

Want to master the elevator pitch and leave a great first impression? Use this easy formula to help communicate what you do in a concise pitch!

Do you know the difference between a mission and a vision? Or the difference between a purpose and a goal? Don’t worry, you’re not the only one. Let's clarify!

In 2020, there is no doubt that people and technology will be very close friends in the future. The modern inhabitant of our planet spends about 45% of his time connecting with technology. We are...

It is in every case critical to pay special mind to any computerized photography insights and tips. A few people can truly take awesome photos without truly trying, yet most of us need whatever...

Tags: coronavirus, New York Times, Stuart A. Thompson, vaccine

Isobar’s Rob Larsen suggests that there is often a need to build CSS selectors dynamically when building applications. ”This is typically some existing pattern paired with a loop counter or something pulled from a data attribute,” he writes on his blog. His choice is to create a variable called ”selector” and ”to craft the selector Read the rest...

Intel’s Parallel Extensions for JavaScript, code named River Trail, hooks into on-chip vector extensions to improve performance of Web applications. Details of Intel’s attempt to get on the JavaScript juggernaut emerged last month at its developer event. The prototype JavaScript extension offered by Intel is intended to allow JavaScript apps to take advantage of modern parallel Read the rest...

We're back and this week, we're talking to Avatar's colorful frontman Johannes Eckerström. If you've ever seen the band live,...

The post Squared Circle Pit #54 - AVATAR Frontman Johannes Eckerström Talks Wrestling Unlocking His Love of Metal Frontmen appeared first on Metal Injection.

2019 was the year of the “ethical source” licenses – or ‘open source with a moral clause’ licenses. It was also the year many in the open source movement labeled any attempt at adding moral clauses to open source licenses not only made them not open source licenses, but were a dangerous attack on the […]

The post Value Neutrality and the Ethics of Open Source appeared first on MOR10.

By Jon Queally Common Dreams “This is the stuff that worries me most. We don’t know what we’re doing, not trying to stop it, [and] with big consequences we don’t really understand.” The first global scientific review of its kind … Continue reading →

By Jessica Corbett Common Dreams “We face a stark choice [between] radical, disruptive changes to our physical world or radical, disruptive changes to our political and economic systems to avoid those outcomes.” As people across the globe mobilize to demand … Continue reading →

By Jessica Corbett Common Dreams “We face a stark choice [between] radical, disruptive changes to our physical world or radical, disruptive changes to our political and economic systems to avoid those outcomes.” As people across the globe mobilize to demand … Continue reading →

By Jon Queally Common Dreams “This is the stuff that worries me most. We don’t know what we’re doing, not trying to stop it, [and] with big consequences we don’t really understand.” The first global scientific review of its kind … Continue reading →

By Jessica Corbett Common Dreams “We face a stark choice [between] radical, disruptive changes to our physical world or radical, disruptive changes to our political and economic systems to avoid those outcomes.” As people across the globe mobilize to demand … Continue reading →