C5 just dropped a fiery single titled "Bay 2 LA" off of his project Interstate 5, which is set to release May 15th. Being perfectly titled after the main interstate highway that runs the length of West Coast, this Oakland, California artist begins on a scenic route as he takes us on a drive from […]

The post C5 takes us on a ride from the "Bay 2 LA" appeared first on EARMILK.

Rising British rapper, Macca Wiles releases an electrifying new single "Outlined" - a collage of post-'90s grunge rock with modern trap.  Produced by Matt Schwartz (Yungblud, M.O., Massive Attack, Halsey) "Outline" brilliantly fuses the manic alt-rock energy of Nirvana with the trap swagger of Migos. The informal verses guide the listener through a vivid storytelling […]

The post Macca Wiles' fusion of trap and grunge is "Outlined" in new single [Video] appeared first on EARMILK.

We'll hear from San Francisco supervisors on the challenges the city is facing moving some unhoused residents into hotels to shelter from the pandemic. Then, we go to Europe and get the latest on the coronavirus situation there. And, religious communities can’t gather in person, but they’re still meeting up online.

The coronavirus is on all of our minds, and for some, it brings back memories of another public health crisis, when the federal government was slow to respond and communities had to take care of each other: the AIDS epidemic.

Lily was in a dilemma. After discovering the Sabbath truth while listening to Pastor Doug on Bible Answers Live, she approached her work supervisor to request Saturdays off. He flatly refused. But through the prayers of giving people like you, God performed a miracle. Thank you for changing Lily’s life!

Copyright 2020 NPR. To see more, visit MARY LOUISE KELLY, HOST: Adjusting to life on the virtual campaign trail has been a challenge for both Joe Biden and President Trump. It's been a particular struggle, though, for the former vice president. Here he is kicking off a virtual campaign rally this week with supporters in Florida. (SOUNDBITE OF ARCHIVED RECORDING) JOE BIDEN: Just me? Am I on? UNIDENTIFIED PERSON: Yes. BIDEN: Good evening. Thanks so much for tuning in. KELLY: Ouch. Joining us now is NPR political correspondent Asma Khalid. She covers the Biden campaign. Hey, Asma. ASMA KHALID, BYLINE: Hi there. KELLY: So clearly some technical difficulties for the former vice president there. What is his strategy for campaigning when he can't go out and campaign? KHALID: Well, you're right. I mean, he's been hunkered down at his house in Delaware. So we should point out he has not been able to physically go out and campaign because of the virus. This week, the campaign announced this new

We all have to stay home these days, but the show must go on. In this week's "Cinema Chat," Michigan and State Theater executive director joins WEMU's David Fair by phone to talk about the latest films that you can watch online and, in some cases, share with others in the virtual world!

In this week's "Cinema Chat," WEMU's David Fair talks to Michigan and State Theater executive director Russ Collins about all of the new flicks and special events the Michigan Theater is providing for your online viewing pleasure this weekend. Plus, they talk about how WEMU and the Michigan Theater fared during this week's National Day of Giving.

"The black feminist Combahee River Collective manifesto and E. Franklin Frazier's Black Bourgeoisie share the diagnosis that the wealthy and powerful will take every opportunity to hijack activist energies for their own ends."

On the origins of identity politics with black feminist activists:

The term "identity politics" was first popularized by the 1977 manifesto of the Combahee River Collective, an organization of black feminist activists. In a recent interview with the Root and in an op-ed at the Guardian, Barbara Smith, a founding member of the collective, addresses common misconceptions about the term. The manifesto, she explains, was written by black women claiming the right to set their own political agendas. They weren't establishing themselves as a moral aristocracy—they were building a political viewpoint out of common experience to work toward "common problems." As such, they were strongly in favor of diverse people working in coalition, an approach that for Smith was exemplified by the Bernie Sanders campaign's grassroots approach and its focus on social issues that people of many identities face, especially "basic needs of food, housing and healthcare." According to Smith, today's uses of the concept are often "very different than what we intended." "We absolutely did not mean that we would work with people who were only identical to ourselves," she insists. "We strongly believed in coalitions and working with people across various identities on common problems."

The concept of elite capture originated in the study of developing countries to describe the way socially advantaged people tend to gain control over financial benefits meant for everyone, especially foreign aid. But the concept has also been applied more generally to describe how political projects can be hijacked—in principle or in effect—by the well positioned and resourced, as Yang's "step up" demand exemplifies. The idea also helps to explain how public resources such as knowledge, attention, and values get distorted and distributed by our power structures. And it is precisely what stands between us and Smith's urgent vision of coalitional politics.

To better understand the broader dynamic, we can look to philosopher C. Thi Nguyen's work on games. As he explains in his new book Games: Agency as Art (2020), confusing the real world with the carefully incentivized structure of game worlds can lead to a phenomenon he calls "value capture," a process by which we begin with rich and subtle values, encounter simplified versions of them in social life, and then revise our values in the direction of simplicity. Nguyen is careful to point out that value capture doesn't require anyone's deliberate or calculated intervention, only an environment or incentive structure that encourages excess value clarity.

Nguyen stops short of noting that another risk of gamifying values is the unequal distribution of power across participants. But outside of the world of games, power differentials do shape outcomes. Value capture is managed by elites, on purpose or not. In other words, elites don't simply participate in our community; their decisions help to structure it, much in the way that game designers structure the world of games. After all, elites face a simpler version of oppression than non-elites do: whereas working-class black folk are pressed by racial slights and degradation alongside economic problems that might require "socialized medicine" to solve, elites's economic position makes them comfortable enough to focus on their own status and cultural power—often at the expense of non-elites.

The Congressional Black Caucus's cosponsorship of Ronald Reagan's 1986 Anti-Drug Abuse Act helped supercharge mass incarceration by establishing mandatory minimum sentencing guidelines and adding $1.7 billion toward the drug war while welfare programs were cut. This legislation solved the problem for the black elites of the CBC of how to seem involved with respect to the crack cocaine epidemic. But with the law's passage, working-class African Americans went from dealing with one very complex problem to weathering two interlocking ones: the drug epidemic itself—unsolved by this draconian measure—and the surge of discriminatory law enforcement the legislation unleashed.

Elite capture is not unique to black politics; it is a general feature of politics, anywhere and everywhere. I could just as easily have focused on the world of elite universities. In Philosophy of African American Studies (2015), for example, Stephen Ferguson II makes a similar argument about the elite capture of black studies, which owes its existence to the radical student movements of the 1960s and '70s but has since been "turned into a bureaucratic cog in the academic wheel controlled by administrators, with virtually no democratic input from students or the black working-class community." I could also have kept the general perspective but reversed the role of race and class. In socialist organizations, for example, we might find that white people likewise tend to capture the group's politics.

Or we could look away from race to a different set of identity characteristics altogether. In the Buzzfeed article "You Wanted Same-Sex Marriage? Now You Have Pete Buttigieg," Shannon Keating laments the trajectory of mainstream queer politics away from the more radical elements dramatically on display in the Stonewall riot of 1969 and ACT UP. Or take how The Wing, a coworking space touting itself as a "women's utopia," exploits the women who work for it.

And, of course, elite abuse of identity politics isn't limited to the United States. It is also a particularly salient problem in Global South politics, where national, ethnic, and caste identities are shaped by an unstable mix of indigenous and colonial history. Peace studies scholar Camilla Orjuela argues that, from Sri Lanka to Kenya, politics in multiethnic Global South societies easily fall into cycles of expecting elites to allocate resources along blatantly ethnic and regional lines. After all, the thinking going, the elites of every other ethnic group will do the same when they're in power. Journalist John Githongo describes such ethnic elites as "creatures of patronage and . . . influence peddling" who treat the state as a ladder to their own goals rather than an institution of collective responsibility. These conceptual strands are vividly illustrated by the history of the U.S.-backed Haitian dictators "Papa Doc" and "Baby Doc" Duvalier. The Duvaliers cynically used tropes drawn from the Vodou religion, popular with the country's poor, to intimidate the citizenry while enriching themselves. At the same time, they unleashed unspeakable violence upon actual Vodou practitioners, fearing the revolutionary potential of the religion, which was instrumental in ending slavery on the island.

As the Combahee River Collective acknowledged, simply participating in activism is no guarantee that we will develop the right kind of political culture; its founding members were veterans of important radical political movements that nevertheless made crucial oversights along the way. Elites have to get involved—actually involved—but that involvement needs to resist elite capture of values and the gamification of political life.

We have our work cut out for us, but fortunately we aren't starting from scratch: there's a rich history to draw from. In the 1960s, feminists held regular group meetings, in houses and apartments, to discuss gender injustice in ways that would have been taboo in mixed company. A set of such "consciousness raising" guidelines by Barbara Smith and fellow activists Tia Cross, Freada Klein, and Beverly Smith provides an example of identity politics work as the Combahee River Collective envisioned it. The exercise starts by asking participants to examine their own shortcomings ("When did you first notice yourself treating people of color in a different way?"), but ends by asking how they can use an element of shared oppression as a bridge to unite people across difference ("In what ways can shared lesbian oppression be used to build connections between white women and women of color?"). Because, in the end, we're in it together—and, from the point of view of identity politics, that is the whole point.

Alan David Tucker of the Tucker & Browning law firm said Friday he is not representing anyone in the murder case against Travis McMichael and his father, Gregory McMichael.

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Buffalo Wild Wings is looking to capture the attention of lucrative customers attached to March Madness thanks to a new video and Snapchat campaign called “We Do It For You.”

There are many benefits to mindfulness, but it might not be for everyone. On this week’s edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the more negative elements of being present.

We might think that confidence is a performance and that some people are more believable than others because they exude a certainty that we don’t have. However, it turns out that confidence comes with experience and knowledge, and that having some hesitation about accuracy can be beneficial. In this edition of Two Guys on Your...

***This episode references guns and suicide and may be upsetting for some of our listeners*** Data can be a tricky thing to bring into discussions around guns and suicide. As Dr. Art Markman and Dr. Bob Duke discuss in this episode of Two Guys on Your Head, being more critical about the way information is...

There is an observation in psychology that looks at how people behave when they have not lived up to the expectations they set for themselves; The What The Hell Effect. In this episode of Two Guys on Your Head, Dr. Art Markman, and Dr. Bob Duke discussion about TWTHE and how it relates to identity,...

When it comes to how information influences our mood, how we identify ourselves plays a big role. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the role of identity in processing information.

Join KUT’s Rebecca McInroy along with Lana McGilvray co-founder of Purpose, Kathleen Hessert founder of WeAreGenZ, and Joy Diaz of The Texas Standard as they talk about why it’s important to advocate for public communication; for fair and balanced digital media laws; and for the voices of the young, minorities, and women in media and...

Bradley and Karen play a speech recording of Richard Fontana's presentation at OSCON 2011, entitled Contributor Agreements Considered Harmful.

Note: this show and the slides from Richard Fontana are licensed under CC-By-SA-3.0 USA. This will be the new license of the show for this and future episodes.

Show Notes:

Segment 0 (00:34)

• This show is a recording of Richard Fontana's talk Contributor Agreements Considered Harmful. (03:13)

Segment 1 (03:34)

• Richard Fontana has made his slides from his talk available on his website.
• Bradley live-dented Fontana's talk from OSCON.
• Richard Fontana references Michael Meeks' essay, Some thoughts on Copyright Assignment (29:55)

Segment 2 (45:17)

• Bradley and Karen were on a panel discussion on copyright assignment at Desktop Summit. (45:33)
• Bradley mentioned that Mark Shuttleworth's obsession with cadence had a similar weird effect on a different debate. (58:30)
• Karen has done some pro bono work for PubPat, and also Question Copyright (01:01:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss recent debates about the value of non-profit organizations for Free Software.

Show Notes:

Segment 0 (00:34)

• Fontana (and other Red Hat employees) pointed out some imprecision in what Bradley said in Episode 0x1D about Debian non-free. (01:07)
• A call for participation has been announced for the Legal and Policy Issues DevRoom at FOSDEM 2012. Please submit a proposal by 30 December 2011 (04:30)
• A recent debate about non-profits started, initiated by a blog post called Apache Considered Harmful. (12:55)
• Karen and Bradley briefly mentioned that some now believe that Considered Harmful Considered Harmful (13:16)
• A long thread on this issue occurred on the FLOSS Foundations mailing list (13:45)
• Bradley made an official Conservancy Blog post about the value of non-profits for Free Software (14:17)
• Sourceforge became proprietary software in 2001, as is well-described in this by The Sourceforge proprietarization debacle is well described in an article by Loïc Dachary. (19:19)
• Bradley mentioned FaiFCast Episode 0x11, which discussed the OpenOffice.org/Apache/LibreOffice situation. (44:35)
• Bradley pointed out that this debate conflates a lot of different issues, and tried to list all the conflated questions here:
  • Should a non-profit home decide what technical infrastructure is used for a software freedom project? And if so, what should it be?
  • If the projects doesn't provide technological services, should non-profits allow their projects to rely on for-profits for technological or other services?
  • Should a non-profit home set political and social positions that must be followed by the projects? If so, how strictly should they be enforced?
  • Should copyrights be held by the non-profit home of the project, or with the developers, or a mix of the two?
  • Should the non-profit dictate licensing requirements on the project? If so, how many licenses are ok?
  • Should a non-profit dictate strict copyright provenance requirements on their projects? If not, should the non-profit at least provide guidelines and recommendations?

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the plan for restarting Free as in Freedom and plans for episodes to come.

Show Notes:

Segment 0 (00:36)

• Bradley said in the before time — in the long long ago, which is a reference to the South Park parody of the ST:TOS episode, Miri (01:30)
• Bradley mentioned when Karen Sandler left the GNOME Foundation and took over Bradley's old job as Executive Director of Conservancy. (02:20)
• Karen mentioned that Bradley used to be Executive Director of the Free Software Foundation, a position now held by John Sullivan. (03:25)
• Dan blogged about his illness, details of scheduling surgery, which he occurred successfully. (10:28)
• Karen mentioned the Conservancy Supporter program discussed in detail on Episode 0x57. (12:40)
• Bradley mentioned the short lived Jon Masters Linux Kernel Mailing List Summary Podcast. (14:45)
• Karen and Bradley discussed Video Killed the Radio Star by the Buggles, and Bradley attempted to mention this version which he likes better. (17:36)
• Bradley mentioned Kantian Ethics (20:05)
• Bradley mentioned the Portlanda skit, Rent it Out from S04E02 (20:24)
• Karen mentioned WellDeserved: A Marketplace for Privilege (20:38)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Fewer college students than you might think make it from Freshman orientation all the way to graduation. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton discuss why students drop out, and what colleges and universities can do to help them stay in. David Kirp’s book...

Who do the women and the beasts in Daniel and Revelation represent? Part 1 of 2

Who do the women and the beasts in Daniel and Revelation represent? Part 2 of 2

Welcome the the forums! :welcome: Here is how to post a YouTube video: 1. Open the video in YouTube. 2. Click on the Share link below the video. 3. Click on the Embed tab (directly below the Share link). 4. Press CTRL+C to copy the ...

Who do the women and the beasts in Daniel and Revelation represent? Part 1 of 2

Who do the women and the beasts in Daniel and Revelation represent? Part 2 of 2

In the 1970s Monsanto unveiled a miracle herbicide–Glyphosate. The pitch: it was as safe as table salt for people, but could flatten even the peskiest weeds. Farmers and homeowners alike have used the product ever since. Now, it shows up in detectable levels in many foods, and almost every American has some in their bodies....

In this Episode of “This Song”  host Elizabeth McQueen sits down with Kelsey Wilson from Wild Child to talk about how a Nina Simone song taught her about the power of emotion and freedom in music. Then she talks with Qi and Chaka from Riders Against the Storm about the thematic power of Ibeyi’s “River,” […]

Black Pistol Fire Drummer Eric Owen likes the simple grooves but he didn't know it until he heard Nirvana's "In Bloom." Hear about this revelation and how the song lead him to finally learn to play the drums. Then the owners of Austin's Modern Outsider Records, Erin and Chip Adams, talk about how Suede's "Heroine" and The Cure's "Close to Me" set them, in their own ways, on a course to loving songs that were off the beaten path, record collecting and finally starting their own record label.

This month on In Perspective, our roundtable participants discuss public memory in relation to grief, war, and memorials such as the National September 11 Memorial & Museum. Two of our guests represent that museum, which commemorates the September 11 attacks of 2001 and the World Trade Center bombing of 1993. Also joining us are two...

As part of All About Jazz’s commitment to support livestream events, we wanted to identify the venues that present them—that includes clubs, festivals, home concert presenters, schools and studios. We began the process by seeding the directory here...

Many up-and-coming filmmakers' dreams for success have been crushed indefinitely due to the COVID- 19 pandemic. As pointed out in Shirley Li's piece in The Atlantic entitled The Pandemic Is Hitting One Part of Hollywood Especially Hard, film festivals around the world—arguably the most important life-line for new filmmakers—have been cancelled....

I'm trying to place a video that I believe someone put in a comment in the blue a while back. It's an animated YouTube video (with stick figures IIRC) by a fairly well known channel that's about why, especially online, taking an aggressive stance, always attacking, and never admitting error works so well (it makes you look like you're winning even if you aren't and that's all that matters). Just can't seem to track it down in search or in my head. Thanks!

The Port Hope Guide April 16, 1853.

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How to Be a Friend: An Ancient Guide to True Friendship by MARCUS TULLIUS CICERO [Download Audiobook] ⬇️ ⬇️ ⬇️.

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Internet Archive crawldata from Twitter Outlinks Crawl, captured by crawl502.us.archive.org:twitter_outlinks from Sat May 9 03:41:13 PDT 2020 to Fri May 8 22:02:27 PDT 2020..

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This video demonstrates a few of the features in REV2 Degrader™. Please visit the following links to purchase REV2 Degrader or read the documentation: https://audiocookbook.org/rev2-patch-degrader/ https://audiocookbook.org/rev2-degrader-documentation/

Pedro Vacca, director de la Fundación para la Libertad de Prensa, dijo que esas “listas negras”, pueden generar consecuencias fatales.

El mandatario aseguró que lo más posible es que, la cantidad de contagios sigan aumentando.

When Ohio Secretary of State J. Kenneth Blackwell certifies the state's final presidential election results, declaring President Bush the winner by about 119,000 votes, critics say they intend to present two challenges.

With the House having again approved permanent repeal of the estate tax, the issue now moves to the Senate, where, although Republicans are in the majority, enthusiasm for wiping out what conservatives like to call the "death tax" is considerably more muted.