While public transit in many Canadian cities is struggling with rising fares and falling ridership, one Ontario community has more than doubled its transit use in the past two years. Orangeville has made its buses free, joining a list of much larger communities that have gone fare-free.

If it seems like the Christmas shopping season starts earlier every year, you're not wrong. In response to growing customer demand, stores of all stripes brought out their festive collections weeks before the unofficial start of the holiday shopping season.

At dusk and dawn, the sky dances with three phases of in-between light

Understanding the psychology of ambiguous loss can help people struggling with grief and depression in the wake of the 2024 election results

Autumn is here! Curl up with your favorite pumpkin-spiced blog and savor these acorns that we’ve squirrelled away for you:

• Johnson & Johnson Innovative Medicines gives a peek inside its $43 billion gross-to-net bubble

• Optum Rx joins the private label biosimilar bandwagon

• Biosimilars boom for provider-administered drugs

• Fresh evidence of how copay accumulators hurt patients

Plus, words of wisdom from Cencora's soon-to-be-former CEO Steve Collis.

P.S. Join my more than 58,000 LinkedIn followers for daily links to neat stuff along with thoughtful and provocative commentary from the DCI community.

There’s still time to request an invite to the inaugural Drug Channels Leadership Forum. Attendance will be highly limited. We have already begun extending invitations, so apply now to be considered. Click here to view the full agenda.

Read more »

While startups in highly regulated industries like healthcare and finance are almost certain to face heightened scrutiny, there are controllable factors that can offset these challenges.

The post The Startup Economy is Turbulent. Here’s How Founders Can Recognize and Avoid Common Pitfalls appeared first on MedCity News.

Two executives at behavioral health care companies discussed why it’s important for provider organizations to partner with the 988 Suicide & Crisis Lifeline during a panel at the Behavioral Health Tech conference.

The post There’s an Opportunity for More Providers to Partner with the 988 Lifeline, Execs Say appeared first on MedCity News.

Now is the time for health plans to step up and embrace the tools and strategies that will not only meet regulatory demands, but also drive innovation in care delivery. 

The post Where Medicare Advantage Goes From Here appeared first on MedCity News.

Nov 2, 2022

U.S. power extends beyond the military and economic spheres to include policing. The United States has used its global policing power to capture terrorists, warlords, and drug kingpins. But extradition is not simply a bureaucratic tool. States’ geopolitical interests shape their willingness to cooperate with others in extraditing fugitives. 

May 22, 2024

Israeli Prime Minister Benjamin Netanyahu is facing increased pressure to agree to a hostage and cease-fire deal, including from close allies like President Biden, Benny Gantz and Yoav Gallant. But key to any long-term cease-fire is the question of who will police the Gaza Strip the next day. In some ways, it is easier to imagine a “day after the day after.” It entails a reformed, legitimate Palestinian Authority that takes control of both the West Bank and Gaza and engages in serious negotiations for a two-state solution. But how to get there? How will the transition between a cease-fire and the establishment of a revitalized Palestinian Authority be managed in Gaza?

May 23, 2024

MEI Fellow Yuree Noh assesses public opinion in Kuwait following the suspension of its parliament.

May 1, 2024

Viktoria Waldenfels MPA 2025 reflects on promising ways forward for Arctic cooperation.

This study group, led by Arctic Initiative Senior Fellow Margaret Williams, is evaluating the costs and benefits of renewing cooperation with Russia on science and conservation issues.

Singer Austin Mahone teams up with The Allstate Foundation to encourage smart teen driving through its #GetThereSafe program.

Stratosphere is taking Vegas back from the pricey and pretentious. From the casino to the top of the Tower, Stratosphere offers great fun and real values backed up by an unforgettable experience.

Arroz Con Caf� Con Leche

Closer Relationships Live Here Every Day

Hi everybody.

The question I get most is: "Where do you get your ideas?"

Generally, when I'm asked this question, it's at a book event where it's difficult to answer, because… Well, the answer is long, and complicated, and hard to pin down, and most of the time, I don't really remember how it happened. When an idea starts to arrive, I get to work. I'm not paying attention to how it's happening, or how it would look to an outsider. 

But — a few weeks ago, a new book idea started knocking on the door of my mind. And this time, I decided to pay attention!

What follows is probably the most detailed explanation I'll ever give of where my ideas come from. More specifically, where this particular idea came from, because it's not always the same. But my experience of the past few weeks has been fairly typical for me, and I'll add that there are a few activities I need to engage in every single time, if I want an idea to take root. Namely: PATIENCE. LISTENING. And, LABOR. Book ideas require a certain honed receptiveness, and they require a LOT OF WORK. 

I'm yelling because I'm trying to push back against the idea that ideas simply come to writers. Yes, some parts of ideas come to writers. But when I first get a book idea, what "comes to me" probably comprises about 0.1% of what could properly be called a book idea. Often, it's little more than an inchoate feeling. With patience, listening, and labor, I transform the idea into something I can grasp, and work with.

I'll add that yes, we do hear sometimes of writers whose ideas "simply came to them," fully formed. I'm going to take a guess that (1) this doesn't happen very often, if ever, with books that have complicated structures or plots, and (2) writers who are blessed by ideas in this way probably have a long-honed practice of receptiveness.

Anyway. Warning upfront that this may be a little unstructured, because the process is a little unstructured. It's challenging to describe, and I'm still in the middle of it. But here's what my last few weeks have been like.

A few weeks ago, while watching a TV show that had a certain mood/aura that'd really sucked me in, I found myself drawn to the idea of a story involving three characters. I'm not going to tell you what TV show I was watching, and I'm not going to tell you anything about my three characters, because story ideas are intensely, intensely private. The first time I say anything publicly about it will probably be years from now, if and when this book is ever scheduled for release. But let me try to explain a bit about that moment when the first glimmering of the idea appeared. 

Like I said, I'd been watching a TV show when it happened. But my three characters weren't characters in that TV show. Nor did anyone in that TV show relate to each other the way my three characters seemed to want to relate. Nor did my three characters seem to live in a world like the world of the TV show. The TV show helped to launch the idea at me because of the show's mood and its feeling, and how much I cared about the people in it. But my idea? As is often the case, my idea came from something I saw missing in the TV show. Not missing because there was a flaw in the TV writers' story; I loved their story! But missing (for me and possibly only me) because their story was not the story I would have told.

I think that a lot of my idea seeds come from my adoration of other people's stories, but also from my noticing what's missing in those stories, for me. What story I would've like to have seen told; what characters the story lacked.

Anyway. So this idea of these three characters came to me. But when I say "idea of these three characters," already that sounds more substantial than it was. I knew they were three humans (or humanoids; I didn't know what genre the story was, so they could've been aliens on another planet, for all I knew. In fact, I actively considered whether they might have different biology than ours). I knew they cared about each other, but I didn't know in what way. I knew they were facing a challenge that would strain all of their relationships. I thought they might be grown-ups, but I wasn't sure. I thought I knew at least two of their genders, but I wasn't sure. I knew they lived in a world with magic, but I didn't know what "magic" meant in the context of their world. I didn't know where they lived, or when they lived (past? future? futuristic past? postindustrial future? any of about a hundred other possibilities). I knew a whole lot of things that the characters weren't, and that the world wasn't — which is another way of saying that my sense of what this story was was actually more defined by all the things I knew it wasn't. (Apologies if this is vague. I'm not being intentionally vague! I'll try for some concrete examples: I knew I didn't want to write a story where partway through, someone suddenly discovers they have an inborn power they didn't know they had. I knew I didn't want to write a love triangle. There's a certain kind of high-handed fantasy tone that I knew wasn't right for this story. But I didn't know what I did want yet at this point.)

Really, all I knew was that I seemed to be having an idea.

So, like a writer, I did what I needed to do: 

• I made space in my mind for receptiveness. (I scheduled uninterruptable alone time. I stopped listening to podcasts while I was out walking, and instead, just walked, so my mind could wander. I put aside non-urgent tasks for a while so that I didn't have the feeling of a to-do list hanging over my head. I gave myself permission to wool-gather, to become vague and absent-minded. I set three timers any time I cooked anything so I could feel free to forget I was cooking, but also not burn the house down. I remembered to thank my husband frequently for being willing to live with a space cadet.)
• I thought about what fertilizer might help the idea to grow, especially fertilizer in the form of books, TV, and movies. I put all other books, TV, and movies aside. (I kept watching that same TV show, and I also began reading almost exclusively one writer who had a narrative tone — and also subject matter — that helped me sustain a mood that felt concurrent with the mood of my own idea. Why does this kind of intake help? It keeps my mind in a story space, while also giving me something to bounce my own ideas off of. It's a kind of reading, or watching, that involves a state of constant interactivity and reactivity. Everything I'm consuming becomes about something else that I'm looking for. It's difficult to explain, maybe because it gets back to that inexplicable moment when new ideas form.)
• I made sure that every single time I had any new thoughts relating to my idea, I wrote them down. (This meant making reminders on my phone; sending strings of emails to myself; choosing a notebook where I began to jot things down; sending texts to myself on my husband's phone, if his phone was closer to hand than mine.)
• I looked at my schedule to give myself a sense of if and when I might have a few days soon to put my current writing project aside and give some true, devoted time to this new idea. (I was, and still am, in the middle of revisions of the next Graceling Realm book when this happened, and that was, and still is, my absolute first priority. As exciting and intense as a new idea can be, it can't unseat me from my current object of devotion.)

By chance, last week, I did in fact have some time away from my revision while it was briefly with my editor. I was able to devote an entire week to the new book idea. So, next, I'll try to describe what a week of intense idea-gathering looks like for me! (Though I should say that this will differ from book to book. It's been pretty clear to me from the beginning that this new idea is going to be slow to grow — planning this book will take way more than a week. In contrast, last fall, I found myself with a new and sudden book idea that coincided with the end of another project, so I had some free time and was able to sit down and hammer out the entire book plan, which took only a few days. I think this is because that book was shorter and less emotionally complicated than this new book will be, and was set in a less complex world. Also, at the time, I was absolutely thrumming with the adrenaline and momentum of having just finished a writing project, so book-planning became a way to channel that energy. Often these processes are subject to whatever else is going on in my life.)

So. My week of intense idea-gathering looked a lot like what I've already described — reading, watching TV, but now also with long hours of sitting staring at a blank page and/or lying on my back staring at the ceiling — but with a more specific goal. Namely, I was trying to figure out what my main questions were. For me, every book starts (and continues, as I write) with an extremely long list of questions that I'm trying to find the answers to, but it takes work to figure out what the questions are. The questions can be very different from book to book. And it's essential, at the beginning, to identify what the main questions are.

When I'm first idea-gathering, I use very short notebooks in which I scribble down all my random thoughts as they come (I like using these twenty-page notebooks from Laughing Elephant, because they're short enough not to feel intimidatingly important). Then I have one longer, thicker notebook which is for my more coherent thoughts — my more serious book planning. During my week of active idea-gathering, I came up with the following list of major questions, worthy of being written down in my thick, "serious" planning notebook:

MAJOR QUESTIONS.

• What is magic?
• How does bad human behavior manifest in this world? (for real *)
• Where/what culture does each of them come from? What family?
• How is society governed?
• Who is each of them — as a person and as a power manifestation?
• How is the narrative positioned?
• What is the plot?
• How do humans relate to the rest of the natural world?
• What is gender? (for real *)

* and by societal definition

So. I'm not sure how closely you looked at those questions — but they are pretty gigantic questions! It took me a week to identify all of them. It's going to take me much, much longer to answer them. Which goes back to my point that ideas don't just "come to me." The merest seed of an idea might come to me, and after that, I make the space, and do the work.

As I began to hammer out my questions, I continued to read, watch things, and wool-gather, but with more intense focus. Because now I was also trying to answer these questions as they came. It was interesting to observe the order in which I began to find the answers. Not surprisingly, probably since my novels tend to be character-based, it was the character-based questions that drew me in first. “What is gender" in particular, because I have a sense that in this story, my characters' relationships to gender are absolutely integral to who they are, and I can’t get very far with a book plan if I don’t know who my characters are. I also started to gather some clues about their personalities and their strengths. Enough that after a couple of days, I got to the point where I suddenly knew I needed their names. Names ground everything, and they can also change some things; at a certain point, I can't make any further progress without names. I spent one entire day last week mostly just trying to figure out three people's names. Once I had the names, I was able to return to my questions.

Then, not too long after that, a moment arose where I knew, again quite suddenly, that what I needed next was at least the broad strokes of a plot. If I’m a little scornful about the concept of inspiration — because it’s a concept that dismisses how hard I work! — I do believe in intuition, and also in experience. Intuition and experience told me that I'd reached the point in my planning where the needs of my plot would hold the answer to a lot of my other questions. Like, how this place is governed; what constitutes bad behavior; and even some character things, like what culture each of my characters is from. Sometimes, once you know what needs to happen in a story, it becomes easier to picture the structure of your world. Because a plot comes with needs; once a plot exists, it limits some of your other options. For example, let's say your plot involves a particular kind of government-based corruption. Well, thinking about that corruption will probably start to show you some of your options for the structure of the government. Once you know the structure of the government, you might begin to understand who holds governmental power — which can lead to answers about how families are structured. Which can lead to answers about culture, which can lead to answers about the societal definition of bad behavior, etc.

So. I reached the point where I needed at least a sense of my plot. But: plotting is a HUGE job. I knew it wasn't something I could do in just a few days, and at this point I also knew that I was going to need to return to my revision soon. So, intuition told me that it was time to stop. Not stop being receptive; not necessarily stop reading or watching the helpful things; not stop sending myself emails, texts, and reminders; but stop trying to make any real, meaty, major progress on this book idea. I needed to save the job of plotting for when I next had a stretch of uninterrupted worktime. Maybe another free week or two somewhere, between other projects.

So, I did some final organizing of my notebook. I transferred things into it from other notebooks and I designating a huge number of empty pages in it for future plot thoughts and future character thoughts. I did this even though in this book, as in most of my books, I sense that character and plot will ultimately end up being the same thing, so it's not going to matter much which thoughts I file where. (In other words, most of my plot is going to spring from who my characters are, and many of my characters will spring from the needs of the plot.) But at this messy stage in planning, it's important to me to feel organized. The illusion of organization stops me from feeling as overwhelmed as I probably should be feeling. So I label things, and delude myself that I can contain this messy process inside a nice neat notebook ????. 

I organized my notebook, and then I put it aside. Today I'm still open to thoughts about my new book idea, but it's not my entire worklife anymore... it's more of a promise for the future. It'll probably be good to have it simmering on the back burner for a while. I'll be able to approach it with a new freshness when I sit down with it again one day.

So. I'm not sure how satisfyingly I've answered the question "Where do you get your ideas?" After all, this idea is still very much in progress. I figured out a lot of stuff last week, but mostly what I figured out is a long list of all the things I don't know yet. There will be many, many more workweeks to go before I'll be able to claim that I truly have an idea for a book. 

But this is my best shot at an answer to the question of where my ideas come from! I guess the point I want to convey is this: I don’t necessarily believe in inspiration. But I believe that sometimes a writer will start to get the merest sense of a story that's missing from the world, and find herself wanting to write that story. At that point, if circumstance allows her the time and space to enter a state that is extremely internally-focused and possibly involves a lot of intake (reading, watching other stories), or if not that, at least an extreme level of sensitivity and receptiveness, of seeing, of listening... And if she puts in the work… her idea-seed will start to take root, and grow into a real, workable idea that might one day be the beginnings of a book! 

And of course, every writer does this differently. Many writers don't plan or plot ahead of time. They figure out the idea as they write. So there's no right or wrong way to do it. 

But this is my best explanation of how I do it.

Godspeed to all writers.

Are you curious to learn if there is a release date for American Sports Story Episode 11 or if the series has ended? The intriguing first season has captivated viewers with the dramatic tale of Aaron Hernandez, the former NFL player turned convict. Fans are keen to find out if more episodes or a Part […]

The post Is There an American Sports Story Episode 11 Release Date or Part 2? appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

Fans of Voltron: Legendary Defender are disheartened by the news that the series is leaving Netflix. The beloved animated show, which aired for eight seasons from 2016 to 2018, follows teens who join an intergalactic battle while piloting robotic ships shaped like animals. With the news sparkling debates, viewers are eager to learn why it’s […]

The post Why Is Voltron Leaving Netflix & Where Could It Stream Next? appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

Here’s a thing I keep noticing, and it drives me nuts. In Italy, a ship captain is arrested for bringing immigrants to shore after rescuing from them near death at sea: The number of migrants reaching Italy’s shores has drastically diminished – just 2,800 so far this year – and the country is now led […]

HBO PR reached out to me about seeing Lovecraft Country, first episode dropping tonight. As a mixed race SF author I have a complicated relationship with Lovecraft, but the trailers intrigued. Mostly Black cast? Black writer-producer? Yes please! Check Lovecraft Country out not just because HBO gave me a goody bag and a free view, […]

The FBI is investigating a spate of racist text messages targeting Black Americans in the wake of Donald Trump’s election victory last week. The texts were reported in states including Alabama, North Carolina, Pennsylvania and Virginia, addressing recipients as young as 13 by name and telling them they were “selected to pick cotton at the nearest plantation” and other messages referencing slavery. For more, we speak with Robert Greene II, a history professor at Claflin University, South Carolina’s first and oldest historically Black university in Orangeburg, where many students were targeted. “Initially when I heard about the texts, I thought it was a bit of a hoax, but … it quickly became clear that this wasn’t just a Claflin problem, it was a national issue, as well,” says Greene. We also speak with Wisdom Cole, senior national director of advocacy for the NAACP, who says “this is only the beginning,” with a second Trump administration expected to attack civil rights and embolden hate groups.

Microsoft's latest Windows 11 Insider Beta Build (22635.4445) introduces a hidden universal Share button, marking the company's ongoing efforts to unify the user experience and simplify file-sharing across devices. The feature was first identified by Windows enthusiast @phantomofearth on X (formerly

The latest update to Nothing's operating system is now available for users with the Phone (2a), as the company rolls out the second open beta for Nothing OS 3.0. While this version is currently exclusive to the Phone (2a), users of

Dear Experts,

In GSTR 1, under which table should we show the RCM amount on rent paid to an
unregistered Landlord.

Pls. advice.

New materials would help the cars of the future survive cold snaps and other climate disruptions

Daniela Andrade “Biking” The keyboard and percussion parts the verses of “Biking” are so soft and subtle that it sounds like they’re nervously and very carefully tip-toeing around the vocal. This suits the lyrics perfectly, as Daniela Andrade is essentially confessing that she’s in love. She’s addressing the “you” that she’s fallen for, but I […]

Kate Bollinger “Postcard From A Cloud” I love the simple little trick Kate Bollinger pulls off in this song – singing near the bottom of her register in the verses, and at the top of it on the choruses. It’s not heavy-handed at all and it took me a little while to even really notice, […]

Kassie Krut “Reckless” My friend Molly passed this along to me, telling me “this feels Matthew-core.” And she’s right, this is exactly the kind of song I’ve been looking out for on this site for over 20 years. Let’s go down the checklist – catchy but abrasive, big heavy beats, random bits of noise, a […]

Alan Turing's theories about computation seem to have a startling consequence, placing hard limits on how fast or slow any physical process in the universe can grow

(I’ll be adding this to my socialism FAQ, but for now I think it deserves it’s own post.) The logic here is what fascinates—the mechanical formality, starting with rigid definitions and proceeding step by careful step to absurdity. The old scholastics of the middle ages would certainly have approved, but if we don’t want to … Continue reading “We live in a democracy, therefore the government represents us.”

Katy P.'s father-in-law recently retired after 27 years with the fire department.

Naturally, his fellow fire fighters ordered an appropriately decorated cake to celebrate: 

(You know what my favorite part of this Fire Department Theme cake is? The balloons.)

Thanks to Katy for showing us how a cake order goes down in flames.

Also, I should probably point out the original firefighter themed cake from way back in 2008.  Still one of my favorites. -john (thoJ)

I know we've all been tempted sometimes, minions, but these people actually did it.

UP TOP!

ON THE TRAY!

IN THE FLAY!

Er, flag. She meant flag. But I guess this works.

And extra credit to the teacher who did NOT tell her baker where to stick it, but instead handed over a notepad with all her kids' names on it, so the baker could just copy them on to the cake.

Sadly, the baker stuck it anyway:

Right where the sun won't shine!

(You know, because they're inside.)

Thanks to Annie, Trinity L., Kaye P., & Molly H. for teaching us all a lesson on following directions.

Also teachers, if you're looking for a new notepad, I'm really liking these:

Everything Is Fine Notepads

*****

And from my other blog, Epbot:

Bubbles is doing her best

In the dying stages of innovation, companies at the top of the heap use their market power to maintain their high profits.

The post Suckage begins here: why search engines now prioritize advertising over good UX appeared first on Zeldman on Web and Interaction Design.

Labour's first Budget in 14 years had a lot to say about growth, but forecasts paint a mixed picture.

Economists say the state of public finances should not have come as a complete surprise to the new government.

The proposals will now undergo further scrutiny in the Lords, where they are expected to face tough opposition.

Falling launch costs have given African nations a chance to send their own satellites into orbit.

The mind-boggling figure has been levied due to the company restricting Russian state media on YouTube.

Highlights: Recent surveys indicate that concerns about the potential negative impacts of AI in healthcare are on t

The abnormalities associated with aging sperm cells might be exacerbated by elevated body mass index (BMI), suggests research that appears in the journal iDevelopmental Cell/i.

You do not need to be flexible to practice medlinkyoga/medlink. Yoga is having a say on the modulations and tendencies of the mind. Where there is a mind, there is conflict.