Bradley and Karen discuss Jacob Appelbaum's talk at Linux Conf Australia 2012, as well as other conference talks.

Show Notes:

Segment 0 (00:35)

• Bradley spoke at SCALE, but the talk was very similar to the talk given on 0x18. (07:15)
• Karen's talk at LCA was a longer version of the talk from 0x15 she gave at OSCON. Listeners should write in if they want Karen's longer talk to be a show (07:30).
• Bradley will try to record some of the talks from the Legal and Policy Issues DevRoom at FOSDEM 2012 (07:55)
• Bradley mentioned the Red Dwarf episode, Legion where Rimmer says: Thank you for listening. Oh, additional: sorry to take up your valuable time. Sorry. Thank you. Sorry. Bye. Bye. Sorry. Thank you. Thank you. Thank you. (12:12)
• Bradley asked if the crickets in Australia sang Jump Around, since Karen said they jump around (15:45)

Segment 0 (18:51)

• Karen liked Jacob Appelbaum's keynote at Linux Conf Australia 2012 (19:20)
• Bradley mentioned Harald Welte's blog post about running his own email server (23:45)
• Bradley mentioned Ken Thompson's bug (34:03)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss Michael Meeks's FOSDEM 2012 talk, Risks and Benefits of Copyright Assignment from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:35)

Bradley and Karen introduce Michael's talk.

Segment 1 (01:56)

Michael's slides are available from faif.us and from his blog post on the talk.

Segment 2 (26:47)

• Bradley mentioned GNU Mediagoblin as an example of a true upstream multi-copyright-holder AGPLv3'd project. (28:10)
• Bradley mentioned that LibreOffice is “wealthy” as well by Michael Meeks standards, given their successful fundraisers. (29:38)
• Bradley mentioned the Desktop Summit panel that he and Michael were on and Karen moderated. (34:06)
• Bradley and Michael co-authored (with Vincent Untz) the GNOME Copyright Assignment Guidelines. (35:30)
• FSF was previously supportive of MySQL AB back in 2002, but Michael also used to support the Sun JCA. (38:20)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss Mike Linksvayer's FOSDEM 2012 talk, Creative Commons 4.0 licenses and other opportunities for FLOSS/free culture legal/policy intersections from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:38)

Bradley and Karen suggest that you use the slides below when listening to Mike's talk.

Segment 1 (05:51)

Mike Linksvayer's slides for this talk are available in PDF format and in ODP format.

Segment 2 (33:43)

Segment 3 (34:25)

A special licensing message from Mike Linksvayer.

Segment 4 (35:09)

• Karen mentioned Bradley's favorite movie, It's a Wonderful Life.
• Bradley mentioned Asheesh Laroia, who appears to never blogged about his CC/credit-card-thief freenode confusion story. (48:00)
• Bradley mentioned Fontana's Copyleft.next project . (50:00)
• Bradley mentioned the ST:TNG episode, Unification, Part II, although he kept calling it Reunification during the episode. Please don't write in to complain; he realized the error after recording. (54:39)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Till Jaeger's talk from FOSDEM 2013, entitled What is a derivative work under European Copyright Law?.

Show Notes:

Segment 0 (00:00:31)

Karen and Bradley introduce the talk.

Segment 2 (00:02:41)

The speaker's that you hear are:

• Tom Marble, introduces the talk, and asks one of the questions.
• Till Jaeger, who gives the talk

The slides for Till Jaeger's talk are available.

Segment 2 (00:49:11)

• Bradley and Karen discuss Till's talk.
• Clarence Thomas spoke the first time in the Supreme Court. Bradley said that he said it did not, but apparently he actually said he did not. (59:49)
• Bradley scanned in his Brussels airport train ticket that had his notes on it, where you can read noa push caa. (01:06:40)
• Bradley mentioned the phrase Elvis has left the building. (01:07:15)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Pamela Chestek's talk from FOSDEM 2013, entitled How to Share a Trademark.

Show Notes:

Segment 0 (00:00:33)

Karen and Bradley introduce the talk.

Segment 0 (00:02:05)

Pam gave us slides, but it's all in one big SVG.

Segment 2 (00:55:10)

• The talk that Bradley mentioned was this talk that Karen gave at Linux Foundation Collaboration Summit 2012; he was unable to find a recording. (57:04)
• Note that most of the time the word source was used in the talk and Karen's comments, it means origin, not source code. (01:05:55)
• Bradley mentioned this Planet Money story about the 5¢ coke. (01:21:37)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Note: initially, from 2013-08-01 18:30 through 2013-08-02 08:40 (US/Eastern), the audio file links in the feed did not work. That has been corrected.

Bradley and Karen interview Alison Chaiken about Free Software in cars.

Show Notes:

Segment 0 (00:00:38)

Bradley and Karen introduce the interview.

Segment 1 (00:01:43)

• Bradley and Karen interview Alison Chaiken about Free Software in the automotive industry.
• Alison mentioned the Genivi Alliance, which is an industry trade association with some interest in “Open Source”.
• Alison presented a session at LibrePlanet about the Right to Repair act in Massachusetts. (00:14:30)
• Alison encouraged listens to get involved with Right to Repair and the Massachusetts Right to Repair.

Segment 2 (00:36:09)

• Karen moderated a panel at the Linux Foundation Collaboration Summit 2013 on Automotive issues (37:12)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley announce Conservancy's DMCA filing and Conservancy and FSF's joint launch of the copyleft.org project, and then discuss Eileen Evans' FOSDEM 2014 talk, entitled Licensing Models and Building an Open Source Community.

Show Notes:

Segment 0 (00:36)

• Conservancy file a DMCA petition regarding so-called “Smart TVs”. (02:00)
• Bradley mentioned the magic marker that was as circumvention technique under DMCA. Here's an amusing joke press release about the issue. (03:10)
• There isn't much documentation online of Bruce Perens live DMCA violation, but this article appears to be the main one on the subject, and there is also this interview (06:46).
• Bradley and Karen talked about the joint FSF/Conservancy copyleft.org announcement. (09:10)
• Bradley first pulled together the materials for copyleft.org for FSF's CLE seminars, particularly the one in March 2014. (10:00)
• Karen noted that Conservancy donated the time to write up a pristine example of good complete, corresponding source code for a GPL'd product. (11:30)
• Bradley discussed the incorrect GPLv2§2(a) violation accusations that some made against Red Hat regarding its changes to its publication of RHEL's Linux fork. (12:00)
• Karen and Bradley encouraged listeners to submit talk proposals for the FOSDEM 2015 Legal and Policy Issues DevRoom (15:03)

Segment 1 (19:38)

This is a recording of Eileen Evans' FOSDEM 2014 talk, entitled Licensing Models and Building an Open Source Community. If you'd rather watch the video, which includes the slides from her talk, it's available on FOSDEM's site.

Segment 2 (46:40)

• Bradley and Karen discuss Eileen's talk.
• Bradley mentioned the OpenStack CLA fight, which was covered in a panel discussion on FaiF 0x4B. (56:16)
• Karen mentioned the 501(c)(6) issues that OpenStack Foundation has faced, which were discussed already on FaiF 0x4E. (56:34)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen play and discuss Pam Chestek's talk entitled Why Licenses Requiring Use of Trademarks are Non-Free that she gave on Sunday 2 February 2014 at FOSDEM 2014.

Show Notes:

Segment 0 (00:00:34)

• You can donate now to send Producer Dan Lynch to a Free Software conference. Donations will be made to Conservancy and any proceeds raised beyond the amount needed to send Dan to a conference will support Conservancy generally. (05:30)
• Dan will of course need to follow Conservancy's travel policy since Conservancy will fund his travel. (06:50)
• Bradley discussed the backstory on the Groupon attempt to steal GNOME's name. GNOME Foundation had to go public to raise funds to fight Groupon (10:05)

Segment 1 (00:13:26)

Pam Chestek gives a talk entitled Why Licenses Requiring Use of Trademarks are Non-Free. You can watch the video instead of listening to our audio and follow along with Pam's slides.

Segment 2 (01:00:37)

• Bradley mentioned Pam's talk from the previous year, which was played on 0x3C. (01:01:32)
• Bradley mentioned that GPLv3§7 allows for removal of additional restrictions that abuse that clause of GPLv3. (01:04:24)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen interview Nick Coghlan, who works onn development and test infrastructure for Red Hat and is heavily involved with the Python community.

Show Notes:

Segment 0 (00:00:35)

Bradley and Karen interviewed Nick Coghlan who works for Red Hat and contributes to various Open Source and Free Software projects such as Python. Nick discussed his work on the infrastructure team at Red Hat, and his advocacy of Kallithea for use for the CPython project.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the VMware lawsuit that Software Freedom Conservancy is funding.

Show Notes:

• Bradley and Karen discuss the lawsuit that Christoph Hellwig filed. (07:37)
• Karen mentioned her LibrePlanet keynote about the VMware lawsuit. (21:30)
• Bradley's talk at LinuxConf Australia 2015, Considering The Future of Copyleft, is available online. (22:04)
• Bradley mentioned the discussion on pump.io about NPR fundraisers. (24:23)
• Bradley mentioned a Debian 8 release party at LinuxFest Northwest, which Microsoft didn't invite him to, since he wasn't willing to give Microsoft his contact info for marketing purposes. (29:16)
• Karen and Bradley promoted the Conservancy supporter program (31:40)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the plan for restarting Free as in Freedom and plans for episodes to come.

Show Notes:

Segment 0 (00:36)

• Bradley said in the before time — in the long long ago, which is a reference to the South Park parody of the ST:TOS episode, Miri (01:30)
• Bradley mentioned when Karen Sandler left the GNOME Foundation and took over Bradley's old job as Executive Director of Conservancy. (02:20)
• Karen mentioned that Bradley used to be Executive Director of the Free Software Foundation, a position now held by John Sullivan. (03:25)
• Dan blogged about his illness, details of scheduling surgery, which he occurred successfully. (10:28)
• Karen mentioned the Conservancy Supporter program discussed in detail on Episode 0x57. (12:40)
• Bradley mentioned the short lived Jon Masters Linux Kernel Mailing List Summary Podcast. (14:45)
• Karen and Bradley discussed Video Killed the Radio Star by the Buggles, and Bradley attempted to mention this version which he likes better. (17:36)
• Bradley mentioned Kantian Ethics (20:05)
• Bradley mentioned the Portlanda skit, Rent it Out from S04E02 (20:24)
• Karen mentioned WellDeserved: A Marketplace for Privilege (20:38)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss two additional permissions that can be used to “backport” the GPLv3 Termination provisions to GPLv2 — the Kernel Enforcement Statement Additional Permission, and the Red Hat Cooperation Commitment. A blog post on Conservancy's site summarizes the discussion on this show.

Show Notes:

Segment 0 (00:35)

• Bradley mentioned irregardless is not actually a word, but it does appear to be slang, which dates back to 1795! (03:23)
• The additional permission system was codified as a formal part of GPLv3, but are generally more informal under GPLv2. (05:24)
• Karen explained what the Principles of Community-Oriented GPL Enforcement. (07:49)
• Karen mentioned that Daleks terminate! (08:51)

Segment 1 (13:04)

• Bradley mentioned the inbound=outbound FOSS licensing contributor assent system (18:15)

Segment 2 (26:10)

• Karen and Bradley discuss the term “non-defensive” and what it means.
• Bradley mentioned the Twin Peaks lawsuit as a non-hypothetical case where the RHCC would not apply where GPL enforcement was used by Red Hat itself as a retaliation tactic. (29:23)
• The Kernel Enforcement Statement and the RHCC are available online.

Segment 3 (38:40)

The next episode of will be an interview with Molly De Blanc and recording of her keynote at CopyleftConf 2019

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss the end to Microsoft's e-book platform and generally the dangers and disasters that Digital Restrictions Management (DRM) cause for software users and developers.

Show Notes:

Karen and Bradley discuss the end to Microsoft's e-book platform and generally the dangers and disasters that Digital Restrictions Management (DRM) cause for software users and developers.

Segment 0 (00:35)

• Bradley mentioned that Microsoft ended their e-book platform. He said this was “last month” but we ended up releasing this show late, so it was in August 2019 (01:31).
• Bradley mentioned the analog hole. (09:50)
• Karen discussed the exception process under DMCA, which Conservancy participated in regarding “Smart” TVs. (12:30)
• Bradley mentioned this historical burning of the Library of Alexandria as a Roman weapon, comparing it to DRM. (15:07)
• Bradley talked about how Netflix and Microsoft used Silverlight initially as the method of DRM, and that Microsoft was a leader in the entertainment industry in providing DRM (20:00)

Segment 1 (26:31)

• Bradley and Karen discuss how DRM and other lock-down of devices, including medical devices, are creating problems in society generally.
• Karen noted that the role of for-profit companies is not to safeguard the public interest. (41:10)
• Bradley mentioned you can turn off DRM on the Google Play store for your book (as the publisher). (43:04)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Students have a lot of tugging at their energy and attention including classes, homework, jobs and activities. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton strategize on how to keep exhausted students engaged in the classroom. Ed received an email from a “Higher Ed” podcast...

A podcast listener wrote in asking for guidance about how to handle the regret she feels over the choices she made in college.  In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton examine regret and the ways in which it can actually inspire positive change. A...

Most of us have the best of intentions when we graduate from high school or college to make our way in the world and lead meaningful and productive lives. But the minutiae of everyday life can eat into our plans to exist outside our comfort zone. In this episode of KUT’s podcast “Higher Ed,” Southwestern...

Who does not appreciate making high grades in a certain subject or getting glowing performance reviews at work?  In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton explore the lure of the “success trap” and how to avoid it. What exactly is the “success trap?” It...

Sequential this week ran a video this week showing us how the makers of the Pro 3, Prophets, and more are keeping productive during the pandemic. We wished Dave Smith a happy birthday recently; here's what everyone else is up to.

The post Synth maker Sequential checks in on how they’re running in the pandemic appeared first on CDM Create Digital Music.

There have been few surprise hits in the world of patchable instruments like Make Noise's 0-Coast. But they just might have another hit - a tabletop, patchable, clockable controller-sequencer. And it's adorable - and US$399.

The post Make Noise 0-CTRL is the controller-sequencer followup to 0-Coast appeared first on CDM Create Digital Music.

Algorave culture has been training years for this – it’s an audiovisual form that can make even a screen and streamed sound really come alive. Just watch – and actually, don’t just watch, here’s how to learn, too. Normally, algorave articles talk breathlessly about code, blah blah, people coding on screen, isn’t that nerdy, look […]

The post Get lost in stupidly ace sounds and imagery of the algorave, then get smarter and make your own appeared first on CDM Create Digital Music.

Every price point in Apple’s notebook lineup has recently gotten an update, with revisions to the 13″ MacBook Pro this week. And they’ve fixed the keyboards. So if you’re in the market for a Mac, which should you get? We know from sales figures that even in the midst of dueling economic and health crises, […]

The post Apple’s sweet spot: which MacBook do you want for music making now? appeared first on CDM Create Digital Music.

Sometimes an online configuration and spec sheet is worth 1000 words. And yeah, if you want to see why some users in the pro market are switching OSes - this sums it up.

The post Apple sticker shock? Try this simple experiment – look at Razer’s configuration page appeared first on CDM Create Digital Music.

Denzel Curry is a rapper from Miami. He started his career at age 16 as part of the hip hop collective Raider Klan. He released his first solo album while still in high school.

In May 2019 Denzel released his fourth album, ZUU. He made it with the Australian production duo FnZ, who have been collaborating with him since 2016. The album was named Best New Music by Pitchfork, and Denzel made his TV debut on The Tonight Show.

songexploder.net/denzel-curry

Sleater-Kinney was formed in 1994 by Corin Tucker and Carrie Brownstein. Drummer Janet Weiss was a member of the band from 1997 until 2019. In Time Magazine in 2001, author and critic Greil Marcus named Sleater-Kinney “America’s Best Band.” Over the years, they’ve made nine albums, including this year’s The Center Won’t Hold, which was produced by Annie Clark of St. Vincent. In this episode, Corin Tucker and Carrie Brownstein break down how the song “The Future Is Here” was made.

songexploder.net/sleater-kinney

Raphael Saadiq is a Grammy-winning songwriter, producer, and artist from Oakland, California. He was the lead singer of the legendary ‘90s R&B group Tony! Toni! Tone!. As a producer, he’s worked with D’Angelo, TLC, Mary J. Blige, Whitney Houston, Solange Knowles, and John Legend.

In August 2019, Raphael released his fifth solo album, Jimmy Lee, which is named for his late older brother. In this episode, he breaks down a song from he made with his nephew, Dylan Wiggins, called “Kings Fall.”

songexploder.net/raphael-saadiq

Slipknot is a Grammy-winning metal band from Des Moines, Iowa, who first formed in 1995. They’ve sold over 30 million records. In this episode, guitarist Jim Root breaks down how Slipknot made the song, “Unsainted,” from their 2019 album We Are Not Your Kind.

songexploder.net/slipknot

Natasha Khan makes music under the name Bat for Lashes. She’s released five albums, including Lost Girls, which came out in September 2019.

In this episode, she breaks down the making of the lead single from that album, called “Kids in the Dark.” But just before she started writing it, she wasn't sure if she would make another album at all.

songexploder.net/bat-for-lashes

Right now, Radiotopia is holding its annual fundraiser. You can help support Song Exploder and the network that makes it possible. Make your mark. Go to Radiotopia.fm to donate today.

Meek Mill is a rapper from Philadelphia. He’s put out five albums. His most recent, Championships, debuted at #1 on the charts, and was nominated for a Grammy for Best Rap Album.

Back in 2007, He was arrested on a gun charge at the age of 19, and over the last eleven years, he was sent to prison four times for parole violations. But in July 2019, based on evidence of alleged police corruption, the Pennsylvania Superior Court threw out his conviction, and the parole violation that had led to his most recent time in prison, a five-month sentence.

It was soon after Meek Mill was released that this song, “Trauma,” was created. He took inspiration from his experiences in prison, and his early life in Philadelphia.

In this episode, Meek Mill and Don Cannon, who produced the track, break down how the whole thing came together.

songexploder.net/meek-mill

Right now, Radiotopia is holding its annual fundraiser. You can help support Song Exploder and the network that makes it possible. Make your mark. Go to Radiotopia.fm to donate today.

The band Vampire Weekend started in 2006, in New York. Their third album came out in 2013, and was named one of the best albums of the year all over the place, and it won a Grammy. But it took six years for their next album, Father of the Bride, to come out. This album’s also been nominated for a Grammy, for album of the year. And the lead single from it, “Harmony Hall,” was nominated for Best Rock Song.

In this episode, Ezra Koenig from Vampire Weekend takes “Harmony Hall” apart. I spoke to him along with producer Ariel Rechtshaid, and the two of them detailed winding path the song went down, over several years, before it finally took shape.

songexploder.net/vampire-weekend

FKA twigs is a singer, songwriter, and producer from London. She’s released three EPs and two albums. Her most album, Magdalene, came out in November, 2019, and was named one of the best albums of the year by Rolling Stone, Pitchfork, Time, NME, and more.

For this episode, twigs chose the song "Mirrored Heart" from Magdalene. She wrote and produced it in Los Angeles with a few collaborators, but it’s an intensely personal song.

songexploder.net/fka-twigs

Discover how the lives of Old Testament characters often mirror and reflect the life and work of the Messiah. The whole Bible reflects the life and ministry of Jesus.

The Lord says He is coming and that He's coming quickly. What can we know about Jesus' return? Part 2 of 2

The story of Samson is a good reminder to be courageous and trust God. Part 2 of 3

wow #epicfireworks by EpicFireworks (cc by)

Oooh, shiny: the week 3 results of your January 2020 Best Post Contest have been tabulated!

by Edna Winti (cc by)

Be Bedazzled!: The bounty of the best continues with Week 4 results of the January 2020 Best Post Contest.

OP comes back to say they found the photo ... 13 years later!

It's episode 161 of the MetaFilter monthly podcast with cortex and jessamyn!

Hey, MetaFilter folks, Let's make some dang art! Want to show something off, or talk about art, or see what folks are making, or figure out how to get started? Come on in, take your mind of things.

i have search in comments for a long while and I found few people asking for titles, but with out any response :( but I ask below video and try here to have more chance. thanks for concern ;) no one have idea what is that music?

Hi all I have the EQ article and did a proto a few years ago, sounded very nice, typically 70s, fat, big sound. I only have part 5 (Nov 71), does anyone have the others on a dusty shelf? I'm guessing Aug 71 til Jan/Feb 72. The series was writ ...

HI everyone, I have started a forum over on cigar box nation about a circuit for electrify a banjo. Does anyone here have experience with designing circuits for passive and active guitars, in particular using piezo transducer? The main thing I n ...

Quick response!!!

I am in the same boat Sorry, it's in the mail. Let me know if there are any problems or issues.

Hello. I bought the ambiophonics dsp a few days ago, order #3084. Just a heads up guys, looking forward to trying it. When you can let me know an eta. Thanks and keep up the good work. Matt

Special guest Daniel Jalkut returns to the show. Topics include app notarization, nonconsensual technology (including Zoom, Dropbox, and Superhuman), and more.

Special guest Marco Arment returns to the show. Topics include MacBook Pro rumors, breakfast cereal, Siri frustrations, and more.

Special guest John Siracusa finally returns to the show. Topics include the Siri voice recording fiasco, Siracusa’s epic Mac OS X reviews, and making good ice.

Special guest Jim Dalrymple returns to the show. Topics include Apple Card and the latest rumors on Apple’s upcoming product announcements.

Special guest Brent Simmons returns to

Special guest Dave Mark joins the show, for a discussion mostly about AirPods Pro and partly about the 2019 World Series.