I’m at a briefing with a client, along with a board made up of the client’s in-house developers and designers. While discussing an idea with some of the other people in the room, the client stands up and starts hitting the desk with the newspaper.

Me: “Excuse me, but what are you doing?”

Client: “Hush, this works on my dogs at home. It should work on you too.”

He beats the table with the newspaper for a few seconds.

Client: “Now, sit, and stay.”

He continues to beat the table. 

Me: “I’m sorry, this is ridiculous. I’m terminating you as a client.”

As I walked towards the door, the client jumped up from their seat and blocked the door.

Client: “If you want a snack, I’ve got some under my desk, no need to leave the meeting!”

At this point, I shoved him aside, and walked out, followed by him. Whistling, and shouting “come!”

Gomi has revolutionized the electronics industry by tackling the persistent problem of proper disposal at the end of a product's life. Unlike many other speaker companies, Gomi adopts a circular approach that enhances product longevity and significantly reduces pre and post-consumer waste.[...]

California-based Greatfill makes zero waste easy. With a variety of refillable household products, the company’s focus is on health for the home, humans and the environment.[...]

Plastic and floating debris are part of a problem that is rapidly growing. The Great Pacific Garbage Patch (GPGP) is just one example of how water pollution and trash dumping are spiraling out of our control. Big, floating heaps of debris like the GPGP require interventions that are on a larger scale. This includes those carried out by The Ocean Cleanup, a nonprofit organization that removes floating ocean debris. However, what about smaller-scale solutions? Coastlines and local waterways also suffer from water pollution as a result of littering. This threatens biodiversity by causing illness and reproductive issues, particularly when aquatic[...]

Clean beauty brand ILIA was founded by Sasha whose brother suffered from asthma and severe allergies as a child. Their mother helped him recover through an organic food co-op to give him access to clean nutrition, and he went on to become an Olympic athlete after being told by doctors he could never compete in sports. As Sasha moved into a career in fashion and beauty branding, she realized she didn't have clean ingredients in products she was putting on her body every day. ILIA was born as a beauty brand that cares about health. [...]

Have you gotten into gardening recently and want to learn how to make your own compost? Compost is a great resource for home gardens because it puts minerals back in the soil for peak production of flowers and veggies, plus you can make it out of things you already have around. Here is how to make your own clean compost, with a few tips on avoiding common problems. [...]

How do you find clean makeup when you have allergies? Truth is, cleaning your makeup routine can be pretty hit or miss. This is because a lot of people aren't aware of what their allergies are until they run into a problem. [...]

If you've grown a garden for a while, you may have noticed that the last few years have been brutal due to climate change-related patterns. One month it's drought and the next it's flooding. What is the best watering system for your home garden and can it help you navigate the climate ups and downs? Here are some great options with the pros and cons so you can decide the right garden irrigation system for your micro climate.[...]

Buzzfeed Tasty food site is filled with easy recipes and videos to whip up an incredible meal. In fact, during the height of the pandemic lockdown, when many people were taking care of plants and baking bread, I followed their guide to making sourdough bread from scratch. Expanding from their brand, Tasty also has cookbooks and cookware, the latest being a 16-piece cookware set sold at Walmart. [...]

In this edition of the Arsenal Women Arsecast, Tim and Jamie go back over the UWCL qualifying victories over Rangers and Rosenborg last week, the performances of Mariona Caldentey, as well as Laia Codina and Kyra Cooney-Cross and whether it will be difficult to dislodge them from the team, Tim and Jamie also look ahead to the next qualifying round against Hacken. Then there are listener questions about low defensive blocks and Arsenal’s finishing, team selection and whether Arsenal will add before Friday’s WSL transfer deadline.

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

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Breanna Teel is a high school science teacher who keeps things like fish and eels in her classroom. She did not foresee becoming a rabbit rescuer. A student brought a rabbit to school not knowing she was pregnant. While there, the rabbit gave birth to two bright pink baby bunnies, but didn't feed them, so Teel went into overdrive to save the newborns. She would have done so under any other circumstances, but when your students are following along, you go the extra mile to set a good example. I can imagine that no one in the classroom has ever seen newborn rabbits. I certainly haven't.

Teel's efforts paid off when the babies began to grow and flourish. They appear to be some odd breed of show rabbits that resemble large powder puffs with wiggly noses. Are they tribbles? At any rate, they've become a permanent part of the classroom into which they were born.    

Car manufacturers have made great strides in automobile safety in the last few decades. When I was a child, my family drove everywhere in a Volkswagen Beetle or a Microbus that didn't have seatbelts. Nor did they have crumple zones, antilock brakes, or airbags. Riding in the bed of a pickup truck was a regular experience. Fifty years later, my oldest child wanted to get a classic Beetle, but was dissuaded when my brother called them "death traps." Now she has children, and purchased an SUV the size of a tank to keep the kids safe.

The newer a car is, the safer it will be, but when does that become overkill? We know large SUVs are safer for the occupants, yet more dangerous for others around them. We also know that accidents can happen anywhere, but deadly accidents are more likely at high speeds on highways than a short trip to school. And we know that children learn situational awareness and how to test their limits and manage their fears by being in slightly unsafe situations, such as old-fashioned playgrounds. Today, we have young adults who are terrified at the idea of learning to drive.

Jason Torchinsky at Autopian asked reader's opinions on letting their child ride in a classic car such as the original Volkswagen Beetle, and got plenty of replies about how much automotive safety is enough, from farm kids who drove tractors at a young age to ultimate safety advocates. The best comment: "Being unsafe in a car was how I got kids in the first place."

Prolific science fiction author Harlan Ellison wrote two episodes of the TV series The Outer Limits, "Soldier" and "Demon with a Glass Head." They both ran during the show's second season in 1964. In 1984, Ellison heard that James Cameron was working on a film that seemed quite similar to the plot of "Soldier," which you can watch in full. Hemdale Productions wouldn't let him see the script. When he saw The Terminator, Ellison was ready to sue.

The lawsuit never came about, because Hemdale Productions settled the case, for money, screen credit in subsequent releases of the film, and a gag order. To this day, people argue over whether The Terminator was at all plagiarized and if so, how much. Read what Ellison had to say about the case at the time and the reaction from James Cameron at Den of Geek. You've probably already seen The Terminator, and it's up to you to watch The Outer Limits episode if you want to form your own opinion.  

Taiwanese network-attached storage (NAS) appliance maker Synology has addressed a critical security flaw impacting DiskStation and BeePhotos that could lead to remote code execution. Tracked as CVE-2024-10443 and dubbed RISK:STATION by Midnight Blue, the zero-day flaw was demonstrated at the Pwn2Own Ireland 2024 hacking contest by security researcher Rick de Jager. RISK:STATION is an "

Google's cloud division has announced that it will enforce mandatory multi-factor authentication (MFA) for all users by the end of 2025 as part of its efforts to improve account security. "We will be implementing mandatory MFA for Google Cloud in a phased approach that will roll out to all users worldwide during 2025," Mayank Upadhyay, vice president of engineering and distinguished engineer at

High-profile entities in India have become the target of malicious campaigns orchestrated by the Pakistan-based Transparent Tribe threat actor and a previously unknown China-nexus cyber espionage group dubbed IcePeony. The intrusions linked to Transparent Tribe involve the use of a malware called ElizaRAT and a new stealer payload dubbed ApoloStealer on specific victims of interest, Check Point

The threat actors behind the AndroxGh0st malware are now exploiting a broader set of security flaws impacting various internet-facing applications, while also deploying the Mozi botnet malware. "This botnet utilizes remote code execution and credential-stealing methods to maintain persistent access, leveraging unpatched vulnerabilities to infiltrate critical infrastructures," CloudSEK said in a

Microsoft on Tuesday revealed that two security flaws impacting Windows NT LAN Manager (NTLM) and Task Scheduler have come under active exploitation in the wild. The security vulnerabilities are among the 90 security bugs the tech giant addressed as part of its Patch Tuesday update for November 2024. Of the 90 flaws, four are rated Critical, 85 are rated Important, and one is rated Moderate in

Posts shared on Facebook make an unfounded claim of racially motivated threats of violence in Gwinnett County, Georgia, "from now until the Inauguration." The county sheriff's office said it had "not received any information indicating threats to any group(s) on or after election day."

The post Posts Spread Unfounded Claim of Race-Based Threat of Violence in Georgia appeared first on FactCheck.org.

Former President Donald Trump posted to social media an unsupported claim about "massive CHEATING" in Philadelphia, which he claimed had drawn the attention of law enforcement. The Philadelphia Police Department, the Philadelphia district attorney, a Republican city council member and the Pennsylvania Department of State all refuted the claim.

The post Trump Makes Unsupported Claim About ‘Massive CHEATING’ in Philadelphia appeared first on FactCheck.org.

Some social media posts falsely claimed that CBS News reported there was "cheating" in the 2024 presidential election that benefitted President-elect Donald Trump. We found no evidence of such a report, and a CBS News spokesperson said the outlet "did not report or say there was cheating in the election."

The post Posts Falsely Claim CBS News Reported ‘Cheating’ in Election appeared first on FactCheck.org.

Professional women’s basketball is a cesspool of mediocrity full of women gatekeeping so the sport can’t change. Fortunately, incoming rookie Caitlin Clark is worth more than the entire WNBA due to her sponsorships. This means that unlike other players, Clark doesn’t work for the WNBA she works for her sponsors and her fans. Also, Clark […]

The post WNBA is totally annoying, here’s how to fix it for Caitlin Clark’s arrival appeared first on Penelope Trunk Careers.

After a 2-year break, my column in ACM Queue magazine returns! It has a new name "Operations and Life".

For many years I wrote a column in ACM Queue Magazine. It was called "Everything Sysadmin" and covered devops, IT, and basically anything I felt like. I stopped writing in 2020 due to the pandemic and a general lack of motivation. My last column was published Nov 2020. Two years later I finally feel like writing again.

The new column is called "Operations and Life". I'm going to write about the intersection of devops and personal life. I believe that most techniques we use at work can apply in our personal life and vice-versa.

These columns will be shorter and more to the point. While my old column would often be 10 or more pages long, my goal now is to keep things to about 2000-3000 words. This will make them easier to read and digest. This format is more web-friendly.

The first article in this new format is out!

Read it here: Split Your Overwhelmed Teams: Two teams of five is not the same as one team of ten

Getting hit with one hurricane is bad enough, but new research from Princeton Engineering shows that back-to-back versions may become common for many areas in coming decades.

The landmark 2022 Inflation Reduction Act (IRA) has committed nearly $400 billion to mitigating climate change. Nine research teams across the U.S, including a Princeton team led by Jesse Jenkins, have now modeled the law's effect on U.S. carbon emissions.

Research on a massive storm at Gorongosa National Park offers strategies for wildlife managers around the world.

Professor Wendy Laura Belcher and a primarily Ethiopian team of researchers and translators have brought new insight and access to Marian miracle stories — all now available on a website.

Two projects — one that maps the function of the brain’s neuronal network in unprecedented detail and another that combines robotics and light-based computer circuits to create safe self-driving vehicles — have been awarded funding through Princeton’s Eric and Wendy Schmidt Transformative Technology Fund.

A new report led by Emily Carter and Elizabeth Zeitler *14 offers research and policy ideas, including carbon fiber replacements for rebar in construction and titanium in high-tech applications.

A leader in her field with over 35 years of experience, Shroff has transformed Princeton’s audit and compliance functions during her more than 17 years at the University.

“Close Encounters: Facing the Bomb in a New Nuclear Age” is on display at SPIA’s Bernstein Gallery through Oct. 25. 

Princeton engineers and industry leaders have squelched a threat that had lurked for years in the internet’s encryption system.

He reflected on literature, compassion, belonging, home and the "qualities which make us human."

Download links (Spotify, YouTube, Apple) here. Learn more about the Pagan History Project here.

With very mixed feelings, sadness and joy all jumbled together, I closed my business with the state of Washington today, retroactive to December 31, 2016.

It's super great to think about never having to keep track of business miles, save receipts for every little business expense, do the tedious bookkeeping, take end-of-the-year inventory, or prepare everything for taxes.... Not ever again will I have to do any of those odious tasks!

Me, celebrating 41 years in business as Artist - Teacher - Author

On the other hand, my business has pretty much been my "identity" since 1975. That's 41 years - more than half of my life. What am I now? How will I respond when somebody asks, "What do you do?" Will I say, "Oh, I'm retired now?" Will I say, "I'm an artist?" It feels a little like I'm walking around 3/4 naked, the clothes of the past 41 years gone, the remaining artist clothes not enough to cover my nakedness.

But, we will not have any crying over spilled milk; the deed is done; the authorities officially notified. And, with respect, I thought it might be fun to share a few photos here, photos of the business me, and the story in more-or-less chronological order.

It all started when I met Liz Chenoweth, who is still my closest friend, and who at the time was studying metalsmithing at the University of Washington and I think working for a commercial jewelry manufacturing business in Seattle. I got the bug from her. After taking a short class in soldering sterling silver to make jewelry, I bought a workbench and all the tools, getting into it full-tilt-boogie! Liz helped me, teaching me all that she knew, and helping me to realize the design ideas I had.

Liz (on the right) and me in our metalsmithing shop, The Fort

I don't recall the exact date that I drove to the Department of Licensing to get my business license, but on that day, I named my business Atkins Creations, because I intended to make and sell sterling silver (and a little later, gold) jewelry. I bought a handsome, red, ledger book, and began the 41 year process of keeping track of all expenses and all income, mostly for tax purposes.

Sterling silver ring, commissioned by a male customer

New-beginnings.... in the spring of 1975, Liz and I decided to set up a metalsmithing shop in the spare bedroom in my little home in Ballard. Removing all other furniture, we put in side-by-side workbenches, and installed a polishing table/motor. We called our shop the Fort, because we were just like kids in the summer, when we couldn't wait to be in our "fort," our hideaway, our own special place. We both had day jobs, but we lived for spending time in the Fort. My job was 5 days on, followed by 5 days off, which was great because I could work with metal for 5 consecutive days at a time.

Jasper stone set in sterling silver, sterling clasp, leather cord - this is a man's necklace

We sold our work at some of the craft fairs of the time, but mostly we held "open studio" days at my home, slowly building a fairly decent client list. Eventually we made most of our money doing commissions. It was a marvelous, fun time in my life. That's for sure!

This is the display of my silver and gold creations at our second "open studio," 1977

Three years later, in 1978, I started a new "day job," one which quickly turned into something much more demanding of both my time and creative energies than had been my previous job. Soon, I could no longer continue making and selling jewelry at the previous pace. And, by the early 1980s my jewelry tools and supplies were lonely and dust covered. But, I didn't close the business officially.

Multiple strand necklace in style taught by Carol Berry

The hook was still set, because in 1987, I took a 2-day class from Carol Berry on making multiple-strand beaded necklaces. BEADS! In those two short days, I fell absolutely bonkers in love with beads, and within a few months, I was back in business again.

Multiple strand necklace I made as a "project" for Margie Deeb's book, The Beader's Color Palette

This time, I added the name Beads Indeed! to the official license, making it Atkins Creations - Beads Indeed!  Nice, huh?! Plus I quit my day job, deciding to support myself somehow with beads. Not easy. Especially for the first few years. Hard work and lots of rice for dinner. Since the selling part of making gold/silver jewelry was never fun for me, I decided to make my living this time by selling beads (just the "raw" beads, not made into jewelry) and teaching classes. If I sold a few pieces of beaded jewelry, that would be fine, but there would be no pressure to pay the bills by promoting my own creations. On the other hand, selling beads WAS fun; and buying beads to sell was even more fun!

 By 1988, I sold my metalsmithing equipment, and turned my garage into a studio/store for both selling beads and teaching beading workshops. For 10 years, that was my life, my identity... Beads Indeed!, open every Wednesday of the year, classes most weekends, open for your beading needs at any time by appointment.

It worked! I could have my cake (beading/beadwork) and eat it (selling beads and teaching classes) at the same time. You have to know that back then I did not in any way consider myself an artist. I knew I was a pretty good craftsman, making jewelry that would last and that looked great technically. But I did not think of myself as a creative person.

Generations, a small pouch, my first improvisational bead embroidery piece

The discovery (made mostly by Carol Berry, with some input by me) of "improvisational bead embroidery" in 1991 caused a shift, both in my sense of identity and my business. Gradually, stitching beads on fabric without a plan, letting a piece develop bit by bit without trying to control it, and thankfully with no intention of ever selling it, altered my perceptions about myself as a craftsman, turning me into an artist.

This was such a huge alteration of identity. It made me feel more sure of myself as a teacher, and gave me the confidence to promote my beading workshops far beyond the walls of my studio/shop. I traveled to many states, teaching at conferences, for bead shops and guilds, branching out to teach beading to quilters and fiber artists, eventually even teaching at art schools. All in all, Beads Indeed!, in Seattle turned into a pretty decent business. I could afford to eat out now and then, plus travel to far away places, like China, Germany, and Eastern Europe, on bead-buying trips.

Those 10 years, immersed in beads, with a growing sense of myself as an artist, gave me the confidence to begin writing books about beading, which in turn, provided another source of income, income I would need after moving from Seattle to San Juan Island, where I could no longer depend on selling beads to support myself because the population base was so small.

Marriage Bag, a small purse I made while deciding if I should marry Robert

That move, in 1998, was because I met Robert Demar, who a few years later became my husband. He already lived on San Juan Island, which was a plus for me, because I love it here, much more than living in a big city, even though Seattle is quite nice as cities go. After we married, I still traveled widely and fairly frequently to teach beading workshops, but I needed to fill the time when I was home and also needed to earn more money. The answer came easily... write books about beading! My first book, One Bead at a Time, was published in 2000, and was re-printed 3 times. Including two small booklets, there are currently nine books with my name as the author.

My first book, published in 2000

My most recent book, published in 2013

I guess my business identity, for the past 41 years, can be summarized as: "teacher-artist-author." But, in the last two years, it's been mostly "artist," with much less teaching and no further book writing. Business income has dwindled to a pittance, I'm 74 years old, and I don't enjoy the record-keeping. Even my accountant agreed. So today I pulled the plug on Atkins Creations - Beads Indeed!

Already there are new questions facing me, questions such as:

1. What shall I do with the remaining inventory of my book, Heart to Hands Bead Embroidery?
2. Shall I keep paying for my website (my domain name and web service), which includes my primary email address, and which badly needs to be updated?
3. Shall I continue teaching now and then, maintaining the necessary supplies to do so?
4. Can I immerse myself in creating things (quilts, art, bookmaking, beading, etc.), with no intention of doing anything with the things I create, not using them as examples when I teach, and not selling them?
5. And, of course, there's the question at the top of this post.... who am I now?

Home, one in a series of bead embroidery pieces about gratitude

When my brother, Thom Atkins, visited last fall, he showed me (and a few quilting buddies) his new method for designing and constructing "scrappy improv wall quilts," a technique that turned out to be a lot of fun for me, especially given my long history with an improvisational, intuitive approach to bead embroidery.

Basically, what we did was to empty our bags or boxes of scraps onto a large table and start pawing through them, pulling out ones that appealed to us at that moment. For me it was all about color - red, magenta, fuchsia, with hints of pink, golden-yellow, orange, lavender, and dark green. All of the fabrics were in my scrap box. We had two days of Thom's demonstrations and guidance. During that time, each of us in our small group produced a unique and very pleasing "piece" or "block," measuring roughly 18 x 21 inches, the size of a fat quarter.

One of my red scraps, cut in a nice arc at one end, was the start of it all because I liked the shape and the color. Next I picked up a small strip of yellow, and held it behind the arc of red. Ooooh! Nice enough to repeat. The scrap of orange/red batik was large enough to cut a similar arc, and the strip of yellow was long enough to go behind that one too. These two arcs formed the basis of my piece.

You can see the two arcs above; the lower right was the first. The yellow strip was only about 3" wide, not enough to go all the way around the arcs, but I cut two shapes that would echo the top of each of the arcs. I layered the remaining scraps from that on top of the arcs along the vertical edges of the design. Then I put a dark green scrap behind the arcs and the yellow, which set them off nicely. The rest was just filling to the edges of the quilt with more scraps, including fussy-cut leaves and flowers.

The next step was to glue it all together along the 1/4" seam overlap, working in layers from bottom to top, and cutting away the excess fabric from the underside after each piece is glued. Cutting away the excess fabric leaves a double layer of fabric only at the seams; the rest is a single layer. The glue is Elmer's School Glue, Disappearing Purple, as shown below. It is an organic stick glue, relatively easy to sew through, repositionable, (in case you change your mind), and purple when first applied, drying to transparent (so you can see where exactly you are putting it).

Thom's method is a type of raw edge applique, typically accomplished with heat-fusible web, such as "wonder under." The typical method, given a complex, layered design such as mine, would have resulted in a thick, stiff, multi-layer surface, which would be difficult to quilt, even with a machine. In Thom's method, there is no web, and in most places only one or two layers of fabric. Like all raw edge techniques, the raw edges must be sewn down, and the resulting quilts are not very suitable for bed quilts unless there is heavy stitching over the raw edges (for example, dense, zig-zag, machine stitching).

After gluing my original (shown above) quilt top, I assembled the quilt, using a spray glue to layer the backing, batting and top. The next step was to stitch along the "seams," the overlapping, glued edge of each piece. From there, it was up to each of us as to how to finish the quilt, perhaps with machine quilting, such as stippling or contour stitches, or perhaps with beading, all of which Thom does on his quilts.

A couple of months went by after getting to the unfinished stage shown above. I liked it, but didn't know what to do with it, until one day when I was at our Senior Center, getting foot care from a trained nurse who comes a couple times a week to help those who need it. Her treatment room, about the size of a walk-in closet, has no windows. Her client faces the door to the room, a plain, wooden door.  "That door needs a quilt," I told her. The rest is history; my scrappy improv quilt, Eclipse,  hangs there now.

Only first I had to finish it. Above is the finished quilt, Eclipse. Below I'll tell you some of the finishing steps and about how I transformed it from looking flat and ordinary to sharp and textured using embroidery embellishments. Please click on the photo so you can see the details!

You might have noticed that the finished quilt is longer (better suited for hanging on a door) than the original piece. That was a challenge, although less than you might expect, because Thom had demonstrated for us how he sometimes extends the size of his quilts. In short, I roughly planned out the addition, the mock-up shown below, then created it using the same process and scraps as the original piece.


I used fusible "tape" made for butt-joining pieces of batting, to add a new piece of batting to the bottom edge of batting on the original (upper) part of the quilt. The horizontal strip of striped fabric overlaps the two parts of the quilt and the joined batting underneath. As you can see below, I added a fussy-cut flower over the striped fabric to break up the horizontal strip and visually join the two parts.


Confession time... I'm not good at machine quilting, and don't even have a proper quilting foot for my old machine (1972 Pfaff). I tried stitching around the fussy cut flowers to secure the glued edges, but failed miserably. What to do? Ah, hand-sew with embroidery stitches and floss? Yes! It took a few tries, but eventually I found stitch and thread combinations that worked.

It looked so good that I decided to add stitching and knots to the yellow arcs next. Wow! That popped the eclipse look! In the photo below, you can see bits of all the embroidery stitches I added. Not only does the embroidery provide embellishment and emphasis, it also further quilts the piece. Click the photo to see the detail and better read the stitch identification.


Here are two more detail photos of the finished quilt (without the text boxes).



Lots of fun, and I like the results! Will I do another one? Well, right now I've finally returned to my hexie project, where I'm likely to remain for many months, but after that, scrappy improv may be just what I need!

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

Ever been interested in learning how to swing dance? Come and join our group! Everyone is welcome, including undergraduate and graduate students, staff and faculty, and community members. No partner or experience necessary! Our weekly schedule starts with a beginner lesson, where we’ll teach you the basic steps and a few fun moves. After that, we hold an intermediate lesson for more experienced dancers. We end the night with a social dance to practice our skills and learn from each other! For more details, please visit https://swing.princeton.edu. (Masks are optional but encouraged)