My work has been doing mandatory, camera-on videoconference "socials" every Friday -- scheduled at 4pm just to twist the knife. I hate them so much and finally told my manager I'm not going to attend anymore. People seem to think that because we're working from home, they're free to push on the boundaries between work life and private life in a way that is super uncomfortable for me and it has definitely been adding to my COVID stress in isolation.

I looking forward to hearing your original tunes and to finding the diamonds in the rough! Please submit your song(s) for a critique.

I am looking to both critique artists as well as find new talent. If your music is great I will present it to The Orchard for possible distribution. We are always looking for new good talent. Since we are a subsidiary of Sony Music there are endless opportunities for me to present an artist that has real talent.

I believe in developing relationships and making connections. When I work with you I begin by finding out about you, what you like, and where you've been. I learn who your favorite artists are, who inspires you, what entertains you or brings you joy. Always authentic I speak to you on a human level and share freely about lessons and tips I've learned along the way. I've been at The Orchard/SONY corp for the past 8 years. Before that I worked at Polygram Classics & Jazz, as well as Rolling Stone Magazine. I feel lucky every day that I can work with what I love - music & people - and I don't have to wear a suit!

- Lauren Perl / The Orchard (SONY Music Entertainment)

One of the major Software companies is looking for music for several product releases in 2020.

This includes, Global TV and Film advertising campaigns, Web Commercials, Blogs, Vlogs, internet advertising and use in sports and TV shows that the company sponsor.

All styles of music will be considered as the company are looking for songs of all genres and decades. There are several story boards ideas complete so I will update submitters as we go along and get more detailed info.

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

The CMI Music Group has worked closely with companies such as: Apple, Honda, Samsung, BBC, ABC, ITV, New Show Media, Massive Films, Rickety Shack Films, H&M, Reebok, WalMart, Seat, Costa and more.

Payouts and rights: If selected you will keep 100% of your rights, royalties and payments dependent on the amount of times the tracks are used. Payout is $5,000 per song, per use (defined as one campaign sector) and is dependent on usage and length of use. The license is Non-Exclusive. If selected the songs will be passed to the company and they will have the final say, CMI Music Group will be on hand to help the artist all the way through the process with chosen artists (at no financial charge).

All songs submitted will be considered for all the other opps we have.

PLEASE DO NOT SEND US TRACKS TO OUR FACEBOOK, SOUNDCLOUD, EMAIL, LINKEDIN OR ANY SOCIAL MEDIA.

- Alexander Johnston / CMI Music Group International

Netfilx production company looking for several styles for 3 specific genres for TV shows in development for 2020.

*Sci-fi (teen drama / thriller set on earth)
*Police Procedural (drama / thriller set in the North of the US)
*Family Comedy (comedy / drama set in the midwest of US)

The opp is for several different pieces of music in various genres that fit the featured shows.

The CMI Music Group has been asked to find the music.

All styles of music and genres will be considered but also lyrical substance is important but they are also looking for top quality standout attention-grabbing songs.
THEY JUST NEED BE TOP SONGS!!

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

The CMI Music Group has worked closely with companies such as: Apple, Netflix, Honda, Reebok, Samsung, BBC, ABC, New Show Media, Massive Films, Rickety Shack films

Payouts and rights: If selected you will keep 100% of your rights, royalties and payments dependent on the amount of times the tracks are used. Payout is $4k-$8k dependent on usage and length of use.

If selected the songs will be passed to the company and they will have the final say, CMI Music Group will be on hand to help the artist all the way through the process with chosen artists (at no financial charge).

All songs submitted will be considered for all the others opps we have.

I am looking forward to hearing your music.

PLEASE DO NOT SEND US TRACKS TO OUR SOUNDCLOUD, EMAIL, LINKEDIN OR ANY SOCIAL MEDIA....Please?

- Alexander Johnston / CMI Music Group

Our 36th Anniversary with Tyler Childers, Johnny Staats & the Delivery Boys, Mary Gauthier, Miss Tess & The Talkbacks, Bil Lepp. Recorded in Charleston, WV on December 1, 2019.Support is provided by Adventures on the Gorge. https://adventuresonthegorge.com/

Johnny Mercer grew up in Savannah and went on to write some of the most popular love songs of the 20th century. You may not know his name, but you certainly know his music, which includes "Something’s Gotta Give," "Moon River," and "Autumn Leaves." Between 1929 and 1976, Mercer wrote the lyrics—and in some cases the music too—to some 1,400 songs. We explore the life and music of Johnny Mercer with Georgia State University archivist Kevin Fleming . Georgia State is the repository for Johnny Mercer’s papers as well as a vast collection of other materials related to his life and career.

July fifth 2018 marks the fourth anniversary of "Two Way Street." To celebrate that milestone, we're revisiting one of our favorite conversations: an interview with Diana Nyad, the strong-willed swimmer who was the first to swim from Cuba to Florida without a protective shark cage. She completed the feat, which many thought was impossible, at the remarkable age of 66.

As per this AskMefi question, I've been selected to be part of a US West Coast spoken word & performance tour in March 2020 and I'm looking to extend that to other places in the US while I'm up there.

I'm in Australia. I've lived in the US before but in the West Coast, so I'd like some assistance in figuring out how to best plan my potential tour elsewhere in a cost-effective and time-effective way. Mainly I'd like some help with working out a route and base itinerary - I can work on organising bookings, but if you can assist with that that'd be great too.

Budget is highly limited but let's chat!

Cornell University seeks a Backend Python Developer to join a distributed team building arXiv’s next generation (“NG”) system and maintaining the service’s daily operations. arXiv is the premier open access platform serving scientists in physics, mathematics, computer science, and other disciplines. For over 25 years, arXiv has enabled scientists to rapidly disseminate their papers within their scientific communities. Around the world, arXiv is recognized as an essential resource for the scientists that it serves. As a member of a broader team that is passionate about arXiv’s mission and legacy, the incumbent will also be part of a supportive work culture that places high value on inclusivity, team-work, collegiality and work-life balance.

As a Backend Python Developer, you will be responsible for designing, coding, testing, documenting, and debugging highly complex applications and APIs (mostly implemented in Python/Flask), including but not limited to those that control the infrastructure and configurations that form the backbone of the arXiv platform. You will collaborate closely with team members on the design and implementation of applications, configurations, and workflows to test, deploy, monitor, and scale the arXiv system, and participate in code review, planning, and retrospectives. A strong orientation towards site security and data protection are a big plus.

Unless you're planning a road trip to the west coast of course on which I'd be happy to have you take it the entire way!

MetaFilter is hiring a part-time moderator for our web-based, text-centric community. You'll work as a member of a small moderation team who collectively provide 24/7 discussion moderation and community management support to the thousands of folks in the active MetaFilter community.

A candidate should be:
- familiar with and interested in moderation or community management practices
- skilled at communicating clearly and promptly in written English to people with a variety of communication styles
- able to coordinate with your fellow moderators, and to do independent decision-making during scheduled shifts
- confident of your ability to respond diplomatically and empathetically in stressful or complicated social situations
- committed to the privacy of user information

Previous experience moderating online communities is preferred but not required; past participation in and familiarity with discussion-based communities and some of the challenges they can present is a must.

MetaFilter's moderators work with and support a diverse community of users around the world. Our community management ethos means trying to be generous with people as individuals, while at the same time not tolerating intolerance. We’re committed to more actively making space for marginalized perspectives—see our recently-updated Community Guidelines document—and you should be aligned with and comfortable working to support these goals.

To better serve our diverse community, we are specifically seeking to expand the diversity of life experiences and cultural backgrounds represented in our moderation team. Currently our moderation team has particular need for perspectives from non-Americans and BIPOC (Black, Indigenous, or Person of Color) Americans. Candidates are invited to briefly address how their personal or professional background could contribute to the breadth and strength of the moderation team ability to support the MetaFilter community.

We especially encourage people of color, women, sexual and gender minorities, people with disabilities, and members of other marginalized or underrepresented groups to apply.

This is a remote position; you can work from anywhere you have a reliable internet connection. Primary work hours are negotiable on hire, based on an expectation of at least two regularly scheduled 8-hour shifts weekly during US daytime/evening hours. There is the long-term possibility of growing the position toward a 40-hour work week schedule based on budget and performance.

This is an hourly contracting position with no additional paid benefits available at this time. Starting pay is $28/hr, including paid training.

To apply, email hiring@metafilter.com with the subject line Mod Job Application, and include:
resume/CV, and a brief letter of interest noting (a) your relevant experience with online communities that makes you think you’d be good at this job and you’d like to do it, (b) your username if you’re a Metafilter member, and (c) optionally, how your personal or professional background can help meet our team’s need for more diverse perspectives. If you have other constraints or things we ought to know, feel free to include them.

If you have questions, or would like to schedule a brief informational chat about the position, you're welcome to contact us at that same email address.

We will acknowledge receipt of your application and will keep you posted as the process moves along, including notifying candidates whose application is ultimately unsuccessful. Please submit your application by February 15th to guarantee consideration; while we may extend the application window as needed to find an ideal candidate, we are aiming to complete the hiring process within about two months.

I have some mental illness/executive function/autism issues that make applying to jobs a particularly excruciating and time consuming, and I need someone to help look through listings, customize my resumes and cover letters and send them out.

We would meet at a cafe for a few hours each week to coordinate and figure out a strategy and a weekly schedule, and depending on what makes sense at the time, either we'd crank through applications together, or you'd go off and work through them on your own.

I can pay $40/hr plus a $500 bonus if one of the applications you work on leads to me accepting a job.

My employer is used to meetings in person, but during the CoronApocalypse has begun taking meetings in Zoom like many others. I just got through with a 2-hour (actually 1:51) meeting and my employer would like a summary -- not a transcription, but a summary -- of what was said. The idea is that they would be able to look at this summary and recall the flow of the discussion, what people were communicating at different points, we do not need word-for-word.

Challenges: (1) Recorded via a voice dictation stood up next to a laptop.
(2) 4 voices doing most of the talking, with a few others occasionally coming in. Unfortunately the main voices interrupt and try to talk over each other, which went poorly over Zoom. Fortunately the voices are distinct, and I can let you know who's who so you can label them appropriately.
(3) Some technical jargon related to construction, land/soil shifting and the law regarding buildings.

Let me know your estimate for this work, and when we reach agreement I can send you an 80MB MP3 file through Dropbox or Google Drive.

Deadline: done by this Friday evening

We also have another meeting with the same people scheduled for next week.

Copyright 2020 NPR. To see more, visit AILSA CHANG, HOST: For the high school class of 2020, this senior year has been a series of disappointing cancellations due to the pandemic - first, classes, then prom and now graduation. Some schools are trying out video conference graduation ceremonies, and then there are the schools that are trying something a little different. NPR's Tovia Smith reports. TOVIA SMITH, BYLINE: For the millions of high school seniors who've been robbed of their capstone year, their last season on varsity teams, senior prom, awards night, it's been hard to let go of graduation, too. KEN FREESTON: To not have one just doesn't seem right to us. VINCE DIGRANDI: Absolutely. They've earned it. That's where I'm coming from. SMITH: In North Salem, N.Y., Superintendent Ken Freeston and Principal Vince DiGrandi started brainstorming last month for ways to get their seniors some pomp despite the circumstance, and they called a nearby venue. DIGRANDI: John, where we're at is

As Minnesota Gov. Walz weighs his decision on when to let nonessential businesses reopen, he's facing a lot of pressure from a frustrated workforce, especially from small business owners who are trying to stay afloat during the economic crisis caused by the coronavirus outbreak. "The frustrations that they have are real. These are businesses that, they may have been in families for generations or they built up," the Democratic governor says in an interview with Morning Edition . The state is under a stay-at-home order until at least May 18 . In reopening the economy, he says, businesses will face another challenge: consumer confidence. Walz worries that — even with stay-at-home orders lifted — many consumers will be skittish about reengaging with businesses until they feel safe. Walz says many businesses should remain closed until the state ramps up its testing capacity. Achieving that goal will help contain the virus's spread, as well as bolster the public's confidence, he says.

Alan David Tucker of the Tucker & Browning law firm said Friday he is not representing anyone in the murder case against Travis McMichael and his father, Gregory McMichael.

http://www.musicxray.com/xrays/1319855 SzymonFolwarczny - szymon folwarczny - calm after the storm

http://www.musicxray.com/xrays/1319858 SzymonFolwarczny - szymon folwarczny - forgiveness

http://www.musicxray.com/xrays/1319860 SzymonFolwarczny - szymon folwarczny - wasteland

Growing pains are inevitable, and the frustration associated with them can often magnify existing issues or create new ones altogether. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the psychology of population – and why this all matters.

Listen back to a live taping of This is Just to Say with KUT’s Rebecca McInroy and Carrie Fountain as they welcome actor Richard Robichaux, scholar Dr. Carra Martinez, playwright Kirk Lynn, and poet August Huerta for a reading and tribute to the late poet Tony Hoagland.

Bradley and Karen pull back the curtain and begin the process of preparing their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software. This episode is the first of multiple episodes where Bradley and Karen record their preparation conversations for this keynote address.

Show Notes:

Segment 0 (00:36)

Segment 1 (07:13)

• Bradley read out the abstract from Bradley and Karen's keynote, Can Anyone Live in Full Software Freedom Today? Confessions of Activists Who Try But Fail to Avoid Proprietary Software at FOSDEM 2019. (circa 10:00)
• This started for Bradley with the HTC Dream, and Karen's struggle started with her heart device (10:42)
• Bradley and Karen discussed how they plan to organize their FOSDEM 2019 joint keynote.
• Bradley mentioned that if Karen and Bradley recorded an episode of the two of them reading Lorem Ipsum that listeners would likely still listen. Karen disagreed. (33:05)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen continue the process of preparing their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software. This episode is the second of three episodes where Bradley and Karen record their preparation conversations for this keynote address. In this particular episode, they discuss the golden age in history when they used very little proprietary software, and then discuss the beginning of their personal Dark Ages of using some proprietary software.

Show Notes:

Segment 0 (00:35)

• Bradley mentioned The Who's destruction of their instruments and his discomfort with it in relation to computers. (06:10)
• Bradley and Karen mentioned their long-time use of the HTC Dream (07:30)
• Bradley mentioned that he helped start the Replicant project, but his primary contribution was its name. (08:24)

Segment 1 (12:34)

• Karen mentioned the pinball machine that she owns. (12:50)
• Bradley mentioned the Dead Kennedys album, Give Me Convenience or Give Me Death. (25:10)
• Karen and Bradley discuss proprietary Javascript. (28:20)
• This is the screen you get if you attempt to use Google maps without Javascript. (28:45) Karen was wrong about this image no longer appearing. The image linked to here is from the day before our FOSDEM keynote was delivered. (29:55)
• Bradley and Karen recorded this episode while on site at LinuxConf Australia 2019. They had dinner the night this was recorded at a restaurant called, Dux Dine in Christchurch, NZ. There were, in fact, ducks dining at Dux Dine. (35:07)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen have the last pre-talk installment of discussing the preparation for their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software. This episode is the third of three episodes where Bradley and Karen record their preparation conversations for this keynote address. In this particular episode, they discuss the issue of letting others use proprietary software on your behalf, the problem of relying too much on that, and then finish up discussing with how they'll include this material into the final talk.

Show Notes:

Segment 0 (00:34)

• Karen discussed the idea of a shabbos goy, and the analogy between that and allowing other people use proprietary on your behalf. (02:58)
• Bradley and Karen discussed that it is equally abhorrent to ask someone else to use proprietary software for you as it is to use yourself, since someone's software freedom is compromised in any event (06:58)
• Bradley mentioned that he had previously applied to serve on the USA's Internal Revenue Service (IRS)'s Electronic Tax Administration Advisory Committee (ETAAC). Bradley mentioned how sadly the IRS typically accepts people from proprietary software companies like Intuit but has to his knowledge never accepted anyone involved in FOSS software for IRS form preparation (10:02)
• Bradley mentioned the Free Software PDF fill-in tools evince and flpsed (12:24)
• Karen stated that Conservancy's policy is that: We care so much about software freedom that we would rather use proprietary software than have someone else lose their software freedom. (15:20)
• Karen mentioned that her Linux Conf Australia 2019, Right to Not Broadcast, which you can view online. (22:18)

Segment 1 (23:15)

• Bradley mentioned the A-Team line, “I love it when a plan comes together”. (23:23)
• Bradley and Karen generally discuss the final plans for incorporating this material into the keynote

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

In their final installment regarding their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software, you listeners can hear the final product — a recording of the actual FOSDEM keynote. Afterwards, Karen and Bradley compare notes on what went wrong and what went right (but mostly what went wrong) during the talk.

Show Notes:

Segment 0 (00:00:35)

Bradley and Karen talk logistics of how the talk is embedded in the audio.

Segment 1 (00:04:14)

The audio in this segment taken directly from the video of Karen and Bradley's FOSDEM 2019 opening keynote, entitled Can Anyone Live in Full Software Freedom Today? Confessions of Activists Who Try But Fail to Avoid Proprietary Software, which was given . If you'd rather watch the video, you can do so via FSODEM's video site in either webm format or in mp4 format.

Segment 2 (00:46:01)

• Karen mentioned “time shifting”, which was permitted for the public, despite accusations of copyright infringement, in the Betamax case. (55:10)

Segment 3 (01:05:31)

Karen and Bradley mention that the next episode will be an interview with Dan Lynch recorded at CopyleftConf 2019.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

First-year college student students often encounter tougher classes in a new environment without the familiar supports of home. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton explore strategies for staying on course when so much is changing. “You’re going to be homesick. You’re going to...

“The only thing constant is change.” That saying, or some derivation of it, is attributed to the ancience Greek philosopher Heraclitus around 500 BC. But it certainly rings as true now as it did then. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton discuss preparing...

Most of us have the best of intentions when we graduate from high school or college to make our way in the world and lead meaningful and productive lives. But the minutiae of everyday life can eat into our plans to exist outside our comfort zone. In this episode of KUT’s podcast “Higher Ed,” Southwestern...

Reason’s approach: use their workflow wherever you want, in whatever DAW you want. And now, in case there was any doubt, they’re adding an AAX-format plug-in for Pro Tools users. All of this makes sense in the grand history of Reason. The company formerly known as Propellerhead first made Reason work as a virtual rack […]

The post Apply Reason anywhere: Pro Tools support with Reason AAX plug-in appeared first on CDM Create Digital Music.

Sheryl Crow is a singer-songwriter from Missouri. She’s released ten studio albums, sold over 50 million records, and has won nine Grammys.

In April 2019, Sheryl Crow released a new version of her song “Redemption Day,” which was first released on her self-titled album in 1996. This new version features vocals from Johnny Cash, who recorded a cover of the song that was released posthumously in 2010. And in this episode, Sheryl Crow breaks down how it all came together.

songexploder.net/sheryl-crow

Brittany Howard is the guitarist and lead singer of the four-time Grammy-winning band Alabama Shakes. This month, she’s releasing her first solo album, called Jaime. In this episode, Brittany breaks down the song “Stay High,” which was the album’s first single. She started working on it while staying at a house in Topanga Canyon, near LA.

songexploder.net/brittany-howard

The band Vampire Weekend started in 2006, in New York. Their third album came out in 2013, and was named one of the best albums of the year all over the place, and it won a Grammy. But it took six years for their next album, Father of the Bride, to come out. This album’s also been nominated for a Grammy, for album of the year. And the lead single from it, “Harmony Hall,” was nominated for Best Rock Song.

In this episode, Ezra Koenig from Vampire Weekend takes “Harmony Hall” apart. I spoke to him along with producer Ariel Rechtshaid, and the two of them detailed winding path the song went down, over several years, before it finally took shape.

songexploder.net/vampire-weekend

Very special guest Joanna Stern returns to the show. Topics include Apple’s event earlier this month, the iPhone 11 and 11 Pro, iOS 13, and how we go about writing (and shooting) our product reviews.

Rabbi and jazz historian Neil Blumofe talks about the life and work of jazz guitarist and composer Pat Metheny.

“While no one would argue that Bolivian farmers shouldn’t get a good price for their crop, these trends cannot be ignored—or left up to global market forces. Perhaps most tragic of all is that this boom (and booms are always followed by a bust) is leading the poorest, most vulnerable farmers to degrade their own...

In this episode of “This Song,” Taylor Wallace sits down with Holly Miranda to talk about how a song she heard as a teenager opened her up to being open. Elizabeth McQueen sits down with musician and “how did I get here”  host Johnny Goudie to hear about a song from his teens that made him long for […]

Shinyrib's Kevin Russell describes how "Kung Fu Fighting" by Carl Douglas got him into soul music as a kid and explains his musical mission -- to dance and get the world to dance with him.

Jenny Lewis' describes the effect that hearing  "Govinda Jai Jai" by Alice Coltrane while on a road trip across California with Jim James and Gary Burden had on her spirit and on her approach to her new record "On the Line."

If it is so hard to maintain a healthy environment at 1600 Pennsylvania Avenue, then how can businesses across the country establish a safe space for their workers?

Abandoning the case is the latest step in a pattern of dismantling the work of the Russia investigators. A former prosecutor likened it to eating the department from the inside out.

Anthony Wilson
Born: 1968

Anthony Wilson is a guitarist and composer known for a nuanced body of work that moves fluidly across genres. Wilson has long been curious about blurring borders and finding the place where where style and possibility intersect. Wilson’s first recording— Anthony Wilson (1997) — featured a nine-piece “little big band” and garnered a Grammy nomination for Best Large Ensemble Jazz Recording. It was followed by Goat Hill Junket (1998), and Adult Themes (2000). His fourth recording with... Continue

Thank you for enjoying Bellingham Public Library's virtual storytimes! Videos will remain available through the duration of our closure. Click "Show More" below for more information and lyrics to the songs and rhymes shared....

This item belongs to: movies/cobewa.

This item has files of the following types: Archive BitTorrent, Metadata, h.264 HD

Spitfire Audio is offering the new BBC Symphony Orchestra Discover ($49 value) virtual instrument as a free download for everyone who fills out a questionnaire on the company’s website. The download link will be delivered fourteen days after completing the questionnaire. BBC Symphony Orchestra Discover is Spitfire Audio’s brand new, super-affordable orchestra virtual instrument in [...]

View post: Get Spitfire Audio’s BBC Symphony Orchestra Discover For FREE

Revisiting the contested state reveals a broader picture of how balloting was conducted for the presidential election.

The quarterback is expected to be a third-day pick in this week's NFL draft.

JOHANNESBURG (AP) — The coronavirus could “smolder” in Africa for years and take a high death toll across the continent, the World Health Organization has warned. The virus is spreading in Africa, but so far the continent has not seen a dramatic explosion in the number of confirmed cases. More than 52,000 confirmed infections and […]

WASHINGTON — In his eagerness to reopen the country, President Donald Trump faces the challenge of convincing Americans that it would be safe to go back to the workplace. But the past few days have demonstrated that even his own workplace may not be safe from the coronavirus. Vice President Mike Pence’s press secretary tested […]

The high hit 67 degrees at Seattle-Tacoma International Airport as of 4 p.m. Thursday, marking the warmest day since the area reached 69 degrees on Sept. 26, 2019. If you're tempted to go outside and enjoy the sunshine, remember to stay away from other people and wear the proper gear.

The cold weather system from Canada that had forecasters predicting unseasonable cold and light snow in the Puget Sound lowlands has shifted west, changing the weekend forecast, according to the National Weather Service in Seattle. That doesn’t mean we won’t get some cold, rainy weather, wind and possibly a flake or two, but the impacts […]

If self-isolating or social-distancing to slow the spread of the novel coronavirus has been stressful, you can get a much-needed mental-health boost by getting some sunshine, exercise and fresh air -- as long as you stay away from others.