There are many hazards in this world, and appropriately there are many ominous signs that speak the language of fear. You never know it there could be some hidden mine shaft or risk of monkey attack. Whether they're warning of some totally extreme danger or their scary in their own right, it's usually best to pay attention to spooky signs.

Weird blasts of radio waves from space called fast radio bursts have been baffling astronomers since they were discovered, but after finding one in our galaxy we may finally know what creates them

A study of brain cells in a dish adds to growing evidence that Alzheimer’s disease can be caused by herpes viruses, but antiviral treatment may help stop it

Eric Bailey shares some thoughts on creating, maintaining and evaluating accessible technology. Adam Silver passes on loads of knowledge about form design. High-quality and customizable Gatsby themes and more. Enjoy.

The post Web Design Weekly #363 appeared first on Web Design Weekly.

Marianne Bellotti passes on some great advice that has stuck with her during the process of becoming a better manager. With Chrome 76, you'll be able to use the new "loading" attribute to lazy-load resources. Robin Weruch explains how to fetch data in React with Hooks and lots more. Enjoy.

The post Web Design Weekly #364 appeared first on Web Design Weekly.

Adam Noffsinger explains how Dropbox Design migrated to Figma. Harry Roberts dives into 'Time to First Byte'. Linzi Berry, Product Design Systems Manager at Lyft, shares the story and core principles of their design system. Enjoy.

The post Web Design Weekly #365 appeared first on Web Design Weekly.

Hui Jing sheds some light into why reading CSS specifications is immensely helpful to build a strong understanding of CSS. A look into how visual elements affect our perception, recognition and memory by interacting with digital products. Philip Walton explains how to bundle modules and lots more. Enjoy!

The post Web Design Weekly #366 appeared first on Web Design Weekly.

Is the internet boring now? Jake Underwood reflects on the years gone by and asks the questions, where did the web’s old personality go? Virginia Start shares a 5-step guide for designing global addresses that she devised during her research for Shopify’s International team. A handy tool that automatically generates splash screen and image assets for your Progressive Web App and lots more.

The post Web Design Weekly #367 appeared first on Web Design Weekly.

Mark Boulton shares his concerns he has with the current thinking of what constitutes a good design system in our industry. Rachel Andrew explores the situations in which you might encounter overflow in your web designs. Firefox 69 features a number of nice new additions and lots more. Enjoy.

The post Wed Design Weekly #368 appeared first on Web Design Weekly.

Milica Mihajlija covers how browser rendering works and how to navigate DevTools to diagnose animation performance issues. Travis Almand look at how to use intersection observer watches and lots more. Enjoy.

The post Web Design Weekly #369 appeared first on Web Design Weekly.

A look behind the scenes at how Netflix keeps you engaged and addicted. An insight into how Design Ops at Spotify work. A look into moving from Sketch to Figma and lots more. Enjoy.

The post Web Design Weekly #370 appeared first on Web Design Weekly.

Rachel Andrew looks at some common layout patterns that we can’t yet do on the web. All the React Conf 2019 videos are now live. A dive into making Instagram faster and so much more. Enjoy!

The post Web Design Weekly #371 appeared first on Web Design Weekly.

Robin Rendle has some wise words around the difference between a junior and senior front-end developer. Figma posted about gathering the data behind your design systems. The Cloudflare team did a deep dive into how they went about reworking the use of colour within their products and so much more. Enjoy.

The post Web Design Weekly #372 appeared first on Web Design Weekly.

California Governor Gavin Newsom announced Friday that he had signed an executive order to mail ballots to the state’s 20.6 million registered voters, citing potential health risks due to the ongoing coronavirus pandemic.“There’s a lot of excitement around this November’s election in terms of making sure that you can conduct yourself in a safe way, and make sure your health is protected,” Newsom said Friday. In March, the state allowed ballots to be mailed in for its primary, which saw a record-high of 72 percent of all ballots that were cast by mail.California Secretary of State Alex Padilla, who heads the state’s elections, commended the move “It’s great for public health, it’s great for voting rights, it’s going to be great for participation,” he said. California already allows for generous absentee voting, passing a 2002 decision which gives voters the option to request permanent voting by mail, regardless of the reason.While Newsom’s decision applies only to the November election, it could set a precedent for other Democratic states, with voting by mail quickly becoming a partisan issue. It comes after the state’s lawmakers and local officials requested the measure, saying coronavirus will severely hamper voting efforts, a complaint echoed by prominent Democrats.“Why should we be saying to people, ‘Stand in line for hours,’ when we don’t even want you leaving the house?” House Speaker Nancy Pelosi said in April. But President Trump has repeatedly slammed calls for mail-in voting, saying last month that it lets “people cheat” and involves “a lot of dishonesty.”Newsom said that his order would still allow an “appropriate number” of in-person voting sites, saying that some voters, including those that are disabled, require technological help to cast a ballot.

Conor Burns used his position as an MP to intimidate a member of the public, standards watchdog finds.

DESIGN WAS so much easier before I had clients. I assigned myself projects with no requirements, no schedule, no budget, no constraints. By most definitions, what I did wasn’t even design—except that it ended up creating new things, some of which still exist on the web. Soon I had requirements, schedules, and constraints, but most […]

The post Design is a (hard) job. appeared first on Zeldman on Web & Interaction Design.

I love a good page layout. I’m a chump for a visually well composed series of paragraphs. The proper degree of corner rounding for a given set of photos in relation to a box three columns over sets my little heart aflutter.

The post The Beauty Trap in Design [Automattic.Design] appeared first on Zeldman on Web & Interaction Design.

Posted here for posterity: Design kickoff meetings are like first dates that prepare you for an exciting relationship with a person who doesn’t exist.

The post Design Kickoff Meetings appeared first on Zeldman on Web & Interaction Design.

Yesenia Perez-Cruz started her career as a designer at Happy Cog Philadelphia. From the first day, her design gifts were unmistakable. As her career progressed, she moved from one challenging role to another. At companies like Vox Media and Shopify, and at conferences around the world, she has been a design team leader, a popular […]

The post Expressive Design Systems appeared first on Zeldman on Web & Interaction Design.

It’s one thing to seek diverse talent to add to your team, another to retain the people you’ve hired. Why do so many folks we bring in to add depth and breadth of experience to our design and business decision-making process end up leaving? Hear thoughtful, useful answers to this question and other mysteries of […]

The post A panel on accessibility, design inclusion and ethics, hiring and retaining diverse talent, and landing a job in UX. appeared first on Zeldman on Web & Interaction Design.

Like 90s hip-hop, The Web We Lost™ retains a near-mystical hold on the hearts and minds of those who were lucky enough to be part of it. Luke Dorny’s recent, lovingly hand-carved redesign of his personal site encompasses several generations of that pioneering creative web. As such, it will repay your curiosity.

The post The Web We Lost: Luke Dorny Redesign appeared first on Zeldman on Web & Interaction Design.

Chancellor Rishi Sunak has told reporters that Covid-19 will cause "hardship ahead".

The Navi Mumbai police restarted the search operation with experts' help early this month. Pic/Hanif Patel

The search for murdered policewoman Ashwini Bidre's mortal remains has reached the final stage. Of the nine locations that came up during the search, two, showing strong signals of presence of a metal object, have been zeroed on.

Having a radius of five metres, both locations are covered with mud that's nearly two metres deep. The police will now take a call on how to remove the objects from these locations, as they will need specialised machinery for it. After an initial investigation, the police had procured a gradiometer, an equipment to locate metal objects underwater, from Israel. "During the two-day search operation, experts found nine spots with the help of the equipment; strong signals emanated at two of the spots," said an officer.

These two locations are expected to have objects at a depth of 25 to 40 metres below the water surface. "The depth varies according to tide. Our search also revealed that the objects are covered with one-metre thick mud, which is hard and can't be removed manually," said the officer. These spots also have deep wells, said a source, adding, "Sending divers in these wells can be dangerous to their lives. Hence, we are considering bringing in machines capable of drilling deep underwater."

Bidre's husband Raju Gore told mid-day, "We are looking forward to the next step from the police, which involves removing the objects and lifting them to the surface."

Filmmaker Karan Johar's little munchkins Yash and Roohi on Monday hilariously mocked their filmmaker dad's designer kurta in a video shot in KJO's walk-in closet. The 47-year-old filmmaker took to Instagram and shared a video that features KJO's adorable toddlers Yash and Roohi holding Karan's kurta while their father asks them, "Excuse me, what are you'll holding?"

The 3-year-olds adorably confuse it to be their grandmother's and say, "Mumma."

After which Karan broke into laughter and replied, "This is not Mumma's kurta. This is dada's kurta. Dada's friend Manish Malhotra has made it for me. Do you think this is Mumma's kurta? No, please don't say that."

Karan then hysterically tells his kids "This is a man's kurta, and then points out at 'MAN' imprinted on a bag. The 'My Name is Khan' director captioned the video as, "Now they think I am wearing my mother's clothes!!!! #lockdownwiththejohars #season2 #toodles #weareback"

 

 

 

View this post on Instagram

Now they think I am wearing my mothers clothes!!!! #lockdownwiththejohars #season2 #toodles #weareback

A post shared by Karan Johar (@karanjohar) onApr 20, 2020 at 3:57am PDT

Celebrity followers were quick to comment on the post that garnered more than 3 lakh views on the photo-sharing platform. Farah Khan commented quipping, "To be fair.. so do I sometimes."

While Manish Malhotra left smiling, thumbs up and heart emojis at the post. Lately, Karan has been sharing updates of his quarantine time with kids Yash and Roohi and mom Hiroo Johar. Earlier, the 'Kabhi Khushi Kabhie Gham' director shared a video where Yash and Roohi don't approve of the filmmaker's dancing skills.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Unidentified persons allegedly tried to withdraw nearly Rs 26 crore through cheques by forging signatures of senior civic and health officials from Thane district in Maharashtra, police said on Sunday. However, their attempts were foiled by alert bank officials, a police spokesperson said.

Two banks informed the Thane Municipal Corporation (TMC) that some unidentified persons came to their branches in Pune and Chennai in the last few days carrying cheques worth around Rs 26 crore and bearing signatures of civic commissioner Sanjeev Jaiswal and health officer R T Kendre, the official said. They informed the TMC that these persons wanted to deposit the cheques in favour of some private organisations.

On cross-checking with the TMC about such high-value cheques, the banks got to know that those were not issued by the civic body, she said. Later, during verification, the cheques were found to be carrying forged signatures and stamps of the senior civic and health officials, she said.

Based on a complaint by the civic body, an offence was registered on Saturday against unidentified persons under various Indian Penal Code sections for forgery and cheating, the police spokesperson said. No arrest was made so far, she said, adding that a probe was underway in the matter.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

As part of its redesigning spree, Google has provided a surprise makeover to its Drive.

The Google Drive now appears to take major inspiration from the recently redesigned Gmail app. There are no new features, but the appearance has been tweaked to match with other Google products.

To begin with, the Drive interface background has been changed from gray to white for a neater look. The boxes and icons have also been given rounded corners and a taller appearance than before, Engadget reports.

In addition to that, the Drive logo is now placed prominently on the top left corner of the interface. The icons have also been shuffled a bit.

The latest changes to Google Drive will start reflecting in some time as the company is gradually rolling out the redesign.

After drawing criticism from users worldwide about its controversial redesign, audio-video sharing platform Snapchat has rolled out another app redesign for iOS users.

In the new design, snaps and chats are aligned chronologically and "Stories" from friends have been moved back to the right-hand side of the camera screen.

Snapchat has added a separate "Subscriptions" feature to keep "Stories" from popular creators and publishers in the loop while letting the other "Stories" be separated, The Verge reported late on Thursday.

"We are currently rolling out an update to address this by sorting communication by recency and moving 'Stories' from friends to the right side of the application, while maintaining the structural changes we have made around separating friends from creators and sorting friends' 'Stories' by relationships," Evan Spiegel, CEO, Snapchat had said earlier this month, in the company's first quarter earnings call.

Snapchat was testing a new design in April that would move the user's "friends' stories" alongside the "celebrity content" in the "Discover" section again to ensure that the user's feed would not be dominated by the "celebrity content".

There is no word yet on when the update would be available on Android.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

As Coronavirus cases continue to rise in the city, the civic body has decided to appoint an IAS officer for each of the city's seven zones. The officers have to improve the doubling rate of positive cases from the current 10 days to 20 days by May 17.

There were reports about differences of opinions as no one was assigned a specific work area. Now, with each officer responsible for a smaller area, administration is expected to be smoother. The BMC had six IAS officers, including the municipal commissioner, to run the various departments. The State assigned four more senior ones — three for the civic body and one for the four state-run hospitals — to boost management. In spite of years of experience, there were disagreements among officers and the result was seen in the handling of the pandemic. Sources said that some IAS officers expressed dissatisfaction over the management.

BMC chief till Friday evening, Praveen Pardeshi's order is expected to improve administration and accountability. Each of the city's zones is headed by a Deputy Municipal Commissioner. The newly-assigned officers have to visit their zones every day from morning to 2 pm and be in office till 3 pm. The civic chief is to conduct daily debriefing at 6 pm with focus on reducing the doubling rate.

These officers will supervise mapping of positive cases, contact-tracing, Containment Zones, house-to-house surveys and surveillance, identifying senior citizens with co-morbidities and their further treatment, fever clinics, facilitating private nursing homes, clinics, hospitals, etc., testing of symptomatic persons, CCC1 and CCC2 creation, community participation, etc.

While Abasaheb Jarhad, Suresh Kakani, P Velarasu and Jayashree Bhoj are additional commissioners with the BMC, Manisha Mhisakar, Dr Ramaswami and Ashwini Bhide have been deputed for COVID-19. Prajakta Lavangare has been appointed to handle CSR activities. Joint commissioner Ashutosh Salil is also on COVID-19 duty. Sujata Saunik has appointed to supervise JJ, St. George, GT and Cama Hospitals.

75% attendance in BMC

After initially cutting down employee strength by half, then increasing it to full capacity during the second phase of the lockdown, Pardeshi reduced it again to 75 per cent, barring essential services. The order says social distancing is not being maintained due to 100 per cent attendance. The focus will be on contact-tracing, quarantine centre management, upgrading municipal hospitals and pre-monsoon work. Officers and employees aged over 55 years and suffering from chronic health issues can work from home.

The civic body had been giving a daily allowance of R300 to frontline workers like nurses, doctors and sweepers. It will now give the allowance to assistant commissioners and employees at or below the post of executive engineers too.

Three officers — Pardeshi, Jarhad, and Bhoj were transferred by the government on Friday evening. Their designations remain as the decisions were taken while they held the posts.

Which zone has whom

Zone 1 (Colaba to Malabar hill and Byculla): Abasaheb Jarhad
Zone 2 (Mahalaxmi to Mahim, Chinchpokli to Wadala): Manisha Mhaiskar
Zone 3 (Bandra to Santacruz, Vileparle East to Jogeshwari East): Dr Ramaswami
Zone 4 (Vileparle west to Jogeshwari west, Malad, Kandivali): Suresh Kakani
Zone 5 (Kurla to Chembur, Govandi, Mankhurd): Jayashree Bhoj
Zone 6 (Ghatkopar, Bhandup, Mulund): Ashwini Bhide
Zone 7 (Kandivli to Dahisar): P Velarasu

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Kunal Kapoor in Indian terrain collection

Indian Terrain, India's leading menswear brand, signed up actor Kunal Kapoor for 2 years. The actor is a perfect mix of elegance and intensity, which truly resonates with the brand’s philosophy of 'Real Mature Manly'.

Kunal Kapoor is by far the most recalled Brand Ambassador for Indian Terrain. He was the brand’s first Brand Ambassador in 2006 soon after the release of one his most successful movie – Rang De Basanti. The association was quite successful and was rightfully bagged up with significant investments in the media from the brand’s side which lead to substantial improvement in the brand's awareness levels.

"He is known for his incredible talent and is celebrated by young fashion followers across India for his cool and sophisticated style. He truly is a reflection of today’s Indian Terrain man. Today, when we are both much evolved and richer in our individual experiences, we wanted to partner with Kunal Kapoor again and take the brand to the next level," says Venky Rajagopal, CMD, Indian Terrain Fashions Ltd.

"I have always loved the attitude of Indian Terrain. The brand is authentic, and they understand the culture of the everyday Indian man. The new range in store inspires passion, commitment and is very much testament to the great potential the brand has Kunal Kapoor commented.

Kunal Kapoor in Indian terrain collection

Recently, Indian Terrain partnered with Prashanth Shah, Senior Consultant Paediatric and Congenital Cardiac Surgeon, who has saved numerous lives of children with congenital heart defects, for its property “Indian Terrain Champion Sportive Series”. The series is billed as the biggest pan India cycling event for amateurs. It is also called #theheartride, where the total amount raised by registration at the events, will be matched by the brand to contribute towards surgeries. We saw Kunal Kapoor supporting the cause at the Champion Sportive Grand Delhi which happened on 3rd Sept 2017.

The total turnover of the brand is over Rs 600 crores and the distribution width expands over 250 cities in the country with 1000+ touch points. IT is also known as the No. 1 brand across Central & Lifestyle stores FY 16-17.

The chandrakala saree

Every Sankranti, many married Maharashtrian women follow the tradition of meeting for the haldi kumkum ceremony, draped in black sarees. However, the black chandrakala saree that is traditionally associated with this festival is hardly worn any more. This week, Solapur-based saree and textile revivalist Vinay Narkar will bring the handwoven saree back into the spotlight with an exhibition.

The traditional motif

"Last year, I worked with the Irkal tradition of sarees, which is predominantly a north Karnataka and Maharashtrian tradition. During the process, I came across the chandrakala saree. I had heard about it since my childhood, through my grandmother and in literature. But I had never seen one; even my grandmother didn't own one. Most Maharashtrian communities follow the tradition of gifting a chandrakala saree in black or indigo blue to a bride on her first Sankranti," says Narkar. Though black is usually considered inauspicious, Narkar feels that it might have to do with the northern movement of the sun and the end of winter. He also found references of the saree in other colours.

A saree inspired by Raja Ravi Varma paintings

With the intent to revive the saree, which represents a starry night, and uses the star or moon motif, Narkar headed to Baroda to find a photo of Maharani Chimnabai Gaekwad in a chandrakala saree. He also found an MV Dhurandhar painting in Chhatrapati Shivaji Maharaj Vastu Sangrahalaya of a woman draped in this saree. The north Karnataka districts of Gulbarga, Bidar and Bijapur also follow this tradition. "Originally, it was a nine-yard Irkal saree with star or moon butas made with khari print. It then extended to other weaving traditions such as the Paithani (with the motif being dots) and Chanderi. The motif of the moon with a flower is seen in the Benarasi tradition too. I have also used the intricate zari kasuti embroidery from Karnataka. Black Paithanis still exist, but chandrakalas were lost," rues Narkar. What sets the chandrakala saree apart from the others is that it's not a weaving tradition but an aesthetic; the saree can be woven using different techniques.

Vinay Narkar

Narkar feels that one of the reasons that led to a decline in popularity was the khari print used to make the motif. It would wear out in places and not last long. "Also, may be the style preferences changed with time. The biggest reason, which applies to most disappearing weaves of Maharashtra, is because it was one of the earliest states to be industrialised. Other regional sarees such as the Vidarbha saree, the Solapur saree, the Poona saree have all disappeared," he explains. For this collection, Narkar has worked on a cotton silk fabric to give the saree a vintage feel associated with the tradition.

'Textiles speak of history'
"Each region of India has different stories associated with its crafts. These fables are even mentioned in ancient Indian treatises. Craftsmen narrate these stories even today. Textiles also speak of recent history, as there was a distinct class segregation for weaves worn by the royals and the masses. The practice of gifting the black saree for Sankranti continues even today. My mother-in-law had gifted me a navy blue saree for Sankranti, which was the closest to black as we don't wear black in our family," says designer Shruti Sancheti who works with various weaving clusters of Maharashtra. Yellow for Saraswati pooja, and gold and red or white and red for weddings, the use of colour and motif bears specific significance. "I am a Rajput, and several people and royals from my community wear black on Diwali as it falls on amavasya," explains Sancheti.

Also check
Narkar will be displaying a set of contemporary sarees with the use of optical art. He has also recreated a Paithani from the Peshwa era, which is displayed in Raja Dinkar Kelkar Museum, Pune. The black saree uses the polka dot motif. "The gaudy Paithanis are a result of modern times. I found the dot motif in Mumbai's old markets where people sell zari from old sarees." Another story from the collection is the Raja Ravi Varma saree. "Ravi Varma was very fond of the nine-yard saree. Almost all his characters were seen wearing it. He has used the same design of the saree in different colours for his paintings - Laxmi in red, Saraswati in white, Radha in pink for romanticism, and Subhadra in blue," says Narkar.

From: January 11 to 13
At: ARTISANS', Kala Ghoda
Call: 9820145397

Catch up on all the latest Mumbai news, current affairs from Mumbai, local news, crime news and breaking headlines here

Download the new mid-day Android and iOS apps to get updates on all the latest and trending stories on the go

One of the images in Masaba Gupta’s Insta-only campaign features model TJ Banu in a chiffon saree, the pallu draped around her head like a hijab

In a world divided by political agendas and religious regulation, women's clothing is defined through moral dress codes. "Do we have the freedom to wear whatever we want, when there are no dress codes for men?" asks young Mumbai designer Masaba Gupta, through her "Can't" series of T-shirts and caps launched as part of Tiger Lily, Spring/Summer 2018 line. One of the images in her Insta-only campaign is of model TJ Banu in a chiffon saree, the pallu draped around her head like a hijab (left in pic).

Kallol Datta introduced a range of hijabs, as part of his runway collection in 2015, with pattern cutting experiments of 3D inserts, embellished in tassels and foil print

In January 2016, Dolce & Gabbana released a "modest-wear" range, joining the likes of Oscar de la Renta and Tommy Hilfiger. H&M released a first advert featuring a Muslim woman in a hijab in 2015, and House of Fraser now stocks athleisure hijabs, designed for Muslim women to wear while exercising and swimming. But the rebellious interpretation of a conservative style has seen both criticism and cheer. Veteran designer James Ferreira welcomes the newfound reverence. "We've endured the West's interpretation of fashion for far too long... open any magazine, and there are tits all over," he says. Ferreira first designed and retailed a range of hijabs with badla work (intricate Indian embroidery in metal thread) as long as 30 years ago.

Kolkata-based Kallol Datta's emancipated designs occupy a middle ground between the genders. That he is inspired by the Islamic style of cloaking is a result of having spent his early years in Abu Dhabi, Dubai and Kuwait. He began designing abayas and kaftans in 2008, and called his version "sleeping bags". It's only as recently as 2015 (right in pic), when he introduced a range of hijabs with pattern cutting experiments of 3D inserts, embellished in tassels and foil print, and sold them at stores in Saudi Arabia and Kuwait.

Masaba Gupta

"It's a cool move," Ferreira says of Gupta and Datta's new designs. "Masaba and Kallol are mending broken ties between communities; it's like what the beard did post 9/11. At a time when the world began associating the beard with a political event, men from across cultures and countries embraced the beard. Solidarity is always heartening," feels Ferreira.

Kallol Datta

How do you explain using femininity as a tool of empowerment or rebellion?
Masaba Gupta: We create clothes on steroids, what we call churning out "maal". While Tiger Lily, our S/S 2018 collection, has a lot of new prints, the colour palette of knockout pinks and bottle greens stays true to my brand's aesthetic. It's an elevated, easy-to-wear collection inspired by the modern-day woman. So it's online campaigns that allow me a creative release, a platform to have an opinion. I was empowered rather than fearful when shooting the campaign. There's always the fear of being trolled on social media, but then that happens anyway.

Kallol Datta: It's not so much about being rebellious as it is about asking, how do you shroud yourself in fabric? As a designer, I pay attention to the fabric's form rather than the human form, hence layering and shaping remain at the core of my designs. It's also a familiar space [hijab] since I spent most of my early life in Abu Dhabi, Dubai and Bahrain.

Why pick a symbol of conservatism?
Masaba Gupta: The starting point of the idea was to talk about our best-seller sarees. And the saree has been constantly debated... in relation to how it should be worn by a specific type of woman to why the youth are apprehensive about embracing it. That's why the decision to showcase the saree worn by real women, as opposed to models, in the campaign shoot. Middle Eastern women think that a saree is intrinsically Indian, hence the idea of styling this drape like a hijab.

Kallol Datta: I enjoy working with native wear clothing in a template form to realise silhouettes, which keep changing as layers are added or subtracted. The chador, manteau, abaya, kaftan or hijab become great building blocks for me to work with. At the same time, clothes-making for me is rooted in anthropology.

When a politically engaging idea occurs to you, how long before you wonder if controversy will follow?
Masaba Gupta: I don't want to unnecessarily stir up a controversy, and have people protesting outside my home. My brand's business head doesn't always agree with my social media posts (laughs). But I also believe that there's a difference between being brave, creative and downright foolish. That's why I put a caption to the image: 'This is celebratory and not a gimmick. I want women to wear a saree the way they feel best, in keeping with their traditions and their comfort. Most importantly, for them to not justify, why they chose to wear it the way they do'.

Kallol Datta: It never crosses my mind. I've been mindful about not using symbols, or portraying national icons in my designs.

How does fashion become political?
Masaba Gupta: I find fashion a departure from controversy or politics. After India, my biggest business comes from Dubai and Kuwait. My job as a designer is done when my clothes inspire freedom in Muslim women to adopt fashion the way they desire.

Kallol Datta: When Eastern concepts move to the West, they often get lost in translation. A woman wearing a hijab, a man in a kaftan - they become visible markers of their communities. The lack of representation [of these markers] in editorials and fashion journalism means that you're telling them, 'we choose not to see you'. Although Indian designers cater to Islamic countries, it's rare to see indigenous cultural markers in their clothes. Indian designers haven't moved beyond lehengas and sarees; it's their bread and butter. They are ignoring a thriving demographic. It's heartening to see 'modest fashion' come into its own.

Also Read: Jacqueline Fernandez Had Fun Designing For MMA Fighters

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

The Story Re-Spun, Raymond's Khadi Project fashion show, was held on April 4 at its flagship store at Breach Candy

The guests gathered at Raymond's Breach Candy store earlier this month for The Story Re-Spun, a showing of the menswear brand's latest line, had one question on their minds - how will the corporate professional accustomed to crease-free workwear warm up to whimsical, organic khadi? But the team at India's oldest fabric retailer knew they had pressed the right button when the campaign around their just-launched Khadi initiative clocked 15 million views in 30 hours on their social media page.

Raymond has launched the collection in association with young designers Gaurav Khanijo, Anuj Bhutani, Ujjawal Dubey and Alan Alexander Kaleekal, and their choice of textile is the "fabric of the nation", which they call universal, and one that transcends age and social barriers. The brand has used its fabric technology expertise to lend khadi, drape and wash-and-wear qualities. The silhouettes and prints which comprise the collection of suits, tuxedos, bandhgalas, bomber jackets, hoodies, shirts and kurtas, are modern and approachable. To complete the look, on offer is a range of khadi accessories - ties, pocket squares, cuff links and shoes.

Varanasi-based textile developer and designer Hemang Agrawal's

"The design and technical teams from Raymond worked extensively with clusters of khadi weavers from across the country for over 12 months to give the fabric a whole new face and form," says Gaurav Mahajan, President-Apparel Business, Raymond. Style observers see Raymond's move as one that seeks to give sustainable fashion a nifty edge, a trait often compromised in the drive to produce ethical fashion, and promote indigenous crafts. Fashion entrepreneur and consultant Sabina Chopra says, in the absence of labels offering appealing sustainable designs at reasonable prices to the young buyer, Raymond's model could be one to ape. "Collaborations [between designers and fabric manufacturers] could be the way forward if we are to impact purchase," she thinks.

Summer 2018 collection reimagined Benarasi textiles to make minis and box-pleated dresses, and used Tanchoi and Katarwan weaving techniques to create the houndstooth pattern

While the world over, sustainable fashion champions fair trade, local techniques of production, and reuse and upcyling, in India, an ancient tradition of craft has moved focus to the revival of textiles. That it is currently also a political talking point, makes it complicated. "In India, we stress on sustainable fashion from an aesthetic point of view, motivated by the revival of textiles. There's too much of one thing, without regard for price point, the young customer demographic, fit or design," feels Delhi-based designer Arjun Saluja. He is currently occupied with creating a collection from upcycled cotton, with a focus on minimum fabric wastage. And so, the sustainable cause is a subtle story behind the collection, not its central identity.

After showing at LFW S/R 2018, The Good Loom showcased its summer collection of casual menswear and sarees, designed with a special focus on ethical production and getting the right fit at ARTISANS' gallery at Kala Ghoda last week

Hemang Agrawal, textile developer and designer from Varanasi, agrees. "Shoppers buy basis design and style. The ethical credentials of a label come later," he says. Living in a city that's at the heart of the ongoing revival of Benarasi weaves, he speaks of fly-by-night designers jumping in to claim to own the cause.

Agrawal decided it was time to rewrite the script; one that tested the sprightly, dressy competence of time-honoured Indian weaves. Un-Revive, his summer 2018 collection, included modern-day essentials such as minis Mary Quant-would approve, trench and box-pleated dresses, maxis, cropped pants and palazzos. He pinned his interest on the sustainability mast by working with master weavers from his hometown to create tartan checks, polka dots, houndstooth and geometric patterns using the Tanchoi and Katarwan techniques. "Why can't handlooms be young?" he says, explaining the thought behind using one of India's oldest textiles to create plucky, young designs.

Chopra wonders why sustainable clothes are devoid of colour or refined cut. A chunk of craft practitioners focusing solely on revival of textiles are taking for granted the design element of clothing. "Hence, the final tailored garment tends to be weak on cut, giving us tent-like, boring clothes…who decided colour is not cool?" she says. Veteran designer duo David Abraham and Rakesh Thakore of A&T push the boundaries when the former says, "Theoretically, you could do anything with craft, even design a bikini or hot pants. The trouble is, designers are not intervening into developing their own textiles. Ideally, they should."

A&T made a compelling case for ethics-meets-aesthetics with the recent #SadakSmart collection. Encouraged by DIY countercultural streetwear trend, the range looked at indigenous shapes, such as the salwar, kameez, saree and ghagra, and tipped them in favour of teasing everyday styles using updated versions of sequined Chanderi, aari embroidery, and floral patterns inspired by the great Indian chintz.

Not so long ago, anti-fit fashion found its moment internationally, and India, a land of drapes, was more than happy. The unstructured silhouette became an approved form of anti-fit, and handloom - one of the heroes of sustainable fashion - tagged along. Saluja points out that a change in design will take place only when we break the myth that hand-woven equals anti-fit. "The latter is about how you play with both, fabric and body - kiss it or turn it away from skin. Lend it form or leave it formless. Fabric development plus emphasis on silhouettes is key."

And so, good design is both the problem and the solution. Sustain, a 12-year-old apparel vertical of the Good Earth brand of luxury lifestyle, insists on being known as classically Indian. "We are not interested in being hip or cool. But we understand the value of offering modern clothing options that highlight India's incredible workmanship. It might be difficult to make khadi glamorous, so we've started working with Bhagalpuri silks for evening wear. Similarly, we've updated traditional embroideries by combining them with fresher colour ways," says Deepshikha Khanna, head of Sustain.

Rozana, a sub-brand of Sustain, positions itself as daily tonic for everyday wardrobe woes. Aimed at younger clients, it's a line of separates. Sassy shirtdresses, long and short kurtas, lehengas, kalidar kurtas and Hiba trousers are made in malkha cotton, khadi and muslin, priced between Rs 4,500 and Rs 22,000. Interestingly, timely interest by two of India's biggest fashion weeks has plucked the sustainable fashion lobbyists from their craft-based address to dazzling runways with dedicated show slots. The Autumn/Winter 2017 edition of Amazon India Fashion Week addressed the relevance of handlooms, while highlighting sustainable businesses with, The Handloom School. Supported by Good Earth, nine designers including Sanjay Garg, Neeru Kumar, Gaurav Jai Gupta, Rajesh Pratap Singh, Rohit Bal, Péro and Ekà worked with weavers and textiles designers under the watchful eye of textile revivalist Sally Holkar.

For the last seven years, Lakmé Fashion Week has dedicated a day towards the promotion of Indian crafts, recycling and re-purposing. "It started as a means to encourage dialogue on sustainable values. And with initiatives like #CraftisCool, we are working towards creating viable collections that appeal to high street sensibility," says Gautam Vazirani, fashion curator, IMG-Reliance, organisers of LFW.

This season, LFW collaborated with The Good Loom, an artisanal brand from GoCoop, (the first e-commerce store to win a national award for 'Marketing of Handlooms') to present a selection of smart, casual menswear and sarees, with a special focus on ethical production and getting the right fit. It was a sincere attempt at bridging the gap between how the country's Instagram generation interprets fashion and its duet with indigenous craftsmanship. "That sustainable fashion should be sexy, and not stop at mundane or homogeneous, is now our agenda. The millennials don't see themselves dressed in kaftans or anti-fit shapes," adds Vazirani. But he's up against a challenge. Designers often tell him of the 35+ consumer loving the anti-fit way. Saluja has an answer to that. "Let's not be blinded by the revival manifesto. Sixty per cent of India's population is under 35, and they are seeking stylish ready-to-wear options."

Challenge of handlooms: Colour forecast doesn't figure in our scheme
For 11-year-old label, Amrich, led by Delhi-based Amit Vijaya and Richard Pandav, instead of reinforcing a divide between ethical and non-ethical consumers, they prefer to be known as a Western wear brand of separates, infused with enough versatility to be worn in Indian styles. "Working with handlooms is not without its unique set of challenges. For example, we can't afford to follow the colour forecast, since we work with natural dyes. Plus, we work with tricky timelines. We have to work two years in advance since there is lot of back and forth between craftsmen and our design team," says Vijaya. Luckily, the two design and develop their signature shibori in-house, making it possible to control how the garment is cut. "It also allows us to keep the price affordable. The shibori range starts at Rs 13,000," he adds.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Fabien Mason (centre) with Jane (left). Pics/Mason & Co, Danda Food Project

Did you know that for most its 4,000-year history, chocolate was consumed as a bitter beverage rather than as dessert? To see the various other ways in which cacao can be consumed, sign up for a pop-up dinner organised by Danda Food Project, in collaboration with organic chocolate brand Mason & Co.

Aditya Raghavan, cheese consultant and co-founder of Danda Food Project says, "The idea for this came about when Anandita [Kamani, co-founder] and I were discussing how astounding it is that we get beautiful dark chocolate from this plain-looking pod. We started doing some research, and that led us to Jane and Fabien Mason's Auroville set-up."

The result is a 10-course meal that takes you on a journey of tasting everything from the cacao fruit to the decadent chocolate that comes out of it. Most of the menu is shrouded in secrecy, and will only be revealed to diners on the day. "We want people to be excited by it when they see it," explains Raghavan, adding that there will be options for vegetarians and vegans, too. Without revealing too much, he gives us a sneak peek into what we can expect.

"The first course is a sorbet made with the pulp of the cacao fruit. We sourced close to 30kg of it from a farm in Kerala," says Raghavan, adding, "Very few people have actually tried the fruit. It tastes like a cross between a lychee and mangosteen." Another dish will make use of cocoa nibs, while a third will feature rich cacao butter. "For the sixth course, we have used 10-day aged molé [a savoury, chocolate-based sauce from Mexico] to create a dish," he shares.

Six of the 10 courses are savoury items, after which the desserts will start coming in. There will be nine drink pairings through the meal. Six of these will feature wine, while Abhishek Chinchalkar of Bombay Duck Brewing (and third co-founder of Danda Food Project) will be serving a Chocolate Stout.

"The tenth course is a digestif, featuring two items, Coffee as Chocolate, and Chocolate as Coffee. For this, we've played around with coffee beans and cold-brewed coffee to give you what looks like chocolate but tastes like coffee," says Raghavan.

Those who miss this pop-up need not worry, as Raghavan and Kamani will host a repeat meal at their Khar home on September 12.

On: September 7 and 9, 8 pm onwards
At: Magazine Street Kitchen, Devidayal Compound, Gupta Mills Estate, Byculla East.
Log on to: insider.in
Cost: Rs 5,000 to Rs 5,500

Irrfan Khan, who was undergoing treatment for Neuroendocrine tumour for the last two months, passed away at the age of 53 on April 29, 2020. The talented actor was admitted to Kokilaben Hospital for a colon infection, and on Wednesday he breathed his last.

Irrfan in an interview on the chat show Son of Abish opened up about his 1993-release Karamati Coat. "I was very happy because one just wants to work in cinema. Everyone kept appreciating me in television but I wanted to become a cinema actor. No one was offering me roles, even though everyone was appreciating me. But I got this part. So I was very happy and I thought that this is my big break," the actor was quoted by Hindustan Times.

The Piku actor had even designed his own outfit for the film. "For this, I got so excited that I made my own costume, chose the colours and everything. And the film had a walking shot; out of the three minutes, one and a half minutes was just the walking shot," he said.

Irrfan then went on to give stellar performances in films such as Haasil, Maqbool, Paan Singh Tomar, The Lunchbox, Piku and Hindi Medium. His international projects include Slumdog Millionaire, The Namesake, The Amazing Spider-Man, Jurassic World and Life of Pi. His last release Angrezi Medium too gathered critical acclaim.

It's not just Bollywood, but Irrfan Khan also took over the West with his talent and impeccable acting. In his almost three-decade career, the actor established himself as one of the most dependable performers in the Indian film industry as well as in Hollywood.

You'll be truly missed, Irrfan!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Remembering the moment spent with late veteran actor Rishi Kapoor, fashion designer Manish Malhotra on Tuesday took to social media to share a throwback video from a movie scene featuring himself with the late icon. The 53-year-old fashion designer took to Twitter to share a video clip from the 2009 released movie 'Luck By Chance' where he shared the screen space with Rishi Kapoor for the first time.

Some memories you will cherish more than the others. Miss you Rishiji pic.twitter.com/eFWizdaHkJ

— Manish Malhotra (@ManishMalhotra) May 5, 2020

Taking it to the captions, Malhotra wrote: "Some memories you will cherish more than the others. Miss you Rishiji." Earlier, on the day of the legendary actor's demise, Malhotra hopped on to Instagram to share a lengthy emotional note.

The designer in the note mentioned that he is 'heartbroken' after receiving the news. "I am heartbroken. This is sad and terrible. Rishiji will be truly missed. His brilliance is irreplaceable. My most favourite actor and a warm wonderful human being" reads the caption.

Rishi Kapoor passed on last Thursday morning in Mumbai after a two-year-long battle with leukaemia. In September 2019, the actor had returned to Mumbai after staying in New York for almost a year for cancer treatment.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Representational picture

New Delhi: If you've ever felt disgusted when your partner paid more attention to his/her phone on a date then you are not the only one. Most adults in India paid more attention to their smartphone than their partner when they were together, a new study has revealed.

Sixty per cent of adults surveyed said their partner paid more attention to their own smart device when they were together on a date.

The study, titled "Three's Company: Lovers, Friends and Devices" and released on Wednesday by Intel Security, aims to understand the online behaviour of people and how it affects their relationship with friends and significant others.

Money, gifts and a dinner in a glamorous restaurant mean nothing in a relationship when the partners pay no attention to each other. The study found that 57 per cent of those studied had to compete with their partner's smartphone for attention on a first date.

An intrusion into a relationship leads to a quarrel which is corroborated by the fact that 75 per cent of the adults reported getting into an argument with a friend, significant other, or family member over being on a device while together.

The study involved 1,400 Indian adults who use an internet-connected device on a daily basis.

Amid this lack of attention in relationships, it was revealed that 46 per cent of couples share passwords to social media accounts, 38 per cent share passwords to personal email accounts and, interestingly, nearly 35 per cent of adults share their work-specific devices and accounts with their significant other.

Intel Security suggested using long passwords including numbers, and lowercase and uppercase letters, as well as symbols.

This Valentine's Day, if you are planning to make your partner smile, make sure to pay more attention to his/her words than the text on your smartphone.

Shehnaaz Gill signed Mujhse Shaadi Karoge immediately after she exited the Bigg Boss 13 house. The idea of the show was to find her a potential groom through various tasks and activities. However, during her last interaction with a portal, Shehnaaz accepted that she was not interested in the show and that she regrets being a part of it. She has always been clear about her feelings for Sidharth Shukla and has confessed them to him.

Mayur Verma, one of the contestants on the show has reacted to her statement. He said that they knew she was not interested in the show from the third day itself. He said that she told them to have fun and enjoy their stay in the house and that it should look like the best boys were shortlisted for her. she further explained to them that she liked Sidharth and he liked her too. The boys would joke with her saying that when she got married, they would push the car for her groom and her.

What do you think of this entire reality show controversy? Be sure to let us know in the comments below.

Also Read: Shehnaaz Gill says she does not care about other people’s opinions, but feels bad when they target her fans