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Automatically generate Shownotes, Summaries and Chapters from Recordings

We're thrilled to introduce our Automatic Shownotes and Chapters feature. This AI-powered tool effortlessly generates concise summaries, intuitive chapter timestamps and relevant keywords for your podcasts, audio and video files.
See our Examples and the How To section below for details.

Why do I need Shownotes and Chapters?

In addition to links and other information, shownotes contain short summaries of the main topics of your episode, and inserted chapter marks allow you to timestamp sections with different topics of a podcast or video. This makes your content more accessible and user-friendly, enabeling listeners to quickly navigate to specific sections of the episode or find a previous episode to brush up on a particular topic.

Shownotes are also very likely to boost your show's Search Engine Optimization and eventually its popularity, leading to an increase in listeners.

However, especially structuring the content and finding useful positions for chapter marks is a very time-consuming process, that can be fully automated with our new feature.

Besides the obvious use of creating shownotes and chapters for podcasts, you can also use our new feature to easily generate an abstract of your lecture recording, take the summary of your show as the starting point for a social media post, or choose your favourite chapter title as the podcast name.

What happens behind the Scenes?

When the Automatic Shownotes and Chapters feature is selected, the first step is speech transcription by either our internal Auphonic Whisper ASR or any integrated External ASR Service of your choice.

Some open source tools and ChatGPT will then summarize the ASR resulting text in different levels of detail, analyze the content to identify sections with the different topics discussed, and finally complete each section with timestamps for easy navigation.
Beginning with the generation of a Long Summary, the number of characters is further reduced for a Brief Summary and from the brief summary a Subtitle and some Keywords for the main topics are extracted.

Depending on the duration of the input audio or video file, the level of detail of the thematic sections is also slightly adjusted, resulting in a reasonable number of chapters for very short 5-minute audio files as well as for long 180-minute audio files.

How to automatically generate Shownotes and Chapters in Auphonic


If you are a paying or beta user, you can automatically generate shownotes and chapters by checking the Automatic Shownotes and Chapters Checkbox in the Auphonic singletrack or multitrack Production Form with any of our ASR Services enabled.
Once your production is done, the generated data will show up in your transcript result files and in the well-known Auphonic Transcript Editor above the speech recognition transcript section.
By clicking on a chapter title in the Chapters section of the transcript editor, you can jump directly to that chapter in your transcript to review and edit that section.

Unless you have manually entered content before, the generated data will also be automatically stored in your audio files' metadata as follows:

  • Generated Long Summary stored in metadata field Summary.
  • Generated Subtitle stored in metadata field Subtitle.
  • Generated Keywords stored in metadata field Tags.
  • Generated Timestamps for thematic sections stored as Start Time of Chapters Marks.
  • Generated Headlines for thematic sections stored as Chapter Title of Chapters Marks.
The metadata is automatically displayed with your audio file wherever you import your audio for further editing.

Please note that not all of our supported Output File Formats are designed to use metadata.
For details see our previous blog posts: ID3 Tags Metadata (used in MP3 output files), Vorbis Comment Metadata (used in FLAC, Opus and Ogg Vorbis output files) and MPEG-4 iTunes-style Metadata (used in AAC, M4A/M4B/MP4 and ALAC output files).

Example

As a real-life example, we automatically generated shownotes and chapters for the Lex Fridman Podcast #367: "Sam Altman: OpenAI CEO on GPT-4, ChatGPT, and the Future of AI".

Check out our transcript and generated shownotes:
LexFridmanPodcast367-transcript.html



Conclusion

The automatic generation of shownotes and chapters is a huge time-saver for podcasters and video creators, as it speeds up the tedious process of manually structuring and summarizing your content.

For now it is available for all paying or beta users. If you would like to become a beta user, or have any questions or feedback, please do not hesitate to contact us!







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Improve your Audio with our new Automatic Filler Word Cutter

We all know the problem: the content is perfectly prepared, and everything is in place, but the moment you hit the record button, your brain freezes, and what pops out of your mouth is a rain of “ums”, “uhs”, and “mhs” that no listener would enjoy.
Cleaning up a record like that by manually cutting out every single filler word is a painstaking task.

So we heard your requests to automate the filler word removing task, started implementing it, and are now very happy to release our new Automatic Filler Cutter feature. See our Audio Examples and Usage Instructions below.

What is removed?

While the definition of filler words is not the same, depending on who you ask, some words can be used as filler as well as content. For example, “like”, “well”, “you know”, etc. cannot be removed without the risk of removing also content and destroying sentences, even if those words are used as filler words in some cases.

Therefore, we decided to focus on the removal of the obvious fillers, namely any kind of “ums”, “uhs”, “mhs”, German “ähm”, “äh”, “öh”, French “euh”, “euhm” and similar.

Audio Examples

1. English Male Speaker

The first audio example is an excerpt from the interview “From Racing Failure to Red Bull Champion: The Untold Christian Horner Story”. Our algorithm found and removed a remarkable ten filler words in this 45-second snippet:

Screenshot of the Auphonic Audio Inspector: each pale red shaded area corresponds to a cut-out filler word.

Original:
Cut:

2. Austrian-German Female Speaker

The following example is an interview with the Austrian Ex-Foreign Minister, Karin Kneissl, who uses seven filler words within 26 seconds:

Original:
Cut:

Usage Instructions

To use the Auphonic Automatic Filler Cutter feature, you just have to create a production or preset as you are used to and select “Cut Fillers” for “Automatic Cutting” in the section “Audio Algorithms”:

When your production is done, all cut-out filler words will appear as pale red shaded areas in the Auphonic Audio Inspector on the production status page, as you can see in the upper screenshot of the Audio Inspector.

If you want to remove silent segments from your audio as well, please also enable our Automatic Silence Cutting feature.

NOTE: Our Automatic Cutting features (for filler and silence) are not available for video files!

Behind the Scenes

For the training of our Automatic Filler Cutter AI-Algorithm, we created datasets that contain manually labeled audio files, collected from 'real world' audio data. So far, we have labeled, trained, and tested the system with English, German, Spanish, and French data.

However, in the Auphonic Web Service, you can activate and test the Automatic Filler Word Cutter for all languages. We would be very happy to hear how the filler removal works out for completely different-sounding languages from, e.g., the Asian, African, or Slavic language families.

Please send us feedback on any problems or error patterns you discover! This will help us generate specific data for the training to improve the algorithm and eliminate your problems.

Conclusion

Automatic filler word cutting is a powerful tool for podcasters looking to enhance the quality of their content. It boosts clarity and professionalism, all while making your editing process more efficient. Some users, however, see a touch of authenticity in filler words within podcasts. So, we leave it up to you to enable or disable the Automatic Filler Cutter feature for your next Auphonic production, depending on your desired style.

We are currently working on filler word cutting optimizations for more languages, so watch our channels to get all the news on our upgrades!

If you have any feedback for us – how the filler cutter is working in your language, what you do or don't like, what you miss, what else you would want to remove from your audio besides silence and filler words, etc. – you are welcome to contact us via email or directly comment on our production interface!







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The post Finding Meaningful Work is Harder Than You Think first appeared on Chase Jarvis.

The post Finding Meaningful Work is Harder Than You Think appeared first on Chase Jarvis.




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The post 6 Unexpected Ways to Break Free from the Herd first appeared on Chase Jarvis.

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Adobe Illustrator 2025 Splash Screen Illustration: TRÜF’s “Weird Fishes”

Adobe Illustrator 2025 Splash Screen Illustration: TRÜF’s “Weird Fishes”

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Discover how TRÜF’s “Weird Fishes” splash screen for Adobe Illustrator 2025 celebrates creativity with vibrant, minimalist illustration.

The Adobe Illustrator 2025 splash screen opens with a statement: creativity meets minimalism. Designed by TRÜF Studio, the “Weird Fishes” artwork that greets users embodies Adobe’s tools while making an instant visual impact. This splash screen not only excites users about the app but also showcases Illustrator’s dynamic possibilities, creating a memorable start to the creative process. Here’s a look at the creative vision, tools, and collaboration behind this unique splash screen update.

“Weird Fishes”: A Showcase of Creative Tools

TRÜF’s “Weird Fishes” centers on playfully stylized fish, created using Adobe Illustrator’s updated typography and 3D tools, which highlight the 2025 release’s expanded capabilities. This splash screen is a celebration of how Illustrator can bring out unique textures, gradients, and typographic designs, making it feel like a blend of traditional and digital artistry. The design follows Adam G’s distinctive style—minimal yet quirky, with each element purposefully crafted to show off Adobe’s creative potential.

The splash screen, as Adobe intended, isn’t just a loading screen. It’s a reminder of what Illustrator users can “Dream Up.” As Alex Fernald and Gleren Meneghin, Adobe’s staff designers, emphasized, the splash screens are not only entry points into the app but connections to Adobe’s creative community. They bring in commissioned art, linking Illustrator users to other creators while inviting exploration of the software’s capabilities.

Balancing Art and Function in the Design

This splash screen’s journey began the old-fashioned way—on paper. This initial sketching phase gave TRÜF the freedom to experiment with the composition, exploring the balance of shapes and lines. Once refined, the concept moved into Illustrator, where TRÜF fully explored the software’s features to enhance the digital version. In a brief, 90-second process video, TRÜF showcased their workflow from sketch to the finished splash screen, a rare peek into how minimalist, impactful design comes together.

A User-Centric Approach to Illustration

Adobe’s splash screens, including “Weird Fishes,” are a result of ongoing feedback from users. Through surveys sent to product teams, Adobe designers Alex and Gleren learned the nuances that users valued in the loading screen—like minimal launch delays and artist recognition. This feedback shaped the design, ensuring the new splash screens would spotlight the artist while maintaining the program’s efficiency.

To make the splash screen visually immersive, Adobe made adjustments based on past feedback. The artwork was enlarged, and the artist’s name appears in a larger, bold typeface, creating a clearer hierarchy that celebrates both the art and artist. As the Adobe Spectrum design system evolved, so did the splash screens, aligning with modern standards while preserving Adobe’s commitment to showcasing diverse creative voices.

Reflecting Adobe’s Evolution with Modern Minimalism

Historically, Illustrator splash screens have evolved alongside the Adobe brand. From early versions in the 1980s, featuring iconic art references, to today’s community-focused pieces, these screens highlight a shift from static visuals to dynamic creative introductions. Adobe’s recent redesign, led by Fernald and Meneghin, reimagined this format to center both the artist and the Adobe brand, using clean type and colors while expanding the visual space for the artwork. This shift reaffirms Adobe’s mission to foster connections within its creative ecosystem.

The splash screens across Adobe products are meant to offer a consistent brand experience, but each one also tells a unique story, showcasing the latest in illustration and design through collaboration with Studio team artists. Adobe’s team expanded the artwork’s size, adjusting its specs back to 2019 dimensions to create a more immersive user experience. The Adobe wordmark in red stands beside the product name in black, emphasizing the connection between Adobe and its creative community.

The Legacy and Future of Adobe Splash Screens

“What’s next?” is a question Adobe’s designers are always answering. With the 2025 Illustrator splash screen’s debut at Adobe MAX 2024, Adobe introduced the latest evolution in Creative Cloud. These splash screens remain essential touchpoints, showcasing new work, enhancing user experience, and connecting each user to Adobe’s creative network.

TRÜF’s “Weird Fishes” invites Illustrator users to think beyond the ordinary. It’s a nod to the creative possibilities the software enables, a tribute to digital and analog techniques, and a reminder that every creative journey begins with opening Adobe Illustrator.

This splash screen illustration is a subtle invitation for creatives to make the most of Illustrator’s tools and capabilities, setting the stage for inspired design from the moment they open the app.

Illustration artifacts

Pillow manufactured by Adobe. Photo courtesy of Adobe




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