Four examples of music that take a decidedly
different spin on the holidays. by Corbin Smith

Over the years, the recording industry has managed to create Christmas music for every mood. Thousands of sad piano takes on "The Christmas Song" (Chestnuts Roasting Over an Open Fire), the pure pop joy of Mariah Carey belting out “All I want for Christmas is you,” the simple, light brain damage you get from a loud, irritating version of “Sleigh Ride.” But what about when you are in a VERY particular mood? When the season has transported you into one of life’s bizarre gutters, left you in such a particular place where you need a very particular sort of Christmas music to haul you out of it? For you, for this, I offer this guide to Christmas music for truly any mood. 

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For when you and your fellow teenage orphans—residents of a foster home owned by kindly old women in deep with the bank— just pulled off the Christmas Eve heist of the century to pay her mortgage and are tipping back a big ol’ glass of hot cider while looking over Portland: Bob Dylan, Christmas in the Heart

A few years back, Bob Dylan, our truest and most loving uncle, made a Christmas album. Surface analysis: it’s weird he did that. Deeper analysis: it’s not actually weird, because Bob admires folk music and the Great American Songbook, and Christmas music is a canon built from both. Even deeper analysis: it’s still pretty weird, because it’s weird to listen to Bob Dylan unleashing his signature late career Warm Croak on Christmas songs you’ve been inundated with your entire life.

But when you get past the sheer novelty of King Gravel intoning “Have Yourself a Merry Little Christmas,” a song made famous by Judy Garland, you remember that, oh yeah, Bob Dylan is one of history’s greatest musicians, and offers a wealth of feeling, warmth and energy—even (especially) when he’s pursuing a strange muse. His “Must Be Santa,” anchored by a loud accordion and augmented by a rechristening of the reindeer as post-war presidents, is pure jalopy shit—a sound of the Christmas gathering flying apart at the seams as candy-ridden children roam through the hallway and shove each other into toilets. “I’ll Be Home for Christmas,” is a standard ‘50s pop music take, lifted into something transcendent by Bob’s presence behind the microphone. “Winter Wonderland” and “Christmas Island” presents an alternate world Dylan, one more into vibing and tipping back, as opposed to an artist with an endless appetite for work and startling discipline.

The best song on here is Bob’s version of “Do You Hear What I Hear.” He is, after all, an old wise man now, wandering through deserts, handing out gifts. His intonation on “A child, a child/Sleeping in the night/He will bring us goodness and light,” is struck through with a warmth and sincerity that you don’t associate with Trickster Bob. Is it a performance of awe, trying to capture a world that still had some sense of the divine? Is it a true wonder in the potential of the child, a hope for the future? Is it just a straightforward exaltation of Christ himself? You can never really know with Bob, of course, but it stirs.

••••

For when your company—an international logistics concern—sent you on a last minute overseas business trip over Christmas, and you stroll the streets alone and alienated on Christmas Eve, until you walk into a fancy cocktail bar and lock eyes with another disaffected expat at the bar: Duke Ellington, The Nutcracker Suite

Did you know that Duke isn’t his real name? You see, when Duke Ellington was a child, everyone who lived in his neighborhood thought he seemed like minor royalty, and just started calling him Duke as a result. That was how smooth this man was, folks. But it would not have meant much if the Duke was not also a world historic musical genius. A bandleader, composer, a thinker, whose work brought a formal precision and imagination to jazz that changed the enterprise forever, transmuting it from an outgrowth of blues into the great American musical form.

One of the ways that Duke built this new form was taking forays into classical music, breaking apart or injecting the classical canon with improvisation and swing time, or likewise, taking the forms of classical music and overlaying them with original compositions informed by his lifetime as an orchestra leader working in a jazz idiom. In Duke’s hands, genre distinctions, of dance music or concert music, become wobbly, fall off the boat, drown in the ocean of his genius, and are reborn into an object of pure American greatness. 

In 1960, Duke, riding a popular revival as newfangled bebop artists codified his importance in their own development, worked with Billy Strayhorn—his longtime arranging partner—to break apart Tchaikovsky’s Nutcracker suite, perhaps the most famous piece of dance music ever composed, and reforge it into this album, which takes Pytor’s famous melodies and remakes them into nine swing numbers. 

“The Dance of The Sugar Plum Fairy,” all ethereal glockenspiels in the ballet, becomes “Sugar Rum Cherry,” a terribly horny reforging that asks a question that would not occur to you otherwise: What if I kind of want to fuck the Sugar Plum Fairy? “The Nutcracker March” is now “Peanut Brittle Brigade,” a New Orleans parade of nutcracker men. “Chinoiserie,” the Duke’s version of “The Chinese Dance,” loosens up the source material to the point where it sounds like something someone might actually dance to as opposed to the Tchaikovsky original, bloodless to the point of making its subject seem alien.

••••

For when you’re driving home from your family’s yearly Christmas gathering—which was good, for the most part, but your Aunt Shelly got WAY too blitzed on eggnog and hot toddies and vomm’d in the backyard: Wynton Marsalis, Crescent City Christmas Card

There’s a lot to know about Wynton Marsalis, the trumpeter, band leader, and academic, who has long represented a kind of traditionalist approach to jazz performance and composition that can maybe seem a little square. And while I personally don’t know a lot about Marsalis, I do know about this album, a suite of Christmas standards he released in 1989. A lot of it is fairly standard jazz takes on Christmas classics: a trumpet playing a slightly off-kilter rendition of “Winter Wonderland,” a brassy vocal take on “Sleigh Ride,” “Carol of the Bells” with the forward momentum of the death chant replaced by laconic swing music jamming, and “Jingle Bells,” with a li’l woodblock that brings horse evocations to the party. 

But some of it is insane—insane in a way that makes you wonder what Wynton is trying to get out. Take this album’s version of “Silent Night”: a standard female vocal, trilling and ethereal, but set to a backdrop of woozy, uncertain horns, that give the thing a vaguely creepy vibe. What does it mean to set a hymn of the infant Christ in front of trumpets that suggest a danger lurking on the horizon? Is it an evocation of Herod’s men in the field, looking for the child so he may butcher any competition for his spot at the top of Israel’s local government? Is it broadcasting uncertainty about the future of this child’s life, over the fanaticism he would come to embrace, the horror of his violent death? Is it a way of juxtaposing the sentimental story of Jesus’ birth with the world of unease and terror that would form in his wake? 

Why would someone make a version of “Little Drummer Boy” that seems to intentionally bury the drums in the mix? Trumpeter’s jealousy? What does a laid back swing version of “We Three Kings” mean? That the kings were cool? Were they cool? I have never thought about it, really. By insisting that he press as much jazz shit as possible into these standards, Wynton runs up against the idea of these things as content about Christmas and into the idea of them as forms.

••••

For when she took the kids home after their mandatory Christmas Eve visit and you have wandered out into the cold night, purchased a six pack of Rolling Rock and a bottle of Mad Dog, and—two brewskies and five sips of fortified in—you plop down in the arched, gothic-style doorway of a neighborhood church, and just sit there, sipping and watching the rain come in, wondering when and how it all went so wrong: Benjamin Britten, Ceremony of Carols

20th Century British Composer Benjamin Britten was a sad man who made beautiful music. Ceremony of Carols is a song cycle for boys choir and solo harp, written on a boat coming back to England during the middle of World War II, when U-Boats were scouring the ocean, looking to send boats full of British guys plunging into the icy ocean. It takes a bunch of old Christmas and Baby Jesus related poems in various languages, sets them to music, and goes at it hard as hell. It’s beautiful, it’s faintly sad, it’s everything you need for a Christmas where the disappointments of the year fight against the idea of a wee babe, born in a barn, bringing hope into the world. NOT FOR LIGHT LISTENING, but essential for any soul slipping into darkness. 

Global ratings agency, Moody’s, has reaffirmed Australia’s AAA rating and stable outlook, consistent with recent assessments by Fitch and Standard & Poor’s. Australia’s sovereign credit rating is based on the nation’s highly resilient economy, high level of government financial strength and low level of event risk.

In the Mood Canvas by Nenad Mirkovich is a(n) Limited Edition. The Edition is Limited to Limited Edition pcs

POLJUNK, the National Affairs desk of Glorious Noise

Here we are again. In the year of someone’s Lord 2024, we are back in time. We had a slight reprieve with four years of competent governing that resulted in record economic growth, withdrawal from historically disastrous military entanglements in the mideast (brought to you by the formerly worst president in US history), and at least some sense of normalcy, but I guess we are going back. This was after what many thought was an aberrant Trump presidency–surely that was a blip in the American experience, right? As it turns out, the aberrant is the accepted. It’s America’s true face, one we occasionally veil but never actually change.

I could list all the reasons Donald Trump is a terrible person and worse “leader,” but we all know them. And that’s the point: This isn’t some unknown or misunderstood element. This is Donald Trump. We know him and unfortunately, he knows us. Better than many of us know ourselves.

Trump isn’t some genius, he’s just a guy who is willing to do what others won’t because most of us live between imaginary lines of decency.

Read more at Glorious Noise...

Tips on seeking help from a medical specialist for mood disorders without being afraid of being judged or stigmatized.

Aim/Purpose: The study focused on learner sentiments and experiences after using the Moodle assessment module and trained a machine learning classifier for future sentiment predictions. Background: Learner assessment is one of the standard methods instructors use to measure students’ performance and ascertain successful teaching objectives. In pedagogical design, assessment planning is vital in lesson content planning to the extent that curriculum designers and instructors primarily think like assessors. Assessment aids students in redefining their understanding of a subject and serves as the basis for more profound research in that particular subject. Positive results from an evaluation also motivate learners and provide employment directions to the students. Assessment results guide not just the students but also the instructor. Methodology: A modified methodology was used for carrying out the study. The revised methodology is divided into two major parts: the text-processing phase and the classification model phase. The text-processing phase consists of stages including cleaning, tokenization, and stop words removal, while the classification model phase consists of dataset training using a sentiment analyser, a polarity classification model and a prediction validation model. The text-processing phase of the referenced methodology did not utilise tokenization and stop words. In addition, the classification model did not include a sentiment analyser. Contribution: The reviewed literature reveals two major omissions: sentiment responses on using the Moodle for online assessment, particularly in developing countries with unstable internet connectivity, have not been investigated, and variations of the k-fold cross-validation technique in detecting overfitting and developing a reliable classifier have been largely neglected. In this study we built a Sentiment Analyser for Learner Emotion Management using the Moodle for assessment with data collected from a Ghanaian tertiary institution and developed a classification model for future sentiment predictions by evaluating the 10-fold and the 5-fold techniques on prediction accuracy. Findings: After training and testing, the RF algorithm emerged as the best classifier using the 5-fold cross-validation technique with an accuracy of 64.9%. Recommendations for Practitioners: Instead of a closed-ended questionnaire for learner feedback assessment, the open-ended mechanism should be utilised since learners can freely express their emotions devoid of restrictions. Recommendation for Researchers: Feature selection for sentiment analysis does not always improve the overall accuracy for the classification model. The traditional machine learning algorithms should always be compared to either the ensemble or the deep learning algorithms Impact on Society: Understanding learners’ emotions without restriction is important in the educational process. The pedagogical implementation of lessons and assessment should focus on machine learning integration Future Research: To compare ensemble and deep learning algorithms

Aim/Purpose: This study aims at investigating the factors that influence students’ continuous intention to use Moodle, as an exemplar of learning management systems (LMSs), in the post-adoption phase. Background: Higher education institutions (HEIs) have invested heavily in learning management systems (LMSs), such as Moodle and BlackBoard, as these systems enhance students’ learning and improve their interactions with the educational systems. While most studies on LMSs have focused on the pre-adoption or acceptance phases of this technology, the determinant factors that influence students’ continuance intention to use LMSs have received less attention in the information systems (IS) literature. Methodology: The theoretical model for this study was primarily drawn from the expectation-confirmation model (ECM). A total of 387 Kuwaiti students, from a private American University in the State of Kuwait, participated in this study. Partial least squares (PLS) was employed to analyze the data. Contribution: This study contributes to the existing scientific knowledge in different ways. First, this study extends the expectation confirmation model (ECM) by integrating factors that are important to students’ continuous intention to use LMSs, including system interactivity, effort expectancy, attitude, computer anxiety, self-efficacy, subjective norms, and facilitating conditions. Second, this study adds on a Kuwaiti literature context by focusing on the continuous intention to use LMSs, which is, to the best of our knowledge, the first study that extends and empirically assesses the applicability of the ECM in the LMSs context in a developing country – Kuwait. Third, this study conceptually and empirically differentiates between satisfaction and attitude, as two separate affect constructs, which were taken as interchangeable factors in ECM, and were disregarded by a large number of prior ECM studies concerned with continuous use intention. Finally, this study aims to assist HEIs, faculty members, and systems’ developers in understanding the main factors that influence students’ continuance use intention of LMSs. Findings: While subjective norms were not significant, the results mainly showed that students’ continuous intention to use Moodle is significantly influenced by performance expectancy, effort expectancy, attitude, satisfaction, self-efficacy and facilitating conditions. The study’s results also confirmed that satisfaction and attitude are two conceptually and empirically different constructs, conflicting with the views that these constructs can be taken as interchangeable factors in the ECM. Recommendations for Practitioners: This study offers several useful practical implications. First, given the significant influence of system interactivity on performance expectancy and satisfaction, faculty members should modify their teaching approach by enabling communication and interaction among instructors, students, and peers using the LMS. Second, given the significant influence of performance expectancy, satisfaction, and attitude on continuous intention to use the LMS, HEIs should conduct training programs for students on the effective use of the LMS. This would increase students’ awareness regarding the usefulness of the LMS, enhance their attitude towards the LMS, and improve their satisfaction with the system. Third, given the significant role of effort expectancy in influencing performance expectancy, attitude, and students’ continuous intention to use Moodle, developers and system programmers should design the LMS with easy to use, high quality, and customizable user interface. This, in turn, will not only motivate students’ performance expectancy, but will also influence their attitude and continuous intention to use the system. Recommendation for Researchers: This study conceptually and empirically differentiates between satisfaction and attitude, as two separate affect constructs, which were taken as interchangeable factors in ECM and were disregarded by a large number of prior ECM studies concerned with continuous use intention. Hence, it is recommended that researchers include these two constructs in their research models when investigating continuous intention to use a technology. Impact on Society: This study could be used in other countries to compare and verify the results. Additionally, the research model of this study could also be used to investigate other LMSs, such as Blackboard. Future Research: This study focused on how different factors affected students’ continuous intention to use Moodle but did not consider all determinants of successful system, such as system quality, information quality, and instructional as well as course content quality. Thus, future research should devote attention to the effects of these quality characteristics of LMS.

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I Hate it Here - Wilco

I Must Not Think Bad Thoughts - X Everybody Knows - Leonard Cohen Hot Girl Bummer - Blackbear A short list of songs to have on repeat in the post-election era. Add as you see fit! Hot Girl Bummer is the general vibe of late stage whatever as far as I can tell.

http://www.musicxray.com/xrays/2672405 dvbeatskngdavid - Upper Mood

[Written by Stephen Wright] Kovin Moodley, the Bermuda women’s hockey team coach, is confident his players are ready to execute their game plan and make the most of the home advantage in the Women’s Pan American Challenge. Bermuda get their campaign underway against Paraguay in their first pool match today [September 21] at the National […]

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1. Do something “perspective expanding” either in terms of time or space. Examples: Time: look into the eyes of someone alive in the 1400s by visiting an art gallery. Space: A walk/coffee somewhere with an expansive view, a drive. Both time & space: A trip into the mountains (they’re giant & they’ve been there a […]

The post 5 Practical, Creative Tips for Soothing a Low Mood appeared first on Dr Alice Boyes.

Feeling blue? Try watching this one-minute video. Our Ask Smithsonian host, Eric Schulze, explains how colors affect our moods.

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Moody�s Investors Services has confirmed India with a Baa3 rating, maintaining a positive outlook on the results. It has also affirmed India�s P-3 short-term local currency rating.

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Moody's Investors Service on Friday estimated its GDP forecast for FY21 at 0% and FY22 at 6.6%. Also, at the same time it said that the country's sovereign rating upgrade from 'Baa2 negative' is unlikely to be made in the near

happy, sad, meh, mad, or what?

Moody's had, in November 2019, downgraded India's outlook to negative from stable on concerns of lower economic growth.

Moody's said high government debt, weak social and physical infrastructure, and a fragile financial sector face further pressures due to the coronavirus outbreak.

PESHAWAR: Chief Minister Mahmood Khan has asked officials to ensure timely completion of Citizens Facilitation Centres projects in the provincial capital launched under the Digital Access Initiative of the provincial government.He also directed the high-ups of Khyber Pakhtunkhwa Information...

PESHAWAR: Chief Minister Mahmood Khan has asked officials to ensure timely completion of Citizens Facilitation Centres projects in the provincial capital launched under the Digital Access Initiative...

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People can contribute to projects that aim to leave a map of the national mood and allow future historians a glimpse of 24 hours in a pandemic

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“I have underlying health conditions, including asthma,” writes a frightened 40-year-old woman , shortly before Sunday’s news of whether the lockdown will be eased. “I’m terrified to leave the house, even for exercise, but I’m not sick enough to be ‘extremely vulnerable’. Covid-19 could quite probably kill me.”

The anonymous contributor is part of a project called Covid-19 and Me, run jointly by the Young Foundation and the Open University, two of a number of organisations which are asking thousands of men and women of all ages, ethnicities, incomes, beliefs and backgrounds across Britain to keep diaries, complete questionnaires and be interviewed by their peers. They want to know what it is like, at an everyday level, to live through a global pandemic, to create an ongoing “weather map of public feeling”.

Taking a trip down memory lane, superstar Kareena Kapoor Khan on Saturday posted a throwback picture from her Morocco trip and described it as her 'Saturday mood.' The 39-year-old actor hopped on to Instagram to post the picture from the trip that she went on with her star husband Saif Ali Khan back in 2009.

While Kareena is seen exuding elegance in a bodycon dress in the nude shade in the picture, Saif is wearing a light purple coloured shirt paired with white trousers. Accentuating the look further, Kareena paired up the dress with a waist belt and rectangular wayfarers. "Saturday Mood: Morocco '09," she wrote in the caption keeping it simple.

 

 

 

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Saturday Mood: Morocco '09 💯

A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) onMay 9, 2020 at 1:53am PDT

The 'Jab We Met' actor has been reminiscing her previous trips by posting throwback pictures ever since coronavirus induced lockdown was imposed.

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Moody�s Investors Services has confirmed India with a Baa3 rating, maintaining a positive outlook on the results. It has also affirmed India�s P-3 short-term local currency rating.

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