Ready to smile? Each week we are featuring the newly adopted pets of the week! Is there a lovelier sight than an animal being adopted?! We wholeheartedly thank those who have adopted, providing animals with a loving, comfortable and warm home. There's literally nothing better. 

We're seeing a lot of new furry faces being adopted due to the new regulations, and while we absolutely adore seeing so many adopted faces, please remember that a pet is for life. The decision to adopt one is one that should be thought through thoroughly.  

For those of you who are thinking about getting a pet, just remember; adopt, don't shop. 

If you recently adopted a pet, shoot us an email to be featured in next weeks list! 

Meet the handsome cat, William, who is meeting (for the very first time) his baby kitten named Artist.

Artist is 2 months ago, obviously adorable and very playful.

Here is how we are imagining the conversation between these two beauties went:

Kitten: "I'm looking for my dad."

Dad: "I'm looking for my son."

Kitten: "Well I hope you find your Son."

Dad: "And I hope you find your father." Walks away

Posted here for posterity: Design kickoff meetings are like first dates that prepare you for an exciting relationship with a person who doesn’t exist.

The post Design Kickoff Meetings appeared first on Zeldman on Web & Interaction Design.

Coronavirus has overwhelmed Manaus, the Amazon's biggest city, and the worst is yet to come.

Harsh Gawali is a 24-year-old guy from Pune who kickstarted his career as a freelance model back in 2015. Currently working as a senior marketing operation analyst at one of the leading Edtech companies in India, Harsh has effortlessly balanced his life to dedicate time for his modelling career as well.

In addition to his modelling assignments, Harsh is a huge fitness enthusiast and athlete. Harsh, being a public figure always had to look fresh and fit. From his eating habits to waking up early in the morning and running and doing a proper workout, Harsh has to struggle hard in order to maintain himself.

Harsh Gawali is a former 55 kgs wrestler too and has achieved milestones in climbing some of the hardest pinnacles of Maharashtra. In addition, Harsh is also a trained cadet of Maharashtra Civil force and has served the rescue team lead during flood crises in Sangli and Kolhapur, 8 months ago when he led a team and successfully rescued 200+ people in 6 hours.

Harsh is a profound model and with his intense looks and perfectly shaped physique he has been drooled by many girls and his, Instagram is proof of it. With a well-built physique and great interest in sports, adventures, and fitness, Harsh has been a total inspiration for all the youngsters out there.

Harsh is a fitness phenomenon and pro-level combat athlete, with extensive knowledge about fitness, healthy lifestyle, personality development, and much more.

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The restaurant landscape of Powai has minuscule space for street food favourites, barring the desi ice cream trucks that line its famous lake. The scene is dominated by fine-dine chains or international fast food properties. So, when restaurateurs attempt to offer a novel quick service restaurant (QSR) experience, it could go either way. In such scenarios, pricing and innovative menus play a key role in swinging the customer opinion.

El Rancho and Pick Pocket’s menu grabs our attention on both counts — its pricing and attempt to focus on two cuisines, which not many QSRs can pull off. What we also like is the floor plan — it is divided into two sections to represent the two cuisines, without giving the patron a feeling of claustrophobia on entering the outlet. It’s a great example of utilising a small space.

Veg Mexican Pizza

For a QSR, the menu is extensive, and we are tempted to try a few dishes, except for out-of-context options such as chicken stroganoff and anda bhurji. We stick to their specialities and start with cottage cheese burger (Rs 179), Veg Mexican Pizza (Rs 119, for a slice), veg nachos and a falafel pocket (Rs 159 each). We eye a box of Jenga to while away our time, but the service is super quick and two dishes make it to our table under 10 minutes. The portions overwhelm us too. Famished, we start with the nachos that are served with a tasty salsa sauce, cheese sauce and sour cream. The nachos are crisp to our liking.

Chicken Kabsa

The Mexican pizza arrives with near-identical flavours that include beans, mozzarella and a tangy sauce, but we like it nonetheless, especially the crisp base. The burger is a big downer. While the portion size is generous, the jerk sauce that they serve is nowhere close to the real one and the thick paneer patty is bland. The falafel pocket scores a ten on ten, though. The pita pocket is super soft with several pieces of falafel stuffed in, and with the right amount of hummus so that the pocket doesn’t feel dry. In love with this dish, we pick another option — butter chicken pocket (Rs 189). It offers a heady, smoky gravy but chunks of fragrant chicken are a tad undercooked. The Mexican chicken pizza is bland too (Rs 169) and the bad run continues with the chicken kabsa (Rs 249). The chicken is raw, but the accompanying gravy is fragrant with cumin, which compliments the saffron rice.

Baklava 

The saving grace is the deep fried shredded barbeque chicken burger (Rs 199). The glistening bun is stuffed with melted cheese and delicious pieces of chicken (more cheesy than BBQ though). The dish is perfect and our favourite of the evening; we would love to return here just for this mean burger.
Stuffed, we attempt to try their dessert offerings. Since the churros weren’t available (it’s 11.30 pm now), we call for Turkish Baklava (Rs 199) and umm Ali (Rs 199).

Deep Fried Shredded Barbeque Chicken Burger

Both the sweet treats are the QSR versions of the indulgent ones we are used to having, but we aren’t complaining. The baklava doesn’t have many layers, but we’re fine with this abridged version as we are pretty full by now. The umm Ali, with four pieces of croissant dunked in milk doesn’t have the crust a baked version should have, but is tasty nonetheless.

Despite the chicken debacle, the quick service and tempting price points somewhat tilt our opinion. Both menus display promise but the kitchen needs to up its game for an all-out glitch-free experience.

TIME 10 am to 1 pm
AT Cypress CHS, Hiranandani Gardens, Powai.
CALL 30151775

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Breaking a leg to commercial tunes blaring out of speakers at a crowded club might be fun for some. But a cosy setting with a close group of friends huddled around a table, sipping on cold beer, sounds more like the kind of night the time-strapped and hard-working Mumbaikar might opt for when looking to unwind.

A glimpse from a Beer Tales session

It is this milieu that Effingut, which debuted in the city last year, is trying to emulate. "Our outlet in Bandra is more of a sit-down place where there's no loud music, so you can have real conversations. We thought, 'What do people do when they meet up at a friend's place?' They sit and talk, and typically it's about things like Game of Thrones, or the latest Marvel movie. And that's when we decided to launch this programme," says Sanika Kelkar, who helms marketing for the brewery, speaking about Beer Tales, a weekly interactive session.

Sanika Kelkar

At these events, Kelkar explains, what transpires is a casual chat with attendees discussing everything ranging from contorted Game of Thrones theories to the best songs by Coldplay. "We have got a great response. In fact, the idea to host a meet-up themed around Friends came from our patrons," Kelkar shares, adding, "To keep the enthusiasm going we have giveaways, like beer, DVDs and cool merchandise. We are hoping to organise larger events and meet and greet sessions, too, but we want to keep the essence of these get-togethers casual."

At: Effingut, Linking Road, Bandra West.
On: Every Tuesday, 8 pm to 11 pm
Call: 8657449223

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Do you know what Chandler Bing does for a living? If the answer is yes, and you think you can do better than Rachel and Monica did in a quiz in Season 4 episode 12, head to this Friends-themed meet-up in Bandra West. Conducted by quiz organising company Ace of Pubs, who recently hosted similar events themed around the Game of Thrones and The Office, the aim is to take you on a trip down memory lane with some fun games.

"The questions will be around iconic moments from the show and we'll have 10 to 15 teams of three to eight people. Just sign up with your friends online," says Hardik Jain from the gaming company. While you'll get something from the menu on the house for each right answer, including their special line of craft beer, they also have movie tickets and Friends merchandise up for grabs.

ON March 26, 8 pm
AT Effingut, Ganga Jamna Sangam Building, Linking Road, Bandra West 
CALL 71179491
LOG ON TO https://bit.ly/2UaR7aS
FREE

Two years ago, Jaidwaj Malhotra was running a Google search for a motor for his model airplane when he instead started reading about drones and how to build them. He was immediately taken in by the little object that could fly at 120 km per hour. Today, the 18-year-old is working for an organisation, helping them design surveillance drones for the Indian Army.

Malhotra is part of a tight-knit community of young drone racers in the city that came into being around the time the Indian Drone Racing League (IDRL) was founded by Karan Kamdar in 2016. Over the past two years, the field has gained a sizeable traction with IDRL having 875 pilots registered with them from all over India. The pursuit is expensive.

Building a drone can cost as much as '40,000, and the not-so-cheap batteries must be replaced every three months. The police continues to remain suspicious of fliers. However, for these pumped up youngsters, no obstacle is too big. Even with the odds stacked against them, they are finding ways to let their dreams fly.

'Burnt the circuit board while building my first drone'
Jaidwaj Malhotra, 18

His father being into aero-modelling, Juhu resident Jaidwaj Malhotra has always had a fascination for flying objects. Two years ago he participated in an aeromodelling competition held by Boeing, at the IIT TechFest. Around the same time, he came across the drone, or the "quadcopter". "If you want to fly a drone, it is important that you build it as well. You need to understand the mechanics, to ensure best control. And, in case of trouble, you must know how to fix it in a second," Malhotra says. Like Nayak, he too is a self-taught drone-maker, who got all his knowledge from the Internet.

Jaidwaj Malhotra. Pic/Satej Shinde

"My first attempt was not successful. I burnt the circuit board. But, you live and learn," says the first-year mechanical engineering student. He spread the word on his drone-making abilities on social media and soon people began to approach him. "That's how I got roped in by a startup to design UAVs (Unmanned Aerial Vehicle) for the Army." When he doesn't have exams, he practises six hours a day on a track that he builds himself, on the Jamnabai School Grounds. "A racing track comprises elements like gates, flags and cones that act as obstacles. I practise on one track, then change it completely and practise again."

One Race I want to participate in: World Drone Prix

'I am the first pilot to register from the country'
Siddharth Nayak, 26

Employed in the construction sector, Nayak is currently neck-deep into the Mumbai Metro project. It's only in the weekends that he manages to fly. "Sometimes, it's not even that, as there are working Sundays too," he tells us. Nayak, who grew up in Nala Sopara and got a degree in instrumentation engineering from a Vasai's Vartak college, has always been keen on robotics. "But, that was mostly stuff on land; I had a craze for flying."

Siddharth Nayak. Pic/Datta Kumbhar

Randomly stumbling upon a drone-racing video on YouTube in 2016 was a deciding moment for him. Nayak, of course, had no experience in drones up until that point. He went through several tutorials online and managed to build his first drone. "I tried it out in the dried salt pans in Vasai, where there were no people. It went up till about 30 feet," he says, speaking of his test run.

The height is not the point of importance in drone racing, where they race not more than seven feet above the ground. "It's precision and control that counts, because you're flying at 120 kmph. It's a lot tougher to control drones at a lower height." Nayak had his first race in IIT Gandhinagar in 2016 and his latest victory was last month at Smaaash, besides three races in Kochi and Pilani. "I had once quit my job to do this professionally, but that didn't work," he says with a smile. Nayak's next aim is to represent an organisation as a drone racer. "My dream is to represent India as a drone racer in an international league, someday."

One Race I want to participate in: Drone Champion League

'I sold my first drone to build my second one'
Himadri Roy, 21

When he was in Std X, Himadri Roy asked his father for money to build his first drone. "I had done my research. I showed him the outline of my plan, which I had developed after going through hundreds of tutorials and blogs. When he saw that I was not talking out of thin air, he agreed," says Roy. The first drone that he built had a larger frame and was heavy. It took him over a month to finish, with help from his father. "Now, I can build it in a week." In the years that followed, he upgraded his machine. "I learnt about more sophisticated methods online and then I sold my first drone to a friend who is an engineer, and used that money to build my second one. This one is a racing drone. It's smaller, faster and more agile." Roy, who was a member of an online forum called Remote Controlled India, came across IDRL on it. He got invited to his first race in Gandhinagar in 2016. "I did a few laps and crashed. It's crucial to keep your mind steady in this race. If you worry you'll crash, you will. I have become calmer now."

Himadri Roy. Pic/Sneha Kharabe

He uses the same calm to deal with authorities when they come in the way. "The laws regarding droning are not clear in India. So, the police continues to stop us. Last week, a police vehicle followed me while I was flying. When something like that happens, I try to explain that it is a sport. I also let them watch the video feed that has recorded what the drone has seen, so they know that we are anything but troublemakers." Currently, he is employing his drone knowledge in his fourth year project. "We are trying to develop drones that can be used for industry surveillance, to identify defects in mobile towers, in particular," he says.

One Race I want to participate in: Smaaash Drone Race at Gateway of India

Those who take on the world with ideas that outlive them belong as much — perhaps more — to it as they do to their families. While their work and public lives are well-documented, the personal side often remains obscured; the hardships and sacrifices taking a backseat as glory, at times infamy, take centre stage.

In Jenny von Westphalen, however, Karl Marx didn't just find a companion who provided him emotional strength and succour as the Marxes battled penury, persecution and the death of four of their children, but also an unrelenting collaborator as he analysed the flaws of capitalism and provided an alternative that continues to stir up impassioned debates. On the political theorist and revolutionary's 201st birth anniversary on May 5, Michaela Talwar and Satchit Puranik are bringing together their German and Indian backgrounds in the new play Mrs & Marx, to present what they call an impossible love story.

Michaela Talwar

Playing themselves, the city-based artistes invoke the spirits of Karl and Jenny (pronounced Yenny) to examine their story through the annals of history. A Harkat Studios production, work began on it exactly a year ago, on the 200th anniversary of Marx. It is a multilingual piece of documentary theatre that juxtaposes the performers' experiences in the present day with that of the world of the Marxes.

"I am privileged to know German. I read several of Jenny's letters, which opened an insight into her personality. Far from a meek housewife, she was a theatre critic, who was unapologetically outspoken," says Talwar, for whom collaborating with Puranik was an easy decision after she watched the production, Karl Marx in Kalbadevi, in which he plays the protagonist.

Puranik explains how his lived experience after marriage further refined Marx's theories and analysis of capital and cash supply, while Talwar says, "Marx wasn't a feminist to start with. [But with Jenny's outspokenness], he would learn to appreciate a woman's opinion. So, she set a subtle but effective example of feminism." Puranik adds, "'Social progress can be measured exactly by the social position of the fair sex...' is among Marx's oft-quoted statements. He rejected the idea of private property, which lay at the core of patriarchy. Even in his analysis of class struggle, he spoke of how women were appropriated into the factory system."

Two centuries after Marx and his beloved comrade and friend Friedrich Engels wrote The Communist Manifesto, communism as a political ideology struggles for survival today, existing only in a few pockets around the world, including India. Drawing from her experiences in India and Germany, Talwar tells us that opinions on Marx here swing between a deified and demonised image, while in Germany, it is easier to come across detached dissection of his works.

What remains undisputed however, say the directors and actors, is Marx's relevance. "With the financial depression of 2007-08, even his harshest critics couldn't escape the fact that through his works, he lives on to haunt them," asserts Puranik, while Talwar shares, "Nothing has changed in these 200 years, and the world remains an extremely unequal place." But she is quick to add, "Whether you believe in Marxism or not, this is a hopeful play; one that fights the discourse of hate that surrounds us with a love story."

On: May 5, 8 pm (for ages 15 and above)
At: Tata Garden, NCPA, Nariman Point.
Call: 22824567
Entry: Rs 300

ON: May 12, 7.30 pm
At: G5A Foundation for Contemporary Culture, Laxmi Mills, Shakti Mills Lane, Mahalaxmi.
Log on to: bookmyshow.com
Entry: Rs 500

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Bhrigu Sahni at a concert at antiSOCIAL earlier this week. Pic/Satej Shinde

The use of guitar isn't limited to playing solos and rhythms using a plectrum (a small flexible piece of plastic). When a discussion emerges about the co-existence of genres within the guitar language, there is a lack of clarity between Flamenco, Western Classical and finger-style. One can pluck (guitar) strings with their fingers but finger-style is a technique that involves the usage of fingertips, nails and the palm. You need to hit the woodwork for percussions. The sound is a perfect balance of bass, treble and harmonies. These days, Mumbai is witnessing the rise of finger-style guitarists. While some learnt from watching videos of legends like Andy McKee and Tommy Emmanuel, others took a cue out of popular songs.

Manan Gupta

One-man band
"By playing finger-style, one can arrange a whole song by playing the bass line, melody, rhythm and harmony simultaneously without using any backing track," shares Manan Gupta. The 23-year-old started off as a pianist but the track Drifting (by McKee) brought him closer to guitar.

Gupta believes finger-style also helps a musician to be self-sufficient. "You are a one-man band; there is no need to rely on other musicians to co-ordinate rehearsal timings," chuckles Gupta, whose tune Dear Mother (released in 2013) is an online hit.

Local inspirations
Bhrigu Sahni, who has toured the Mumbai-Pune circuit, took to the genre after watching his father play Western Classical. "As a kid, I realised that this style had the ability to create a rich musical tapestry. It is challenging to sustain being just a finger-style player but that shouldn't deter one from following his heart," says Sahni, who is a Berklee graduate and has jammed with Karsh Kale and Angelique Kidjo.

Unlike others, he also pointed out a few names among Indians who inspired him. "I went to Rock and Jazz concerts when I was 15. I used to improvise after watching guitarists like Sanjay Joseph and Derek Julian," he adds. Sahni released his debut album, What is Now, last year in New York. "I shuffle between Brooklyn, Khadki (Pune) and Mumbai for gigs," he shares.

Varun Singh started his journey listening to Eric Clapton. He even played for Metal band Albatross for sometime, but the song More Than Words (Extreme) pushed him towards finger-style. He seconds Sahni highlighting guitarists from India who are fluent with it. "Mahesh Tinaikar (Indus Creed) and Floyd Fernandes are great examples. Clapton's Tears In Heaven is a finger-style song too," he shares. The 23-year-old recently released a video of a song called Midnight Express paying tribute to Nuno Bettencourt. "He is my hero."

(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.

Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.

Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.

Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos

Every day for over 10 days, a 39-year-old mechanic has been driving down to Mumbai from his house in Virar, to sanitise the vehicles of the police and the BMC. Vijay Kumar Babanna Rajappa runs a small garage opposite the Siddhivinayak temple at Prabhadevi. It has been closed since the lockdown, but Rajappa, who wanted to do something for our frontline warriors in the battle against COVID-19, has been helping them free of cost. So far he has sanitised over 150 vehicles.

Rajappa has sanitised all the vehicles of police stations at Shivaji Park, Mahim, Dadar, Virar and Arnala. He was given a letter of appreciation from many police stations for this. "We gave a letter of appreciation to Rajappa for helping the police department by sanitising our vehicles including mobile vans, cars, beat Marshal's bikes etc. It protects us from this virus while traveling from one place to another place," said Sunayana Nate, inspector of Dadar police station.

Virar corporator Maya Chaudhary said, "We took Rajappa's help to sanitise municipal emergency service vehicles, buses, police vehicles and auto rickshaws in Vasai-Virar. Rajappa is doing great work without charging for it. We have also asked him to sanitise vehicles used by doctors, nurses and ward officers."

'Keeping our police safe'
"Every day the police deal with many people including accused and have to take them to police stations or courts. Currently these may include COVID-19 positive people. The accused touch many areas inside the vehicle. So I decided to clean their vehicles and keep all our police personnel safe from the danger. I also clean the bikes of beat Marshals. If their vehicles are safe, they are safe," said Rajappa.

Rajappa even explained the process of cleaning the vehicles. At first he washes a vehicle with water from both inside and out. "Then I wash it with diesel and dry the entire vehicle. Then I use a litre of water mixed with sanitiser and apply it to the vehicle. It takes me an hour to completely clean a car. I use a sanitiser which is WHO and FDA-approved. It is only used on the metallic body of cars and bikes."

'Sanitisation helps'
He added, "If a person who is infected by COVID-19 travels in the car, there are chances it can spread to others who use the vehicle. The air-conditioning can also increase chances of spreading this virus, but if we sanitise the vehicle, there are no chances of the virus spreading." He claimed after a vehicle is sanitised, it is safe for about 15 days. He now wants to approach hospitals to sanitise ambulances.

Rajappa has been working as a mechanic since 1999. The usual charges for deep washing of vehicles are around R300-R500 each, but he has not been charging for the same.

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