At 3.7 Designs we have an array of strategies we use to solve business problems. For example, when it comes to redesigning a website we might recommend recommend a completely custom design that starts with a design discovery engagement. Typically this process can take three to six months with ample time upfront to research the […]

The post Astra Pro with Gutenberg Review – Practical Application appeared first on Psychology of Web Design | 3.7 Blog.

Are you a logical individual? Do you carefully consider all options before making a decision? Are opinions shaped primarily through facts and reasoning? If you answered yes to these questions, you’d be wrong. We are all emotional beings, and our emotions are the root cause of our thoughts and behaviors. Our logical, conscious thoughts simply […]

The post Fight or Flight: Which Emotion Does Your Website Evoke? appeared first on Psychology of Web Design | 3.7 Blog.

Not many of the present readers might know me very well, and that in part, is the reason that I have made the decision to transfer WLTC to more willing and presently capable hands. I am a stranger on my blog and the time has come for me to make sure that this blog, its contents and its knowledge are archived and preserved and maybe rejuvenated at a later time. I delved into blogging tools back in 2004 when I started my Masters degree in CS. I wanted some code to mess around with in my free time and everyone was talking about blogging. I looked into a variety of tools, built a small Linux server for myself at home, and installed a few of the tools that were freely available at that time. I had a heck of a time getting a hold of MT (Moveable Type, the most well-known name) and […]

Lately, The hype of GDPR was on high around May 25, 2018 but due to its complication and in depth detail, it was not easy for everyone to understand and get prepare for this new policy for European countries. In very simple words, GDPR stands for General...

The post Better Late Than Never To Make Your WordPress GDPR Compliant – 21 Plugins You Might Need To Know appeared first on SmashingApps.com.

There are many apps are available on Microsoft store for free which can be installed very easily but who knows? That is why we are sharing 8 Wallpaper Photos Apps On Microsoft Store You (Might) Never Knew For Windows. So, without any further ado let’s take a...

The post 8 Free Wallpaper Photos Apps On Microsoft Store You (Might) Never Knew For Windows appeared first on SmashingApps.com.

There are many web apps for designer and developers out there, but getting by free and good ones is not that easy. Today, we are sharing some great tools by Google. Previously, we have already covered 9 Best Resources For Web Developers & Web Designers So, without...

The post 7 Must Check Google Tools For Web Designers & Developers appeared first on SmashingApps.com.

As the time passes by, the dependency of humans are increasing day by day on the technology and applications to manage their daily chores. But at the same time, the need of changing habits are in high need now a days due to unnatural life and tough...

The post 9 Apps to help you develop Life-changing Habits for the Worth Living Life appeared first on SmashingApps.com.

Phishing attacks are on the rise and have more than doubled from 2013-2018. In 2018, 64% of businesses experienced a phishing attack – costing nearly $2 million per incident. 1 in 3 consumers will stop supporting a business after they’ve undergone a security breach, and 74% of hackers say they’re rarely impressed by an organization’s...

Are you sure everyone on the web can easily access your website? ‘Cause if it is not accessible to everyone, you are losing some great business opportunities! This article is going to put some shades on this “web accessibility” term. Also, you will get to know why it holds so much importance in today’s digital...

Traumatic brain injury (TBI) can have lifelong and dynamic effects on health and wellbeing. Research on the longterm consequences emphasises that, for many patients, TBI should be conceptualised as a chronic health condition. Evidence suggests that functional outcomes after TBI can show improvement or deterioration up to two decades after injury, and rates of all-cause mortality remain elevated for many years. Furthermore, TBI represents a risk factor for a variety of neurological illnesses, including epilepsy, stroke, and neurodegenerative disease. With respect to neurodegeneration after TBI, post-mortem studies on the long-term neuropathology after injury have identified complex persisting and evolving abnormalities best described as polypathology, which includes chronic traumatic encephalopathy. Despite growing awareness of the lifelong consequences of TBI, substantial gaps in research exist. Improvements are therefore needed in understanding chronic pathologies and their implications for survivors of TBI, which could inform long-term health management in this sizeable patient population.

A study to comparatively examine the effects of sports-related concussions (SRC) on athletes in Major League Soccer (MLS) and the English Premier League (EPL) in terms of incidence, return to play (RTP), performance, and career longevity.

Homelessness is a global public health concern, and traumatic brain injury (TBI) could represent an underappreciated factor in the health trajectories of homeless and marginally housed individuals. We aimed to evaluate the lifetime prevalence of TBI in this population, and to summarise findings on TBI incidence and the association between TBI and health-related or functioning-related outcomes.

The following is a guest post by Andy Walpole. There are many parts of the Wordpress API which are fantastic but there are also other parts which, I would argue, are lacking. The Settings API was introduced in version 2.7 to allow the semi-automation of form creation. All credible Content Management Systems and frameworks have their own set of functions or classes for the same purpose. Drupal has a multitude of hooks which can be leveraged, while CodeIgniter uses a combination of the Form Validation Class and the Form Helper . When creating a Wordpress plugin recently I wanted to create a dynamic form to insert data into a field in the option database table. I decided to create a class for this purpose with the intention of creating reusable code for future projects.

CEDAR FALLS — A four-way quarterback competition dominated the preseason headlines for Northern Iowa last August. Walk-on redshirt freshman Will McElvain emerged as the competition’s...

AMES — Brock Purdy has rocketed to the top of the all-time best quarterbacks list at Iowa State. And he hasn’t even started his junior season. Purdy set 18 game, season and career...

CEDAR RAPIDS — Xavier senior Kaiden Cuevas dedicated a majority of his life to sports, but after three different knee injuries he has decided to stop playing and focus on training other...

Jeff Koeppel, a North Liberty businessman who played on Iowa’s football team from 1986 to 1989 — was a second-team All-Big Ten defensive lineman for two years — caught COVID-19...

It’s more important than ever to follow up with existing customers. Learn how to save a ton of time by automating your most important follow-up emails.

The post Three Essential Follow-Up Emails Every WooCommerce Store Needs appeared first on WooCommerce.

Summer is going to look a bit different in the Corridor this year as many, long-cherished events are being canceled or postponed. And the organizations that run those events want you to know they...

Iowa State University graduates who celebrated commencement Friday saw lots of caps and gowns, red-and-gold confetti and arenas packed with friends and family. But none of those images were from...

STEPHEN &Quot;STEVE&Quot; MATTHEW PERSON
Tipton

Stephen "Steve" Matthew Person, 71, of Tipton, died suddenly on Sunday, May 3, 2020, while at his home. Private family funeral services will be determined at a later date and all updated service information will be posted on the same website where you are invited to share online condolences: www.fryfuneralhome.com.

CEDAR RAPIDS
Beverly Medberry, 87, died Tuesday, May 5, 2020. Murdoch Funeral Home & Cremation Service, Marion.

KARINE HATESA LEOTA-EVANS
Cedar Rapids

Karine Hatesa Leota-Evans, 16, of Cedar Rapids, passed away on April 20, 2020 at St. Luke's Hospital. Home going services will be held at 2 p.m. Sunday, May 17, at Cedar Memorial Park Cemetery, Garden of Serenity.
Karine was a sweet, loving, well-mannered and soft-spoken daughter, granddaughter, sister, niece and cousin.
She loved to watch and take pictures of sunsets, road trips to her aunts and uncles in Missouri and Wisconsin, sing, dance, connecting on social media, shopping and her cat Miss Samoa. She will be greatly missed by her family and everyone who knew and loved her.
Karine was preceded in death by her mother/grandmother, Karine Hatesa Apineru-Evans.
Left to cherish Karine's memories are her parents, Jennifer and Nofoasaefa Leota; sisters, Fagaeolemasina "Mary" and Taofegauia'i "Amayah"; brother, Rapi Quincy; father/grandfather, Shawn Evans; her Apineru Family; and her Leota Family.
Condolences may be left at www.cedarmemeorial.com under obituaries.
Messages from your sisters.
A message to my little sister:
Karine, this was such unexpected timing, I was hoping to go see grandma first, but I guess you beat me to it. You were such a special girl, beautiful and always full of imagination and the resemblance between the two of us is uncanny. This year 2020, I am to graduate high school, and I was hoping to finally get to meet you in person, I loved our long phone calls but I wanted the real life version of everything but I guess that shall wait till it is my turn to join you up there. It has been four years since I have heard your sweet voice, and it pains me to say I was not able to hear it again one final time before your departure. Here on Earth everything feels different, there is an emptiness. I hope you're dancing in the sky; I hope you're singing in the angel's choir, and I hope the angels know what they have. It must be so nice up in Heaven since you arrived. Never had I ever cried a river of tears, but when you decided to leave there was no holding back, the 4 oceans could not withstand the flood of tears that ran quickly down my face. But I am sorry, I never told you all I wanted to say, never had I imagined living without you, but I know you're shining down on me from Heaven. Tell grandma, Mama Susie, Pops, Nana, Pago and everyone we love up there with you that I said I hope one day I can make all of them proud, and that I miss all of them very much. I am your big sister Rine, and I hope you know how much I love you uso! Always and forever, till no end.
-- Taofegauiai Amayah Leota

To my dearest beloved baby sister,
No words can explain how much I love and miss you, it's even harder for me to write this to you because I never thought of losing you in such a short period of time. Ever since I heard the news of your loss I didn't know what to do or how to feel but deep inside there's a pain that I never felt in a long time, especially losing my own baby sister it was something really unexpected and heartbreaking. I was really looking forward to seeing you one day and spending time with you and have a sisterly bond with you that I will cherish every moment of it. But now without you, my life will be like a book without page numbers. The story will go on, but it might feel out of order. I miss her, my sister, her spirit dulled to a whisper. My sister was a gift I never asked for, but I always wanted. A lost sister is like the missing piece in the game of life. When she was alive, I didn't always miss my sister - now I can't stop missing her. See you when I see you ok, kisses to the sky to you uso. I love you with every beat of my heart and I miss you every day of my life.
--Your older sister, Fagaeolemasina Mary Leota.

CATHY VAN NEVEL
Belle Plaine


Cathy Van Nevel, 63, of Belle Plaine, passed away Thursday, May 7, 2020, at Keystone Care Center, following a long illness.
Cathy was born Feb. 4, 1957, to Tom and Donna (Looney) Kelley in Burlington, Iowa. She graduated from Marion High School in 1976. She married Bill Van Nevel Nov. 18, 1988. Cathy and Bill loved to travel, especially going on cruises. She enjoyed spending time with family, camping, roller skating, shopping and caring for her grandchildren.
She is survived by her husband, Bill Van Nevel of Belle Plaine; sister, Debbie (Mike) Whitson of Cedar Rapids; brother, Charles Kelley of Cedar Rapids; children, Jason (Stephanie) Van Nevel of Iowa City, Jenny (Jaime Gutierrez) Perez of Marion, Stacey (Brett Feuerhelm) Van Nevel of Van Horne, Jeff Van Nevel of Belle Plaine and Donna (Dan) Sun of Cedar Rapids; and grandchildren, Cheyanna, Breanna, Savanna, Elysia, Mia, Allie, Kaylee, Cameron, Ashlyn, Adrian and Oliver.
She was preceded in death by her grandparents, David and Marjorie Looney, Bruce and Iva Kelley; parents, Tom and Donna Kelley; mother-in-law, Marcella Van Nevel and three granddaughters, Selena, Bella and Aria.
A private family graveside service will take place at Oak Hill Cemetery, Belle Plaine. In lieu of flowers, please make donations to the Huntington's Disease Society of America, HDSA.org. Online condolences can be sent to the family at neuhausfuneralservice.com.
Hrabak-Neuhaus Funeral Service is assisting the family.

Tthink about the great relics of human civilization—the pyramids, the magnificent castles of Europe, the Great Wall of China, meticulously detailed sculptures from different eras, the awe-inspiring churches and temples that dot almost every landscape we’ve ever inhabited… All made of stone. All hundreds of years old. All crafted with the intention of permanence and […]

I’m Steven the electrician, not the politician. I’m asking for your vote and support in getting there.

• Never held public office in Iowa or Illinois, check my competitors.

• No endorsements so no worries about draining that swamp here.

• Pro-life and Birthright supporter.

• 2nd Amendment and gun rights supporter.

• Legal immigration and revision of laws.

• Supporter of the constitution as written.

• Israel supporter.

• Farm owner and advocate for agriculture and fair trade.

• Check who funded my campaign, I owe no favors or pay backs.

• Still working hard for my family and married 40 years.

• I will budget your money if elected, and no tax increases.

• End of government overreach.

• Proud of our military and their never-ending service.

I’m not the establishment, but your candidate.

Steven Everly is a candidate in the Republican primary for Iowa’s 2nd Congressional District.

Durant cette période de confinement, les créatifs rivalisent d’ingéniosité pour rester créatifs et continuer leur pratique. C’est le cas du photographe Florian W.  Mueller. Contraint de rester chez lui avec son fils de 6 ans et donc dans l’impossibilité de voyager pour réaliser des projets, il a opté pour la création à domicile. Lorsque son […]

I was just sitting in the back listening to Shayne Sanderson from Insctinct, who talked about their e-commerce plugin and a new plugin that released today.. Once he finished, Jason dug his hand in the ticket bucket and my ticket was called. I won a Pro Revolution Theme Pack from Brian Gardner. Totally sweet!

The post Winner: Free Revolution Theme appeared first on WPCult.

Benefits include the Album theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

The post Revolution Two: Album theme appeared first on WPCult.

Benefits include the Agent theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

The post Revolution Two: Agent Theme appeared first on WPCult.

Benefits include the Black Canvas theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

The post Revolution Two: Black Canvas appeared first on WPCult.

Benefits include the Chrome theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

The post Revolution Two: Chrome Theme appeared first on WPCult.

Benefits include the Church theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

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Benefits include the TV theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

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Today Matt Mullenweg from MA.TT declared today official plugin developer day because the plugin directory hit 4,000 plugins, check it out: 4,000 Plugins.  

The post January 28th declared plugin developer day appeared first on WPCult.

Summer is going to look a bit different in the Corridor this year as many, long-cherished events are being canceled or postponed. And the organizations that run those events want you to know they aren’t any more happy about it than you are.

The organizers of these events are having to make unprecedented, tough decisions.

“Cancellation is not a good word in our business,” said Chuck Swanson, Building a Legacy executive director of Hancher. “It is something that we really don’t want to do and it takes a lot for us to come to that.

“We live for the live performance and bringing the artists and audiences together. That’s the happiest time for me, so none of these decisions have been easy.”

Hancher has had to cancel numerous upcoming events in the past few months that would have brought to Iowa City in artists from all over the country and the world. It also is holding off announcing its upcoming season — which it typically would be doing at this time of year.

this isn’t something the staff has faced since the floods of 2008 and because they book events so far in advance they are confronting additional challenges.

“You know there’s so much that goes into a show before it happens,” Swanson said. “I just think of all the anticipation, booking the artists, advancing the show, setting ticket prices, advertising and then ticket sales.

“It’s like a farmer who does all this work to get his crops ready and then at the end of the season ends up with nothing to harvest.”

He noted Hancher has been reaching out to its booked performers and, in some cases, have had performers reach out to them to cancel upcoming shows.

The significant time and resources that go into planning large-scale events is the main factor in necessitating cancellation discussions and decisions at many organizations.

“Many logistical items have to be coordinated, from renting shuttles to scheduling volunteers and staff. Initial planning for some events begins as early as 12 to 18 months in advance and proceeds all the way up to the day of the event,” said John Myers, Indian Creek Nature Center executive director.

Citing the center’s annual Maple Syrup Festival, he noted food represents a significant cost and often cannot be saved or reused.

“We have had to be mindful of the financial resources available to us and ensure that we wisely manage those to ensure (the center) can emerge from this pandemic as a functioning and healthy organization,” he said.

“None of the decisions to cancel events or how to handle subsequent financial losses are easy and they challenge everyone,” Myers added. “As our whole lives have been upended, it makes even the simplest of decisions harder and that takes an impact on morale.”

He acknowledged staff members aren’t the only ones feeling the strain.

“We have a significant core of volunteers who are no longer able to give their time, which also creates a strain on morale and increases the amount of work that needs to be done when we return,” he pointed out.

Another primary factor is what is allowed and considered safe by the city, state and Iowa Department of Public Health.

“At this point, only allowing groups of 10 or less is a far cry from the thousands or people we usually see at the Iowa Arts Festival,” said Lisa Barnes, executive director of Summer of the Arts in Iowa City, which produces the Iowa Arts Festival.

“The governor has announced that reopening the state will be done in stages, and based on what we’ve found from other events around the country, concerts and large festivals will be the last to open,” he noted.

Summer of the Arts announced just last week that the Iowa Arts Festival would not take place this year, a month in advance of the event.

“We needed to make a decision so that we can move forward with alternative plans,” Barnes said, noting the organization has had questions about the Iowa City Jazz Festival, scheduled for July 3 through 5 and added a decision regarding that festival and July programming will be made by mid-late May.

“We also needed to make the decision far enough out to be able to work with our performers and cancel the agreements,” she said.

On Wednesday, Gov. Kim Reynolds loosened some but not all of the social-distancing restrictions for the remaining 22 counties she had put in place.

Discussions about the future of these events have been happening for weeks for many organizations, highlighting they are not taken lightly.

Carissa Johnson, executive director of the Cedar Rapids Freedom Festival, said conversations about the future of this year’s event started in mid-March, right around the time the Cedar Rapids SaPaDaPaSo Parade announced its cancellation for 2020.

“We plan year ’round for the two- to three-week festival,” Johnson explained.

“Our planning really ramps up in April and May, and we have many more costs associated with producing the festival the closer we get to the start. In order to protect our time and resources, we elected to cancel before we had more costs and variables to consider.”

As for who is making the final decision, organizations said many stakeholders are involved. Barnes said the decision on the Iowa City Arts Festival, for example, included staff, the board of directors, festival planning committees, the city of Iowa City and Johnson County Public Health, along with input from some of the vendors, artists and performers.

Tapping into experts in those public health field has been key as well.

“We have these assets, people, at the University (of Iowa), that have been really helpful as we make these decisions about canceling and as we prepare to think about reopening,” Hancher’s Swanson said.

The Freedom Festival include staff and board members in discussions, with recommendations from Linn County Public Health and the city of Cedar Rapids, factoring in the health, safety and well-being of the community.

“We are just as heartbroken as the rest of the community, but this decision was to protect our community as much as possible,” Swanson said.

“This community is a family and we will all get through this together and come back stronger next year.”

Myers noted organizations such as the Indian Creek Nature Center are also rely on advice from national associations, such as the American Alliance of Museums, and discussions among the leadership of many local cultural groups.

“For many events, we have also reached out to participants to gather their input and comfort level of attending once we are able to reopen,” Myers said.

The financial effects of having to cancel is stressful for organizations, too.

“Financially, this has been a hard time for the Nature Center to endure,” Myers pointed out. “We’ve had over 100 different programs, events and facility rentals canceled between March 15 and April 30, and our losses are currently over $250,000. As we approach the summer, there are a number of other events we continue to review, including our popular summer camps.”

The Nature Center has postponed a national conference to be held there in September — due to indications of low participation — for peers from around the nation who run not-for-profit and government nature centers.

“We are losing thousands of dollars in vendor fees and sales receipts because we had to cancel,” said Barnes, of Summer of the Arts.

“We have sponsors tied to certain events, like the Iowa Arts Festival, that in some cases want to carry over their support to next year, which impacts our fundraising for this year and next.”

She noted her group already has been made aware of funding that won’t be coming in from some sponsors next year due to the financial impact those organizations are facing as well.

And that can be tough.

“When we cancel, our whole staff is involved — from the box audience and public engagement folks to the technical production team and our front-of-house staff,” Swanson said.

“Our communication is key in talking through it all and then sharing clear messages with our audiences, especially in terms of refunds. But we’ve been encouraged by so many generous friends of Hancher donating their ticket purchase price back to us.”

While disappointment still is thick in the air, organizations don’t plan to abandon their missions and is keeping an eye on serving the public.

“This is a challenging time for everyone, and our board and staff is committed to finding creative and non-traditional solutions to ensure the Freedom Festival’s return,” Johnson said. “The community and our stakeholders have been tremendous supports of the Freedom Festival and we believe they will continue to do so in the future.

“We ask for understanding and patience as we try to navigate this crisis and what we can still provide for our community.”

Freedom Festival buttons will be sold this year as they’ve already been made, and “It’s a way the community can show their support,” Johnson said.

Barnes agreed and noted the Iowa Arts Festival committee is working on ways to support the performers, artists and vendors they had scheduled by trying to develop some virtual opportunities for engagement.

While the show, or events, might not go on, organizers said they very much want to remain connected to their audiences and attendees.

“I want to make sure everybody knows we care about them and that we’re trying to find ways to stay connected because I think we’re all in this together and the arts are one of the best ways for people to get through difficult times,” Swanson said.

Myers agreed.

“Indian Creek Nature Center will be ready to welcome guests and visitors back to our events as soon as we are able to do so safely,” he said.

“In the meantime, we hope everyone finds peace in nature by taking a hike or bike ride, having a picnic or just enjoying time outside.”

Iowa State University graduates who celebrated commencement Friday saw lots of caps and gowns, red-and-gold confetti and arenas packed with friends and family.

But none of those images were from this year — which now is defined by the novel coronavirus that has forced education online and put an end to large gatherings like graduation ceremonies.

Appearing in front of a red ISU screen Friday, College of Agriculture and Life Sciences Dean Daniel J. Robison addressed graduates like he usually would at commencement — but this time in a recorded message acknowledging the unprecedented circumstances keeping them apart.

“This year, because of the COVID crisis, we are unfortunately not all together for this happy occasion,” he said, pushing forward in a motivational tone by quoting famed ISU alumnus George Washington Carver.

“When you can do the common things in life in an uncommon way, you will command the attention of the world,” Robison said, citing Carver.

About 12,000 graduates across Iowa’s public universities this month are doing exactly that — capping their collegiate careers with never-before-attempted online-only commencement ceremonies, with each campus and their respective colleges attempting a variety of virtual celebration methods.

ISU and the University of Iowa are attempting some form of socially-distanced livestreamed convocation with countdown clocks and virtual confetti. All three campuses including the University of Northern Iowa have posted online recorded messages, videos and slides acknowledging individual graduates.

Some slides include photos, thank-yous, quotes and student plans for after graduation.

UNI, which didn’t try any form of a live virtual ceremony, instead created a graduation website that went live Thursday. That site hosts an array of recorded video messages — including one from UNI President Mark Nook who, standing alone behind a podium on campus clad in traditional academic regalia, recognized his campus’ 1,500-some spring graduates and their unusual challenges.

“We know the loss you feel in not being able to be on campus to celebrate this time with your friends, faculty and staff,” Nook said. “To walk around campus in your robe and to take those pictures with friends and family members … The loss is felt by many of us as well.”

He reminded those listening that this spring’s UNI graduates — like those at the UI and ISU — can participate in an upcoming in-person commencement ceremony.

And although students were allowed to return caps and gowns they ordered for their canceled walks across the stage, some kept them as keepsakes. The campuses offered other tokens of remembrance as well, including “CYlebration” gift packages ISU sent to graduates in April stuffed with a souvenir tassel, diploma cover, and streamer tube — to make up for the confetti that won’t be falling on graduation caps from the Hilton Coliseum rafters.

In addition to the recorded messages from 17 UI leaders — including President Bruce Harreld — the campus solicited parent messages, which will be included in the live virtual ceremonies.

To date, about 3,100 of the more than 5,400 UI graduates have RSVP’d to participate in the ceremony, which spokeswoman Anne Bassett said is a required affirmation from the students to have their names read.

“Students do not have to sign up to watch,” she said. “So there’s no way at this time to predict how many will do so.”

Despite the historic nature of the first online-only commencement ceremonies — forever bonding distanced graduates through the shared experience — UI graduate Omar Khodor, 22, said it’s a club he would have liked to avoid.

“I’d definitely prefer not to be part of that group,” the environmental science major said, sharing disappointment over the education, experiences and celebrations he lost to the pandemic.

“A lot of students like myself, we’re upset, but we’re not really allowed to be upset given the circumstances,” Khodor said. “You have this sense that something is unfair, that something has been taken from you. But you can’t be mad about it at all.”

Life is too short to dwell on what could have been or what should have been — which sort of captures graduate Dawn Hales’ motivation to get an ISU degree.

The 63-year-old Ames grandmother calls herself the “oldest BSN Iowa State grad ever.”

“It’s the truth, because we’re only the second cohort to graduate,” Hales said. “I’ll probably be the oldest for a while.”

ISU began offering a Bachelor of Science in nursing degree in fall 2018 for registered nurses hoping to advance their careers — like Hales, who spent years in nursing before becoming director of nursing at Accura Healthcare, a skilled nursing and rehabilitation center in Ames.

In addition to wanting more education, Hales said, she felt like the “odd man out” in her red-and-gold family — with her husband, three sons and their wives all earning ISU degrees. She earned an associate degree and became a registered nurse with community college training.

“I was director of nursing at different facilities, but I did not have a four-year degree,” she said. “I always wanted to get my BSN.”

So in January 2019, she started full-time toward her three-semester pursuit of a BSN — even as she continued working. And her education took a relevant and important turn when COVID-19 arrived.

“My capstone project was infection control,” she said, noting her focus later sharpened to “infection control and crisis management” — perfect timing to fight the coronavirus, which has hit long-term care facilities particularly hard.

“We were hyper vigilant,” Hales said of her facility, which has yet to report a case of COVID-19. “I think we were probably one of the first facilities that pretty much shut down and started assessing our staff when they would come in.”

Hales said she was eager to walk in her first university graduation and was planning antics for it with her 10-year-old granddaughter.

“We were trying to think, should I dance across the stage?” Hales said. “Or would I grab a walker and act like an old lady going across the stage?

“She was trying to teach me to do this ‘dab’ move,” Hales said. “I said, ‘Honey, I cannot figure that out.’”

In the end, Hales watched the celebration online instead. She did, however, get a personalized license plate that reads, “RN2BSN.”

Coming from a family-run dairy farm in Jerome, Idaho, EllieMae Millenkamp, 22, is the first in her family to graduate college.

Although music is her passion, Millenkamp long expected to study at an agriculture school — but Colorado State was her original choice.

Then, while visiting family in Iowa during a cousin’s visit to ISU, she fell in love with the Ames campus and recalibrated her academic path.

While at ISU, the musical Millenkamp began writing more songs and performing more online, which led to in-person shows and a local band.

And then, during her junior year, a talent scout reached out to invite her to participate in an audition for NBC’s “The Voice.” That went well and Millenkamp, in the summer before her senior year, moved to Los Angeles and made it onto the show.

She achieved second-round status before being bumped, but the experience offered her lifelong friendships and connections and invigorated her musical pursuits — which have been slowed by COVID-19. Shows have been canceled in now idled bars.

Millenkamp went back to Idaho to be with her family, like thousands of her peers also did with their families, when the ISU campus shut down.

After graduation she plans on returning and working the family farm again until her musical career has the chance to regain momentum.

But she recently returned to Ames for finals. And she and some friends, also in town, plan to celebrate graduation, even if not with an official cap and gown.

“We’ll probably have a bonfire and all hang out,” she said. “We’ll celebrate in our own way.”

Most college seniors nearing graduation get to spend their academic hours focusing on their major and interests, wrapping their four or sometimes five years with passion projects and capstone experiences.

That was Omar Khodor’s plan — with lab-based DNA sequencing on tap, along with a geology trip and policy proposal he planned to present to the Iowa Legislature. But all that got canceled — and even some requirements were waived since COVID-19 made them impossible.

“There were still a lot of a lot of things to wrap up,” he said. “A lot of things I was looking forward to.”

He’s ending the year with just three classes to finish and “absolutely” would have preferred to have a fuller plate.

But Khodor’s academic career isn’t over. He’s planning to attend law school in the fall at the University of Pennsylvania, where he’ll pursue environmental law. But this spring has diminished his enthusiasm, with the question lingering of whether in-person courses will return to campus soon.

If they don’t, he’s still leaning toward enrolling — in part — because of all the work that goes into applying and getting accepted, which he’s already done.

“But online classes are definitely less fulfilling, less motivating. You feel like you learn less,” he said. “So it will kind of be a tossup. There’ll be some trade-offs involved in what I would gain versus what I would be paying for such an expensive endeavor like law school.”

As for missing a traditional college commencement, Khodor said he will, even though he plans to participate in the virtual alternative.

“Before it got canceled, I didn’t think that I was looking forward to it as much as I actually was,” he said.

Not so much for the pomp and circumstance, but for the closure, which none of the seniors got this year. When the universities announced no one would return to campus this semester, students were away on spring break.

They had already experienced their last in-person class, their last after-class drink, their last cram session, their last study group, their last lecture, their last Iowa Memorial Union lunch — and they didn’t even know it.

“So many of us, we won’t have closure, and that can kind of be a difficult thing,” he said.

Comments: (319) 339-3158; vanessa.miller@thegazette.com

For a list of commencement times and virtual celebrations, visit:

The University of Iowa’s commencement site at https://commencement.uiowa.edu/

Iowa State University’s commencement site at https://virtual.graduation.iastate.edu/

University of Northern Iowa’s commencement site at https://vgrad.z19.web.core.windows.net/uni/index.html

Preset (Everyday) + transform + exposure + graduated filter + radial filter. If shots like this take more than 2 minutes to edit, it’s probably not worth editing. ⏱
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Boxing Day will be the last day to get my Lightroom presets discounted, which leaves you only 3 more days! Get on it! ???? (at Toronto, Ontario)

Merry Xmas everyone! It’s giveaway time! ????????
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Thank you to all those who participated in my preset giveaway this week! The support makes all the hard work and extra effort worth it!
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Without further ado, the randomly drawn winners of my custom Lightroom presets are @l9lee @rchellau @bokeh.jay! Congrats and check your DMs soon for details! ????
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You still have until tomorrow to grab my presets (which this shot was edited with) for 50% off! They’ll be going back to regular price after so don’t miss out! ???? (at Toronto, Ontario)

I’ve gone subway hopping for photos in every city I’ve been to except the one I live in. ???? (at Toronto, Ontario)

This image shows a particular optical illusion that confronts us every day. Notice the difference between the black text on a white background and the reverse. With reversed type — light text on a darker background — the strokes seem bolder.

Black text on white is very familiar, so we can be forgiven for thinking it correctly proportioned. For familiarity’s sake we can say it is, but there are two effects happening here: The white background bleeds over the black, making the strokes seem thinner. With reversed type the opposite is true: The white strokes bleed over the black, making it seem bolder.

One of the most obvious examples of this is with signs where the letters are punched into the surround then lit from inside. In his article, Designing the ultimate wayfinding typeface, Ralph Herrmann used his own Legibility Text Tool to simulate this effect for road and navigational signs.

One might say that characters are only correctly proportioned with low-contrast. Although objective reality hails that as true, it isn’t a good reason to always set type with low contrast. Type designers have invariably designed around optical illusions and the constraints of different media for us. Low-contrast text can also create legibility and accessibility problems. Fortunately, kind folks like Gez Lemon have provided us with simple tools to check.

As fascinating as optical illusions are —  the disturbing, impossible art of Escher comes to mind — we can design around reversed body type. On the Web, increasing tracking and leading are as simple as increasing the mis-named letter-spacing and line-height in CSS. However, decreasing font weight is a thornier problem. Yes, we will be able to use @font-face to select a variant with a lighter weight, but the core web fonts offer us no options, and there are only a few limited choices with system fonts like Helvetica Neue.

Reversing a logotype

For logotype there are plenty of options, but it makes me slightly uncomfortable to consider switching to a lighter font for reversed type logos. The typeface itself is not the logotype; the variant is, so switching font could be tricky. Ironically, I’d have to be very sure that that was no perceivable difference using a lighter weight font. Also, with display faces, there’s often not a lighter weight available — a problem I came across designing the Analog logo.

The logotype worked well when testing it in black on white. However, I wanted a reversed version, too. That’s when I noticed the impact of the optical illusion:

It looked bloated! Objective reality be damned; it simply wouldn’t do. After a few minutes contemplating the carnage of adjusting every control point by hand, I remembered something; eureka!

Punching the paths through a background image in Fireworks CS4 removed the illusion. (Select both the path and the background then using Modify > Combine Paths > Punch.) Is this a bug? I don’t know, but if it is, it’s a useful one for a change!

I grinned. I was happy. All was well with the world again. Lovely! Now I could go right ahead and think about colour and I wouldn’t be far from done. This is how it emerged:

A final note on logotype design & illusions

Before we even got to actual type for the Analog logo, we first had to distill what it would convey. In our case, Alan took us through a process to define the brand values and vision. What emerged were keywords and concepts that fed into the final design. The choice of type, colour, and setting were children of that process. Style is the offspring of meaning.

I always work in greyscale for the first iterations of a new logo for a few simple reasons:

1. The form has to work independently of colour — think printing in greyscale or having the logo viewed by people with a colour-impairment.
2. It allows for quick testing of various sizes — small, high contrast versions will emphasise rendering and legibility issues at screen resolutions, especially along curves.
3. I like black and white. :)

I realise that in this day and age the vast majority of logos need to perform primarily on the Web. However, call me old-fashioned, but I still think that they should work in black and white, too.

Brands and display faces emerged with consumer culture during the 19^th Century. Logotypes were displayed prominently in high streets, advertising hoardings, and on sign boards. In many instances the message would be in black and white. They were designed to be legible from a distance, at a glance, and to be instantly recognisable. Even with colour, contrast was important.

The same is true for the Web today; only the context has changed, and the popularity of logomarks and icons. We should always test any logo at low resolutions and sizes, and the brand must still have good contrast (regardless of WCAG 2.0) to be optimal. A combination of colour and form works wonders, but in a world of a million colours where only a handful are named in common parlance, having the right form still seems a smarter choice than trying to own a palette or colour.

A final word

This article was prompted by a happy accident followed by a bit of reading. There are many references to optical illusions in design and typography books. The example image at the start of this article was inspired by one found in the excellent Stop Stealing Sheep and Find Out How Type Works by Erik Spiekermann and E.M. Ginger. There’s also plenty of online material about optical or visual illusions you can dive into. There’s also more on . Oh, and don’t forget the work of M. C. Escher!

Human eyes are amazing. In two sets of watery bags we get a wide-angle lens with incredibly sharp focus and ridiculous depth of field. Apparently our brain is even clever enough to compensate for the lag in the signal getting from retina to cortex. I know next to nothing about ocular science. Spending a morning reading and thinking about optical illusions, and contemplating my own view here in the garden office is pretty awe-inspiring. If only my photographs were as good as my eyes, illusions or no.

Today we released free updates for the Auphonic Leveler Batch Processor and the Auphonic Multitrack Processor with many algorithm improvements and bug fixes for Mac and Windows.

Changelog

• Linear Filtering Algorithms to avoid Asymmetric Waveforms:
  New zero-phase Adaptive Filtering Algorithms to avoid asymmetric waveforms.
  In asymmetric waveforms, the positive and negative amplitude values are disproportionate - please see Asymmetric Waveforms: Should You Be Concerned?.
  Asymmetrical waveforms are quite natural and not necessarily a problem. They are particularly common on recordings of speech, vocals and can be caused by low-end filtering. However, they limit the amount of gain that can be safely applied without introducing distortion or clipping due to aggressive limiting.
• Noise Reduction Improvements:
  New and improved noise profile estimation algorithms and bug fixes for parallel Noise Reduction Algorithms.
• Processing Finished Notification on Mac:
  A system notification (including a short glass sound) is now displayed on Mac OS when the Auphonic Leveler or Auphonic Multitrack has finished processing - thanks to Timo Hetzel.
• Improved Dithering:
  Improved dithering algorithms - using SoX - if a bit-depth reduction is necessary during file export.
• Auphonic Multitrack Fixes:
  Fixes for ducking and background tracks and for very short music tracks.
• New Desktop Apps Documentation:
  The documentation of our desktop apps is now integrated in our new help system:
  see Auphonic Leveler Batch Processor and Auphonic Multitrack Processor.
• Bug Fixes and Audio Algorithm Improvements:
  This release also includes many small bug fixes and all audio algorithms come with improvements and updated classifiers using the data from our Web Service.

About the Auphonic Desktop Apps

We offer two desktop programs which include our audio algorithms only. The algorithms will be computed offline on your device and are exactly the same as implemented in our Web Service.

The Auphonic Leveler Batch Processor is a batch audio file processor and includes all our (Singletrack) Audio Post Production Algorithms. It can process multiple productions at once.

Auphonic Multitrack includes our Multitrack Post Production Algorithms and requires multiple parallel input audio tracks, which will be analyzed and processed individually as well as combined to create one final mixdown.

Upgrade now

• Auphonic Leveler Download
• Auphonic Multitrack Download

Please let us know if you have any questions or feedback!

Lots of users have asked us about more customization and control over the sound of our audio algorithms in the past, so today, we have introduced some advanced algorithm parameters for our singletrack version in a private beta program!

• Leveler Presets are basically complete new leveling algorithms
• Maximum Loudness Range (LRA) Target to control the strength of our Leveler
• Maximum True Peak Level
• Better Hum and Noise Reduction Controls

UPDATE Nov. 2018:
We released a complete rework of the Adaptive Leveler parameters and the description here is not valid anymore!
Please see Auphonic Adaptive Leveler Customization (Beta Update)!

Please join our private beta program and let us know how you use these new features or if you need even more control!

Leveler Presets

Our Adaptive Leveler corrects level differences between speakers, between music and speech and will also apply dynamic range compression to achieve a balanced overall loudness. If you don't know about the Leveler yet, take a look at our Audio Examples.

Leveler presets are basically complete new leveling algorithms, which we have been working on in the past few months:
Our current Leveler tries to normalize all speakers to the same loudness. However, in some cases, you might want more or less loudness differences (dynamic range / loudness range) between the speakers and music segments, or more or less compression, etc.
For these use cases, we have developed additional Leveler Presets and the parameter Maximum Loudness Range.

Preset Medium:

This is our current leveling algorithm as demonstrated in the Audio Examples.

Preset Hard:

The hard preset reacts faster and applies more gain and compression compared to the medium preset. It is built for recordings with extreme loudness differences, for example very quiet questions from the audience in a lecture recording, extremely soft and loud voices within one audio track, etc.

Preset Soft:

This preset reacts slower, applies less gain and compression compared to the medium preset. Use it if you want to keep more loudness differences (dynamic narration), if you want your voices to sound "less compressed/processed", for dynamic music (concert/classical recordings), background music, etc.

Preset Softer:

Like soft, but softer :)

Preset Speech Medium, Music Soft:

Uses the medium preset in speech segments and the soft preset in music segments. It is built for music live recordings or dynamic music mixes, where you want to amplify all speakers but keep the loudness differences within and between music segments.

Preset Medium, No Compressor:

Like the medium preset, but only (mid-term) leveling and no (short-term) compression is applied. This preset is optimal if you just use a Maximum Loudness Range Target and want to avoid any additional compression as much as possible.

Maximum Loudness Range (LRA) Target

The loudness range (LRA) indicates the variation of loudness over the course of a program and is measured in LU (loudness units) - for more details see Loudness Measurement and Normalization or EBU Tech 3342.

The parameter Max Loudness Range controls how much leveling is applied:
volume changes of our Adaptive Leveler will be restricted so that the loudness range of the output file is below the selected value.
High loudness range values will result in very dynamic output files, low loudness range values in compressed output audio. If the LRA value of your input file is already below the maximum loudness range value, no leveling at all will be applied.

It is also important which Leveler Preset you select, for example, if you use the soft(er) preset, it won't be possible to achieve very low loudness range targets.

Also, the Max Loudness Range parameter is not such a precise target value as the Loudness Target. The LRA of your output file might be off a few LU, as it is not reasonable to reach the exact target value.

Use Cases: The Maximum LRA parameter allows you to control the strength of our leveling algorithms, in combination with the parameter Leveler Preset. This might be used for automatic mixdowns with different LRA values for different target platforms (very compressed ones like mobile devices or Alexa, very dynamic ones like home cinema, etc.).

Maximum True Peak Level

This parameter sets the maximum allowed true peak level of the processed output file, which is controlled by the True Peak Limiter after our Global Loudness Normalization algorithms.

If set to Auto (which is the current default), a reasonable value according to the selected loudness target is used: -1dBTP for 23 LUFS (EBU R128) and higher, -2dBTP for -24 LUFS (ATSC A/85) and lower loudness targets.

The maximum true peak level parameter is already available in our desktop program.

Better Hum and Noise Reduction Controls

Hum Base Frequency:

Set the hum base frequency to 50Hz or 60Hz (if you know it), or use Auto to automatically detect the hum base frequency in each speech region.

Hum Reduction Amount:

Maximum hum reduction amount in dB, higher values remove more noise.
In Auto mode, a classifier decides how much hum reduction is necessary in each speech region. Set it to a custom value (> 0), if you prefer more hum reduction or want to bypass our classifier. Use Disable Dehum to disable hum reduction and use our noise reduction algorithms only.

Behavior of noise and hum reduction parameter combinations:

Advanced Parameters Private Beta and Feedback

At the moment the advanced algorithm parameters are for beta users only. This is to allow us to get user feedback, so we can change the parameters to suit user needs.
Please let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

y6KCBI4yo0 ksIFEsmI1y BDZec2a21V i4XRGLlVm2 0UDxuS0vbu aaBxi35sKN aaiDSZUbmY bu8lPF80Ih eMsSl6Sf8K DaWpsUnyjo
2YM00m8zDW wh7K2pPmSa jCX7mMy2OJ ZGvvhzCpTF HI0lmGhjVO eXqVhN6QLU t4BH0tYcxY LMjQREVuOx emIogTCAth 0OTPNB7Coz
VIFY8STj2f eKzRSWzOyv 40cMMKKCMN oBruOxBkqS YGgPem6Ne7 BaaFG9I1xZ iSC0aNXoLn ZaS4TykKIa l32bTSBbAx xXWraxS40J
zGtwRJeAKy mVsx489P5k 6SZM5HjkxS QmzdFYOIpf 500AHHtEFA 7Kvk6JRU66 z7ATzwado6 4QEtpzeKzC c9qt9Z1YXx pGSrDzbEED
MP3JUTdnlf PDm2MOLJIG 3uDietVFSL 1i7jZX0Y9e zPkSgmAqqP 5OhcmHIZUP E0vNsPxZ4s FzTIyZIG2r 5EywA0M7r5 FMhpcFkVN5
oRLbRGcRmI 2LTh8GlN7h Cjw6Z3cveP fayCewjE55 GbkyX89Lxu 4LpGZGZGgc iQV7CXYwkH pGLyQPgaha e3lhKDRUMs Skrei1tKIa

If you have an invitation code, you can enter it here to activate the advanced audio algorithm parameters:
Auphonic Algorithm Parameters Private Beta Activation

In late August, we launched the private beta program of our advanced audio algorithm parameters. After feedback by our users and many new experiments, we are proud to release a complete rework of the Adaptive Leveler parameters:

In the previous version, we based our Adaptive Leveler parameters on the Loudness Range descriptor (LRA), which is included in the EBU R128 specification.
Although it worked, it turned out that it is very difficult to set a loudness range target for diverse audio content, which does include speech, background sounds, music parts, etc. The results were not predictable and it was hard to find good target values.
Therefore we developed our own algorithm to measure the dynamic range of audio signals, which works similarly for speech, music and other audio content.

The following advanced parameters for our Adaptive Leveler allow you to customize which parts of the audio should be leveled (foreground, all, speech, music, etc.), how much they should be leveled (dynamic range), and how much micro-dynamics compression should be applied.

To try out the new algorithms, please join our private beta program and let us know your feedback!

Leveler Preset

The Leveler Preset defines which parts of the audio should be adjusted by our Adaptive Leveler:

• Default Leveler:
  Our classic, default leveling algorithm as demonstrated in the Leveler Audio Examples. Use it if you are unsure.
• Foreground Only Leveler:
  This preset reacts slower and levels foreground parts only. Use it if you have background speech or background music, which should not be amplified.
• Fast Leveler:
  A preset which reacts much faster. It is built for recordings with fast and extreme loudness differences, for example, to amplify very quiet questions from the audience in a lecture recording, to balance fast-changing soft and loud voices within one audio track, etc.
• Amplify Everything:
  Amplify as much as possible. Similar to the Fast Leveler, but also amplifies non-speech background sounds like noise.

Leveler Dynamic Range

Our default Leveler tries to normalize all speakers to a similar loudness so that a consumer in a car or subway doesn't feel the need to reach for the volume control.
However, in other environments (living room, cinema, etc.) or in dynamic recordings, you might want more level differences (Dynamic Range, Loudness Range / LRA) between speakers and within music segments.

The parameter Dynamic Range controls how much leveling is applied: Higher values result in more dynamic output audio files (less leveling). If you want to increase the dynamic range by 3dB (or LU), just increase the Dynamic Range parameter by 3dB.
We also like to call this Loudness Comfort Zone: above a maximum and below a minimum possible level (the comfort zone), no leveling is applied. So if your input file already has a small dynamic range (is within the comfort zone), our leveler will be just bypassed.

Example Use Cases:
Higher dynamic range values should be used if you want to keep more loudness differences in dynamic narration or dynamic music recordings (live concert/classical).
It is also possible to utilize this parameter to generate automatic mixdowns with different loudness range (LRA) values for different target environments (very compressed ones like mobile devices or Alexa, very dynamic ones like home cinema, etc.).

Compressor

Controls Micro-Dynamics Compression:
The compressor reduces the volume of short and loud spikes like "p", "t" or laughter ( short-term dynamics) and also shapes the sound of your voice (it will sound more or less "processed").
The Leveler, on the other hand, adjusts mid-term level differences, as done by a sound engineer, using the faders of an audio mixer, so that a listener doesn't have to adjust the playback volume all the time.
For more details please see Loudness Normalization and Compression of Podcasts and Speech Audio.

• Auto:
  The compressor setting depends on the selected Leveler Preset. Medium compression is used in Foreground Only and Default Leveler presets, Hard compression in our Fast Leveler and Amplify Everything presets.
• Soft:
  Uses less compression.
• Medium:
  Our default setting.
• Hard:
  More compression, especially tries to compress short and extreme level overshoots. Use this preset if you want your voice to sound very processed, our if you have extreme and fast-changing level differences.
• Off:
  No short-term dynamics compression is used at all, only mid-term leveling. Switch off the compressor if you just want to adjust the loudness range without any additional micro-dynamics compression.

Separate Music/Speech Parameters

Use the switch Separate MusicSpeech Parameters (top right), to see separate Adaptive Leveler parameters for music and speech segments, to control all leveling details separately for speech and music parts:

For dialog intelligibility improvements in films and TV, it is important that the speech/dialog level and loudness range is not too soft compared to the overall programme level and loudness range. This parameter allows you to use more leveling in speech parts while keeping music and FX elements less processed.
Note: Speech, music and overall loudness and loudness range of your production are also displayed in our Audio Processing Statistics!

Example Use Case:
Music live recordings or dynamic music mixes, where you want to amplify all speakers (speech dynamic range should be small) but keep the dynamic range within and between music segments (music dynamic range should be high).
Dialog intelligibility improvements for films and TV, without effecting music and FX elements.

Other Advanced Audio Algorithm Parameters

We also offer advanced audio parameters for our Noise, Hum Reduction and Global Loudness Normalization algorithms:

For more details, please see the Advanced Audio Algorithms Documentation.

Want to know more?

If you want to know more details about our advanced algorithm parameters (especially the leveler parameters), please listen to the following podcast interview with Chris Curran (Podcast Engineering School):
Auphonic’s New Advanced Features, with Georg Holzmann – PES 108

Advanced Parameters Private Beta and Feedback

At the moment the advanced algorithm parameters are for beta users only. This is to allow us to get user feedback, so we can change the parameters to suit user needs.
Please let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

jbwCVpLYrl 6zmLqq8o3z RXYIUbC6al QDmIZLuPKa JIrnGRZBgl SWQOWeZOBD ISeBCA9gTy w5FdsyhZVI qWAvANQ5mC twOjdHrit3
KwnL2Le6jB 63SE2V54KK G32AULFyaM 3H0CLYAwLU mp1GFNVZHr swzvEBRCVa rLcNJHUNZT CGGbL0O4q1 5o5dUjruJ9 hAggWBpGvj
ykJ57cFQSe 0OHAD2u1Dx RG4wSYTLbf UcsSYI78Md Xedr3NPCgK mI8gd7eDvO 0Au4gpUDJB mYLkvKYz1C ukrKoW5hoy S34sraR0BU
J2tlV0yNwX QwNdnStYD3 Zho9oZR2e9 jHdjgUq420 51zLbV09p4 c0cth0abCf 3iVBKHVKXU BK4kTbDQzt uTBEkMnSPv tg6cJtsMrZ
BdB8gFyhRg wBsLHg90GG EYwxVUZJGp HLQ72b65uH NNd415ktFS JIm2eTkxMX EV2C5RAUXI a3iwbxWjKj X1AT7DCD7V y0AFIrWo5l

If you have an invitation code, you can enter it here to activate the advanced audio algorithm parameters:
Auphonic Algorithm Parameters Private Beta Activation

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