crystal energy
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Kamilita “Can U” The last time I wrote about this artist she was a mysterious and extremely prolific Bandcamp artist called Zizi Raimondi, but sometime recently she eliminated all her Bandcamp presence and rebranded as Kamilita. She’s still prolific, has put a lot of energy into her visual aesthetic on Instagram and YouTube, and is […]
The growls from the caged hyena reverberate through the room as Mohamed Sheikh Yakub slumps silently in a chair nearby, hoping the animal will frighten away the evil spirits he says have troubled him since his divorce.
(Atlantic)
This solo debut from the frontwoman of pop-punk stadium stars Paramore is a riot of lust, funk and femininity
Maturity is an often derided concept in a youth-facing art form. But when Simmer, a song about repressed feminist rage buoyed by creepy electronics – the lead track from Hayley Williams’s debut solo album – was released in January, it signalled an intriguing sea change in an artist previously known as a bouncy, flame-haired emo cheerleader.
The story of how Hayley Williams, now 31, went from leading angsty emo shoutalongs in the Tennessee pop-punk band Paramore to releasing these startling songs about rage, femininity and suicidal thoughts is one of the knottier yarns in contemporary American guitar music. Her trio-of-EPs album is now complete, with the final EP – and a physical album uniting all three – released last Friday.
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