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As an indie publisher, I rely on the POD (Print on Demand) printers. Many indies make most of their money from ebook sales. But for children’s books, the market has consistently been print-driven with only 10-25% of income from ebooks. That can vary widely, as some authors do very well on the Kindle Unlimited platform.

The post How to Set up an Online Bookstore appeared first on DARCY PATTISON.

Author-illustrator Ken Lamug has created award-winning picture books and graphic novels. Born in the Philippines, Ken moved to the US with his entire family during his teenage years. His debut middle grade graphic series, MISCHIEF AND MAYHEM #1: BORN TO BE BAD, launched this week from Katherine Tegen Books / HarperCollins!

Mischief and Mayhem is about Missy and her cat Gizmo. They were kicked out of superhero bootcamp. Now it's time for some super-villainy! I love the plot twist that the main character, Missy, decides she doesn't really fit into the labels the world she lives in has created; she's not really a villain, nor is she a superhero.  

Links where you can find out more: MischiefBook.com, Ken on Twitter, Facebook and Instagram. His website: Rabbleboy.com.

Q. I read that MISCHIEF AND MAYHEM started as a 32-page picture book story. How did it end up as a graphic novel?

Yep! The idea for Mischief and Mayhem started as a 32-page picture book - originally titled "Mischief the Supervillain". At the time, I was focused on my picture book ideas and wasn't even considering graphic novels. I had experience illustrating books, so I knew it was just a matter of time until something clicked for me. I went through the steps book creators are familiar with: writing the manuscript, creating dummies, and many rounds of revisions.

The dummy went through the submission process and even hopped to another agent (when I switched to a new one). We received a few rejections and a few interesting comments. One of the more resounding comments was that the idea was cool and needed to be expanded. But the picture book format limited what we could do.

We finally received an acceptance offer along with a caveat... turn it into a graphic novel! Yikes!

A few things scared me about this: it would have to be in full color, and at least 240+ pages. How does one turn a 32-page picture book into something that big?

And before anything was signed, I had to give the editorial team a few things: a fully illustrated first chapter, and a full outline for the book. This would give them a better idea of the story and my comic style. So I added new characters, expanded the moments from the story, and added a lot of jokes!

Once the editorial team gave the thumbs up, I was off to the races to get my debut graphic novel complete.

EXTRA: You can find out more about Ken's process as well as sample sketches in his Q&A with We Need Diverse Books.

Q. I've been thinking about a graphic novel middle grade project, but am intimidated by the amount of time the ART could take. Do you have any tips? How much time did MISCHIEF AND MAYHEM TAKE YOU in total? Were you working on anything else at the same time?

No kidding. Graphic novels ARE a lot of work. I've easily spent 1000 hours on Mischief and Mayhem (including creating marketing materials, videos, etc.). I also have a day job, so most of my after-hours are spent working on the book (typically around 5 hours on the weekdays). I basically stare at the computer screen all day!

During this time, I was also creating art for a picture book. And since the schedule for picture books are a bit more relaxed, I was able to squeeze it in without much problem.

Here are some tips I hope you'll find useful:

1. Working digitally has helped increase my productivity. It's easier to create dummies, inking, make revisions, and get feedback.

2. Scheduling and planning are very important. Find out the deadline, how many pages you can complete per day, and do the math.

In my case, I've determined that I am inking(outlining) about 1 page per hour. This means it will take me roughly 250 hours to outline a 250-page book. Based on that number, I can then determine if my deadline is a realistic goal. I know, it's a lot of math but it does help and you will be able to strategize how you approach the project.

3. Streamlining your art style. This varies depending on your abilities and time. Some artists are blessed enough to work full-time on their books and with longer deadlines. But if you're not one of them, then I would suggest streamlining the look of your characters, your drawing techniques so you can work faster and efficiently. Some artists are able to also hire a team to help support the rest of the task such as coloring, inking, letter, etc., but a majority of graphic creators are one-person operations.

4. Don't forget to take a break and enjoy life.

Q. What advice do you have for young graphic novel writers and illustrators?

Start small. You don't have to create a big "novel" length book right away. I started my comic book journey when I submitted a 4-page comic to an anthology. After I gained some confidence, I started creating 24-page comic one-shots (single issues). And it just kept growing from there.

Comics should be fun for both the creator and the reader, so make sure to enjoy the process and don't stress out about getting it right the first time.

Q. What's next for you?

I just finished illustrating a picture book called FAMILY BUSINESS (by Lenore Appelhans). It's about a raccoon family who seems to always get into trouble. I'm excited for that to come out (no dates yet).

I'm also in the middle of Mischief and Mayhem book 2. As I write this my hand is hurting from illustrating a "Where's Waldo-Esque" spread. Ha! But I'm proud to say the art has improved and the story is even bigger than the first one.

I've never really had a big plan for my drawing/art career. It's all a blessing and a humbling experience. I just hope that the readers love the stories and connect with the characters. So we'll see what happens next!

~~

For more interviews with children's book creators, see the Inkygirl interview archives.

Looking for a hugely entertaining alphabet book that also has an uplifting message of empowerment for young readers? I highly recommend T. REXES CAN'T TIE THEIR SHOES by Anna Lazowski and Steph Laberis, launching June 29th, 2021 from Doubleday Books For Young Readers. The back matter also has an alphabetized factoid list of "all the amazing things animals CAN do!"

This is an alphabet book that can be appreciated by grown-ups as well as young readers, with lots of potential discussion points. The illustrations of animals in ridiculous situations are so SOOOOO FUN --- omigosh, even as I'm writing this post, I went back to look through the digital ARC and can't decide which is my favourite, though I'm leaning toward the "Cheetahs can't chew bubble gum" page.

I asked debut picture book author Anna Lazowski if she had any advice for young writers, and here's what she said:

"Write what you want to write, because as you move through the publishing process, it will become incredibly important for you to truly believe in your work. The rejections in this industry are endless, and they come at every stage. Critique partners might reject elements of your manuscript, agents will reject your work, and once you're on submission to editors, they will reject your work. Then once you're finally published, some reviewers will reject your work. If you don't fully believe in your stories, this will be extremely hard to take. It's hard as it is, so make sure you're all in on the work you're doing. It will make the rest a little bit easier to navigate."

Wise advice. Thank you, Anna! And congrats to you and Steph on your upcoming launch!

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Also see other Advice For Young Writers and Illustrators From Children's Book Creators and my other Interviews With Children's Book Creators.

Image at the top of this post was created for my new #BookADay book journal. For more info about Donalyn Miller's #BookADay challenge, see Donalyn's post in the Nerdy Book Club blog.

Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter.

Synopsis of SWEET PEA SUMMER (Candlewick):

During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners.

Q. What inspired you to write Sweet Pea Summer?

My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself.

My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled.

I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think.

Q. What was the writing and illustration process like?

After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!).

The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story.

Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy.

I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit.

I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader.

My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc.

It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication.

Q. What advice do you have for young writers and illustrators?

My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work!

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For more insights from book creators, see my Inkygirl interview archives.

My boss is a seventy-something-year-old man with barely a clue on how to get a computer to boot. He gave me an old book and wanted me to convert it into an ebook to sell. And mind, this was a thick, large-format book chock-full of maps and other illustrations with tiny blackletter script.

Me: “Sure, I can do it, but I’d have to scan it in a massive resolution so the detail isn’t lost. The final file would be massive; it wouldn’t be practical to download it, and a normal ebook reader wouldn’t be able to display it correctly.”

Boss: “So, we’d have to make it less detailed.”

Me: “How do you mean?”

Boss: “It wouldn’t be possible with the illustrations; you’ll just have to make the writing bigger on all the pages.”

Me: “…”

Boss: “As for the pages with only text on them, you will just convert them into a Word document.”

Me: “That’s not how that works.”

Boss: “Why not?”

Me: “It’s just straight-up not possible, at least not with the software we have.”

Boss: “Can you do it on the Internet?”

Me: “No.”

Boss: “How do you know?”

Me: “I know.”

Boss: “Show me.”

I showed him that it’s not possible to convert a scanned book page into a text document on some random converter found on page one on Google.

Boss: “Okay, so you will instead cut the text out in Photoshop, make it larger, and arrange it on a new Photoshop file the same size, with less of a rim around it so the number of pages doesn’t get much higher.”

I flat-out refused, telling him it would be months of absolutely pointless work. He didn’t believe any of my claims, anyway, so I just converted the whole d*** thing into an ebook, which, in the end, was like 8GB in size. Since our server had 10TB, he also didn’t believe me when I tried to tell him that it was an absurdly massive file that few people would want to buy on that account.

Ah, well. At least I didn’t have to rearrange like 300 pages of text.

With so few words, most of them kid-friendly, it should be a piece of cake. But it depends on who’s holding the whisk. Translator Daniel Hahn say,"I believe my job as a translator is to preserve all the dimensions of a book, not just one of them. When I find complexity, my job is to keep complexity, or more accurately to reconstruct it. And some of the most complex books I’ve reconstructed have been children’s picture books."

A new children's book transforms a sad, scared and anxious little boy into a superhero. The book is called "Cape," in honor of the bright-red cape the little boy wears and finds comfort in following the death of his father. "Cape" is Kevin Johnson's debut picture book, and it's vividly illustrated by artist Kitt Thomas.

Every year, educators worry about “summer slide,” the potential for learning loss when children are not in school. This issue is more pronounced among low-income families who don’t have access to summer camps or other enrichment activities. One way to battle summer slide is through reading for fun, which is associated with many academic and health benefits, including strengthening the brain, increasing ability to empathize, reducing stress and building vocabulary.

A team of U.S. employees at Hachette wrote an open letter to management in protest over a new conservative book imprint created in wake of last week's Donald Trump victory headed by a known far-right publisher.

A West Virginia official turns up the heat on financial disclosure for the state’s beleaguered schools, and ruffles feathers in the process.

Artist Michael Kirby spent four days painting an image from "Falnama: The Book of Omens" in front of the Arthur M. Sackler Gallery. Read more at: https://www.smithsonianmag.com/smithsonian-institution/muralist-uses-the-sidewalk-outside-the-sackler-gallery-as-canvas-20678724/

You can describe what a journalist does in any number of ways. One definition that’s as accurate as any is that a journalist is someone who liked having homework back when they were in school so much that they decided to keep doing homework for a career. That certainly describes the team here at Smithsonian magazine. We’re all big readers. So we thought that before our brief winter hiatus—a time when many of us are trying to think of gift ideas to please the empathetic, curious people in our lives—we’d poll the staff of Smithsonian on their favorite books they read this year. Because we’re primarily a history and science magazine, we tried to steer them toward nonfiction published in 2023, but as you’ll hear, we weren’t sticklers for either criterion. We thought it better to let you hear from our staff about the books they were most genuinely excited to share. You’ll recognize some of these voices if you’re an avid listener, but this episode also provides the chance to hear from some of the talented staffers we haven’t been able to feature on the show before now. Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Jeffersons respect for the enlightenment ideals of memory, reason and imagination shaped how he organized his library (Video: Molly Roberts). Read more at https://www.smithsonianmag.com/history/on-the-hunt-for-jeffersons-lost-books-38566672/

OM Germany's Xenos team met a few Iranians in an asylum seeker's home who wanted to know more about the Bible.

Read the in depth Review of Realme Book Laptops. Know detailed info about Realme Book configuration, design and performance quality along with pros & cons, Digit rating, verdict based on user opinions/feedback.

Black Friday is still weeks away but early deals are rolling in. Kindle Book Deals are especially hot with e-books as low as $1.99.

In More and More and More, Jean-Baptiste Fressoz argues that tackling climate change means rethinking our history of energy consumption – and exposing the green transition as a fiction

Samantha Harvey has won the UK's top fiction prize for a novel that takes place over 24 hours on the International Space Station

Writer-director partners Scott Beck and Bryan Woods dive into the biggest spoilers of their new Hugh Grant thriller.

Samantha Harvey has won the UK's top fiction prize for a novel that takes place over 24 hours on the International Space Station

Jacob Hando discusses why 'Harry Potter and the Goblet of Fire' has such an impactful front cover.

Apple has a history of eye-popping price tags, but the company is reaching new heights with a product that isn't even a gadget. After Apple Music unveiled a list of the 100 best albums of all time earlier this year, the streaming service is releasing a companion coffee table book. You can grab one of the 1,500 copies for a cool $450.

I find these endeavors to rank and quantify art hilarious, because music is subjective and personal by nature. But people do love to debate their own artistic opinions, so if that's your jam there's plenty to dig into with Apple Music's assessment. (And before you ask, the top spot was claimed by The Miseducation of Lauryn Hill.) This particular countdown was assembled by "Apple Music’s team of experts alongside an exclusive group of artists including Maren Morris, Pharrell Williams, J Balvin, Charli XCX, Mark Hoppus, Honey Dijon and Nia Archives, as well as songwriters, producers and industry professionals," according to the book listing.

I'm sure this limited-run hardcover will be very beautiful, and maybe the liner notes analyzing each entry are deeply insightful. But I also wonder who would bother to buy it. If you are one of those 1,500 people who wants one, the book is due to start shipping in January.

I believe that reading books and collecting books are two separate yet equally worthy hobbies, just like buying yarn and knitting. Due to social media, and people’s desire to share their love of books (read or unread) there have been several subscription services lately that offer beautiful editions of popular books. I subscribe to Illumicrate, and I really enjoy it. There is a UK and  US version of Illumicrate, and also two subscription options. The … Continue reading Illumicrate Book Subscription →

Researchers offer technical solutions and best agricultural practices related to water quality, risk assessment and mitigation.

The post FAO and IWMI’s milestone book gives actionable guidelines on water quality for agriculture first appeared on International Water Management Institute (IWMI).

New book presents information on how to bring the arts to STEM (science, technology, engineering, and math) fields as per a study at the Carnegie Mellon

Prepare for the cinematic event of the year as Kanguva’s advance booking opens, promising an epic spectacle with intense action, emotion, and the ultimate clash between good and evil. 

Leeds : ARC Humanities Press, [2023]

Marion Douglas (The Game of Giants) will join Margaret Macpherson (Tilting Towards Joy, Signature Editions) as they both read from their latest books. WHEN: Wednesday, […]

The post 2024/11/27 (Calgary): Marion Douglas at Shelf Life Books appeared first on Freehand Books.

Powered by the latest 11th Generation Intel Core i5 & i3 processors, the device comes with a 14-inch screen

Goy-Houten : Hes & De Graaf, c2001.

London : Constable, 2021.

London : Virago, 2004.

Author, educator and book restorer Sophia Bogle has nerves of steel: one slip of the hand and a century-old first edition book could be ruined. Come inside her workshop as she breaks down the amazing deconstruction, revitalization, and reassembly that goes into her history preserving speciality.See more from Sophia Bogle: https://saveyourbooks.com/https://www.youtube.com/channel/UCJBBIfCt16lMtRiauQL964QDirector: Charlie JordanDirector of Photography: Paul RamseyEditor: Richard TrammellExpert: Sophia BogleCreative Producer: Wendi JonassenLine Producer: Joseph BuscemiAssociate Producer: Brandon WhiteProduction Manager: D. Eric MartinezProduction Coordinator: Fernando DavilaCamera Operator: John GurneyAssistant Camera: Drew CannulettSound Mixer: Chad SaddlerPost Production Supervisor: Alexa DeutschPost Production Coordinator: Ian BryantSupervising Editor: Doug LarsenAssistant Editor: Andy Morell

As the festive season approaches, we can think about gifting differently

How life changing is the Himalayan range? Dr Periyathiruvadi, a Chennai-based medical practitioner and founder of Lister Metropolis, has curated a coffee table book of photos from the mountains to answer this question

The author has ended the year on a high, authoring four books, including two anthologies

India was one of the first countries to ban the book’s import and sale, citing concerns over its content being offensive to the Muslim community

Worried over why the unread collection is larger than the read ones

As things stand today, Adipurush may take an opening of Rs 20 crore-Rs 25 crore, just in its Hindi version.

Modi started his tenure as the 16th Prime Minister of India after his swearing-in on May 30, 2019.

The Railways will start online reservation for special trains with effect from 4 pm on May 11 and tickets will be available only on the IRCTC website,

Book lovers can have their books delivered to their doorsteps, alongside their favourite takeaways. This development is as a result of the partnership between book-selling Exclusive Books and UberEats.

Microsoft this week revealed the new Microsoft Surface Go 2 and Surface Book 3 convertible tablet PCs. Microsoft Surface Go 2 Microsoft’s Surface Go fills the role of an affordable tablet PC that can run the full Windows 10 operating system. Its lower pricing was especially attractive to the education and front-line sectors. The Surface…

The pandemic has thrown publishing and booksellers into crisis – and left customers struggling to obtain books when they most want them. But some in the industry sense an opportunity to drag it into the 21st century

On 18 March, Emma Corfield-Walters received the news that for the second year running, her shop, Book-ish, in Crickhowell in the Brecon Beacons, had landed the title for Wales in the regional round of the independent bookshop of the year award. Corfield-Walters has run Book-ish for 10 years. It has 16 staff and a cafe, is the base for a literary festival that she also organises, and is credited with having played a major part in the regeneration of Crickhowell’s award-winning high street. Above all, it is a highly successful business: 2019 was a record year. The fact that it would now again be a contender for the overall prize – to be announced in June at the British book awards – was for Corfield-Walters a hard-earned affirmation of a decade’s passion and work.

But she was hardly celebrating. Britain was then five days from lockdown. “It was surreal,” she says. “We’d won best bookshop in Wales, yet I wasn’t sure for how much longer I’d have a shop that people could visit. It was like that scene in Star Wars when the walls are moving in, and the room’s getting smaller and smaller. The goalposts were shifting every day. At first, we thought: OK, we’ll buy hand sanitiser! But by the weekend, it was clear the shop would have to close.” Her first thought was for her staff, who are “like family” to her; the government’s subsequent announcement of its furlough scheme came as a huge relief. But there was also the question of her stock, and how she might keep selling it. Suddenly, the Book-ish website, hitherto used only to sell event tickets and signed copies, came into its own: “On the Saturday before lockdown began, we managed to get all 6,000 titles from the shop on to our website.”

All over the country, bookshops are closing down. And all over the country, litfests are springing up. So there is a paradox for you.

Archives, Room Use Only - TK5264.J76 1913

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