Kerkopithekion says: "Our 14-week-old puppy Storm living the hard life of sofa naps and belly rubs."

Oh, what a hard life! I do not envy him... just kidding, I totally do.

-Sally Squeeps

Do you have a squee pet that you want to share with the world? Send us your pet pictures and stories, and they could end up on Daily Squee!

ZombieGeisha says: "My guinea pig, Spooky, making a mess of his orange snack."

Now Spooky, who is going to take you seriously when you can't even bother to wipe your chin?

Do you have a squee pet that you want to share with the world? Send us your pet pictures and stories, and they could end up on Daily Squee!

Here are my latest recommendations for specific security software and techniques.

What Security Software Do You Recommend? (2024 Q4 update) from Ask Leo!.
Get the Confident Computing weekly newsletter: https://newsletter.askleo.com

Embed from Getty Images In the previous essay on charter schools I considered the monopoly argument in their favor. On this view, charter schools break the state’s harmful monopoly on education and this is a good thing. It is worth …Read more »

I’m a year and a half into the development of a new web application for managing complex data sets. Our boss has never been able to provide proper specifications for what he needs, just a flood of vague ideas with no real detail and constantly changing scope.

My job is to try and turn this into a comprehensible list of tasks that the dev team can actually follow. Each month, I have a planning session with the boss where we hash out the next period of work. Each session, I remind him that changing the scope means adding more time.

We agree and sign off the work to be delivered by the end of the month. So far, we’ve hit every deadline.

I thought we had a pretty good system in place until:

Boss: “I can’t believe we’re so far behind and how poorly you’ve managed this project.”

Me: “What do you mean? Haven’t we met all the agreed deadlines throughout the project?”

Boss: “I’ve made a spreadsheet of all the dates I wanted each feature done by. So far, you’ve missed every single one of them.”

Me: “Excuse me? We’ve always delivered what’s been agreed on time. Where have these new dates come from?”

Boss: “This is how long I thought the work should take and I made up my own timeline.”

Me: “I’ve never seen these dates before, let alone agreed to them. At a glance, many of them seem extremely optimistic.”

That’s business talk for “f****** mad”.

Me: “We agreed at the start this would be at least a three-year project.”

Boss: “Well, I decided it should take less time and you’re late. I’m going to have to pull the plug on this project if you can’t have everything wrapped up within the next month.”

I politely remind the boss that there was at least another year and a half of work left to complete the project. I’ll probably be looking for a new job shortly.

Me: “I’ve looked at the brief and it’ll cost [total].”

Client: “I thought you were a freelancer.”

Me: “I am.”

Client: “No, you’re not. You’re a chargelancer!”

Me: “Hey, I’m glad I caught you. I’m calling about that request that I made five weeks ago. You never responded to any of my emails or voice messages. I’m just wondering what the status on that is?”

Client: “Well, the reason I didn’t respond was because your first email about it was unprofessional. We’re all professionals here, and I expect to be treated professionally. You really need to work on your communication skills, and I expect better from you if we’re going to continue working together.”

Me: “I’m looking at the whole email chain right now, and it seems fine to me. What seems wrong with it?”

Client: “Well, for starters, you could ask how my day’s been. Or you could put a joke at the bottom of the email. And you should really get rid of that line with all your company information at the bottom, it looks so unprofessional.”

The pergola is one aspect of ancient architecture that remains relevant today. Pergolas date back to ancient Egypt, but the concept itself might have come much earlier. The evolution of pergolas has witnessed many changes along the way. Today, it is technically impossible to draw a line between a pergola and a gazebo. However, for clarity, we will stick to the traditional idea of a pergola, one that is relatively merged with the house design.[...]

If you live in an urban area with cars, industry and unpleasant city smells, you might retreat to your house for safety from environmental pollutants. But how good is your air quality at home?[...]

San Francisco has long been a destination for those who enjoy natural wonders. The incredible bay and sandy beaches, the towering redwoods, the mountains, it all gives this city a look that no other place has. And now, finally, the Bay Area will have a sustainable hotel that celebrates the environment of San Francisco with 1 Hotel San Francisco.[...]

Gardening is one of the most ecologically conscious projects that most people can practice. With concepts such as net-zero gardening taking shape, gardeners go to unimaginable lengths to avoid harming the environment. The one aspect most gardeners never consider is that a garden fence can have negative environmental effects and must be installed with consciousness. Creating a sustainable garden only to install an unsustainable fence negates the entire purpose of your project. Interestingly, installing a sustainable fence is easy and often more affordable than traditional options. [...]

In this episode I'm joined Charles Watts to chat about how nice and quiet it is after Arsenal's 6-0 on Sunday, before we shoot the breeze about peaking in the second half of the season, the importance of getting injured players back to compete domestically and in Europe, Bukayo Saka's incredible output and the definition of 'world class', the stable environment at the club right now, Ivan Toney, the impending arrival of Kylian Mbappe to North London, and lots more.

Here's the Sky Sports article we reference: https://www.skysports.com/football/news/11670/13071635/bukayo-saka-reaches-half-century-for-arsenal-with-more-goals-and-assists-than-cristiano-ronaldo-in-first-210-games

Follow Charles @charles_watts

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

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In this edition of the Arsenal Women Arsecast, Tim and Jamie go back over the UWCL qualifying victories over Rangers and Rosenborg last week, the performances of Mariona Caldentey, as well as Laia Codina and Kyra Cooney-Cross and whether it will be difficult to dislodge them from the team, Tim and Jamie also look ahead to the next qualifying round against Hacken. Then there are listener questions about low defensive blocks and Arsenal’s finishing, team selection and whether Arsenal will add before Friday’s WSL transfer deadline.

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

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You've certainly heard of the Tacoma Narrows Bridge, but have you heard of the Nutty Narrows Bridge? Futility Closet introduces us to this bridge that was built in 1963 in Longview, Washington.

Workers in an office building near the R. A. Long Park noticed a number of squirrels that were killed crossing the street from the park to an area with abundant nut trees. They proposed that the city build a bridge for them. Two local architects and an engineer designed the bridge, and it was built by contractor Amos Peters. He built the bridge with recycled aluminum piping and a recycled fire hose, for a total cost of a thousand dollars. The bridge is 60 feet long and 22 feet high over the street. A city councilwoman named it the Nutty Narrows Bridge. The bridge has since been removed and repaired several times, and the location has been changed slightly a couple of times. The squirrels love it and use it regularly. The tourist attraction is known as "the world's narrowest bridge," and inspired the city to launch their annual Squirrel Fest in 2011. The bridge was placed on the National Register of Historic Places in 2014. -via Nag on the Lake  

(Image credit: SounderBruce)

Google said it discovered a zero-day vulnerability in the SQLite open-source database engine using its large language model (LLM) assisted framework called Big Sleep (formerly Project Naptime). The tech giant described the development as the "first real-world vulnerability" uncovered using the artificial intelligence (AI) agent. "We believe this is the first public example of an AI agent finding

An ongoing campaign is targeting npm developers with hundreds of typosquat versions of their legitimate counterparts in an attempt to trick them into running cross-platform malware. The attack is notable for utilizing Ethereum smart contracts for command-and-control (C2) server address distribution, according to independent findings from Checkmarx, Phylum, and Socket published over the past few

Tactics, techniques, and procedures (TTPs) form the foundation of modern defense strategies. Unlike indicators of compromise (IOCs), TTPs are more stable, making them a reliable way to identify specific cyber threats. Here are some of the most commonly used techniques, according to ANY.RUN's Q3 2024 report on malware trends, complete with real-world examples. Disabling of Windows Event Logging

Cybersecurity researchers have disclosed new security flaws impacting Citrix Virtual Apps and Desktop that could be exploited to achieve unauthenticated remote code execution (RCE) The issue, per findings from watchTowr, is rooted in the Session Recording component that allows system administrators to capture user activity, and record keyboard and mouse input, along with a video stream of the

The Iranian threat actor known as TA455 has been observed taking a leaf out of a North Korean hacking group's playbook to orchestrate its own version of the Dream Job campaign targeting the aerospace industry by offering fake jobs since at least September 2023. "The campaign distributed the SnailResin malware, which activates the SlugResin backdoor," Israeli cybersecurity company ClearSky said

Social media users alleged bias against former President Donald Trump when a Google search on Election Day for “where to vote” returned an interactive map to find a person’s polling station when including the word “Harris” but not “Trump.” The reason is because “Harris” is a county in Texas, whereas “Trump” is not a location.

The post Google’s ‘Where to Vote’ Search Result Reflects Quirk of Candidate Surname, Not Bias appeared first on FactCheck.org.

- JOE ABERCROMBIE, The Devils

For more info about this title, follow this Amazon Associate link.

Oh, this is going to be good!!!

I’ve developed a survey to give to people who slipped me into their not-friend category. Since I’m a person with no ability to cope with nuance, answers to all questions are yes/no. 1. Were you ever my real friend?  I want to know if you needed me like I needed you, but I don’t want […]

The post Questionnaire for everyone who stopped talking to me appeared first on Penelope Trunk Careers.

The post The Sad Story of the Unique Monument appeared first on English Russia.

The post Military Equipment Museum in Verkhnyaya Pyshma, Russia appeared first on English Russia.

The Cure - A Fragile Thing 7"

Mexico

France 

Universal Italy

Universal Spain 

Universal Germany 

Universal Japan

Capitol Records 

UK Shop

"For this limited edition release comes two new mixes both remixed by Robert Smith

Tracklist:
Side A - A Fragile Thing (RS24 Mix)
Side B - A Fragile Thing (RS24 Remix)

Limited to 4 units per fan."

Come one, come all! nycdevops does its first virtual meetup! All are invited!

• Speaker: Adarsh Shah
• Topic: "Continuous Delivery for Machine Learning"
• Time: Thursday, September 17, 2020, 5-630 PM
• Link: https://www.meetup.com/nycdevops/events/272914068/

Hope to see you there!

This month's nycdevops meetup speaker is Nathen Harvey of Google, who will give a talk titled "Introduction to Site Reliability Engineering".

The talk starts at 5pm sharp! (NY is in US/Eastern)

Please RSVP! See you there!

https://www.meetup.com/nycdevops/events/272956481/

(This is a virtual meetup. Everyone around the world is invited!)

November's nycdevops meetup speaker is John Allspaw, who will give a talk titled "Findings From the Field: 2 Years of Learning From Incidents".

The talk starts at 5pm sharp! (NY is in US/Eastern)

Please RSVP! See you there!

https://www.meetup.com/nycdevops/events/273826675/

(This is a virtual meetup. Everyone in the world is invited!)

Don't forget!

November's nycdevops meetup speaker is John Allspaw, who will give a talk titled "Findings From the Field: 2 Years of Learning From Incidents".

The talk starts at 5pm sharp! (NY is in US/Eastern)

Please RSVP! See you there!

https://www.meetup.com/nycdevops/events/273826675/

(This is a virtual meetup. Everyone in the world is invited!)

After a 2-year break, my column in ACM Queue magazine returns! It has a new name "Operations and Life".

For many years I wrote a column in ACM Queue Magazine. It was called "Everything Sysadmin" and covered devops, IT, and basically anything I felt like. I stopped writing in 2020 due to the pandemic and a general lack of motivation. My last column was published Nov 2020. Two years later I finally feel like writing again.

The new column is called "Operations and Life". I'm going to write about the intersection of devops and personal life. I believe that most techniques we use at work can apply in our personal life and vice-versa.

These columns will be shorter and more to the point. While my old column would often be 10 or more pages long, my goal now is to keep things to about 2000-3000 words. This will make them easier to read and digest. This format is more web-friendly.

The first article in this new format is out!

Read it here: Split Your Overwhelmed Teams: Two teams of five is not the same as one team of ten

A wonderful farro and roasted butternut squash recipe. Balsamic roasted butternut squash, deeply toasted walnuts, and nutty farro come together in this delicious recipe.

Continue reading Farro with Roasted Butternut Squash on 101 Cookbooks

1. Wie die Öffentlich-Rechtlichen aus der Krise kommen sollen (taz.de, Ann-Kathrin Leclère) Ann-Kathrin Leclère hat die wichtigsten Fragen und Antworten zur Rundfunkreform zusammengestellt, beispielsweise: Warum braucht es Reformen? Wer kümmert sich darum? Was wurde beschlossen? Wer hat Angst vor welchen Änderungen? Und was ist mit dem Rundfunkbeitrag? 2. Wie das insolvente Kreml-Medium Ruptly unter neuem […]

Scientists have long known that magnetic fields probably extract energy from spinning black holes — they just didn’t know how.

The scientific feat is also "a breakthrough for practical applications because entangled molecules can be the building blocks for many future applications.” says physicist Lawrence Cheuk.

New paper from Princeton team challenges the conventional wisdom of superconducting quantum transitions.

Princeton's first alumni affinity conference since 2019 welcomed more than 600 alumni and guests to campus Sept. 19-21, for “Every Voice: Honoring and Celebrating Princeton’s LGBTQ+ Alumni.” 

I started this project in October, 2014, so I would have a nice handwork project while traveling for a month in Europe. I love it!!!

A bunch of pre-cut threads and trims, a small package of mixed seed beads/buttons/sequins, a folded piece of felt with various sizes of needles, embroidery scissors, Sue Spargo's book, and 16 wool chicks already stitched to the background wool fit very nicely into a 12 x 9 inch zippered, mesh bag.... perfect to tuck into my backpack! I stitched on the airplanes, in people's homes, and with my beady/quilty friends! At the end of the month, 8 chicks were finished. You can see them here.


Since then, I've been busy making a Travel Diary quilt, and starting another very challenging "Shimmer" quilt, which will be the subject of the next post. However, once in a while, the Chicks are just the right break from machine sewing. Working on them makes me happy and peaceful.


The new ones are in this post... As you can see in the photo below, I still have 2 chicks to embellish, plus one that might need something more.


When all of them are finished, it will be time to decide what to do with them. My idea so far is to make them into a small wall quilt, hand quilting around the chicks, maybe adding a few flowers between some of the chicks.  I'll wait to decide, keeping all options open until the chicks are finished.


Most of the chicks are girls, but so far 3 of them seem to have a bit of testosterone...  can you tell which ones are the boys? You'll need to click on the above picture of all 16 to enlarge it enough to find the boys. If you feel like making a guess, let's give them numbers starting at the top left with 1 and going across row by row. As you can probably tell, the one below is definitely a girly girl!

By the way, the lace trim on the above chick is vintage lace from LaDonne Weinland, an Etsy vendor. It was white, which was too "strong" a color for this piece. So I painted dye on it!!! These are the pieces I painted. To give you an idea of scale, the lace is just under 1/4" wide. The chick, from the bottoms of her feet to the top of her crown, is exactly 3 inches tall.

Threads! 

People ask me where I got all the threads I use for these chicks. Here are some answers...

Variegated pearl cotton. I'd estimate that over half the stitches (all the beaks and feet, most of the edge stitches, tails, and top-knots) are pearl cotton, size 8 or 12. I like using threads that are subtly variegated. DMC and Valdani are two brands of pearl cotton that come in a ball for $5 to $7 per ball. I have purchased some Valdani balls from Sue Spargo and some from this site.

But most of my perle cotton comes from African Folklore Embroidery ... Leora Raikin, the owner, packages hand-dyed, variegated, pearl cotton on cards of three colors, each color about 10 yards in length, for $5.  She has a HUGE selection, from which you can have 24 colors for only $40!!! I love the colors, the subtle changes of colors in the variegation, and the quality of the thread. Here's a page that shows her colors in size 8 pearl cotton... mind boggling!

My photo does not show the full amount you get... only how it is packaged, 3 colors to a card!

Embroidery floss.  For finer stitches and details, I often switch to regular embroidery floss. Again I gravitate toward the variegated colors. DMC has put out a lot of new variegated skeins in recent years. If you have an older supply of solid colors, you might want to check out DMC's 24 new colors. Here's an Etsy seller that offers them. Or, if you are in the Seattle area, Nancy's Sewing Basket (on Queen Anne hill) stocks all of them. They are much more subtle than previous DMC variegated floss choices, more like hand-dyed. Anchor has also added nice options to their line.




I also buy hand-dyed embroidery floss when I see a skein that appeals to me. Again, I like the subtlety of it.

Other threads. Sue Spargo offers a line of variegated silk threads in beautiful colors, which she calls Silken Pearl. I bought some of them from her during the class, and have enjoyed using them. The sheen of the silk is a lovely contrast to the more matte quality of the pearl cotton.

In her book, Sue recommends using a wool thread to applique the wool chicks to the background wool. Since it is quite expensive, I used 60 weight cotton applique/sewing thread by Metler, which I already had in a range of colors. It works fine. If I didn't already have the Metler thread, I probably would have bought a set of Genziana wool threads on bobbins on Etsy, here. This wool thread is a bit too fine for embellishment work, but it's great for wool applique.

Novelty yarns, metallic threads, chenille, dazzle threads, etc. all have their occasional use as well. As I tend to like more matte and less bling, I don't often use these threads. But it's fun to experiment with them. I did use chenille on one of the above chicks... can you find it?

All 16 chicks are finished now, and I've started quilting the piece!!! I'm quilting by hand, using a single strand of non-mercerized (not shiny) thread (Anchor brand), which is about the same weight as size 12 pearl cotton. This is how it looks so far...

While I contemplate how to proceed with the quilting, I thought it might be helpful to share some of the design process with you, especially since a few readers have said they might want to try something like this.

Learning the Stitches - Which Ones to Use and Where to Use Them

Sue Spargo's book, Creative Stitching, was very important in my design process. I didn't know most of the stitches when I started this piece. The instructions in the book are easy to follow, and I was able to learn all that I wanted from the book. More than learning the stitches, the photos in the book allowed me to see how she uses the stitches to embellish her wool applique shapes. Also, she writes about the threads and needles she uses. I followed her suggestions for needles, but did not use many of the threads she mentions.


Layout the Shapes

The wool is felted. I bought already felted (correct term is actually "fulled") wool. But you can make your own by washing wool fabric and drying it in the dryer. Here are some useful instructions for fulling wool fabric.

The first step is to cut out the chicks from felted wool fabrics. (Although I made chicks, the shape could be anything... butterflies, flowers, circles, donkeys...) I used 16 different colors, making each chick a different color. I used "chick colors" for some of the wings; others are from a bag of wool scraps I bought at the La Conner Quilt Festival.

I used 60 wt. cotton sewing thread to applique the chicks to the background fabric. Use a thread color that matches the chick color as closely as possible. Although it's a bit shiny, a single strand of embroidery floss would also work for this task.

Starting to Embellish the Chicks

When I finished appliqueing the chicks to the background wool, they just looked like blobs, barely recognizable as chicks. This is not inspirational for starting to embellish! I found that in order to even want to start, I needed to make them more real, more chick-like. So I gave them all eyes, all 16 of them. That helped a lot, but still they didn't feel real. So I gave them all feet, and then beaks. So as not to get bored, I changed thread color for both beaks and feet. Some of the eyes are made with a button; some with a flower-shaped bead; some with a disc-shaped bead. When all of them had eyes, feet, and beaks, finally they began to be chicks, and I was ready to start!!!

Even so... starting is daunting. I used the same method I use (and teach) for bead embroidery... If you've taken a class from me you've heard me say, "Pick up a bead you love, and sew it on somewhere." That's what I did... picked up a thread I loved, picked a stitch that interested me from Sue's book, picked a chick color that appealed to me at that moment, and started practicing the stitch.

When I finished, I just did the same thing again. Sometimes it was the same chick, sometimes I chose a different chick. I kept picking a thread I liked, usually one I hadn't previously used, a stitch I wanted to learn or really liked, and a chick that seemed "to like" the chosen thread color.

After a while, some of the chicks were fully embellished. Once I learned the stitches and had experimented with various threads, I tended to work on one chick until it was finished. But if  when I got stuck, and couldn't think what to do next with a particular chick, I just moved along to some other chick that appealed to me at that moment.


Another way to get started

If you feel a bit timid about starting, you could make a pincushion, such as I did, shown below. It doesn't take a lot of time or materials, and can give you both practice (particularly in making beaks and feet) and confidence.

Personality

I can't help but think of the chicks as youngsters, maybe early teens, with emerging personalities... each, as I work on it, starts to have a story which plays out in my head while I stitch. Once the story begins, it's easier to choose stitches, design motifs, and threads which further develop the story or personality of that chick. Thinking about the chick's personality and background story, keeps me from getting bored, and makes it really fun to work on the piece.


Thread Hints

I already wrote about threads, adding it to the bottom the previous post (or, scroll down one more post).

What's Next?

As usual, I don't know. I take it one step at a time, trying not to figure it all out before I start. I do what I know to do. If there isn't anything I know to do, then I wait... wait for an idea, for inspiration, for a solution... wait until I know what to do next, but only the next thing... I try to ignore the question of what comes after the next thing. That's what I'm doing now... waiting to know what the next step in the quilting process will be.

As followers may recall, I started hand stitching hexies for a Grandmother's Flower Garden quilt in March, 2012... three years ago. Watching my friend, Christy, basting sweet, reproduction fabrics around paper forms, making little stacks of 3/4-inch hexagons, I just couldn't resist! These Beadlust posts show the various steps to making the quilt top and the start of  hand-quilting in more detail than this post.

Although I'm still hand-quilting, the end is in sight now. I'm hoping to finish in time for our County Fair in August.

In this post, I thought it might interest you to look at how much time it takes to complete each of the steps in hand piecing and quilting a 3/4" hexie quilt, and the total number of hours involved. I'm basing time estimates for all of the repetitive steps on how long it takes me to do a large number in one sitting, after having practiced... in other words, at my best speed.

Step 1 - Planning the Quilt and Getting Fabrics - time: 20 hours

I decided to make a version of the traditional 1930's Grandmother's Flower Garden quilt that is less common than the one with a path or ring around each of the flowers. I chose this design. Note the green hexie leaves, which form a vertical-horizontal grid.


The final size is 72 x 92 inches, a comfortable size for a twin bed, a total of 4,694 hexies. I wanted to use as many different fabrics in this quilt as possible.

• flowers = 280 different print fabrics with any background color except green or white.
• leaves = 150 different print fabrics in green
• flower centers (repeats OK) = 25 different solids
• double border = 1 print + 1 solid

Although I had collected 30's reproduction fabrics for a few years, I certainly needed more. From a selection of fabrics given to me, fabrics purchased in an eBay auction, and my stash, I found enough to make each of the flowers unique. Although there were not enough greens to make the leaves unique, I had about 60 different green prints, such that each is not repeated more than 3 times in the quilt. So, in the end the quilt includes more than 360 unique fabrics!

Step 2 - Wash and Iron all of the Fabrics - time: 15 hours

Yikes! A few of the fabrics I wanted to use were already washed; most were not. Knowing it should be consistent, and worrying that the reds might bleed, I decided to pre-wash and iron all of the fabrics. Doing this step in stages, as I acquired fabrics, I'm not really sure how long it took, perhaps quite a bit more than the above estimate.

Step 3 - Cutting and Trimming all of the Hexies - time: 28 hours

For each of the  4,694 hexies, I cut a 2" square of fabric, and trimmed off the four corners. Of course, I cut and trimmed in multiples, except for a few that I fussy cut individually. Again, since I did this step in stages, the above time estimate is a bit rough.

Step 4 - Basting the Fabric to the Paper Hexie Forms - time: 235 hours

Once I learned that using YLI quilting thread for basting makes it go much faster than using regular sewing thread, I was able to baste 20 hexies per hour.

Step 5 - Stitching Hexies Together to Make Flowers - time: 105 hours

Averaging 2.5 complete flowers per hour, it took me about two and a half 40-hour-work-weeks to whip-stitch all 238 full and 42 partial flowers. There are 14-17 whip-stitches per 3/4 inch seam.

Step 6 - Stitching a White Hexie Ring Around 130 of the Flowers - time: 130 hours

On average, it takes me 1 hour to whip-stitch 12 white hexies around each flower.

Step 7 - Layout Flowers for Quilt Top; Note Position on Each - time: 4 hours

I didn't fuss too much about the layout, spreading out the flowers randomly, making sure the red ones were evenly spaced, and that no areas were overly dominated by one color. Assigning each row a letter and each position within the row a number, I marked each flower on the back (writing on the center paper piece).

Step 7a - Half Flowers and Double Border All Around - time 90 hours

This is an update, added Feb. 2018. (I can't believe I forgot this important step when writing the original time line.) To make 42 partial flowers to fill in the gaps around the edges of the top, I cut fabrics, basted hexies, joined petals, and then stitched the partials into the gaps. To make the outer border, I made 522 individual hexies, stitched them into rows, and then stitched the rows onto the top.

Step 8 - Sew Flowers into Small Groups - time: 90 hours

To assemble the quilt top, I grouped 8-12 flowers, and whip-stitched them into a solid piece. There were 30 pieces, which took about 3 hours each to complete.

Step 9 - Sew Small Groups Together to Complete Quilt Top - time: 123 hours

I first sewed the small groups into rows, then stitched the rows together. As the sections got larger, the stitching took longer, making it difficult to estimate the time with total accuracy. I did a couple of time tests at different stages of the process in order to figure the above total. I completed this step on March 1st, 2013, one year after basting the first hexie.

Step 10 - Iron/Starch Top, Remove Papers and Basting Stitches - time: 33 hours

Removing all the basting stitches and papers took a lot longer than I would have guessed. But when I look at the pile of basting threads, it begins to make sense.

Step 11 - Assemble Quilt Layers, and Baste - time: 12 hours

Christy and Lunnette helped me layout the back, batting, and top on the floor; then baste in a 4 inch grid. I think we pinned it first, then basted, then removed the pins. On our knees for most of the time, it sure was wonderful to have their help!

Step 10 - Quilt and Embroider the Flower Centers - time: 70 hours

Choosing a floss in a similar color to each flower center, I embroidered a flower. Intentionally, some of the stitches act as quilting stitches, while others slip between the layers and don't show on the back. Around the edges of the quilt, it took about 15 minutes per flower center. Toward the middle of the quilt, it took about 20 minutes per flower center.

Step 11 - Quilt Flower Petals - time: 106 hours

Quilting around the petals of each flower requires turning the quilt 270 degrees for each petal, which is why it takes at least 20 minutes per flower, longer toward the middle of the quilt when the whole weight of the quilt must be constantly shifted. There are 238 whole and 42 partial flowers. I'm figuring an average of 25 minutes per whole and 10 minutes per partial flower.

Step 12 - Quilt Around White Rings - time: 65 hours

Like quilting the flower petals, quilting around the outside edge of each of the 130 white rings requires turning the whole quilt as I work, which adds a lot to the time it takes. I believe quilting the entire top in a diagonal grid of straight lines would take about half the time it takes to follow the curved, zig-zagging path of the hexie flowers, leaves, and rings.

Step 13 - Quilt Around Each of the Leaves - time: 79 hours

Not only does this step require turning the quilt as I stitch 360 degrees around each leaf, it also requires knotting and burying the tail at the start and finish of each leaf. Also I'm changing color of thread to more or less match the fabric color for each set of 4 leaves. Around the edge, it takes about 9 minutes per leaf; toward the center 11 minutes per leaf. There are 474 leaves total, at an average of 10 minutes/leaf.

Step 14 - Assemble Hexies for the Border Facing - time: 37 hours

To face the double (print + blue) border on the back of the quilt requires 522 hexies. To sew them together, forming the border strips, takes about 1 hour per 14 hexies.

Step 15 - Trim Backing and Batting; Blind-stitch Facing to Border - time: 13 hours

There are 264 hexies around the outside edge of the quilt top. Since I have not done this step yet, the time estimate (blind-stitching 20 hexies together per hour) is somewhat rough.

Step 16 - Remove Paper Pieces and Basting from Border and Facing - time: 10 hours

Again, since I have not done this step yet, the time estimate is based on the time it took to remove paper pieces and basting threads from the quilt top.

Step 17 - Blind-stitch Facing to Quilt Back - time: 13 hours

Step 18 - Quilt Around Print Fabric Border - time: 13 hours

Step 19 - Blanket Stitch Around Outside Edge of Quilt - time: 10 hours

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Total Time to Complete Hand-Piecing the Quilt Top: 873 hours

This is equivalent to nearly 20 weeks or 5 months on a 40 hours/week job. It took me a year. Mostly the time flew by as I basted and hand-stitched the little hexies together. Always there was a new print to enjoy, a new stack mounting in size to admire, a growing quilt top to thrill me.

Total Time to Complete Hand-Quilting: 428 hours

Since this job isn't completed yet, the time is only a rough estimate, based on the times it took to do some of the already completed steps. In all, hand quilting will take the equivalent to 10 or 11 weeks of full-time work. I find the quilting rather very boring. After taking a break for more than a year, I started working on it again and hope to be finished by August this year. Audio books are the answer to the tedium for me.

Total Time, Start to Finish: 1,301 hours

With Steps15-19 still to complete, the total is a rough estimate. Still, it is obvious that making a quilt like this, start to finish, requires more than 1,300 hours or the equivalent of over 8 months of full time work. If I were to be paid only minimum wages (2015, Seattle, WA - $11/hr.), the cost of the quilt would be $14,311 + about $500 in materials, or a total of $14,800.  Good thing I intend to keep and use it myself!

UPDATE, July 4, 2016

By June, 2015, I completely finished one corner, an area big enough to photograph so I could submit an entry form to the 2015 La Conner Quilt Festival, sponsored by the La Conner Quilt & Textile Museum. On August 7th, 2015, I received notice that it was juried into the show. Wow! That sent me into high gear for sure. After working non-stop, 7 days a week, and an average of 10 hours per day, I inserted my needle into that quilt for the last/final time on Aug. 24th, 2015, just days before delivering it to the museum. It took me 3 years and 3 months, start to finish!


I was surprised, honored, and incredibly pleased to find out it won the Curator's Award of Excellence, one of the top awards, which then qualified it to be shown at the museum for the month following the Festival. Note, the finished size is 71 x 93 inches, and there are 4,700 individual hexagons in it.


Big work for both hands, but sooooo satisfying!


In fact it was so satisfying that I've started another hexie quilt... Can you believe it? So far, I've made 733 hexie flowers for it! Although they are the same size hexies, there are no reproduction fabrics and the arrangement will be anything but traditional. Don't know why I love the hexagon shape so much... but it's certain that I do.

A week of finishing!!! Oh my, it feels good to finish things, doesn't it?!

Last October, I started the applique process, stitching chick bodies and wings cut from felled wool onto the wool background fabric. Seven months later, 16 chicks, embroidered with threads and beads, run free! Please click the picture to enlarge it, so you can enjoy the fanciful details.

If you are new to this process, you can see the various steps and pictures of the chicks on these posts. Of course, they are inspired by Sue Spargo's exhibit at the La Conner Quilt Museum, by her book, Creative Stitching, and by taking a one-day class from her to get me going. Along the way, other books, embroideries, and drawings also inspired me.


As you might guess, most of the chicks have at least a few beads. Here is one with the main motif embroidered with beads.


And, here is one with just a few beads, the center of the "flowers," and one with no beads at all.

Also note that I've quilted the piece with Danish Flower Thread in a shade which closely matches the background color.

At first, I thought it would be pleasing to embellish the areas between the chicks with flowers, vines, and leaves using three close shades of the background color. Here is an example.


It looks OK when you look at just four chicks with the flower/vine motif in the center. But when I had finished 6 of the areas (sorry no photo), some of them with larger spaces and larger vines/leaves, it looked too busy. It took away from the chicks. I couldn't tell if I was supposed to look at the chicks or the flowers. So I picked out the vines and leaves, leaving just the flowers, which weren't such a distraction.


After sewing on the binding, the chicks seemed to need a little warming around them. So I added a line of stem stitch in variegated pearl-cotton in a magenta color. It pleases me!


Oh, and one more thing... This is a quilt, designed to hang on the wall, with lots of details to enjoy as you view it up close. But what happens to wool felt when it is out in the open? MOTH DAMAGE and DUST are the enemies. My solution? Find, buy, or have somebody make a wall-mounted display case, with a hinged door. Hang the quilt inside the case, which remains closed except when somebody wants to take a closer look. The above, found on the internet, is close to what I have in mind, with a white background of course.


What's next in chick-land? Well, my dear niece just got married... Here is the start of her wedding gift... I'll post a finished photo soon.

Kitty Sorgen, quilter extraordinaire, and Jenny Bowker, the pattern developer, are to blame for this madness! Shimmering Triangles Jenny calls it, and shimmer it does. In fact, it can be over done to the point where it's difficult to look at. But not Kitty's... Kitty, a member of our local guild and the best colorist I know, brought her shimmer quilt to Wednesday night quilting a few months ago, and

It sure was a lovely surprise one day last fall when a representative from the Bead&Button Show called to ask if I would be interested in sending my beaded quilts for exhibition at the 2015 show in Milwaukee, WI.

Would I be interested? Of course I would!!! But since I'm more of a beader and don't have that many beaded quilts, I suggested they also contact my brother, Thom Atkins, who has made a mind-boggling number of beaded quilts in the last 10 years or so.

Brother-sister exhibition... how fun is that! You can see all 22 quilts in the Artisan Area of the Exhibition Hall if you're attending the show, May 27 - June 8. For those who can't make it, here are my quilts, the ones in the show. When you click on the first picture, you can see a slide show with full-size pictures.

It's really special how,in recent years, quilters are interested in beads, and beaders are playing with quilting, both finding ways to expand their creativity! And it's super fun to show with my bro!

Oh dear, busy me, four months since I've posted here. Lots of quilting, a little beading, some travels, and recently several sets of house guests have made "retirement" a bit of a joke. For now, since the La Conner Quilt Festival is just around the corner (October 2-4), my subject is one small exhibition on the first floor at the Museum, which is currently up, and will remain through the Festival.

Last year at the Festival (and again this year!) Sue Spargo taught workshops on her wool applique embroidery methods. Those of us who were lucky enough to get in were invited by the Museum to exhibit our finished pieces. These marvelous creations are the subject of this post. Uneven lighting makes it difficult to get good photos, so please forgive poor color or tone on some of these photos.

In case you are unfamiliar with Sue's work, below is an example of her work. Students in her class could choose to make chicks, circles, or flowers. Most chose the chicks. Eight of her students are showing their work in the current exhibit.

My vote for the most awesome-creative piece goes to Bunny Starbuck for She Has Flown the Coop! Here it is:

Having put my chicks all in neat rows similar to Sue's example, I find it amazing that Bunny's mind took the idea and made a whole different story of it... a coop full of chicks, with two in line on the roof ready to follow the one already in the air. Don't you just love the way the lines divide the space?!




Note Bunny's use of whispy yarn to suggest little chick feathers, her use of snaps for eyes, the one chick turned full front, the one with a bead-tassled braid and glasses, and the one with beaded loop fringe and a gathered yellow ribbon (?) yo-yo. I love them! I'm in awe, Bunny!

Below is Chicks on Parade by Dorie Benson. It's so fun the way they are so close together, with two of them going in a different direction, just as you might see in a little cluster of chicks. If you click the photo to enlarge it, you can see some of Dorie's excellent stitching and hand quilting!

The next one is Chicks by Glenys Baker, who not only did all 36 chicks but also made a second quilt featuring circles (shown further down). Awesome work, Glenys!

And next is Birds of a Feather Can Dance Together by Lorraine Jones. The fun of the title is matched by the fun of Lorraine's embellishments, including her border treatment. (You'll have to see this one in person, because the light from a table lamp, made the lower corner of the photo look terrible.)

I guess most of us like to "swim the other way," as you can see in the next piece, Chickadees, by Carrie Unick. I thought many of Corrie's embellishments were especially fun and creative, so I've also included a couple of detail photos.



Last of the chicks is my piece, simply named Chicks. It was so much fun, that I made another small piece (also in the exhibition), shown at the top of this post. Both are displayed in shadow-box type frames to protect them from dust and moth damage.
Glenys Baker, in one year, made not only a 36-chicks quilt (shown above), but also a 48-circles quilt, Circles. How she keeps thinking of new embellishment variations I can't imagine. Yet each of her circles is completely unique! Her choice of border fabrics is perfect for the quilt, complimenting the flow of color among the circles.


I love the fun color combinations and the way the beads enhance her embroidery on Nancy Anders' Bodacious Blooms, a joyful wall quilt if ever there was one! (Again, I couldn't quite get the color right in the photo, so you'll just have to go to the Museum to see it in person.)


The name of Roberta Roberts' flower quilt, Memories, invites us to look closely at the flower with three ladybugs. I don't know the story, but I can tell there is one here... and I love that. Her embellishments are varied and fun as well.



There you have it... 10 quilts by 8 students who learned some methods of wool applique and embroidery from Sue Spargo, last year at the La Conner Quilt Festival. I'm so grateful to be one of them!