Karastan’s new Bellingham Collection delivers the warmth and durability of eco-friendly wool in a diverse selection of transitional and traditional styles.

Julio Osorio stands in the Valhalla Memorial Park Cemetery near his mother's grave. (Emily Elena Dugdale/KPCC); Credit: Emily Elena Dugdale

Emily Elena Dugdale

The devastating Woolsey fire broke out one year ago. In Malibu, it wreaked havoc not only on hundreds of homeowners but also on the day laborers, housekeepers and gardeners who traveled to the city to work in its affluent neighborhoods.

 

This content is from Southern California Public Radio. View the original story at SCPR.org.

I love catching crabs … ???? but even better on discount, at your local Woolies.

Looks like Woolies are clearing out their Thawed ❄️ Snow Crabs @ $20/kg

Could be available other stores as it shows unavailable online

I grabbed about 600g, but there was plenty more left

Gonna add it into my mix seafood cream pasta dish ????

Australian law firm Gerard Malouf & Partners on Thursday said it had filed class action lawsuits against the country's top two retailers, Woolworths and Coles , for allegedly encouraging misleading discount claims on everyday products.

Australian law firm Gerard Malouf & Partners on Thursday said it had filed class action lawsuits against the country's top two retailers, Woolworths and Coles, for allegedly encouraging misleading discount claims on everyday products. The two supermarket giants are currently in court, sued by the…

A sheep farm in North Rhine-Westphalia in Germany produces the first textile made from the wool of gay rams, making a bold fashion statement for the LGBTQIA+ community.

Two-year fixed rate of 4.79% until 31 March 2008 thereafter reverting to Barclays Bank Base Rate, which is variable, currently 4.50% + 0.95% = 5.45%. The overall cost for comparison is 5.5% APR. Offers a non-disclosed valuation and either no...

Here is an article which tells you exactly how to unshrink wool.

When wool gets wet and warm, the fibres in the wool lock themselves together and don't want to let go, resulting in shrinkage (you can get wool warm or wet, but not both), which kind of makes washing wool garments a dangerous business.
To un-shrink the wool, soak the garment in warm water with a mild wool friendly soap for about 10 minutes. This unlocks the fibres in the wool. Then lay the garment out on some towels in a cool place. Stretch the garment out to its original dimensions. The stretching pulls the unlocked wool fibres away from each other. Once this is done relax and allow your wool garment to dry. The absence of heat from the drying process allows the wool fibres to set in place without locking together and shrinking the garment again.

Woolworths Offers and Promotions

All Weather Insulated Panels has introduced two new mineral wool panels to its existing category of fire-rated insulated metal panels. The pair of new mineral wool panels — HE42-MW and PL42-MW — are both non-combustible and provide hourly ratings.

After a year at the Gypsum Association, Technical Services Specialist Greg Woolley is more than ready to answer your questions related to gypsum panel products.

Explore the fire safety, durability and moisture management advantages integrating stone wool continuous insulation in stucco systems.

The 'de-extinction' company Colossal and the conservation group Re:wild found common ground in the potential of genetic technology to rescue today's disappearing creatures.

I started this project in October, 2014, so I would have a nice handwork project while traveling for a month in Europe. I love it!!!

A bunch of pre-cut threads and trims, a small package of mixed seed beads/buttons/sequins, a folded piece of felt with various sizes of needles, embroidery scissors, Sue Spargo's book, and 16 wool chicks already stitched to the background wool fit very nicely into a 12 x 9 inch zippered, mesh bag.... perfect to tuck into my backpack! I stitched on the airplanes, in people's homes, and with my beady/quilty friends! At the end of the month, 8 chicks were finished. You can see them here.


Since then, I've been busy making a Travel Diary quilt, and starting another very challenging "Shimmer" quilt, which will be the subject of the next post. However, once in a while, the Chicks are just the right break from machine sewing. Working on them makes me happy and peaceful.


The new ones are in this post... As you can see in the photo below, I still have 2 chicks to embellish, plus one that might need something more.


When all of them are finished, it will be time to decide what to do with them. My idea so far is to make them into a small wall quilt, hand quilting around the chicks, maybe adding a few flowers between some of the chicks.  I'll wait to decide, keeping all options open until the chicks are finished.


Most of the chicks are girls, but so far 3 of them seem to have a bit of testosterone...  can you tell which ones are the boys? You'll need to click on the above picture of all 16 to enlarge it enough to find the boys. If you feel like making a guess, let's give them numbers starting at the top left with 1 and going across row by row. As you can probably tell, the one below is definitely a girly girl!

By the way, the lace trim on the above chick is vintage lace from LaDonne Weinland, an Etsy vendor. It was white, which was too "strong" a color for this piece. So I painted dye on it!!! These are the pieces I painted. To give you an idea of scale, the lace is just under 1/4" wide. The chick, from the bottoms of her feet to the top of her crown, is exactly 3 inches tall.

Threads! 

People ask me where I got all the threads I use for these chicks. Here are some answers...

Variegated pearl cotton. I'd estimate that over half the stitches (all the beaks and feet, most of the edge stitches, tails, and top-knots) are pearl cotton, size 8 or 12. I like using threads that are subtly variegated. DMC and Valdani are two brands of pearl cotton that come in a ball for $5 to $7 per ball. I have purchased some Valdani balls from Sue Spargo and some from this site.

But most of my perle cotton comes from African Folklore Embroidery ... Leora Raikin, the owner, packages hand-dyed, variegated, pearl cotton on cards of three colors, each color about 10 yards in length, for $5.  She has a HUGE selection, from which you can have 24 colors for only $40!!! I love the colors, the subtle changes of colors in the variegation, and the quality of the thread. Here's a page that shows her colors in size 8 pearl cotton... mind boggling!

My photo does not show the full amount you get... only how it is packaged, 3 colors to a card!

Embroidery floss.  For finer stitches and details, I often switch to regular embroidery floss. Again I gravitate toward the variegated colors. DMC has put out a lot of new variegated skeins in recent years. If you have an older supply of solid colors, you might want to check out DMC's 24 new colors. Here's an Etsy seller that offers them. Or, if you are in the Seattle area, Nancy's Sewing Basket (on Queen Anne hill) stocks all of them. They are much more subtle than previous DMC variegated floss choices, more like hand-dyed. Anchor has also added nice options to their line.




I also buy hand-dyed embroidery floss when I see a skein that appeals to me. Again, I like the subtlety of it.

Other threads. Sue Spargo offers a line of variegated silk threads in beautiful colors, which she calls Silken Pearl. I bought some of them from her during the class, and have enjoyed using them. The sheen of the silk is a lovely contrast to the more matte quality of the pearl cotton.

In her book, Sue recommends using a wool thread to applique the wool chicks to the background wool. Since it is quite expensive, I used 60 weight cotton applique/sewing thread by Metler, which I already had in a range of colors. It works fine. If I didn't already have the Metler thread, I probably would have bought a set of Genziana wool threads on bobbins on Etsy, here. This wool thread is a bit too fine for embellishment work, but it's great for wool applique.

Novelty yarns, metallic threads, chenille, dazzle threads, etc. all have their occasional use as well. As I tend to like more matte and less bling, I don't often use these threads. But it's fun to experiment with them. I did use chenille on one of the above chicks... can you find it?

All 16 chicks are finished now, and I've started quilting the piece!!! I'm quilting by hand, using a single strand of non-mercerized (not shiny) thread (Anchor brand), which is about the same weight as size 12 pearl cotton. This is how it looks so far...

While I contemplate how to proceed with the quilting, I thought it might be helpful to share some of the design process with you, especially since a few readers have said they might want to try something like this.

Learning the Stitches - Which Ones to Use and Where to Use Them

Sue Spargo's book, Creative Stitching, was very important in my design process. I didn't know most of the stitches when I started this piece. The instructions in the book are easy to follow, and I was able to learn all that I wanted from the book. More than learning the stitches, the photos in the book allowed me to see how she uses the stitches to embellish her wool applique shapes. Also, she writes about the threads and needles she uses. I followed her suggestions for needles, but did not use many of the threads she mentions.


Layout the Shapes

The wool is felted. I bought already felted (correct term is actually "fulled") wool. But you can make your own by washing wool fabric and drying it in the dryer. Here are some useful instructions for fulling wool fabric.

The first step is to cut out the chicks from felted wool fabrics. (Although I made chicks, the shape could be anything... butterflies, flowers, circles, donkeys...) I used 16 different colors, making each chick a different color. I used "chick colors" for some of the wings; others are from a bag of wool scraps I bought at the La Conner Quilt Festival.

I used 60 wt. cotton sewing thread to applique the chicks to the background fabric. Use a thread color that matches the chick color as closely as possible. Although it's a bit shiny, a single strand of embroidery floss would also work for this task.

Starting to Embellish the Chicks

When I finished appliqueing the chicks to the background wool, they just looked like blobs, barely recognizable as chicks. This is not inspirational for starting to embellish! I found that in order to even want to start, I needed to make them more real, more chick-like. So I gave them all eyes, all 16 of them. That helped a lot, but still they didn't feel real. So I gave them all feet, and then beaks. So as not to get bored, I changed thread color for both beaks and feet. Some of the eyes are made with a button; some with a flower-shaped bead; some with a disc-shaped bead. When all of them had eyes, feet, and beaks, finally they began to be chicks, and I was ready to start!!!

Even so... starting is daunting. I used the same method I use (and teach) for bead embroidery... If you've taken a class from me you've heard me say, "Pick up a bead you love, and sew it on somewhere." That's what I did... picked up a thread I loved, picked a stitch that interested me from Sue's book, picked a chick color that appealed to me at that moment, and started practicing the stitch.

When I finished, I just did the same thing again. Sometimes it was the same chick, sometimes I chose a different chick. I kept picking a thread I liked, usually one I hadn't previously used, a stitch I wanted to learn or really liked, and a chick that seemed "to like" the chosen thread color.

After a while, some of the chicks were fully embellished. Once I learned the stitches and had experimented with various threads, I tended to work on one chick until it was finished. But if  when I got stuck, and couldn't think what to do next with a particular chick, I just moved along to some other chick that appealed to me at that moment.


Another way to get started

If you feel a bit timid about starting, you could make a pincushion, such as I did, shown below. It doesn't take a lot of time or materials, and can give you both practice (particularly in making beaks and feet) and confidence.

Personality

I can't help but think of the chicks as youngsters, maybe early teens, with emerging personalities... each, as I work on it, starts to have a story which plays out in my head while I stitch. Once the story begins, it's easier to choose stitches, design motifs, and threads which further develop the story or personality of that chick. Thinking about the chick's personality and background story, keeps me from getting bored, and makes it really fun to work on the piece.


Thread Hints

I already wrote about threads, adding it to the bottom the previous post (or, scroll down one more post).

What's Next?

As usual, I don't know. I take it one step at a time, trying not to figure it all out before I start. I do what I know to do. If there isn't anything I know to do, then I wait... wait for an idea, for inspiration, for a solution... wait until I know what to do next, but only the next thing... I try to ignore the question of what comes after the next thing. That's what I'm doing now... waiting to know what the next step in the quilting process will be.

A week of finishing!!! Oh my, it feels good to finish things, doesn't it?!

Last October, I started the applique process, stitching chick bodies and wings cut from felled wool onto the wool background fabric. Seven months later, 16 chicks, embroidered with threads and beads, run free! Please click the picture to enlarge it, so you can enjoy the fanciful details.

If you are new to this process, you can see the various steps and pictures of the chicks on these posts. Of course, they are inspired by Sue Spargo's exhibit at the La Conner Quilt Museum, by her book, Creative Stitching, and by taking a one-day class from her to get me going. Along the way, other books, embroideries, and drawings also inspired me.


As you might guess, most of the chicks have at least a few beads. Here is one with the main motif embroidered with beads.


And, here is one with just a few beads, the center of the "flowers," and one with no beads at all.

Also note that I've quilted the piece with Danish Flower Thread in a shade which closely matches the background color.

At first, I thought it would be pleasing to embellish the areas between the chicks with flowers, vines, and leaves using three close shades of the background color. Here is an example.


It looks OK when you look at just four chicks with the flower/vine motif in the center. But when I had finished 6 of the areas (sorry no photo), some of them with larger spaces and larger vines/leaves, it looked too busy. It took away from the chicks. I couldn't tell if I was supposed to look at the chicks or the flowers. So I picked out the vines and leaves, leaving just the flowers, which weren't such a distraction.


After sewing on the binding, the chicks seemed to need a little warming around them. So I added a line of stem stitch in variegated pearl-cotton in a magenta color. It pleases me!


Oh, and one more thing... This is a quilt, designed to hang on the wall, with lots of details to enjoy as you view it up close. But what happens to wool felt when it is out in the open? MOTH DAMAGE and DUST are the enemies. My solution? Find, buy, or have somebody make a wall-mounted display case, with a hinged door. Hang the quilt inside the case, which remains closed except when somebody wants to take a closer look. The above, found on the internet, is close to what I have in mind, with a white background of course.


What's next in chick-land? Well, my dear niece just got married... Here is the start of her wedding gift... I'll post a finished photo soon.

Oh dear, busy me, four months since I've posted here. Lots of quilting, a little beading, some travels, and recently several sets of house guests have made "retirement" a bit of a joke. For now, since the La Conner Quilt Festival is just around the corner (October 2-4), my subject is one small exhibition on the first floor at the Museum, which is currently up, and will remain through the Festival.

Last year at the Festival (and again this year!) Sue Spargo taught workshops on her wool applique embroidery methods. Those of us who were lucky enough to get in were invited by the Museum to exhibit our finished pieces. These marvelous creations are the subject of this post. Uneven lighting makes it difficult to get good photos, so please forgive poor color or tone on some of these photos.

In case you are unfamiliar with Sue's work, below is an example of her work. Students in her class could choose to make chicks, circles, or flowers. Most chose the chicks. Eight of her students are showing their work in the current exhibit.

My vote for the most awesome-creative piece goes to Bunny Starbuck for She Has Flown the Coop! Here it is:

Having put my chicks all in neat rows similar to Sue's example, I find it amazing that Bunny's mind took the idea and made a whole different story of it... a coop full of chicks, with two in line on the roof ready to follow the one already in the air. Don't you just love the way the lines divide the space?!




Note Bunny's use of whispy yarn to suggest little chick feathers, her use of snaps for eyes, the one chick turned full front, the one with a bead-tassled braid and glasses, and the one with beaded loop fringe and a gathered yellow ribbon (?) yo-yo. I love them! I'm in awe, Bunny!

Below is Chicks on Parade by Dorie Benson. It's so fun the way they are so close together, with two of them going in a different direction, just as you might see in a little cluster of chicks. If you click the photo to enlarge it, you can see some of Dorie's excellent stitching and hand quilting!

The next one is Chicks by Glenys Baker, who not only did all 36 chicks but also made a second quilt featuring circles (shown further down). Awesome work, Glenys!

And next is Birds of a Feather Can Dance Together by Lorraine Jones. The fun of the title is matched by the fun of Lorraine's embellishments, including her border treatment. (You'll have to see this one in person, because the light from a table lamp, made the lower corner of the photo look terrible.)

I guess most of us like to "swim the other way," as you can see in the next piece, Chickadees, by Carrie Unick. I thought many of Corrie's embellishments were especially fun and creative, so I've also included a couple of detail photos.



Last of the chicks is my piece, simply named Chicks. It was so much fun, that I made another small piece (also in the exhibition), shown at the top of this post. Both are displayed in shadow-box type frames to protect them from dust and moth damage.
Glenys Baker, in one year, made not only a 36-chicks quilt (shown above), but also a 48-circles quilt, Circles. How she keeps thinking of new embellishment variations I can't imagine. Yet each of her circles is completely unique! Her choice of border fabrics is perfect for the quilt, complimenting the flow of color among the circles.


I love the fun color combinations and the way the beads enhance her embroidery on Nancy Anders' Bodacious Blooms, a joyful wall quilt if ever there was one! (Again, I couldn't quite get the color right in the photo, so you'll just have to go to the Museum to see it in person.)


The name of Roberta Roberts' flower quilt, Memories, invites us to look closely at the flower with three ladybugs. I don't know the story, but I can tell there is one here... and I love that. Her embellishments are varied and fun as well.



There you have it... 10 quilts by 8 students who learned some methods of wool applique and embroidery from Sue Spargo, last year at the La Conner Quilt Festival. I'm so grateful to be one of them!

By Frosty Wooldridge, Well, what do you know? Trump won! How do you feel? What is the Golden Age of America? How does the other half of the country feel? When will we all get on the same page? And please, Jimmy Kimmel, you’re not funny. Stop crying. One talking head said, “If you’re in […]

The post Wooldridge: Saving Our Republic from the Invasion & Kamala appeared first on The Lid.

Bring Back the Maples is a volunteer effort to increase the forest canopy along Woolwich Townships' rural roads.

OM Ireland proclaims the true meaning of Christmas in a relevant and exciting way for primary school children and through Irish national television.

Shares in Woolworths surged more than 4% on Monday after an update showed its blue-chip food business continuing its strong growth trajectory and its fashion, beauty and home business delivering improving sales metrics.

Knitting wool and yarn from the leading brands is also available online. You can get the right wool or yarn of the desire color or quality from the online shop. Being free from any operating costs like rent, electricity & phone...

3.       The Complainant approached the Hon'ble National Consumer Disputes Redressal Commission with the following prayers:

"a) To compensate  the complainant for the actual loss suffered (amounting to Rs.1,03,83,335/-) and release the remaining claim amount for the loss due to fire amounting to Rs.60 Lakhs (Approximately) along with interest at the rate of 15% p.a. from the date of loss i.e. 22.05.2017 till its actual payment to the complainant.

b) To compensate and make payment of Rs.25,00,000/- as compensation on account of unfair trade practice, harassment, mental agony caused to the complainant by the misleading and negligent acts of respondent/Insurance Company and not paying the insurance claim at reinstatement value basis as specified in the insurance policy.

Manchester : Manchester University Press, [2018]

London : Nick Hern Books, 2022.

Manchester : Manchester University Press, [2020]

New York, New York : David Zwirner Books, [2021]

Knitting wool and yarn from the leading brands is also available online. You can get the right wool or yarn of the desire color or quality from the online shop. Being free from any operating costs like rent, electricity & phone...

Australian shoppers can turn supermarket rewards into thousands of Qantas and Virgin 'frequent flyer' points by strategically buying $50 Netflix vouchers during special bonus offers.

The airline has told 20,000 staff members to stand down and cut schedules from late March until May after the government recommended Australians do not travel overseas

Supermarket giants Coles and Woolworths were the first to flag offers for staff members being made redundant during the coronavirus pandemic.

Julio Osorio stands in the Valhalla Memorial Park Cemetery near his mother's grave. (Emily Elena Dugdale/KPCC); Credit: Emily Elena Dugdale

Emily Elena Dugdale

The devastating Woolsey fire broke out one year ago. In Malibu, it wreaked havoc not only on hundreds of homeowners but also on the day laborers, housekeepers and gardeners who traveled to the city to work in its affluent neighborhoods.

 

This content is from Southern California Public Radio. View the original story at SCPR.org.

From the harshest heat on record to record investments in offshore wind, this has been some kind of March. Here are some key figures from a record-breaking mont

Researchers extract nuclei from a preserved woolly mammoth carcass, implant them into the egg cells of mice, and watch as the bits became animated.

Allbirds sustainable wool shoes are disrupting the footwear market with their low-carbon style.

It's unpleasant to wear, but it's also one of a kind.

These stylishly sustainable shoes let you leave a smaller environmental footprint.

Scientists have been working to resurrect the woolly mammoth for years now. How close are we, and should we even be doing it?

Babydoll Southdown sheep are tiny — and chock full of personality.

Dr. Woolam has been endorsed by Marquis Who's Who as a leader in the field of general surgery

As the very few affected by both tragedies that took place in Los Angeles, Destiny uses her music to heal and rebuild; paying respect to the many lives lost and honoring communities that came together in support.

Woolf's novel has received rave reviews from readers and reviewers alike. One reviewer called it "better than Harry Potter".

A sizing composition for insulating products based on mineral wool, in particular on glass or on rock, includes at least one monosaccharide and/or at lest one polysaccharide, and at least one organic polycarboxylic acid having a molar mass of less than or equal to 1000. Another subject-matter of the present invention is the insulating products based on mineral fibres thus obtained and the process for the manufacture thereof.

A machine for distributing blowing wool from a bag of compressed blowing wool is provided. The machine includes a chute having an inlet end configured to receive the bag of compressed blowing wool. A shredding chamber is positioned downstream from the chute and configured to shred and pick apart the blowing wool. The shredding chamber includes a plurality of shredders configured for rotation. Each shredder includes a plurality of paddle assemblies mounted to a shredder shaft. Each paddle assembly has a plurality of paddles. The paddles have a hardness within the range of 60 A to 70 A Durometer to better grip the blowing wool for shredding and prevent jamming of the blowing wool within the shredder.

A method for producing a wood wool construction element. This method comprises the steps of dispersing at least a part of a mixture of wood wool and a hydraulic binder in a mold so as to obtain a layer of the mixture with a height that is less than the height of side walls of said mold. Said mixture is at least partially hardened after which a subsequent layer of mixture is provided. The thickness of a construction element may well exceed 30 cm, for example 40 cm, 50 cm or even 60 cm. Also, an element obtained with such method is described, as well as a production facility.

Almost 11 years ago to the day, the last branches of Woolworths closed their doors. Here we take a look back at when the colossal shopping chain had a store in Southampton.

What's so monumental about turning 40 that women need their own Facebook group? Turns out--pretty much everything. Nina Collins has created an "environment that's a little like Vegas...our special place to talk about what's really going on in our lives..." But why don't real life friends fill that need? Collins turned what she learned from the group--and her own experience with hitting 40--into a book "What Would Virginia Woolf Do?" Hear it all this week on Inflection Point with Lauren Schiller.