Ranjani Sivakumar’s Birdsong by Birdsong, to be performed in Hyderabad on September 2, explores the relationship between birds and music, sourced from the works of poets and writers

Best known for musical blockbusters, legendary filmmaker Nasir Husain also wrote dialogues for his films. His words were true to the syntax of the timesthey were written in, whether it was forMunimjiorPaying Guestin the mid-1950s or forJo Jeeta Wohi Sikanderin the ’90s

Dick Cavett talks to Cheever & Updike - Oct 14, 1981. (Earlier post.)

Linkastic © 2007 IndiaUncut.com. All rights reserved.
India Uncut * The IU Blog * Rave Out * Extrowords * Workoutable * Linkastic

With no fanfare, Hollywood studios and leaders of the Writers Guild of America have moved back the start of masters contract negotiations a week to May 18. Representatives of the Alliance of Motion Picture and Television Producers were not immediately available for comment about the change, which was revealed Saturday. A WGA spokesman said, “It’s […]

Sarah Falzon, a Toronto-based entertainment lawyer with Taylor Oballa Murray Leyland LLP, joins us to chat about the recent slew of copyright infringement lawsuits hitting pop stars, including Drake and Katy Perry, as well as Taylor Swift, Sam Smith, and Ed Sheeran.

As Sarah says, it seems like the floodgates have opened in the wake of the infamous “Blurred Lines” conflict in which the estate of Marvin Gaye successfully sued Robin Thicke and Pharrell Williams for copying the “feel” and “sound” of Gaye’s 1977 song, “Got to Give It Up.” We discuss the details of the newer lawsuits that make them interesting and whether we really have entered a riskier era for songwriters. Sarah also explains if the U.S. lawsuits have any bearing on Canadian songwriters and the relevant differences between Canadian and American copyright law.

Kannada writer TK Dayanand and poet Arif Raja have boycotted the Bangalore Lit festival that is being held in the city on December 5 and 6.

Archives, Room Use Only - PN6231.T4 L54 1882

Exposing and discussing harassment is a way to send the message that it's not OK.

Workshops, retreats, and general accommodations in beautiful Bruce Peninsula, Ontario, Canada

The writers of the film realised that academic failures do not mean it's all over.

Over the past 7 years, a strong collaboration has emerged between the H.J. Andrews Experimental Forest ecosystem research group and the Spring Creek Project for Ideas, Nature, and the Written Word, an independently funded program for nature writing based in the Department of Philosophy, Oregon State University. The program is called Long-Term Ecological Reflections and it brings together scientists, creative writers, and environmental philosophers to consider new ways to conceptualize and communicate views of long-term ecological change in forests and watersheds and the participation of humans in that change. The program is designed to parallel the Long-Term Ecological Research program, a national science program initiated in 1980 and involving the Andrews Forest. Both programs focus on primary inquiry and have 200-year planning horizons, which have resulted in some uniquely farsighted perspectives and astute ecological observations.

IOWA CITY — Once upon a time, there was a house in a city that loved literature. It was a quaint, two-story home in the heart of the historic district with brick stairs, pale yellow siding, a...

When Andrea Wilson approached me five years ago with her idea of creating a space for writers in our community separate from any offered by the University of Iowa, I must admit I was a bit skeptical,...

When Andrea Wilson approached me five years ago with her idea of creating a space for writers in our community separate from any offered by the University of Iowa, I must admit I was a bit skeptical, if not defensive. Over a long coffee discussion, I shared with her a detailed look at the literary landscape of Iowa City and all of the things my organization, the Iowa City UNESCO City of Literature was doing to make those assets more visible and accessible.

• Coronavirus closes the Iowa Writers’ House - for now

Despite this, Andrea mentioned the need for an “on ramp,” a way for people who don’t feel a part of that community to find their path, to access those riches. It was there, I thought to myself. She just hadn’t looked in the right place.

Then she built that ramp in the form of the Iowa Writers’ House. As she and her team defined what that ramp should look like, what role it should play, the Writers’ House evolved from being an idea with promise to a vital part of our literary infrastructure. She showed that people were hungry for further instruction. They desired more and different ways to connect with one another. These were things beyond the scope and mission of the UI and the City of Literature. She had found her niche, and filled it, nicely complementing what was offered by my organization and others.

But those services do not come without cost. Andrea and her team scrambled, using the house as a literary bed-and-breakfast that was used by many visiting writers. They scheduled workshops. They held fundraisers. But that thin margin disappeared with the onset of COVID-19. Unable to hold those workshops, to serve as a bed-and-breakfast, to provide meaningful in-person connections, the Writers’ House was unable to carry on in its current configuration.

We have every hope and expectation that the Iowa Writers’ House and Andrea will continue to be a part of our literary landscape in the future. This will come perhaps in another form, another space. Conversations have been underway for months about the needs of the literary community beyond the UI. Andrea has been a key part of those discussions, and the work that she and her team has done offer vital information about where those conversations need to go. Gaps have been identified, and while they won’t be filled in the same way, they will be filled.

These conversations join those that have been taking place in our community for decades about the need for space and support for writers and artists. As we all have realized over these past few weeks of isolation just how much we miss when we are not able to gather to create and to celebrate those creations, perhaps those conversations will accelerate and gain focus once we reconvene. The newly formed Iowa City Downtown Arts Alliance, of which we are proud to be a part, is an additional voice in that conversation.

In the meantime, we want to thank Andrea, Associate Director Alisha Jeddeloh, and the team at the Iowa Writers’ House, not just for identifying a need, but for taking the rare and valuable step of actually rolling up their sleeves and doing something to meet it.

John Kenyon is executive director of the Iowa City UNESCO City of Literature.

IOWA CITY — Once upon a time, there was a house in a city that loved literature.

It was a quaint, two-story home in the heart of the historic district with brick stairs, pale yellow siding, a hipped red roof and a rich history: Its original owner was Emma J. Harvat, who in 1922 became the nation’s first female mayor for a city of more than 10,000.

Nearly a century later, in 2014, Andrea Wilson was working in advertising in Florida and pined for a more “altruistic purpose” for her life. So she planned a return to Iowa, where she grew up in Columbus Junction.

But this time Wilson would live in Iowa City, known for — among other things — pioneering academic creative writing pursuits at the University of Iowa’s famed Writers’ Workshop.

Wilson wanted to write and found the idea of the historic Harvat house so charming she bought it “sight unseen” from down in Miami, aiming to run it as a bed-and-breakfast. But when she arrived, Wilson discovered a need in her new community she aimed to fill. It had a surprising dearth of literary resources for those outside the university.

“There wasn’t any place for the public to take a class or meet other writers or really be part of a writing community where people could just express their humanity through words,” she said. “It became my passion project — to try to create that for this community. I thought if anywhere should have a place like that, it would be America’s only UNESCO City of Literature at the time.”

So in March 2015, Wilson debuted Iowa City’s first community-based literary center for writers — or those aspiring. She had hoped to open a communal writing space closer to downtown but didn’t have the funding. So she gave her home a third identity: the Iowa Writers’ House.

She continued to live there and maintain her bed-and-breakfast business, which funded the writing endeavor and kept its cozy corridors bustling with interesting characters.

Famed visiting writers included Leslie Jamison, American novelist and essayist with works on the New York Times bestseller list; Hope Edelman, whose six non-fiction books have published in 17 countries and translated in 11 languages; Alison Bechdel, an American cartoonist and MacArthur fellow; and Piedad Bonnett Velez, Colombian poet, playwright and novelist of international acclaim.

And over the years, the Iowa Writers’ House connected, served and motivated thousands with its workshops, seminars, readings and summer camps. It offered editing services, founded a Bicultural Iowa Writers’ Fellowship, and — among other things — inspired a growing network of friends and creatives to value their own stories and the stories of others.

“I said yes to everything anyone ever asked of me,” Wilson said. “We gave tours. I received visiting scholars. We hosted dinners for visiting poets and writers for the university. And a lot of that was all volunteer. We never had a steady funding stream like most literary centers do.”

So when the coronavirus in March reached Iowa City, later shuttering storefronts, canceling events, curtailing travel plans and crippling the economy, the Iowa Writers’ House momentum stopped, too.

“Once COVID hit, because all of our programming is live and people come to the house, we had to cancel it,” Wilson said.

She dropped most of the organization’s spring season. She lost all her projected bed-and-breakfast business. And in a message posted to the Iowa Writers’ House website last month, Wilson announced her hard but unavoidable news.

“As the situation pushes on, and with no programming in the foreseeable future, we must make drastic changes,” she wrote. “Organizations must weather the storm or adapt, and in the case of this little organization with a big heart, evolution is the only option.”

And so after five years of intimate conversations, communal meals, singing, laughing, crying and lots and lots of writing and reading — all done in the shadow of Harvat — the organization is leaving the historic space and “taking a break to assess our mission and consider our best options for the future.”

Wilson said she plans to focus on her own writing. And the Bicultural Iowa Writers’ Fellowship program will continue — allowing for the release later this year of a third volume of “We the Interwoven: An Anthology of Bicultural Iowa,” including six new authors with multilingual stories of living in Iowa.

News of the goodbye — at least for now — has been met with an outpouring of support and testimonials of the impact the Iowa Writers’ House has had,

“I grew up without a writing community, and it was a very lonely experience,” Erin Casey wrote to Wilson after learning of its pause.

Casey — on the Iowa Writers’ House team and director of The Writers’ Rooms, an offshoot of the house — said her involvement in the project shaped not only her career but her personal growth.

“You, and the Iowa Writers’ House, helped me become a stronger person who felt deserving of companionship, respect, and love,” she wrote. “Watching the house grow, the workshops fill, and the stories come in about how much the IWH touched people’s lives added to the joy. I finally found a place to call home.”

Casey said that while the future is unknown, its legacy is not.

“The IWH will live on in the hearts of the people you touched,” she wrote. “Writers have found friends, support, guidance …”

Although the project isn’t getting a fairy-tale ending, Wilson said the story isn’t over.

“The organization is leaving the space. I’m leaving the space. We’re going on an organizational break so we can determine what a sustainable future might be,” she said. “But it’s really the end of a chapter. And we don’t know what the next chapter will be.”

Comments: (319) 339-3158; vanessa.miller@thegazette.com

Our staff of reporters and photographers at the Inlander has been working tirelessly to cover the coronavirus pandemic and all of its implications for the Inland Northwest — on jobs, schools, employment, the restaurant industry, arts organizations, hospitals and much, much more. However, we’ve also tapped into a boundless resource that is our region’s community of writers, and in recent days they’ve shared with Inlander readers an awe-inspiring series of essays and stories that has left us inspired, hopeful, heartbroken and more than a little grateful.…

A system according to one embodiment includes at least two write transducers for writing to a magnetic medium; and a low reluctance path from a first pole of a first of the write transducers to a second pole of a second of the write transducers. In another embodiment, either 1) the first pole of the first write transducer and the second pole of the second write transducer are positioned close enough to each other that a low reluctance path is present from the first pole of the first write transducer to the second pole of the second write transducer, or 2) a magnetic strap extends between the first pole of the first write transducer and the second pole of the second write transducer thereby creating a low reluctance path therebetween.

“Writers write.” “Publish or perish.” Even without a global pandemic, writers face constant pressure to produce new material. But for the first-time novelist, publishing a book when bookstores are closed for browsing, signings and readers is particularly tough.

Artistry Worldwide is looking to sign writers and producers to publishing deals. We are looking for writers with catchy melodies, and really great lyrical content. For producers we are looking for uniqueness, originality, and out of the box thinking. We specialize in Pop, Hip-Hop, and R&B, but are open to all genres of writers and producers if you have an original sound that we have to hear. Please submit your best track(s) for consideration. We look forward to hearing your submissions.

Artistry Worldwide is a new media company headed by Max Gousse based out of Los Angeles with a hub in emerging markets such as Toronto, Dubai, London, and Seoul. The mission for Artistry Worldwide is quite simple: to become the number one brand in developing new talent in media worldwide.

- Artistry Worldwide

Deal Type: Publishing Deal
Decision Maker: I'm the final decision maker
Deal Structure: Exclusive
Compensation:$1,000+
Song Quality: Fully mastered, Broadcast ready, Rough Mixes Writers Only

I'm seeking extraordinary singers and/or singer/songwriters with superstar quality for management. These singers must submit their hottest music to me on this platform only for a management signing with Dreamwire Entertainment.

Bobby Springsteen started as a recording artist then went on to become an A&R for several labels. He's now Founder/CEO of Dreamwire Entertainment Inc. managing artists, producers, songwriters, and screenwriters. He consults with publishing companies and has been instrumental in developing Notting Hill Publishing and its urban catalogue, as well as Royalty Network.

- Bobby Springsteen / Dreamwire Entertainment

Deal Type: Management Signing
Decision Maker: We are the final decision maker
Deal Structure: Exclusive
Compensation: $1,000+
Song Quality: Rough Mixes, Fully mastered, Broadcast ready

Rock Mafia is an American record production/songwriting team, consisting of Tim James and Antonina Armato who have been active since the early 2000s. They have worked with artists such as Demi Lovato, Vanessa Hudgens, Miley Cyrus, Selena Gomez, No Doubt, Wyclef Jean, Green Day, Mariah Carey, Justin Bieber, Flo Rida, Ellie Goulding, A Great Big World, Tokio Hotel, Bebe Rexha, Armin van Buuren, and Laura Marano. Rock Mafia have sold over 100 million albums worldwide. We are seeking the best new artists, songwriters, and producers to add to our growing team to help with new projects. Please submit your best track(s) for consideration.

- Rock Mafia

Deal Type: Label / Management Signing / Collaboration
Decision Maker: I'm the final decision maker
Deal Structure: Negotiable
Compensation: Negotiable
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Artists: Demi Lovato, Vanessa Hudgens, Miley Cyrus, Selena Gomez, No Doubt, Wyclef Jean, Green Day, Mariah Carey, Justin Bieber, Flo Rida, Ellie Goulding, A Great Big World, Tokio Hotel, Bebe Rexha, Armin van Buuren, and Laura Marano

Seattle Times writers Ryan Divish, Mike Vorel, Bob Condotta, Larry Stone, Jayda Evans and Matt Calkins got together for a roundtable discussion about the latest news in the Seattle sports world. Watch the replay here.

Rewatch a roundtable discussion with Seattle Times writers Ryan Divish, Bob Condotta, Larry Stone and Mike Vorel on the NFL draft, Seahawks, "The Last Dance" and more.

Seattle Times writers Ryan Divish, Mike Vorel, Bob Condotta, Larry Stone, Jayda Evans and Matt Calkins got together for a roundtable discussion about the latest news in the Seattle sports world. Watch the replay here.

A Juno-nominated musician says a generation of songwriters is being lost due to the intense struggle artists face trying to survive financially in an industry dominated by music streaming services like Spotify and Apple Music.

The Federal Writers' Project, established by President Roosevelt in July 1935 as part of the New Deal, provided jobs for out-of-work writers during the Great Depression. Australian authors Jeff Sparrow and James Bradley discuss whether a similar literary stimulus package could work today.

Writing about 'place' is more than parachuting into an unfamiliar location, meeting a few people, rehashing well-worn clichés, then flying out again. Three writers discuss the places they written about, and how to capture the essence of people and place.

I really love the small wooden halls that dot each village in our north coast region. The halls have been social hubs for our rural communities for decades. They have seen bush dances, card nights, trivia fundraisers, 21st birthday parties, garage sales, weekly yoga classes and many other social events.

"12 Monkeys" director Terry Gilliam and screenwriters David and Janet Peoples are not taking any credit for predicting a pandemic in their sci-fi classic starring Bruce Willis and Brad Pitt.

(United States Ninth Circuit) - Affirmed the dismissal of a trademark infringement lawsuit brought by a financial services company, holding that the use of its trademarks by a publishing company constituted nominative fair use.

(United States Ninth Circuit) - Affirmed the dismissal of a trademark infringement lawsuit brought by a financial services company, holding that the use of its trademarks by a publishing company constituted nominative fair use.

(California Court of Appeal) - Affirmed the denial of a motion to compel arbitration of an insurance dispute. A company that sued its workers' compensation insurer over premium hikes contended that the case did not have to be arbitrated because the California Insurance Code invalidated the parties' arbitration agreement.

(United States Ninth Circuit) - Affirmed the dismissal of a trademark infringement lawsuit brought by a financial services company, holding that the use of its trademarks by a publishing company constituted nominative fair use.

(California Court of Appeal) - Held that an insurance company could not force an insured taxi cab company to arbitrate a workers' compensation insurance dispute. Affirmed the denial of the insurer's motion to compel arbitration.

(California Court of Appeal) - Affirmed the denial of a motion to compel arbitration of an insurance dispute. A company that sued its workers' compensation insurer over premium hikes contended that the case did not have to be arbitrated because the California Insurance Code invalidated the parties' arbitration agreement.

EMI UNIVERSAL MUSIC GROUP ASCAP CURROPTION

After strong backlash to author Jeanine Cummins' controversial new novel "American Dirt," the book's publisher canceled Cummins' remaining tour dates, including a Feb. 2 event at Tattered Cover in Denver, citing safety concerns. Before learning of the event's cancellation, Latinx writers in Denver were planning to host a protest reading in… Read more »

Nitrozac had to undergo an emergency endodontic procedure, *ouch*, so she is off for a few days to let her recover. We'll be back with a new smile soon, in the meantime, here's one of our fave retros...

Advice for those who are trying to get published or who want a longterm career in the publishing industry: you need to develop a thick hide when it comes to criticism. 

No matter what stage you are in your career, if you are putting yourself and your work out there for people to see (whether it's agents or editors or art directors or reviewers or other readers), you WILL get criticism. It might be criticism in the form of critiques from a trusted group of writer or illustrator friends. It might be a form rejection letter or detailed rejection letter. Even after you get a contract, you will be getting feedback and change requests from your editor or art director. After your book comes out, some people will not like your book -- and some of those people may be reviewers.

If you are sensitive to harsh judgement, you need to find a way to cope with this early on if you want to stay in the game. Just don't do it in public!

For critiques of your work, never make changes right away. This is especially important for those who are insecure about their own skills! Let the feedback sit for at least a day or two (longer if you can wait), THEN come back to it with more objectivity. Do you agree with the feedback? Don't blindly make a change to your manuscript if you don't agree or understand why.

And never, ever respond to negative reviews in public.

Some useful resources:

Gail Carson Levine has great advice about how to take criticism, particularly from a critique.

11 Writers On How They Deal With Criticism - by Jason Diamond.

6 Top Tips For Dealing With Criticism Of Your Writing - from WritersEdit. This piece advises AGAINST reading all (if any) of your reviews in Goodreads and other places geared toward readers; I've heard this piece of advice from a prominent author in her workshop as well.

Deal With Criticism Like A Pro - by Bryan Collins on WritetoDone. This advice is mainly geared toward negative feedback from an editor; Bryan is a nonfiction freelance writer.

Happy launch day to Marcie Colleen, whose THE BEAR'S GARDEN with Alison Oliver launches from Imprint/Macmillan today!

Marcie Colleen is the award-winning picture book author of Penguinaut! (illustrated by Emma Yarlett) and Love, Triangle (illustrated by Bob Shea), as well as the Super Happy Party Bears chapter book series. She teaches Writing Children’s Picture Books for the University of California at San Diego both online and on campus, and runs her own Study Hall conducting a month-long online critique group dedicated to the crafting picture books. Find out more about how you can study with Marcie at thisismarciecolleen.com and on Twitter at @MarcieColleen1.

*UPDATE: Marcie has also launched her SUPER HAPPY Book Club on her YouTube channel, especially for families at home during school closures!

Launching March 24, 2020, THE BEAR'S GARDEN is written by Marcie Colleen and illustrated by Alison Oliver. You can read reviews of the book on Kirkus (starred review!) and Bookroo.

Author: Marcie Colleen
Illustrator: Alison Oliver
Publisher: Imprint/Macmillan Children’s

SYNOPSIS: Inspired by the true story of a community garden in Brooklyn, New York, picture book The Bear’s Garden is a testament to how imagination and dedication can transform communities and create beauty for everyone in unexpected places.

A little girl sees an empty lot in a city and imagines what it can be:

a place to grow,
a place to play,
and a place to love.

With the help of her stuffed bear, the girl brings her community together to create a beautiful garden.

Q. What inspired you to write this book?

The Bear’s Garden was inspired by the real-life Pacific Street Brooklyn Bear’s Community Garden in my former neighborhood in New York City. The name always puzzled me—I mean, we didn’t have bears wandering around Brooklyn last I checked!

Come to find out, the garden was named for a teddy bear that was found in the weeds when the workers began to create a garden in the abandoned lot. Of course, immediately I started thinking of that little bear. How did he get there? Did he belong to anyone? Was he placed there on purpose?

The Bear’s Garden is my imaginative story about how the teddy bear came to be in those weeds. It’s also a love letter to my former neighborhood and the power of community that I felt while living there. I am the girl who finds love and beauty in every inch of that urban paradise

Q. As an experienced author, how do you manage your time in terms of balancing your creative work time with the business side (promotion, admin, school visits etc), yet still have a life outside work?

While everything I do, such as teaching and creating Teacher’s Guides, falls under the umbrella of being a full-time children’s author, I have struggled in the past to find time for my own creative writing. It seems my days get quickly overrun.

However, about a year ago I paired up with a fellow author friend, Kirsten Larson, to prioritize our writing projects. We get up at 5:20 every morning to write for an hour. The alarm goes off, we text each other a quick “Good Morning” and share our project goals for that session, grab our coffee, and set to write until 6:30 without distraction. At 6:30 we check in again with our progress. It’s been a game-changer. I think I have written more in the last year because of it. And it’s a fantastic way to feel accomplished no matter what the rest of the day brings.

Q. What advice do you have for young writers?

I have always loved reading and writing stories.

A few years back I found a book I had written in elementary school. It’s called Rainbow Hunt. And in the back of the book I found an Author’s Note I had written. It said,

“Marcie Goldstein lives in Liverpool, NY and loves to write books. Someday she hopes to be a successful author.”

So, my advice to young writers everywhere would be, know that your dreams can come true. Even if people say it’s a long-shot. I’m living proof. So keep reading, keep writing, and never stop dreaming.

Q. Anything else you'd like to mention? What are you excited about these days?

Despite the recent global health crisis that has left us all indoors, I am excited to see how we will learn to build more community within our lives—even virtually. The creativity and innovation that has developed in the last few weeks has been extraordinarily inspiring. Like flowers between the pavement cracks, we will find ways. And a lot of beauty is going to grow from this.

 --

For more interviews, see my Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators I've interviewed over the years.

GIVEAWAY (U.S. only): Karla is giving away a copy of Marie Curie And The Power Of Persistence, written by Karla Valenti and illustrated by Annalisa Beghelli! *** ENTER HERE ***

Karla Arenas Valenti was born and raised in Mexico. Since then she has put down roots in a number of countries she now calls home: Japan, France, Germany, and the U.S. where she lives in the Chicagoland area with her husband and three kids. She writes picture books and middle grade novels. You can find out more about Karla at www.karlavalenti.com or connect with her on Facebook or Twitter @KV_writes.

I asked Karla to describe her book, and here's what she replied:

My Super Science Heroes is a picture book series for children ages 4-8. The series focuses on key scientists, but rather than defining those scientists by what they did (their achievements), we are choosing to highlight who they were (the traits that made those achievements possible).

This distinction is important as it allows readers (young and old) to re-frame what it means to “succeed” - in other words, you do not need to be a genius or Nobel-prize winner in order to be a hero in your own life. Arguably, what makes someone a hero is how they make use of their own “super powers” in pursuit of their dreams.

And what are these super powers?

The first one we chose to highlight is persistence.

Throughout her personal and professional life, Marie Curie encountered many societal and institutional limitations that threatened to block her progress. Rather than telling our young readers about these challenges, however, we chose to show them. Enter Mr. Opposition, a character designed to embody these counterforces and give Marie a chance to prove her persistence to all her fans and readers.

In this way, Marie’s ultimate success and notable achievements are not presented as the inevitable result of a gifted mind. Rather, we are honoring the tremendous effort she exhibited in never giving up on her dreams, a super power indeed.

Our next book focuses on the power of curiosity, exemplified by Alan Turing and his minion, Miss Enigma (due out Jan 2021).

My Super Science Heroes is unlike any other children’s book series focusing on historical figures, and we hope it will inspire countless of young scientists (and non-scientists) as they develop their own super powers.

Q: How did MARIE CURIE AND THE POWER OF PERSISTENCE get published?

This is a story about the unexpected surprises that come our way when we are open to any (and sometimes unconventional) opportunities.

I was living in Europe at the time, and a friend forwarded an open call for story submissions run by a non-profit science association. The Marie Curie Alumni Association (MCAA) was looking for a creative way to raise funds to support their science initiatives, so they launched a contest for picture book submissions. The topic was a story about Marie Curie, but told in a way that would excite young readers about science

As a fiction writer, I was hesitant at first to submit a story on a non-fiction topic. However, I also viewed this as an opportunity to flex my creative wings, so I took the challenge and wrote a story about Marie Curie... the super hero.

As I researched her life, it became clear that, while she certainly accomplished a great deal as a scientist, her most notable achievement was her unwavering persistence in facing a number of challenges throughout her life. Persistence! A skill highly valued in the scientific community (and one present in all of us).

What if the book was about Marie Curie using her power of persistence to achieve great things in the scientific world?

What if she had an evil nemesis who lived in a craggy cave deep underground, and whose sole purpose was preventing the spread of knowledge?

What if he sent his minion, Mr. Opposition, to stop Marie in her heroic journey?

Thus was born the My Super Science Heroes series.

It was an unconventional premise, but I decided to submit the story. To my tremendous surprise, I won!

Working with Micaela Crespo Quesada (a super scientist herself) and the MCAA association, we identified the perfect illustrator for the project, Annalisa Beghelli. Her artwork brilliantly captured the super hero themes we wanted to explore. In a true collaboration, the three of us worked to bring this project to life.

Initially, the project was going to be funded exclusively through a global crowdsourcing campaign. Not only did we exceed our goal by 20%, but a couple weeks into the campaign, we received an offer by Kelly Barrales-Saylor at Sourcebooks for world rights.

Fast forward to today as we celebrate the world publication on April 7th of Marie Curie and the Power of Persistence.

Q. What advice do you have for young writers?

In a perhaps not-so-ironic twist, the most valuable piece of advice I can offer is to believe in the power of persistence. And I hesitate to say this is only relevant to young writers (since I myself only learned this as a writer after many years).

The journey I have taken to get to this point has not been a short (or always-joyful) one. Indeed, it has been more agonizing than not, more heart-breaking than uplifting, and certainly taken a lot longer than I expected.

There have been plenty of opportunities for me to give up and walk away (and if I'm honest, there have been moments in my life where I've had to do that). However, I am fiercely proud of this story because it feels like a real badge of honor; a testament to the courage it takes to pick up your "pen" and keep putting words to paper, despite everything standing in your way.

The truth is, we all have our own version of Mr. Opposition, and we all must do battle with the nemesis that intends to bring us down. But word by word, line by line, we can persist. That is no small thing.

--

For more interviews, see my Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators I've interviewed over the years.

Authors Steph Cha and Joe Ide swapped crimes stories and favorite books during the L.A. Times Book Club's first virtual event.

CRUISE ship holidays were a popular vacation choice for many Britons before the coronavirus pandemic struck. The crisis has hit the industry hard, leaving some reluctant to go on a cruise again - but now 12 travel writers have united to reveal why they love cruising so much.

3 June 2013 , Volume 69, Number 3

You’ve read Mankell and Larsson, but here are others to look out for:

This is the second part of a two-part article on how time was perceived and measured in ancient and medieval Europe.

In the last installment of History for Fantasy Writers I addressed years, months, weeks, and days. Now I turn to shorter lengths: days, hours and still shorter periods. I’ll close with a more general consideration of time and the awareness of time.

Hours

We carve the day into twenty-four hours, but in the past the hour was a malleable thing. There were twelve hours of daylight and twelve hours of night, regardless of the season. The day began with zero at sunrise. Then came the first hour, the second, and so on. The twelfth hour fell at sunset. A winter daylight hour was therefore shorter than a summer hour.

This feels a little nuts at first, but it’s actually pretty sensible. At least the word midnight makes sense in that system—it’s the mid-point of the night, regardless of how long is the night. All we have to do is abandon the notion that an hour is a unit of time, to consider it as marking portions of a day.

Continue reading History for Fantasy Writers: Do You Have a Moment? at Mythic Scribes.

Banks appear in a number of fantasy stories. George Martin’s Iron Bank is probably the best known, but banks and banking families can be found all around the fantasy landscape, especially in modern works. For writers considering including banks and bankers in their own stories, knowing something of the history can help add detail and color.

Money Changers

Europe in the High Middle Ages, say around 1100, had a bewildering variety of coinage (see my article on medieval money), a crazy cobweb of overlapping public authority, and an unreliable network of roads. Banking arose in response to the need of merchants to conduct large-scale business at a distance in that environment.

As you might guess, with so many different coins, knowing how to convert from one currency to another was a fairly technical business. That business was handled by a money changer. In Florence and other north Italian towns, the money changers set up shop at markets and near merchant establishments—any place where there was plenty of commercial traffic. The benches they sat on are called banca in Italian. That’s where we get the term bank.

Money changers knew more than just how to convert currencies.

Continue reading History for Fantasy Writers: Bank on It at Mythic Scribes.