unexpected

The next scientist : the unexpected beginnings and unwritten future of the world's great scientists / by Kate Messner ; illustrated by Julia Kuo

Messner, Kate, author




unexpected

The Drop In with Guy Raz | Steven Galanis on Coming to Grips with Unexpected Growth

Produced by WIRED Brand Lab with Dropbox | When social isolation began, Cameo founder Steven Galanis thought his company’s days were numbered, when in reality the opposite occurred. Discover how Galanis is managing record-breaking growth in the midst of a global pandemic in conversation with Guy Raz.




unexpected

Biologist Explains the Unexpected Origins of Feathers in Fashion

Feathery looks are a staple of modern fashion. Biologist and author Thor Hanson explores the unexpected origins of feathers in fashion, and how our quest for plumes brought some species to the brink of extinction.




unexpected

Engineered for the Unexpected | WIRED Brand Lab

Produced by WIRED Brand Lab with Deloitte | WIRED Brand Lab sits down with Deloitte Consulting's CEO, Deputy CEO, and CCO to understand how Deloitte harnesses the inherent power of unexpected combinations of people, platforms, partners, and technologies to tackle today’s most complex challenges.




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Designing for the Unexpected

I’m not sure when I first heard this quote, but it’s something that has stayed with me over the years. How do you create services for situations you can’t imagine? Or design products that work on devices yet to be invented?

Flash, Photoshop, and responsive design

When I first started designing websites, my go-to software was Photoshop. I created a 960px canvas and set about creating a layout that I would later drop content in. The development phase was about attaining pixel-perfect accuracy using fixed widths, fixed heights, and absolute positioning.

Ethan Marcotte’s talk at An Event Apart and subsequent article “Responsive Web Design” in A List Apart in 2010 changed all this. I was sold on responsive design as soon as I heard about it, but I was also terrified. The pixel-perfect designs full of magic numbers that I had previously prided myself on producing were no longer good enough.

The fear wasn’t helped by my first experience with responsive design. My first project was to take an existing fixed-width website and make it responsive. What I learned the hard way was that you can’t just add responsiveness at the end of a project. To create fluid layouts, you need to plan throughout the design phase.

A new way to design

Designing responsive or fluid sites has always been about removing limitations, producing content that can be viewed on any device. It relies on the use of percentage-based layouts, which I initially achieved with native CSS and utility classes:

.column-span-6 {
  width: 49%;
  float: left;
  margin-right: 0.5%;
  margin-left: 0.5%;
}


.column-span-4 {
  width: 32%;
  float: left;
  margin-right: 0.5%;
  margin-left: 0.5%;
}

.column-span-3 {
  width: 24%;
  float: left;
  margin-right: 0.5%;
  margin-left: 0.5%;
}

Then with Sass so I could take advantage of @includes to re-use repeated blocks of code and move back to more semantic markup:

.logo {
  @include colSpan(6);
}

.search {
  @include colSpan(3);
}

.social-share {
  @include colSpan(3);
}

Media queries

The second ingredient for responsive design is media queries. Without them, content would shrink to fit the available space regardless of whether that content remained readable (The exact opposite problem occurred with the introduction of a mobile-first approach).

Components becoming too small at mobile breakpoints

Media queries prevented this by allowing us to add breakpoints where the design could adapt. Like most people, I started out with three breakpoints: one for desktop, one for tablets, and one for mobile. Over the years, I added more and more for phablets, wide screens, and so on. 

For years, I happily worked this way and improved both my design and front-end skills in the process. The only problem I encountered was making changes to content, since with our Sass grid system in place, there was no way for the site owners to add content without amending the markup—something a small business owner might struggle with. This is because each row in the grid was defined using a div as a container. Adding content meant creating new row markup, which requires a level of HTML knowledge.

Row markup was a staple of early responsive design, present in all the widely used frameworks like Bootstrap and Skeleton.

<section class="row">
  <div class="column-span-4">1 of 7</div>
  <div class="column-span-4">2 of 7</div>
  <div class="column-span-4">3 of 7</div>
</section>

<section class="row">
  <div class="column-span-4">4 of 7</div>
  <div class="column-span-4">5 of 7</div>
  <div class="column-span-4">6 of 7</div>
</section>

<section class="row">
  <div class="column-span-4">7 of 7</div>
</section>
Components placed in the rows of a Sass grid

Another problem arose as I moved from a design agency building websites for small- to medium-sized businesses, to larger in-house teams where I worked across a suite of related sites. In those roles I started to work much more with reusable components. 

Our reliance on media queries resulted in components that were tied to common viewport sizes. If the goal of component libraries is reuse, then this is a real problem because you can only use these components if the devices you’re designing for correspond to the viewport sizes used in the pattern library—in the process not really hitting that “devices that don’t yet exist”  goal.

Then there’s the problem of space. Media queries allow components to adapt based on the viewport size, but what if I put a component into a sidebar, like in the figure below?

Components responding to the viewport width with media queries

Container queries: our savior or a false dawn?

Container queries have long been touted as an improvement upon media queries, but at the time of writing are unsupported in most browsers. There are JavaScript workarounds, but they can create dependency and compatibility issues. The basic theory underlying container queries is that elements should change based on the size of their parent container and not the viewport width, as seen in the following illustrations.

Components responding to their parent container with container queries

One of the biggest arguments in favor of container queries is that they help us create components or design patterns that are truly reusable because they can be picked up and placed anywhere in a layout. This is an important step in moving toward a form of component-based design that works at any size on any device.

In other words, responsive components to replace responsive layouts.

Container queries will help us move from designing pages that respond to the browser or device size to designing components that can be placed in a sidebar or in the main content, and respond accordingly.

My concern is that we are still using layout to determine when a design needs to adapt. This approach will always be restrictive, as we will still need pre-defined breakpoints. For this reason, my main question with container queries is, How would we decide when to change the CSS used by a component? 

A component library removed from context and real content is probably not the best place for that decision. 

As the diagrams below illustrate, we can use container queries to create designs for specific container widths, but what if I want to change the design based on the image size or ratio?

Cards responding to their parent container with container queries
Cards responding based on their own content

In this example, the dimensions of the container are not what should dictate the design; rather, the image is.

It’s hard to say for sure whether container queries will be a success story until we have solid cross-browser support for them. Responsive component libraries would definitely evolve how we design and would improve the possibilities for reuse and design at scale. But maybe we will always need to adjust these components to suit our content.

CSS is changing

Whilst the container query debate rumbles on, there have been numerous advances in CSS that change the way we think about design. The days of fixed-width elements measured in pixels and floated div elements used to cobble layouts together are long gone, consigned to history along with table layouts. Flexbox and CSS Grid have revolutionized layouts for the web. We can now create elements that wrap onto new rows when they run out of space, not when the device changes.

.wrapper {
  display: grid;
  grid-template-columns: repeat(auto-fit, 450px);
  gap: 10px;
}

The repeat() function paired with auto-fit or auto-fill allows us to specify how much space each column should use while leaving it up to the browser to decide when to spill the columns onto a new line. Similar things can be achieved with Flexbox, as elements can wrap over multiple rows and “flex” to fill available space. 

.wrapper {
  display: flex;
  flex-wrap: wrap;
  justify-content: space-between;
}

.child {
  flex-basis: 32%;
  margin-bottom: 20px;
}

The biggest benefit of all this is you don’t need to wrap elements in container rows. Without rows, content isn’t tied to page markup in quite the same way, allowing for removals or additions of content without additional development.

A traditional Grid layout without the usual row containers

This is a big step forward when it comes to creating designs that allow for evolving content, but the real game changer for flexible designs is CSS Subgrid. 

Remember the days of crafting perfectly aligned interfaces, only for the customer to add an unbelievably long header almost as soon as they're given CMS access, like the illustration below?

Cards unable to respond to a sibling’s content changes

Subgrid allows elements to respond to adjustments in their own content and in the content of sibling elements, helping us create designs more resilient to change.

Cards responding to content in sibling cards
.wrapper {
  display: grid;
  grid-template-columns: repeat(auto-fit, minmax(150px, 1fr));
     grid-template-rows: auto 1fr auto;
  gap: 10px;
}

.sub-grid {
  display: grid;
  grid-row: span 3;
  grid-template-rows: subgrid; /* sets rows to parent grid */
}

CSS Grid allows us to separate layout and content, thereby enabling flexible designs. Meanwhile, Subgrid allows us to create designs that can adapt in order to suit morphing content. Subgrid at the time of writing is only supported in Firefox but the above code can be implemented behind an @supports feature query. 

Intrinsic layouts 

I’d be remiss not to mention intrinsic layouts, the term created by Jen Simmons to describe a mixture of new and old CSS features used to create layouts that respond to available space. 

Responsive layouts have flexible columns using percentages. Intrinsic layouts, on the other hand, use the fr unit to create flexible columns that won’t ever shrink so much that they render the content illegible.

fr units is a way to say I want you to distribute the extra space in this way, but...don’t ever make it smaller than the content that’s inside of it.

—Jen Simmons, “Designing Intrinsic Layouts”

Intrinsic layouts can also utilize a mixture of fixed and flexible units, allowing the content to dictate the space it takes up.

Slide from “Designing Intrinsic Layouts” by Jen Simmons

What makes intrinsic design stand out is that it not only creates designs that can withstand future devices but also helps scale design without losing flexibility. Components and patterns can be lifted and reused without the prerequisite of having the same breakpoints or the same amount of content as in the previous implementation. 

We can now create designs that adapt to the space they have, the content within them, and the content around them. With an intrinsic approach, we can construct responsive components without depending on container queries.

Another 2010 moment?

This intrinsic approach should in my view be every bit as groundbreaking as responsive web design was ten years ago. For me, it’s another “everything changed” moment. 

But it doesn’t seem to be moving quite as fast; I haven’t yet had that same career-changing moment I had with responsive design, despite the widely shared and brilliant talk that brought it to my attention. 

One reason for that could be that I now work in a large organization, which is quite different from the design agency role I had in 2010. In my agency days, every new project was a clean slate, a chance to try something new. Nowadays, projects use existing tools and frameworks and are often improvements to existing websites with an existing codebase. 

Another could be that I feel more prepared for change now. In 2010 I was new to design in general; the shift was frightening and required a lot of learning. Also, an intrinsic approach isn’t exactly all-new; it’s about using existing skills and existing CSS knowledge in a different way. 

You can’t framework your way out of a content problem

Another reason for the slightly slower adoption of intrinsic design could be the lack of quick-fix framework solutions available to kick-start the change. 

Responsive grid systems were all over the place ten years ago. With a framework like Bootstrap or Skeleton, you had a responsive design template at your fingertips.

Intrinsic design and frameworks do not go hand in hand quite so well because the benefit of having a selection of units is a hindrance when it comes to creating layout templates. The beauty of intrinsic design is combining different units and experimenting with techniques to get the best for your content.

And then there are design tools. We probably all, at some point in our careers, used Photoshop templates for desktop, tablet, and mobile devices to drop designs in and show how the site would look at all three stages.

How do you do that now, with each component responding to content and layouts flexing as and when they need to? This type of design must happen in the browser, which personally I’m a big fan of. 

The debate about “whether designers should code” is another that has rumbled on for years. When designing a digital product, we should, at the very least, design for a best- and worst-case scenario when it comes to content. To do this in a graphics-based software package is far from ideal. In code, we can add longer sentences, more radio buttons, and extra tabs, and watch in real time as the design adapts. Does it still work? Is the design too reliant on the current content?

Personally, I look forward to the day intrinsic design is the standard for design, when a design component can be truly flexible and adapt to both its space and content with no reliance on device or container dimensions.

Content first 

Content is not constant. After all, to design for the unknown or unexpected we need to account for content changes like our earlier Subgrid card example that allowed the cards to respond to adjustments to their own content and the content of sibling elements.

Thankfully, there’s more to CSS than layout, and plenty of properties and values can help us put content first. Subgrid and pseudo-elements like ::first-line and ::first-letter help to separate design from markup so we can create designs that allow for changes.

Instead of old markup hacks like this—

<p>
  <span class="first-line">First line of text with different styling</span>...
</p>

—we can target content based on where it appears.

.element::first-line {
  font-size: 1.4em;
}

.element::first-letter {
  color: red;
}

Much bigger additions to CSS include logical properties, which change the way we construct designs using logical dimensions (start and end) instead of physical ones (left and right), something CSS Grid also does with functions like min(), max(), and clamp().

This flexibility allows for directional changes according to content, a common requirement when we need to present content in multiple languages. In the past, this was often achieved with Sass mixins but was often limited to switching from left-to-right to right-to-left orientation.

In the Sass version, directional variables need to be set.

$direction: rtl;
$opposite-direction: ltr;

$start-direction: right;
$end-direction: left;

These variables can be used as values—

body {
  direction: $direction;
  text-align: $start-direction;
}

—or as properties.

margin-#{$end-direction}: 10px;
padding-#{$start-direction}: 10px;

However, now we have native logical properties, removing the reliance on both Sass (or a similar tool) and pre-planning that necessitated using variables throughout a codebase. These properties also start to break apart the tight coupling between a design and strict physical dimensions, creating more flexibility for changes in language and in direction.

margin-block-end: 10px;
padding-block-start: 10px;

There are also native start and end values for properties like text-align, which means we can replace text-align: right with text-align: start.

Like the earlier examples, these properties help to build out designs that aren’t constrained to one language; the design will reflect the content’s needs.

Fixed and fluid 

We briefly covered the power of combining fixed widths with fluid widths with intrinsic layouts. The min() and max() functions are a similar concept, allowing you to specify a fixed value with a flexible alternative. 

For min() this means setting a fluid minimum value and a maximum fixed value.

.element {
  width: min(50%, 300px);
}

The element in the figure above will be 50% of its container as long as the element’s width doesn’t exceed 300px.

For max() we can set a flexible max value and a minimum fixed value.

.element {
  width: max(50%, 300px);
}

Now the element will be 50% of its container as long as the element’s width is at least 300px. This means we can set limits but allow content to react to the available space. 

The clamp() function builds on this by allowing us to set a preferred value with a third parameter. Now we can allow the element to shrink or grow if it needs to without getting to a point where it becomes unusable.

.element {
  width: clamp(300px, 50%, 600px);
}

This time, the element’s width will be 50% (the preferred value) of its container but never less than 300px and never more than 600px.

With these techniques, we have a content-first approach to responsive design. We can separate content from markup, meaning the changes users make will not affect the design. We can start to future-proof designs by planning for unexpected changes in language or direction. And we can increase flexibility by setting desired dimensions alongside flexible alternatives, allowing for more or less content to be displayed correctly.

Situation first

Thanks to what we’ve discussed so far, we can cover device flexibility by changing our approach, designing around content and space instead of catering to devices. But what about that last bit of Jeffrey Zeldman’s quote, “...situations you haven’t imagined”?

It’s a very different thing to design for someone seated at a desktop computer as opposed to someone using a mobile phone and moving through a crowded street in glaring sunshine. Situations and environments are hard to plan for or predict because they change as people react to their own unique challenges and tasks.

This is why choice is so important. One size never fits all, so we need to design for multiple scenarios to create equal experiences for all our users.

Thankfully, there is a lot we can do to provide choice.

Responsible design 

“There are parts of the world where mobile data is prohibitively expensive, and where there is little or no broadband infrastructure.”

I Used the Web for a Day on a 50 MB Budget

Chris Ashton

One of the biggest assumptions we make is that people interacting with our designs have a good wifi connection and a wide screen monitor. But in the real world, our users may be commuters traveling on trains or other forms of transport using smaller mobile devices that can experience drops in connectivity. There is nothing more frustrating than a web page that won’t load, but there are ways we can help users use less data or deal with sporadic connectivity.

The srcset attribute allows the browser to decide which image to serve. This means we can create smaller ‘cropped’ images to display on mobile devices in turn using less bandwidth and less data.

<img 
  src="image-file.jpg"
  srcset="large.jpg 1024w,
             medium.jpg 640w,
             small.jpg 320w"
     alt="Image alt text" />

The preload attribute can also help us to think about how and when media is downloaded. It can be used to tell a browser about any critical assets that need to be downloaded with high priority, improving perceived performance and the user experience. 

<link rel="stylesheet" href="style.css"> <!--Standard stylesheet markup-->
<link rel="preload" href="style.css" as="style"> <!--Preload stylesheet markup-->

There’s also native lazy loading, which indicates assets that should only be downloaded when they are needed.

<img src="image.png" loading="lazy" alt="…">

With srcset, preload, and lazy loading, we can start to tailor a user’s experience based on the situation they find themselves in. What none of this does, however, is allow the user themselves to decide what they want downloaded, as the decision is usually the browser’s to make. 

So how can we put users in control?

The return of media queries 

Media queries have always been about much more than device sizes. They allow content to adapt to different situations, with screen size being just one of them.

We’ve long been able to check for media types like print and speech and features such as hover, resolution, and color. These checks allow us to provide options that suit more than one scenario; it’s less about one-size-fits-all and more about serving adaptable content. 

As of this writing, the Media Queries Level 5 spec is still under development. It introduces some really exciting queries that in the future will help us design for multiple other unexpected situations.

For example, there’s a light-level feature that allows you to modify styles if a user is in sunlight or darkness. Paired with custom properties, these features allow us to quickly create designs or themes for specific environments.

@media (light-level: normal) {
  --background-color: #fff;
  --text-color: #0b0c0c;  
}

@media (light-level: dim) {
  --background-color: #efd226;
  --text-color: #0b0c0c;
}

Another key feature of the Level 5 spec is personalization. Instead of creating designs that are the same for everyone, users can choose what works for them. This is achieved by using features like prefers-reduced-data, prefers-color-scheme, and prefers-reduced-motion, the latter two of which already enjoy broad browser support. These features tap into preferences set via the operating system or browser so people don’t have to spend time making each site they visit more usable. 

Media queries like this go beyond choices made by a browser to grant more control to the user.

Expect the unexpected

In the end, the one thing we should always expect is for things to change. Devices in particular change faster than we can keep up, with foldable screens already on the market.

We can’t design the same way we have for this ever-changing landscape, but we can design for content. By putting content first and allowing that content to adapt to whatever space surrounds it, we can create more robust, flexible designs that increase the longevity of our products. 

A lot of the CSS discussed here is about moving away from layouts and putting content at the heart of design. From responsive components to fixed and fluid units, there is so much more we can do to take a more intrinsic approach. Even better, we can test these techniques during the design phase by designing in-browser and watching how our designs adapt in real-time.

When it comes to unexpected situations, we need to make sure our products are usable when people need them, whenever and wherever that might be. We can move closer to achieving this by involving users in our design decisions, by creating choice via browsers, and by giving control to our users with user-preference-based media queries. 

Good design for the unexpected should allow for change, provide choice, and give control to those we serve: our users themselves.




unexpected

Birdman, or, (The unexpected virtue of ignorance) (2014) / written and directed by Alejandro González Iñárritu [DVD].

[U.K.] : Twentieth Century Fox Home Entertainment, [2015]




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Unexpected Effects: Uncertainty, Unemployment, and Inflation [electronic journal].




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Uncertainty and surprise in complex systems [electronic resource] : questions on working with the unexpected / R.R. McDaniel, Jr., D.J. Driebe (eds.)

Berlin : Springer, 2005




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Unexpected link between nickel toxicity, cholesterol levels found

In a new study, fungi that lacked the Sre1 protein were found to be highly sensitive to nickel; the gene that encodes for this protein is conserved in all animals, including humans




unexpected

California wildfires caused unexpected benzene contamination of drinking water

Experts urge water industry to study plastic pipes’ vulnerability




unexpected

The unexpected source of that luxury feel in car interiors

Japanese firms are the major players in synthetic suede used in high-end vehicle seats




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Barack Obama Blindness: Failing to see the unexpected

New research demonstrates an extreme form of inattentional blindness in which we fail to see the unexpected

There’s much more to visual perception than meets the eye. What we see is not merely a matter of patterns of light falling on the retina, but rather is heavily influenced by so-called ‘top-down’ brain mechanisms, which can alter the visual information, and other types of sensory information, that enters the brain before it even reaches our conscious awareness.

Related: Memory contaminates perception | Mo Costandi

Related: Language boosts invisible objects into visual awareness | Mo Costandi

Continue reading...




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An unexpected call at Transform

How God called Andrea from Italy to leave his comfort zone during the Transform conference and his experience with OM Lifehope in the UK.





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Piers Morgan's wife reveals unexpected way he's recovering after COVID-19 test

Piers Morgan's wife Celia Walden has revealed that her husband is using his downtime to...




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An unexpected rhenium(IV)–rhenium(VII) salt: [Co(NH3)6]3[ReVIIO4][ReIVF6]4·6H2O

The title hydrated salt, tris­[hexa­amminecobalt(III)] tetraoxidorhenate(VII) tetra­kis­[hexa­fluorido­rhenate(IV)] hexa­hydrate, arose unexpectedly due to possible contamination of the K2ReF6 starting material with KReO4. It consists of octa­hedral [Co(NH3)6]3+ cation (Co1 site symmetry 1), tetra­hedral [ReVIIO4]− anions (Re site symmetry 1) and octa­hedral [ReIVF6]2− anions (Re site symmetries 1and overline{3}). The [ReF6]2− octa­hedral anions (mean Re—F = 1.834 Å), [Co(NH3)6]3+ octa­hedral cations (mean Co—N = 1.962 Å), and the [ReO4]− tetra­hedral anion (mean Re—O = 1.719 Å) are slightly distorted. A network of N—H⋯F hydrogen bonds consolidates the structure. The crystal studied was refined as a two-component twin.




unexpected

Unexpected reactions of NHC*—CuI and —AgI bromides with potassium thio- or seleno­cyanate

The reactions of N-heterocyclic carbene CuI and AgI halides with potassium thio- or seleno­cyanate gave unexpected products. The attempted substitution reaction of bromido­(1,3-dibenzyl-4,5-di­phenyl­imidazol-2-yl­idene)silver (NHC*—Ag—Br) with KSCN yielded bis­[bis­(1,3-dibenzyl-4,5-di­phenyl­imidazol-2-yl­idene)silver(I)] tris­(thio­cyanato)­argentate(I) diethyl ether disolvate, [Ag(C29H24N2)2][Ag(NCS)3]·2C4H10O or [NHC*2Ag]2[Ag(SCN)3]·2Et2O, (1), while reaction with KSeCN led to bis­(μ-1,3-dibenzyl-4,5-diphenyl-2-seleno­imidazole-κ2Se:Se)bis­[bromido­(1,3-dibenzyl-4,5-diphenyl-2-seleno­imid­azole-κSe)silver(I)] di­chloro­methane hexa­solvate, [Ag2Br2(C29H24N2Se)4]·6CH2Cl2 or (NHC*Se)4Ag2Br2·6CH2Cl2, (2), via oxidation of the NHC* fragment to 2-seleno­imidazole. This oxidation was observed again in the reaction of NHC*—Cu—Br with KSeCN, yielding catena-poly[[[(1,3-dibenzyl-4,5-diphenyl-2-seleno­imidazole-κSe)copper(I)]-μ-cyanido-κ2C:N] aceto­nitrile monosolvate], {[Cu(CN)(C29H24N2Se)]·C2H3N}n or NHC*Se—CuCN·CH3CN, (3). Compound (1) represents an organic/inorganic salt with AgI in a linear coordination in each of the two cations and in a trigonal coordination in the anion, accompanied by diethyl ether solvent mol­ecules. The tri-blade boomerang-shaped complex anion [Ag(SCN)3]2− present in (1) is characterized by X-ray diffraction for the first time. Compound (2) comprises an isolated centrosymmetric mol­ecule with AgI in a distorted tetra­hedral BrSe3 coordination, together with di­chloro­methane solvent mol­ecules. Compound (3) exhibits a linear polymeric 1∞[Cu—C≡N—Cu—] chain structure with a seleno­imidazole moiety additionally coordinating to each CuI atom, and completed by aceto­nitrile solvent mol­ecules. Electron densities associated with an additional ether solvent mol­ecule in (1) and two additional di­chloro­methane solvent mol­ecules in (2) were removed with the SQUEEZE procedure [Spek (2015). Acta Cryst. C71, 9–18] in PLATON.




unexpected

Unexpected formation of a co-crystal containing the chalcone (E)-1-(5-chloro­thio­phen-2-yl)-3-(3-methyl­thio­phen-2-yl)prop-2-en-1-one and the keto–enol tautomer (Z)-1-(5-chloro­thio­phen-2-yl)-3-(3-methyl­thio­phe

The title crystal structure is assembled from the superposition of two mol­ecular structures, (E)-1-(5-chloro­thio­phen-2-yl)-3-(3-methyl­thio­phen-2-yl)prop-2-en-1-one, C12H9ClOS2 (93%), and (Z)-1-(5-chloro­thio­phen-2-yl)-3-(3-methyl­thio­phen-2-yl)prop-1-en-1-ol, C12H11ClOS2 (7%), 0.93C12H9ClOS2·0.07C12H11ClOS2. Both were obtained from the reaction of 3-methyl­thio­phene-2-carbaldehyde and 1-(5-chloro­thio­phen-2-yl)ethanone. In the extended structure of the major chalcone component, mol­ecules are linked by a combination of C—H⋯O/S, Cl⋯Cl, Cl⋯π and π–π inter­actions, leading to a compact three-dimensional supra­molecular assembly.




unexpected

Long-term killer bee study in tropics yields unexpected discovery: invasive killer bees are good for the native bees

As enjoyable as scientific work can be, says entomologist Dave Roubik, its greatest satisfactions are often long delayed. He gives the best example from his career: a seventeen-year study that finally helped to change our understanding of the notorious "killer bees."

The post Long-term killer bee study in tropics yields unexpected discovery: invasive killer bees are good for the native bees appeared first on Smithsonian Insider.




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ALMA finds unexpected trove of gas around larger stars

Astronomers using the Atacama Large Millimeter/submillimeter Array (ALMA) surveyed dozens of young stars -- some Sun-like and others approximately double that size -- and discovered that the larger variety have surprisingly rich reservoirs of carbon monoxide gas in their debris disks. In contrast, the lower-mass, Sun-like stars have debris disks that are virtually gas-free.

read more



  • Astronomy & Space

unexpected

6 unexpected products made from hemp

This versatile fiber can keep you looking good or speed you down the highway.



  • Wilderness & Resources

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11 unexpected joys of joining a CSA

CSA membership carries with it some unexpected fringe benefits. Here's what you’ll be able to do!



  • Organic Farming & Gardening

unexpected

5 unexpected countries that are leading the way on renewable energy

Renewable energy has made great strides in the U.S. recently. But if you take a look around the globe, you'll find equally encouraging signs.




unexpected

9 unexpectedly beautiful sea creatures

While dolphins and whales might get all the attention, here are some lesser-known sea creatures that are just as magnificent.




unexpected

13 unexpected leap year facts

Feb. 29 is more than just a weird day to have a birthday. There are a lot of traditions guided by this almost-every-four-year surprise.




unexpected

9 unexpected dishes you can make with quinoa

On National Quinoa Day, try this versatile superfood in creative new recipes, like chocolate cookies, veggie burgers, yogurt parfaits and more.




unexpected

The unexpectedly weird and beautiful world of lichens

Lichens are not what you think they are. Not plant, not fungus — they are one of a kind.



  • Wilderness & Resources

unexpected

Huntington Beach Dentist, Dr. Rassouli, Warns about the Unexpected Dangers of Gum Disease

Dr. Rassouli warns patients about the unknown dangers of gum disease and its link to other health issues including Alzheimer's disease, cardiovascular disease, cancer, and respiratory infections.




unexpected

Dr. Madelyn Blair's New Book "Unlocked" Invites Readers to Embrace the Unexpected and Change Their Lives Today

Madelyn Blair is the author of several popular management-focused books, including "Riding the Current" and "Essays in Two Voices." She is a renowned speaker and resiliency expert.




unexpected

A walk across the country unexpectedly inspires Suttons Bay musician

A couple years ago, Chris Andrews, a senior at the University of St. Andrews in Scotland, realized he was addicted to his smartphone. “It was something I was using as a crutch,” he explains. “Something that I was using in moments of boredom, moments of anxiety, or a moment of silence in a group of friends – we’d all reach for our phones.”




unexpected

The Backstory: Larry Stone has seen it all in 35 years of Arizona spring training — much of it unexpected, and all of it memorable


IT WAS ONE of my first years covering spring training in Arizona, during a stint in the early 1990s as the San Francisco Giants beat writer for the San Francisco Examiner. Every day, after our work was done, Bay Area media members would assemble at a Scottsdale park for a pickup basketball game, spirited affairs […]



  • Pacific NW Magazine

unexpected

Before unexpected death, ‘fun-loving’ Bryce Beekman left lasting impact on Washington State teammates


While there’s still uncertainty about the cause of Beekman's death, individual accounts from teammates leave little ambiguity as to the character of the person behind the No. 26 jersey.




unexpected

China's Exports Expand Unexpectedly, Imports Fall

China's exports expanded in April despite the global outbreak of coronavirus, or covid-19, pandemic hurting global demand, data from the General Administration of Customs revealed Thursday. In dollar terms, exports grew 3.5 percent on a yearly basis in April, confounding expectations for a decline of 12.1 percent. Shipments had declined 6.6 percent in March.




unexpected

DAX Rises As China Exports See Unexpected Gains In April

German stocks advanced on Thursday after China's exports saw a surprise 3.5 percent rise in April despite the global impact of the coronavirus pandemic, reflecting a faster-than-anticipated recovery in production.




unexpected

U.S. Consumer Credit Unexpectedly Slumps $12.1 Billion In March

Reflecting a steep drop in revolving credit, the Federal Reserve released a report on Thursday showing an unexpected decrease in U.S. consumer credit in the month of March.




unexpected

Calls for private health sector to hand back 'very substantial unexpected profit' during coronavirus

A health industry expert is calling on federal authorities to oversee the return of windfall profits, as customers negotiate with insurers to save money.




unexpected

Athletes completing doping bans get unexpected chance at Tokyo Olympics

Athletes completing doping bans over the next year will be eligible to compete in the postponed Tokyo Olympics, an unintended effect of the coronavirus pandemic that has some crying foul.




unexpected

Woah: Kylie Jenner's Newest Beauty Look Is Really Unexpected



We’re not necessarily mad at it, either.




unexpected

Surge in Zoom support requests was 'unexpected', says tool team as it turns taps down

John Cena!* Online resources only for free and end users due to the 'unprecedented period'

Video conferencing darling of the hour, Zoom, has tightened up support rules in order to "better serve" users.…




unexpected

08/21/16 - The unexpected touch of a hand




unexpected

Easy kitchen countertop from an unexpected storage unit

We had space in our kitchen for more counters, but to get the real thing easily cost double or triple this PLATSA hack!  This was incredibly easy to assemble, and bonus we can move it around if we wish for a kitchen trolley (which is also double the cost of this hack). I do wonder […]

The post Easy kitchen countertop from an unexpected storage unit appeared first on IKEA Hackers.




unexpected

Hernández: UCLA coach Mick Cronin delivering unexpected with current roster

Developments anticipated two or three years into the future are happening already, as UCLA now stands alone atop the Pac-12, Dylan Hernandez writes.




unexpected

Review: Saint Laurent's Anthony Vaccarello made an unexpected move. He put color in the spotlight

Paris Fashion Week: For fall and winter 2020, Anthony Vaccarello also explored the fabrics — and the "bourgeois elegance" of 1990s-era YSL.




unexpected

Trevor Cherry dead: Leeds United legend dies suddenly and unexpectedly aged 72



Leeds United legend Trevor Cherry has died suddenly aged 72.




unexpected

'An unexpected paternity leave': How Charlie Kimball has kept occupied during IndyCar's pause

He expected to be incredibly busy immediately after the birth of his son Gordon, but Charlie Kimball has thoroughly enjoyed more family time.

       




unexpected

The rare power driving unexpected sporting shift

You might never think of Germany as a cricket nation, but there has been a huge transformation over the past five years.




unexpected

Pete Buttigieg plays the didgeridoo and other unexpected musical talents of the 2020 candidates

You know about Beto O'Rourke on the guitar, of course, but what about Bernie Sanders's spoken-word album?




unexpected

Drag queen Pissi Myles causes a stir with unexpected appearance at the impeachment hearings

Myles stole the show with a towering blonde wig and shiny red mini-dress.




unexpected

Large Scale Screening for Novel Rab Effectors Reveals Unexpected Broad Rab Binding Specificity

Mitsunori Fukuda
Jun 1, 2008; 7:1031-1042
Research




unexpected

Endocytosis of very low-density lipoproteins: an unexpected mechanism for lipid acquisition by breast cancer cells [Research Articles]

We previously described the expression of CD36 and LPL by breast cancer (BC) cells and tissues and the growth-promoting effect of VLDL observed only in the presence of LPL. We now report a model in which LPL is bound to a heparan sulfate proteoglycan motif on the BC cell surface and acts in concert with the VLDL receptor to internalize VLDLs via receptor-mediated endocytosis. We also demonstrate that gene-expression programs for lipid synthesis versus uptake respond robustly to triglyceride-rich lipoprotein availability. The literature emphasizes de novo FA synthesis and exogenous free FA uptake using CD36 as paramount mechanisms for lipid acquisition by cancer cells. We find that the uptake of intact lipoproteins is also an important mechanism for lipid acquisition and that the relative reliance on lipid synthesis versus uptake varies among BC cell lines and in response to VLDL availability. This metabolic plasticity has important implications for the development of therapies aimed at the lipid dependence of many types of cancer, in that the inhibition of FA synthesis may elicit compensatory upregulation of lipid uptake. Moreover, the mechanism that we have elucidated provides a direct connection between dietary fat and tumor biology.­.