Every year I try to keep an eye out for any children's book that gives ample attention to photographs in some way. Thanks to advances in technology and printing, it's never been easier to make books with photographic images. Yet despite this, few come out. Today's list is a small one, but I'm grateful that each and every single one of these books exists.

What one person might consider "odd" could easily be another's cup of tea. It's important, then, to clarify that I don't see "odd" as a bad thing at all. It's healthy for a kid to see a book written for their age level that's outside the norm and dares to get a little bit freaky.Here then, are the 2018 titles that dared to be strange in some way. May they inspire others in the future!

Poems used to be the sole property of April a.k.a. Poetry Month. Now that's changing. Publishers are rapidly putting more faith into the poetry books they produce. So let's take a look at what we saw this year, and the wide range of topics that were touched.

I think you've heard me say before that in many ways easy books are the most difficult titles to write. They are most perfect when they are most simple. And they are most simple, when they limit their text complexity. Can you make complex characters and plots with such small words? You can. These did.

Older than easy but not yet novels. The fact of the matter is that while Easy Books are hard to write, Early Chapter Books are hard to categorize. They're also ideal bedtime books for older children, which means that with the European imports you get a lot of experimentation. American early chapter books are pretty much just written to please. Here then are the books written with 6-9 year olds in mind.

Qwen2.5-Coder-32B is an LLM that can code well that runs on my Mac 12th November 2024 There’s a whole lot of buzz around the new Qwen2.5-Coder Series of open source (Apache 2.0 licensed) LLM releases from Alibaba’s Qwen research team. On first impression it looks like the buzz is well…

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As an indie publisher, I rely on the POD (Print on Demand) printers. Many indies make most of their money from ebook sales. But for children’s books, the market has consistently been print-driven with only 10-25% of income from ebooks. That can vary widely, as some authors do very well on the Kindle Unlimited platform.

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Author-illustrator Ken Lamug has created award-winning picture books and graphic novels. Born in the Philippines, Ken moved to the US with his entire family during his teenage years. His debut middle grade graphic series, MISCHIEF AND MAYHEM #1: BORN TO BE BAD, launched this week from Katherine Tegen Books / HarperCollins!

Mischief and Mayhem is about Missy and her cat Gizmo. They were kicked out of superhero bootcamp. Now it's time for some super-villainy! I love the plot twist that the main character, Missy, decides she doesn't really fit into the labels the world she lives in has created; she's not really a villain, nor is she a superhero.  

Links where you can find out more: MischiefBook.com, Ken on Twitter, Facebook and Instagram. His website: Rabbleboy.com.

Q. I read that MISCHIEF AND MAYHEM started as a 32-page picture book story. How did it end up as a graphic novel?

Yep! The idea for Mischief and Mayhem started as a 32-page picture book - originally titled "Mischief the Supervillain". At the time, I was focused on my picture book ideas and wasn't even considering graphic novels. I had experience illustrating books, so I knew it was just a matter of time until something clicked for me. I went through the steps book creators are familiar with: writing the manuscript, creating dummies, and many rounds of revisions.

The dummy went through the submission process and even hopped to another agent (when I switched to a new one). We received a few rejections and a few interesting comments. One of the more resounding comments was that the idea was cool and needed to be expanded. But the picture book format limited what we could do.

We finally received an acceptance offer along with a caveat... turn it into a graphic novel! Yikes!

A few things scared me about this: it would have to be in full color, and at least 240+ pages. How does one turn a 32-page picture book into something that big?

And before anything was signed, I had to give the editorial team a few things: a fully illustrated first chapter, and a full outline for the book. This would give them a better idea of the story and my comic style. So I added new characters, expanded the moments from the story, and added a lot of jokes!

Once the editorial team gave the thumbs up, I was off to the races to get my debut graphic novel complete.

EXTRA: You can find out more about Ken's process as well as sample sketches in his Q&A with We Need Diverse Books.

Q. I've been thinking about a graphic novel middle grade project, but am intimidated by the amount of time the ART could take. Do you have any tips? How much time did MISCHIEF AND MAYHEM TAKE YOU in total? Were you working on anything else at the same time?

No kidding. Graphic novels ARE a lot of work. I've easily spent 1000 hours on Mischief and Mayhem (including creating marketing materials, videos, etc.). I also have a day job, so most of my after-hours are spent working on the book (typically around 5 hours on the weekdays). I basically stare at the computer screen all day!

During this time, I was also creating art for a picture book. And since the schedule for picture books are a bit more relaxed, I was able to squeeze it in without much problem.

Here are some tips I hope you'll find useful:

1. Working digitally has helped increase my productivity. It's easier to create dummies, inking, make revisions, and get feedback.

2. Scheduling and planning are very important. Find out the deadline, how many pages you can complete per day, and do the math.

In my case, I've determined that I am inking(outlining) about 1 page per hour. This means it will take me roughly 250 hours to outline a 250-page book. Based on that number, I can then determine if my deadline is a realistic goal. I know, it's a lot of math but it does help and you will be able to strategize how you approach the project.

3. Streamlining your art style. This varies depending on your abilities and time. Some artists are blessed enough to work full-time on their books and with longer deadlines. But if you're not one of them, then I would suggest streamlining the look of your characters, your drawing techniques so you can work faster and efficiently. Some artists are able to also hire a team to help support the rest of the task such as coloring, inking, letter, etc., but a majority of graphic creators are one-person operations.

4. Don't forget to take a break and enjoy life.

Q. What advice do you have for young graphic novel writers and illustrators?

Start small. You don't have to create a big "novel" length book right away. I started my comic book journey when I submitted a 4-page comic to an anthology. After I gained some confidence, I started creating 24-page comic one-shots (single issues). And it just kept growing from there.

Comics should be fun for both the creator and the reader, so make sure to enjoy the process and don't stress out about getting it right the first time.

Q. What's next for you?

I just finished illustrating a picture book called FAMILY BUSINESS (by Lenore Appelhans). It's about a raccoon family who seems to always get into trouble. I'm excited for that to come out (no dates yet).

I'm also in the middle of Mischief and Mayhem book 2. As I write this my hand is hurting from illustrating a "Where's Waldo-Esque" spread. Ha! But I'm proud to say the art has improved and the story is even bigger than the first one.

I've never really had a big plan for my drawing/art career. It's all a blessing and a humbling experience. I just hope that the readers love the stories and connect with the characters. So we'll see what happens next!

~~

For more interviews with children's book creators, see the Inkygirl interview archives.

Looking for a hugely entertaining alphabet book that also has an uplifting message of empowerment for young readers? I highly recommend T. REXES CAN'T TIE THEIR SHOES by Anna Lazowski and Steph Laberis, launching June 29th, 2021 from Doubleday Books For Young Readers. The back matter also has an alphabetized factoid list of "all the amazing things animals CAN do!"

This is an alphabet book that can be appreciated by grown-ups as well as young readers, with lots of potential discussion points. The illustrations of animals in ridiculous situations are so SOOOOO FUN --- omigosh, even as I'm writing this post, I went back to look through the digital ARC and can't decide which is my favourite, though I'm leaning toward the "Cheetahs can't chew bubble gum" page.

I asked debut picture book author Anna Lazowski if she had any advice for young writers, and here's what she said:

"Write what you want to write, because as you move through the publishing process, it will become incredibly important for you to truly believe in your work. The rejections in this industry are endless, and they come at every stage. Critique partners might reject elements of your manuscript, agents will reject your work, and once you're on submission to editors, they will reject your work. Then once you're finally published, some reviewers will reject your work. If you don't fully believe in your stories, this will be extremely hard to take. It's hard as it is, so make sure you're all in on the work you're doing. It will make the rest a little bit easier to navigate."

Wise advice. Thank you, Anna! And congrats to you and Steph on your upcoming launch!

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Also see other Advice For Young Writers and Illustrators From Children's Book Creators and my other Interviews With Children's Book Creators.

Image at the top of this post was created for my new #BookADay book journal. For more info about Donalyn Miller's #BookADay challenge, see Donalyn's post in the Nerdy Book Club blog.

Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter.

Synopsis of SWEET PEA SUMMER (Candlewick):

During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners.

Q. What inspired you to write Sweet Pea Summer?

My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself.

My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled.

I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think.

Q. What was the writing and illustration process like?

After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!).

The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story.

Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy.

I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit.

I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader.

My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc.

It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication.

Q. What advice do you have for young writers and illustrators?

My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work!

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For more insights from book creators, see my Inkygirl interview archives.

 

Just read (and loved) a fun reimagining of the classic fairytale Goldilocks and the Three Bears: GOLDIBOOKS AND THE WEE BEAR, written by Troy Wilson and illustrated by Edwardian Taylor, published earlier this year by Running Press Kids.

Here is Troy Wilson's advice for young writers:

"My advice? Write badly. Badly, badly, badly. Include words and ideas that shouldn't be there. Leave out words and ideas that should be there. Put things in the wrong order. Have your protagonist act wildly out of character. Why? Because that is what your favorite author does.

"You don't see your favorite author's horrible first drafts. Or horrible second drafts. Or horrible third drafts. For that matter, you don't see their attempted books that never, ever turned out at all. (Some things are just dead ends, even for your favorite author.) No, you only see their final, super-duper-polished work, after they got lots and lots of great feedback.

"Everyone starts with bad writing. Every single writer, every single time - no matter how long they've been doing it. You can't avoid your own bad writing. You can't go around it or over it or under it. You have to go through it. Just get it onto the page or screen. You can always fix it later. Except if you let the bad writing - or the fear of bad writing - stop you from writing. Because you can't fix what isn't there."

Thanks, Troy! 

Related links:

Publisher page about Goldibooks and the Wee Bear

More about Troy Wilson at TroyStory.ca, Twitter and Facebook.

More about Edwardian Taylor at EdwardianTaylor.com, Twitter and Instagram.

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Find more advice for young writers and illustrators from children's book creators.

 

My boss is a seventy-something-year-old man with barely a clue on how to get a computer to boot. He gave me an old book and wanted me to convert it into an ebook to sell. And mind, this was a thick, large-format book chock-full of maps and other illustrations with tiny blackletter script.

Me: “Sure, I can do it, but I’d have to scan it in a massive resolution so the detail isn’t lost. The final file would be massive; it wouldn’t be practical to download it, and a normal ebook reader wouldn’t be able to display it correctly.”

Boss: “So, we’d have to make it less detailed.”

Me: “How do you mean?”

Boss: “It wouldn’t be possible with the illustrations; you’ll just have to make the writing bigger on all the pages.”

Me: “…”

Boss: “As for the pages with only text on them, you will just convert them into a Word document.”

Me: “That’s not how that works.”

Boss: “Why not?”

Me: “It’s just straight-up not possible, at least not with the software we have.”

Boss: “Can you do it on the Internet?”

Me: “No.”

Boss: “How do you know?”

Me: “I know.”

Boss: “Show me.”

I showed him that it’s not possible to convert a scanned book page into a text document on some random converter found on page one on Google.

Boss: “Okay, so you will instead cut the text out in Photoshop, make it larger, and arrange it on a new Photoshop file the same size, with less of a rim around it so the number of pages doesn’t get much higher.”

I flat-out refused, telling him it would be months of absolutely pointless work. He didn’t believe any of my claims, anyway, so I just converted the whole d*** thing into an ebook, which, in the end, was like 8GB in size. Since our server had 10TB, he also didn’t believe me when I tried to tell him that it was an absurdly massive file that few people would want to buy on that account.

Ah, well. At least I didn’t have to rearrange like 300 pages of text.

I’m designing a photographic history exhibit for a prestigious university. The project requires a series of panels that each depict a different decade, from the 1930s to the present.

Client: “You know, this is all great, but it could use a little more diversity. Right now, there are a lot of photos of all white men, and we don’t want to send the wrong message.”

Me: “Okay, that’s a reasonable request. I could pull some photos of your black student organizations and women’s center and add those to the panels showing the school’s more recent history.”

Client: “Actually, we’d love more diversity in the early panels too.”

Me: “What do you mean?”

Client: “Like this panel depicting the university in the 30s. All the photos are of white men!”

The school did not admit black students until the 1970s.

Categories: Blog Yesterday, I dropped all the images from book 2 into a copy of the synopsis I made for the front of book 1. This morning, I started typing stuff beneath them. Wow. Things sure do get a lot denser in book 2. And they’re even worse in 3. Good thing I’ll never need to… oh […] (Read more...)

Categories: Uncategorized I have finally gotten some quotes in for printing book 3 and/or the omnibus. After the results being pretty split on skipping to the omnibus, I’m probably going to print both volume 3 and the omnibus. My rough thoughts are as follows: Initial campaign: $10k. Book 3 would be $25, as would the omnibus in the […] (Read more...)

Categories: Blog Did you miss the last Kickstarter? Would you like a copy of the omnibus, or a copy of book 3 to keep your copies of books 1 and 2 from getting lonely? Now you can pick up a copy of either of those from my friends at Jarlidium Press! Decrypting Rita And with that, I […] (Read more...)

George Takei really sucks—and he's proud of it!

The Star Trek legend and Internet darling had the prefect response this week for a Facebook troll trying to bring him down.

He shared a screenshot of the exchange with the caption: "Sorry, couldn't help myself.‪ #‎Trollololollol‬"

BOOM!

Takei is known for his epic Internet takedowns, so mark this one down as another win for Sulu.

You can now download Peter F. Hamilton's Pandora's Star for only 2.99$ by following this Amazon Associate link. This OneLink will take you to the nearest Amazon site serving your country and you'll see if you can take advantage of this sale.

Here's the blurb:

The year is 2380. The Intersolar Commonwealth, a sphere of stars, contains more than six hundred worlds interconnected by a web of transport “tunnels” known as wormholes. At the farthest edge of the Commonwealth, astronomer Dudley Bose observes the impossible: over one thousand light-years away, a star . . . disappears. Since the location is too distant to reach by wormhole, the Second Chance, a faster-than-light starship commanded by Wilson Kime, a five-times-rejuvenated ex-NASA pilot, is dispatched to learn what has occurred and whether it represents a threat.

Opposed to the mission are the Guardians of Selfhood, led by Bradley Johansson. Shortly after the journey begins, Kime wonders if the crew of the Second Chance has been infiltrated. But soon enough he will have other worries. Halfway across the galaxy, something truly incredible is waiting: a deadly discovery whose unleashing will threaten to destroy the Commonwealth . . . and humanity itself.

Here's the blurb:

The mind-blowing new thriller from the New York Times bestselling author of Dark Matter and Recursion—currently in development as a motion picture at Steven Spielberg's Amblin Partners

“You are the next step in human evolution.”

At first, Logan Ramsay isn’t sure if anything’s different. He just feels a little . . . sharper. Better able to concentrate. Better at multitasking. Reading a bit faster, memorizing better, needing less sleep.

But before long, he can’t deny it: Something’s happening to his brain. To his body. He’s starting to see the world, and those around him—even those he loves most—in whole new ways.

The truth is, Logan’s genome has been hacked. And there’s a reason he’s been targeted for this upgrade. A reason that goes back decades to the darkest part of his past, and a horrific family legacy.

Worse still, what’s happening to him is just the first step in a much larger plan, one that will inflict the same changes on humanity at large—at a terrifying cost.

Because of his new abilities, Logan’s the one person in the world capable of stopping what’s been set in motion. But to have a chance at winning this war, he’ll have to become something other than himself. Maybe even something other than human.

And even as he’s fighting, he can’t help wondering: what if humanity’s only hope for a future really does lie in engineering our own evolution?

Intimate in scale yet epic in scope, Upgrade is an intricately plotted, lightning-fast tale that charts one man’s thrilling transformation, even as it asks us to ponder the limits of our humanity—and our boundless potential.

Here's the blurb:

Swordplay, magic, intrigue and friendships stronger than iron: the first volume in the new swashbuckling fantasy series set in the universe of THE GREATCOATS.

Damelas Chademantaigne picked a poor night to flee a judicial duel.

He has precious little hope of escaping the wrath of the Vixen, the most feared duellist in the entire city, until he stumbles through the stage doors of the magnificent Operato Belleza and tricks his way into the company of actors. An archaic law provides a temporary respite from his troubles - until one night a ghostly voice in his head causes Damelas to fumble his lines, inadvertently blurting out a dreadful truth: the city's most legendary hero may actually be a traitor and a brutal murderer.

With only the help of his boisterous and lusty friend Bereto, a beautiful assassin whose target may well be Damelas himself, and a company of misfit actors who'd just as soon see him dead, this failed grandson of two Greatcoats must somehow find within himself the courage to dig up long-buried truths before a ruthless band of bravos known as the Iron Orchids come for his head.

Oh, and there's still that matter of the Vixen waiting to duel him . . .

Here's the blurb:

From the New York Times best-selling author of The Windup Girl and The Water Knife comes a sweeping literary historical fantasy about the young scion from a ruling-class family who faces rebellion as he ascends to power.

"You must be as sharp as a stilettotore’s dagger and as subtle as a fish beneath the waters. This is what it is to be Navolese, this is what it is to be di Regulai."

In Navola, a bustling city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their staggering wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy: knowing who to trust and who to doubt, and how to read what lies hidden behind a smile. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur—like the fossilized dragon eye in the family’s possession, a potent symbol of their raw power and a talisman that seems to be summoning Davico to act.

As tensions rise and the events unfold, Davico will be tested to his limits. His fate depends on the eldritch dragon relic and on what lies buried in the heart of his adopted sister, Celia di Balcosi, whose own family was destroyed by Nalova’s twisted politics. With echoes of Renaissance Italy, The Godfather, and Game of Thrones, Navola is a stunning feat of world-building and a mesmerizing depiction of drive and will.

You can now download R. Scott Bakker's The Darkness That Comes Before for only 2.99$ by following this Amazon Associate link. This OneLink will take you to the nearest Amazon site serving your country and you'll see if you can take advantage of this sale.

Here's the blurb:

A score of centuries has passed since the First Apocalypse. The No-God has been vanquished and the thoughts of men have turned, inevitably, to more worldly concerns...Drusas Achamian, tormented by 2,000 year old nightmares, is a sorcerer and a spy, constantly seeking news of an ancient enemy that few believe still exists. Ikurei Conphas, nephew to the Nansur Emperor, is the Exalt-General of the Imperial Army and a military genius. He plots to conquer the known world for his Emperor and dreams of the throne for himself. Maithanet, mysterious and charismatic, is spiritual leader of the Thousand Temples. He seeks a Holy War to cleanse the land of the infidel. Cnaiur, Chieftain of the Utemot, is a Scylvendi barbarian. Rejected by his people, he seeks vengeance against the former slave who slew his father, and disgraced him in the eyes of his tribe. Into this world steps Anasurimbor Kellhus, the product of two thousand years of breeding and a lifetime of training in the ways of thought, limb, and face. Steering souls through the subtleties of word and expression, he slowly binds all - man and woman, emperor and slave - to his own mysterious ends. But the fate of men - even great men - means little when the world itself may soon be torn asunder. Behind the politics, beneath the imperialist expansion, amongst the religious fervour, a dark and ancient evil is reawakening. After two thousand years, the No-God is returning. The Second Apocalypse is nigh. And one cannot raise walls against what has been forgotten...

You can now download Guy Gavriel Kay's The Lions of Al-Rassan for only 1.99$ by following this Amazon Associate link. This OneLink will take you to the nearest Amazon site serving your country and you'll see if you can take advantage of this sale.

Here's the blurb:

The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan -- poet, diplomat, soldier -- until a summer afternoon of savage brutality changes their relationship forever.

Meanwhile, in the north, the conquered Jaddites' most celebrated -- and feared -- military leader, Rodrigo Belmonte, driven into exile, leads his mercenary company south.

In the dangerous lands of Al-Rassan, these two men from different worlds meet and serve -- for a time -- the same master. Sharing their interwoven fate -- and increasingly torn by her feelings -- is Jehane, the accomplished court physician, whose own skills play an increasing role as Al-Rassan is swept to the brink of holy war, and beyond.

Hauntingly evocative of medieval Spain, The Lions of Al-Rassan is both a brilliant adventure and a deeply compelling story of love, divided loyalties, and what happens to men and women when hardening beliefs begin to remake -- or destroy -- a world.

Here's the blurb:

A collection of shockingly prescient stories covering topics from aliens to AI, including some that have never before been seen, from the New York Times best-selling author of the Silo trilogy

Hugh Howey is known for crafting riveting and immersive page-turners of boundless imagination, spawning millions of fans worldwide, first with his best-selling novel Wool, and then with other enthralling works such as Sand and Beacon 23.

Now comes Machine Learning, an impressive collection of Howey’s science fiction and fantasy short fiction, including three stories set in the world of Wool, two never-before-published tales written exclusively for this volume, and fifteen additional stories collected here for the first time. "Glitch" asks what happens when a battle bot refuses to fight. “The Automated Ones” introduces ideas of discrimination in a world populated by both humans and AI, and its sequel “WHILE (u > i) i –;” explores the challenges a human woman and an android face after falling in love. In "Select Character" a new mother who is bored with being stuck at home starts playing her husbands' video game according to her own rules-- and makes a surprising discovery. These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author’s note exploring the background and genesis of each story.

Howey’s incisive mind makes Machine Learning: New and Collected Stories a compulsively readable and thought-provoking selection of short works—from a modern master at the top of his game.

Here's the blurb:

Three fantasy novels of war and wizardry by a “fabulously talented” New York Times–bestselling author (Charlaine Harris).

In The Ladies of Mandrigyn, a brilliant mercenary must lead his army against the forces of the most powerful wizard alive. Gifted with courage, strength, and the intelligence to know when to fight, Sun Wolf is the greatest mercenary in a land overrun by war. With his first lieutenant, Starhawk, at his side, he has laid waste to countless cities, taking the best of their treasures for himself, and distributing the rest among his bloodthirsty crew.

Then a woman comes to him, an emissary from the town of Mandrigyn, a lush port city recently sacked by a powerful, mad wizard of unmatched abilities. She offers Sun Wolf untold riches for the use of his army, but the captain is not fool enough to wage war against a magician. He refuses her offer, but that is not the end of it. The women of Mandrigyn can be very persuasive.

In The Witches of Wenshar, to harness his newfound magical powers, Sun Wolf must cross the desert in search of a witch who can teach him the ways of sorcery. Accompanied by his lieutenant, Starhawk, he travels across the forbidding desert to the land of Wenshar, where witchcraft is said to flourish. There he seeks out a witch with powers far beyond her years, who is rumored to have mastered the ancient art of white magic. But when he and Starhawk finally reach her, there is evil in the air—an evil against which all their might is useless. Sun Wolf must learn to harness his newfound powers—or be taken by this sinister trap.

In The Dark Hand of Magic, Sun Wolf must use his immature magical powers to rescue his old army from an evil wizard’s curse. A string of rotten luck has befallen his old crew’s latest campaign, and they have begun to suspect a curse. Their arrows break; their food rots; their tunnels cave in. They have heard rumors of Sun Wolf’s magical abilities, and beg for his help. But when he goes after whatever is targeting his men, he finds himself up against the deadliest force he has ever encountered.

Here's the blurb:

New York Times Bestseller

From Neal Stephenson—who coined the term “metaverse” in his 1992 novel Snow Crash—comes a sweeping, prescient new thriller that transports readers to a near-future world in which the greenhouse effect has inexorably resulted in a whirling-dervish troposphere of superstorms, rising sea levels, global flooding, merciless heat waves, and virulent, deadly pandemics.

One man—visionary billionaire restaurant chain magnate T. R. Schmidt, Ph.D.—has a Big Idea for reversing global warming, a master plan perhaps best described as “elemental.” But will it work? And just as important, what are the consequences for the planet and all of humanity should it be applied?

Ranging from the Texas heartland to the Dutch royal palace in the Hague, from the snow-capped peaks of the Himalayas to the sunbaked Chihuahuan Desert, Termination Shock brings together a disparate group of characters from different cultures and continents who grapple with the real-life repercussions of global warming. Ultimately, it asks the question: Might the cure be worse than the disease?

Epic in scope while heartbreakingly human in perspective, Termination Shock sounds a clarion alarm, ponders potential solutions and dire risks, and wraps it all together in an exhilarating, witty, mind-expanding speculative adventure.

You can now download Robert Jordan's The Eye of the World for only 2.99$ by following this Amazon Associate link. This OneLink will take you to the nearest Amazon site serving your country and you'll see if you can take advantage of this sale.

The three next installments, The Great Hunt, The Dragon Reborn, and The Shadow Rising are also on sale.

Here's the blurb:

The Wheel of Time ® is a PBS Great American Read Selection! Now in development for TV!

Since its debut in 1990, The Wheel of Time® by Robert Jordan has captivated millions of readers around the globe with its scope, originality, and compelling characters.

The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow.

When The Two Rivers is attacked by Trollocs—a savage tribe of half-men, half-beasts— five villagers flee that night into a world they barely imagined, with new dangers waiting in the shadows and in the light.

Here's the blurb:

Dragonlord Linden Rathan, last-born of a race of immortal weredragons, has spent six hundred years alone, searching for his soultwin while his fellow Dragonlords watch over humanity’s Five Kingdoms.

When the Queen of Cassori dies mysteriously, Linden and the other Dragonlords are called upon to prevent civil war as two human claimants vie for the regency. As the battle for Cassori rule escalates, Linden becomes the target of the Fellowship, a secret society of true-humans who could actually destroy his immortal life.

Then he meets a beautiful young ship captain named Maurynna who may be the only one who can help Linden bring Cassori back from the brink of chaos. The Last Dragonlord is the debut novel in Joanne Bertin’s acclaimed Dragonlord series.


You can also download Greg Bear's Eon for only 1.99$ here.

Here's the blurb:

In a supernova flash, the asteroid arrived and entered Earth’s orbit. Three hundred kilometers in length, it is not solid rock but a series of hollowed-out chambers housing ancient, abandoned cities of human origin, a civilization named Thistledown. The people who lived there survived a nuclear holocaust that nearly rendered humanity extinct—more than a thousand years from now.

To prevent this future from coming to pass, theoretical mathematician Patricia Vasquez must explore Thistledown and decipher its secret history. But what she discovers is an even greater mystery, a tunnel that exists beyond the physical dimensions of the asteroid. Called the Way, it leads to the home of humanity’s descendants, and to a conflict greater than the impending war between Earth’s superpowers over the fate of the asteroid, in “the grandest work yet” by Nebula Award–winning author Greg Bear (Locus).

Here's the blurb:

INTRODUCING
HONOR HARRINGTON

Having made him look a fool, she's been exiled to Basilisk Station in disgrace and set up for ruin by a superior who hates her.

Her demoralized crew blames her for their ship's humiliating posting to an out-of-the-way picket station.

The aborigines of the system's only habitable planet are smoking homicide-inducing hallucinogens.

Parliament isn't sure it wants to keep the place; the major local industry is smuggling; the merchant cartels want her head; the star-conquering, so-called "Republic" of Haven is Up To Something; and Honor Harrington has a single, over-age light cruiser with an armament that doesn't work to police the entire star system.

But the people out to get her have made one mistake. They've made her mad.

At the publisher's request, this title is sold without DRM (DRM Rights Management).

You can download Justin Cronin's international bestseller, The Passage, for only 1.99$ by following this Amazon Associate link. This OneLink will take you to the nearest Amazon site serving your country and you'll see if you can take advantage of this sale.

Here's a blurb:

'It happened fast. Thirty-two minutes for one world to die, another to be born.'

First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear - of darkness, of death, of a fate far worse.

As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey - spanning miles and decades - towards the time and place where she must finish what should never have begun.

With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

You can now download James Logan's The Silverblood Promise for only 1.99$ by following this Amazon Associate link. This OneLink will take you to the nearest Amazon site serving your country and you'll see if you can take advantage of this sale.

Here's the blurb:

Lukan Gardova is a cardsharp, academy dropout, and—thanks to a duel that ended badly—the disgraced heir to an ancient noble house. His days consist of cheap wine, rigged card games, and wondering how he might win back the life he threw away.

When Lukan discovers that his estranged father has been murdered in strange circumstances, he finds fresh purpose. Deprived of his chance to make amends for his mistakes, he vows to unravel the mystery behind his father's death.

His search for answers leads him to Saphrona, fabled city of merchant princes, where anything can be bought if one has the coin. Lukan only seeks the truth, but instead he finds danger and secrets in every shadow.

For in Saphrona, everything has a price—and the price of truth is the deadliest of all.

Here's the blurb:

WINNER OF THE WORLD FANTASY AWARD FOR BEST NOVEL

NAMED ONE OF THE BEST BOOKS OF 2021 BY PUBLISHERS WEEKLY, LIBRARY JOURNAL, BOOKLIST, AND THE NEW YORK PUBLIC LIBRARY

A ruthless princess and a powerful priestess come together to rewrite the fate of an empire in this “fiercely and unapologetically feminist tale of endurance and revolution set against a gorgeous, unique magical world” (S. A. Chakraborty, author of the The City of Brass).

Exiled by her despotic brother, princess Malini spends her days dreaming of vengeance while imprisoned in the Hirana: an ancient cliffside temple that was once the revered source of the magical deathless waters but is now little more than a decaying ruin.

The secrets of the Hirana call to Priya. But in order to keep the truth of her past safely hidden, she works as a servant in the loathed regent’s household and cleaning Malini’s chambers.

When Malini witnesses Priya’s true nature, their destinies become irrevocably tangled. One is a ruthless princess seeking to steal a throne. The other a powerful priestess desperate to save her family. Together, they will set an empire ablaze.

Here's the blurb:

Ada Lamarr may have gotten to the spaceship wreck first, but looter’s rights won’t get her far when she’s got a hole in the side of her ship and her spacesuit is almost out of air. Fortunately for her, help arrives in the form of a government salvage crew—and while they reluctantly rescue her from certain death, they are not pleased to have an unexpected passenger along on their classified mission.

But Ada doesn’t care—all that matters to her is enjoying their fine food and sweet, sweet oxygen—until Rian White, the government agent in charge, starts to suspect that there’s more to Ada than meets the eye. He’s not wrong—but he’s so pretty that Ada is perfectly happy to keep him paying attention to her—at least until she can complete the job she was sent to pull off. But as quick as Ada is, Rian might be quicker—and she may not be entirely sure who’s manipulating who until it’s too late…

A phenomenally fun novella that kicks off a trilogy of sexy space heists and romantic tension, Full Speed to a Crash Landing is packed with great characters and full of twists and turns that will keep you guessing until the end.

You can also get your hands on the digital edition of William Gibson's Virtual Light for only 1.99$ by following this Amazon Associate link. This OneLink will take you to the nearest Amazon site serving your country and you'll see if you can take advantage of this sale.

Here's the blurb:

2005: Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California. Here the millenium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pickpocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich--or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart of DatAmerica, where pure information is the greatest high. And a mind can be a terrible thing to crash...

Here's a blurb:

Now a New York Times bestseller!

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place.

Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan.

Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie.

But becoming a supervillain isn't all giant laser death rays and lava pits. Jake had enemies, and now they're coming after Charlie. His uncle might have been a stand-up, old-fashioned kind of villain, but these are the real thing: rich, soulless predators backed by multinational corporations and venture capital.

It's up to Charlie to win the war his uncle started against a league of supervillains. But with unionized dolphins, hyper-intelligent talking spy cats, and a terrifying henchperson at his side, going bad is starting to look pretty good.

In a dog-eat-dog world...be a cat.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Here's a blurb:

A mythmaker of the highest order, China Miéville has emblazoned the fantasy novel with fresh language, startling images, and stunning originality. Set in the same sprawling world of Miéville’s Arthur C. Clarke Award-winning novel, Perdido Street Station, this latest epic introduces a whole new cast of intriguing characters and dazzling creations.

Aboard a vast seafaring vessel, a band of prisoners and slaves, their bodies remade into grotesque biological oddities, is being transported to the fledgling colony of New Crobuzon. But the journey is not theirs alone. They are joined by a handful of travelers, each with a reason for fleeing the city. Among them is Bellis Coldwine, a renowned linguist whose services as an interpreter grant her passage—and escape from horrific punishment. For she is linked to Isaac Dan der Grimnebulin, the brilliant renegade scientist who has unwittingly unleashed a nightmare upon New Crobuzon.

For Bellis, the plan is clear: live among the new frontiersmen of the colony until it is safe to return home. But when the ship is besieged by pirates on the Swollen Ocean, the senior officers are summarily executed. The surviving passengers are brought to Armada, a city constructed from the hulls of pirated ships, a floating, landless mass ruled by the bizarre duality called the Lovers. On Armada, everyone is given work, and even Remades live as equals to humans, Cactae, and Cray. Yet no one may ever leave.

Lonely and embittered in her captivity, Bellis knows that to show dissent is a death sentence. Instead, she must furtively seek information about Armada’s agenda. The answer lies in the dark, amorphous shapes that float undetected miles below the waters—terrifying entities with a singular, chilling mission. . . .

China Miéville is a writer for a new era—and The Scar is a luminous, brilliantly imagined novel that is nothing short of spectacular.

BONUS: This edition contains an excerpt from China Miéville’s Embassytown.

My coworker Josh Duffney launches his self-published book on Ansible today!

Congrats and I wish great success!

Crawl, walk, run, sprint your way through learning Ansible with "Become Ansible"! Visit his website becomeansible.com

I learned to create decorative painted papers from Paulus Berensohn, Albie Smith, Lynne Perrella, Anne Bagby, and others by taking wonderful workshops from them in the 1990s, and soon adapted their techniques to making books with beadwork inserted into the covers, like the one below. I use my painted papers on the book covers and for signature covers, which look great with this type of binding.

But after moving to the island where I've lived for 20 years now, I gradually got into quilting and textile arts, kept the beadwork going, and cut way back on painting. Until now!

Inspired, cajoled, and arm-twisted by one of the Textile Guild members, who wants to learn how to paint papers and make books like mine, I agreed to teach a workshop (2 days of painting and 2 days of bookmaking) for the guild members. Of course, since I hadn't painted for many years, I first had to get back into practice. Yay! What fun I've been having, painting in my shed (thankfully heated). The paper below is my favorite of about 20 painted in the last two weeks. The size is 18 x 24 inches. (Please click to see the details!)

And below are two more to go with it.  The paper above will be used for a book cover, even though it will be hard for me to cut it up. The two papers below will be cut (horizontally) into thirds, and used as signature covers. For those unfamiliar with bookmaking, a signature is a section of papers within a book. Each of the six signatures in my book will be covered with this decorative paper.


It's a fun, playful, and experimental process to paint like this, easier for me than it would be to paint figuratively (landscape, still life, or people). With this type of painting, I just mix matte medium with a color or two of acrylic paint, and apply it by rolling, stamping, stenciling in layers. I keep adding layers until I like it, at which point it's a finished paper. There is always at least part of each paper that pleases me enough to use it for bookmaking and paper arts.

These are the basic supplies and tools I use to paint the papers:

1.) Although acrylic paints and this method can be used to paint on almost any surface or paper, I usually paint on 80-90# drawing paper to make decorative papers.

2.) I prefer using a roller to apply background colors or glazes, rather than a brush. My favorite, purchased online from Dick Blick Art Supplies, is a 2.2"  dense foam roller.

3.) Assorted stamps and stencils. I carve a lot of my own stamps, as you will see below, but sometimes also use commercial stamps. Note that commercial rubber stamps with fine detail for stamping with inks do not work well with acrylics, as the paint clogs the fine lines, ruining the stamp.

4.) Assorted materials, such as a notched adhesive-spreader, coarse sea-sponge, webbed food packaging materials, and bubble wrap are useful to print, texture, and stencil.

5.) Acrylic paints. I use heavy-body paint (rather than fluid acrylics) of student-grade or better quality.

6.) Matte medium and glazing medium (slow drying) are added to extend the paint.

I know, maybe you're thinking I should do a video tutorial. OK. You set it up, and I'll do it. In the meantime, I'd rather be painting...  Here are three more recently painted papers for your viewing pleasure (I hope).



The one directly above is my attempt to emulate batik fabric from India. I had a bedspread back in the hippy 60s with a burgundy design on a mustard yellow background, the memory of which was the inspiration for this paper. I carved all of the stamps used to make it.

I love to carve my own stamps, and sometimes cut my own stencils as well. Let's take a look at that process. It's quite easy really, requiring only a block of Speedy-Carve (or other high-density rubber carving block), and a Speed-Ball Carving tool. Designs can be free cut, drawn right on the carving block, or transferred from a tracing. Here's a fairly decent tutorial on the stamp carving process.

Designs? Well, everywhere I look I see possibilities for carving more stamps! Recently, visiting a fabric store with my quilting buddies, I spied a fat quarter of batik fabric with a luscious design. Here is the fabric:

And here is the stamp I carved from a tracing I made of the central flower. The stamp is the same size as on the fabric, about 3" in diameter.

I also cut a stencil, which you can see below. A friend had a commercial stencil of these three leaves, which I really liked. After borrowing her stencil to use on one of my papers, I traced the painted image, and cut out my own stencil. The tool in this image is a Speed-Ball cutter, which I use to carve the rubber to make stamps.

You've already seen (way above) the whole sheet of paper I painted using just this stamp and stencil, but here's a detail. If you click to enlarge, you can see more about how I paint in layers, first the background colors, next the leaves, then a different color over-stencil on the leaves, and last the flowers.

If you like to play with paint, you might want to give it a try! Here are just a few more of my recently painted papers to tempt you...





I'll be teaching a 2-day bookmaking workshop in mid-May using papers like these to create three different books. There may still be a spot or two available in the class. If you are interested, you can contact me for more information.

You may want to visit my website to see more about my handmade books and painted papers. And there are several earlier posts here on Beadlust with pictures of books made with painted decorative papers and beading by my students, as well as other related topics. Here are a few of them:

1. Wedding book
2. Lisa's book (from a workshop I taught in Wisconsin); her fabulous website is here.
3. Susan's book (from a workshop I taught in Wisconsin)
4. painting papers for making Christmas cards
5. Using symbols in our art and symbols in acrylic painting  
6. Using these techniques to paint with dyes on fabric and more fabric paint/dye examples

Susan Anderson took my bookmaking/painting/beading workshop twice at the Coupeville Art Center. These are the papers for her first book, and if you click to enlarge, you can also see her finished book.

And, to close this post, here is a photo of some of the handmade books I've created over the years... most of them utilize decorative painted papers and bead embroidery.

Thanks for sticking with me to the end of this long post :)!

Simon Morrison, author of the new musical biography "Mirror in the Sky,” is a professor of music and Slavic languages and literatures, and a sought-after lecturer in the humanities.

Conversation with emerging writer, art critic, curator and Princeton alum Simon Wu ’17 as he discusses his new book, Dancing on My Own, with Monica Youn ’93, Visiting Professor of Creative Writing. Followed by a book signing and reception. Current Princeton students can register to join writer and art curator Simon Wu ‘17 for a private dinner and career conversation from 4:30-5:30 PM.

Some of you might have noticed that our Facebook Feeds generator can right now generate only RSS feeds of your own Facebook pages..

The post Facebook Feeds Generator Is Experiencing Problems appeared first on RSSground.com.

Facebook review team has approved our Facebook Feeds app and now all Facebook feeds are working again. All previously generated Facebook feeds will be automatically resumed..

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No doubt, media content is very important  when it comes to updating your blogs and social network pages. We totally understand that and constantly improve images and videos processing, either in content feeds or posting campaigns. Today we are glad to introduce one of the latest updates to our Facebook Poster, which improves posting images […]

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Several days ago, eBay Partner Network reported about an issue with EPN links.  When someone clicks affiliate eBay link using Facebook app on iOS or Android, the click cannot be tracked. eBay has created a workaround to fix this issue. You need to append your eBay links before publishing them to Facebook. The only thing […]

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We are sorry to inform you that posting to Facebook groups and generating Facebook group feeds is no longer available in RSS Ground. Facebook has deprecated its Groups API and restricted Facebook group access for developers.  Read more about Facebook deprecations and Breaking changes. All posting campaigns that make posts to Facebook groups and RSS […]

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The new books capture all the storylines of the 2024 racing season in stunning photography, reporting and analysis
( Photos: 15, Comments: 15 )

Samantha Harvey has won the 2024 Booker Prize for her science fiction novel Orbital. The novel follows six international astronauts as they orbit the Earth for one day of their nine-month space mission.

John Hayward's pictures feature in a new version of A Shropshire Lad by A. E. Housman.