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There is nothing more wonderful than exploring new tools or ways for something you are passionate about.

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DALLAS, January

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Typeface Rotis Serif

Available in four font families from sans to serif, Rotis typeface can be found everywhere around you. Unfortunally Olt Aicher died in a traffic accident in 1991. Linotype currently owns the Rotis Font Family, where all of the font variations can be bought.

Rotis® gives an impression of both strength and generosity and all four versions can be used interchangeably with one another. Rotis® is suitable for book/text, documentation/business reports, business correspondence, magazines, newspapers, posters, advertiments, multimedia, corporate design.
Linotype

During our holiday in the beautiful German Steigerwald (near Nürnberg and Bamberg) I came across the Rotis Font Family quite often, this is a photo showcase collection of the Font Familiy Rotis Sans.

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Where to get Rotis?

The font package is available in four type families, via Linotype:

• Rotis® Sans Serif Font Family

Personally I like Rotis Sans Serif Font Family (2nd on the list above) the best, it has a very distinctive look and feel with a high legibilty for usage in many fields of visual communication.

More information about Olt Aicher

There is much written about Olt Aicher who was not only a font designer but also a graphic designer who had a big part in designing the Münich Olympic Games in 1972.

• Information about Olt Aicher at Wikipedia.
• Great article about Olt Aicher at Underconsideration.
• Work from Olt Aicher at a huge flickr pool to be found here.
• The graphic design work he created for the Münich Olympic Games at this website.
• Other interesting and informative article about the type Rotis, here at manic.com.
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Arial, a contemporary sans serif typeface by Robin Nicholas and Patricia Saunders designed for Monotype in 1982. If you are familiar with a computer you must know Arial, one the most used “standard” typefaces for “normal” computer usage.

Arial

Most professional designers and typophiles think of Arial as a copied typeface from Helvetica and while reading the The Scourge of Arial by Mark Simonson Studio I have realized this is in fact a true story.

The typeface became free with the release of Windows 3.1, which was a sales hit and Arial quickly gained spread around the globe. The main reason why Microsoft chose Arial as standard typeface is because of the license fee from the original Helvectia typeface by the Haas Foundry was too high. Missed change to educate the world about the wonderful Grotesk family.

Arial vs Helvetica

• Visit Arial vs Helvetica on iLoveTypography

Today Arial belongs to Monotype:

Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Arial is everywhere

Look around and you'll spot Arial around you! Arial is everyyyyyyywhere!!

You can find FF Meta all around you, this is a collection of designs where we found the use of typeface FF Meta.

FF Meta® is a wonderful typeface designed by Erik Spiekermann, the font family was released between 1991 and 1998. A very readable typeface in smaller point sizes but also with enough detail to display in large point sizes. FF Meta is a sans-serif typeface which can be found all around you. The last several months where every I came (The Netherlands) I saw typeface Meta, in this font series you can see the many different faces of the FF Meta®.

FF Meta

The Complete Font Family contains a package of 24 variations (via FontShop) and was published by FontFont (see their website for lots of Meta usage), is available in the following formats Mac PostScript, PC PostScript, PC TrueType. All styles Book, Caps, Bold and Bold Caps are also available in Italic. Starting from a set of 3 fonts at € 40,- to the complete font family for € 229,-. When bought at FontShop you can download the fonts after the purchase and start using them right away. Although FF Meta® is not in the top 10 bestsellers at FontShop I believe this is a very popular font.

• Visit FontShop for a complete overview of the Meta Font Family 1
• The complete overview of 55 variants of Meta Font Family.
• The Meta 3 Font package which contains Meta Hairline, Meta Thin & Meta Light. (Thank you Stephen Coles for adding the links)
• Wikipedia information page about the font Meta

On Wednesday 31st March Ivan Bennett, Design Manger for London Buses, delivered a presentation on the design and development of Bus infrastructure furniture and products at Transport for London’s offices in Southwark. This article gives and overview of the evening and highlights some of the key topics discussed.

Background Information

As part of Transport for London (TfL), London Buses is responsible for securing the provision of bus services throughout Greater London in a safe, efficient manner, while encouraging the use of buses and public transport. Surface Transport Infrastructure Development are responsible for the design and development, specification, installation and maintenance of the supporting infrastructure within Greater London. As the main point of contact with passengers, bus stops in London currently total over 19,000.

Introduction

Mike Wolff, Chairman of the SDS, introduced Ivan and highlighted that the society often discuss the graphic design and strategy of wayfinding systems, but talk less about the design of products. That in mind he was very keen to get the event underway.

Ivan began his presentation by putting the scale of the London Bus project into perspective. Every weekday over 6,500 scheduled buses carry around 6.25 million passengers on over 700 different routes, amounting to over 1.7 billion journeys a year. He was also keen to point out that the first use of the iconic roundel was the 19th-century symbol of the London General Omnibus Company; its usage on the Underground came later.

History of London Buses

Illustrations of old shelters showed how little the identity had changed over the years and demonstrated how forward thinking London were in a period hung up on embellishment. Ivan emphasised the importance and influence of Frank Pick, head of the London Underground in the 1910s and 1920s and of the newly merged London Transport in the 1930s. Frank was instrumental in establishing the world’s most progressive public transport system and an exemplar of design management. Ivan went on to explain how Frank’s vision influenced the design of London bus products, including those we see on the streets today.

Creating Successful Products

TfL are a well known brand and the legacy of their products has a huge impact on defining the city. Their products and use of materials also help define the values of the system. Ivan identified his three intrinsic factors for creating successful products:

• Aesthetics
• Appropriateness
• Economics
• Even in the early 19th century, London Transport realised the importance of these values.

(quote: “The test of the goodness of a thing is its fitness for use. If it fails on this first test, no amount of ornamentation or finish will make it better; it will only become more expensive and more foolish.” – Frank Pick)

It was clear that Ivan and his team design products with a clear focus on ‘Appropriateness’. They adopt a cradle to grave approach to design and Ivan listed key considerations in their design process:

• Who will use the product?
• What will the product be used for?
• How long does the product need to last?
• What possible impact does the product need to withstand? (vehicles, pedestrians, weather)
• How often will the product need to be updated?
• How will the product be maintained?
  -In particular when looking at materials:

Do the individual materials proposed work together?

• Are the materials used sustainable?
• Do the materials work within the surrounding environment?
• What is the life span of individual materials?
• How will materials be disposed of at the end of the products life?

Current Product

Using a full scale replica of a bus stand located at the front of the room, Ivan described in detail the design of the current product used at bus stops.

Many of the components are easily switchable. Ivan demonstrated how using a tiling system, bus stop numbers could be changed and moved almost like pieces of a jigsaw puzzle.

Examples of timetables, route maps and network maps helped show how London Buses have simplified information to make it easier for bus stop users to answer three key questions:

• Where am I now?
• How do I get from A to B
• How will I know when I get there?

A good example of this simplification of information is the timetable, where individual times have been omitted and instead only first and last buses are listed along with the general frequency of buses throughout the day.

Example: Transport for London Journey Planner.

Where other systems fail

One reason other systems have failed is the lack of continuity. London bus stops extend beyond central areas and cover all routes in Greater London. Ivan indicated that passengers do not just want information about where they are travelling from, but when they get there, they need the same consistently presented information. People need information near their homes and local areas, not just in the centre of the city.

Ivan also pointed out that many systems fail because they do not own their products. London Buses design and build their products and own the intellectual property rights. This allows TfL the freedom to change manufacturers without having to reinvent their products. Continuity of the brand is maintained and London Buses can continually work on evolving their products.

Questions and Answers

The session concluded with a questions and answers forum. Unsurprisingly many of the questions focussed on manufacturing methods and material choices, but several of the questions were centred around brand identity and the roundel. A debate began on the use of the roundel and whether overuse was diluting its visual impact, a subject I am sure we all could have continued discussing at length, but time was pushing on and Mike sadly had to draw the session to a close.

Conclusion

I have been to several events organised by the SDS, but this was one of my favourites. The presentation was filled with facts, history, illustrations and physical examples. Ivan is obviously very knowledgeable on the subject and passionate about his job and this came through in his presentation.

I would like to thank Ivan, Mike, Michelle and the SDS for another great event.

For more information on the SDS visit: The Sign Design Society

Author Bio:
Hayley graduated in 2007 with a first class degree in Visual Communication. She now lives and works in London as a Wayfinding Designer for a large architectural practice. Her key projects to date include developing signage and information graphics for both Dublin and Rome Airport. Hayley’s thoughts and inspirations can be found in her regular tweets as Wayfinding_UK.

Over the years airports have been increasingly becoming larger spaces. Often also integrated with rail, metro and other means of transportation. In general(before COVID) people tend to take flights as a fast means on transportation from place to place.

The layout and structure of airports are different from city to city, therefore wayfinding is needed to navigate quickly and safely. Although wayfinding should be clear in airport, often the navigational information has interference with increasingly more advertising.

Airports have become multi-functional environments processes are internationally standardized and maximally efficient, with a strong emphasis on entertainment and consumption.

The book “Aiport Wayfinding” by Heike Nehl and Sibylle Schlaich is a complete overview what it takes to develop a wayfinding scheme for airports.

In some cases the wayfinding becomes part of the identity of an airport. Good example cases is for instance at Schiphol. The yellow signs stand out in the environment making it easy to navigate around. In the case of Schiphol, yellow has become the identity driver, recognizable and to stand out of advertising.

The book in a extensive overview on airport wayfinding, and explores the following;

• Evolving, a constant state of evolution
• Identity, architecture, flow and integrated design
• Design, color, typography and pictograms
• Digital, pre-journey experience, at the airport and onward travel
• Beyond, how airports connect, mobility and the city

Airport wayfinding

As there a many ‘standards’ in wayfinding, airport wayfinding tends to differ and creating a unique identity to the airport. Usually the background color of the signs are part of the identity. For example; Schiphol Yellow, Frankfurt Blue, Switserland Black, Heathtrow yellow, Berlin Red/Brown, etc.

Airport Wayfinding Strategy

Apart from color, typography and pictograms the wayfinding systems are also vary from letters to numbers.

The book explains the passengers flow land side and air side. A complete overview of the customer journey throughout an airport. Included examples for spatial layout and visions on how to improve passengers flow in airports.

From interviews, explanations and examples, the book analyzes wayfinding systems of approximately 70 airports by aligning their identities and functions.

Conclusion

The book “Airport Wayfinding” is a must read for urban planners, wayfinding information designers and working in the field of (air) transportation and mobility.

The countless examples, comparisons, standards and interviews makes this book on of our favorites in airport wayfinding.

If you want to learn about the authors, visit their website Moniteurs.

Trevor Cole, an international travel photographer and tour leader from Donegal, Ireland, captures diverse cultures and landscapes with a focus on sustainability and human connection. Leading small-group photo tours across destinations like Scotland, Iceland, and Ethiopia, his work inspires reflection and encourages positive change. More: Instagram

Coté Escrivá, a Spanish artist, creates playful character designs inspired by nostalgic childhood themes, with notable collaborations with Thunder Mates on limited-edition resin toys. His standout collection includes dark twists on classic Disney icons like Donald Duck and Mickey Mouse, reimagined as spooky characters with eerie eyes, tattered clothes, and exposed skeletons, drawing influences from […]

Sylvain Sarrailh is a French illustrator and concept artist with over a decade of experience in the video game and film industries. He has collaborated with prominent companies such as Ubisoft, Rocksteady, Amplitude, Psyop, Oculus, Insomniac Games, Sony Pictures, and DreamWorks. Sarrailh’s portfolio showcases a diverse range of vibrant and detailed artworks, reflecting his versatility […]

Do you need a little inspiration to help you get started on a long-awaited online store design project. One of the best places to find it is a WordPress theme.  The problem is, there are so many themes to choose from. You’re going to have to sift through a number of them to find a […]

The post Top 11 WooCommerce Themes to Elevate Your Online Store in 2023 appeared first on WebAppers.

With WordPress 5.8 launching on July 20th, it seems like a great time to round up some resources to help theme authors prepare for the future. By now, you’ve probably heard about block themes and the upcoming future of full site editing. Perhaps you have even begun to explore creating a block theme or adapting […]

Videography used to be a highly specialized field that required special equipment and training.  It took multiple members of a team, each with highly specialized skills, to produce a video that people would actually want to watch.  Nowadays everyone with a smartphone is walking around with highly specialized camera equipment in their pockets, and they […]

The post Video is evolving first appeared on TECH Intelligence and is written by Brian Wallace.

Before the turn of the new millennium, development teams could get away with supporting two platforms: Windows and the web. Today, there are dozens, with more created monthly. As a result, teams struggle to manage vendor, device, and platform fragmentation. To fully realize the potential of virtual reality, the Internet of Things, and other platforms […]

The post The future of software development Is automation first appeared on TECH Intelligence and is written by Aidan Cunniffe.

As businesses adopt digital to be more efficient, stay ahead of the curve and meet changing demands, their IT teams are faced with the growing challenge of supporting the software infrastructure. Due to the high costs of employing software developers and the scarcity of capable programmers, the pressure on IT teams has become enormous. As...

The post What is the Future of Citizen Development in Modern Businesses? appeared first on noupe.

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The post Why Every Entrepreneur Should Start a Blog appeared first on noupe.

Heuristic evaluation is a powerful tool in UX design, offering a structured way to identify and address usability issues in interfaces. But what exactly does it entail, and how can designers use it to improve user experiences?

1. Low Cost to start with: Its open source and thus the platform itself is free to use and develop on – starting on WordPress is like less than half the cost of custom developing from scratch or using any other robust CMS. 2. Additional Functionality with Plugins: WordPress community is huge and developing everyday […]

Top home design software for real estate pros: explore features, benefits, and tips to streamline project planning, design, and budgeting.

Any project—no matter the scale and scope—requires an effective workflow to maintain high efficiency in all tasks involved. A good workflow can also minimize errors, improve collaboration within the team, and ensure that the end product is delivered on time. This is especially true for web development projects, which can pose various creative and technical […]

The post How to Create an Effective Web Development Workflow appeared first on Designer Daily: graphic and web design blog.

Chronic traumatic encephalopathy (CTE) is a neurodegenerative disease associated with a history of repetitive head impacts (RHI). To better understand the strength of evidence underlying the possible causal relationship between RHI and CTE, we examined the medical literature through the Bradford Hill criteria for causation.

Psychotherapy is as effective treatment for PTSD patients after multiple traumatic events.

Reader is a theme by new theme shop WP Minima, a brand which sells entirely on ThemeForest at the moment. They’ve released two themes so far, one free and one paid. This is the paid theme, which costs $35. Reader, being both new and minimalistic, caught my eye last week. A lot of the time, […]

The post Reader theme review: Minimal, but not in a lazy way appeared first on WPCandy.

Let’s start this review with an honest admission. While in the 90s I collected (and read, mostly) tech books like they were going out of style. These days I barely get my hands around a book, let alone consume it. Frankly, I don’t have the time. I have three kids (two are twins) and a […]

The post Review: Professional WordPress Design and Development, 2nd Edition appeared first on WPCandy.

A study conducted by Harvard-affiliated Brigham and Women’s Hospital revealed that individuals experiencing a broad array of long COVID symptoms are twice as likely to have traces of SARS-CoV-2 proteins in their blood compared to those without symptoms of long COVID. The symptoms frequently associated with long COVID include fatigue, brain fog, muscle and joint pain, back pain, headaches, sleep issues, loss of smell or taste, and gastrointestinal problems.These findings were published in the journal Clinical Microbiology and Infection.

For many people, it’s a ray of hope rooted in research. Recent research is presenting a new way of thinking about suicide prevention, and both experts and patients believe it’s already saving lives.

The American College of Surgeons (ACS) has announced the release of its revised Best Practices Guidelines in the Management of Traumatic Brain Injury, offering healthcare providers comprehensive strategies to improve the care and outcomes of patients with traumatic brain injury (TBI).

A child with a brain injury may develop more injury-related issues as an adult.

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Responding to your feedback, we are now proud to present new separate parameters for noise, reverb, and breath reduction to give you more flexible control for your individual, best output results.
Find all the new parameters below and listen to the Audio Examples to get a closer impression of the upgrade.

What's the update about?

Before

Previously, you could only set the Denoising Method and one reduction amount, that was used for all elements.
Depending on the selected method, you were already able to decide whether music, static, or changing noises should be removed, but there was no setting to keep the typewriter sound effects while removing the reverb, for example.

Now

With our latest upgrade, you can now set the reduction amounts separately for noise, reverb, and breathing sounds.
For example, you could completely remove the background noise while reducing the reverb just a little to enhance speech intelligibility but keep the atmosphere. Like we did in Audio Example 1.
Many of you have also asked about the possibility of slightly reducing breath sounds rather than eliminating them completely. In Audio Example 2 we demonstrate how you can prevent your audio from sounding strange and unnatural by reducing instead of eliminating all breathing sounds.

To all of you who are happy with the results and don't want anything to change, relax:
If you don't change the default settings, the noise reduction algorithms work exactly the same as before.

Note: As the 'Static Denoiser' removes only stationary noise, there are no 'Remove Reverb' and 'Remove Breathings' parameters available for this denoising method.

New Parameters

Screenshot of the new Noise Reduction Parameters in the production form.

In order to use the new noise reduction features, you may separately set the following parameters:

• Denoising Method: (unchanged) Select what kind of noise you want to remove.
  [Dynamic Denoiser (default), Speech Isolation, Static Denoiser]
  Note that the parameters 'Remove Reverb' and 'Remove Breathings' are NOT available for Static Denoiser!
• Remove Noise: Select the amount of noise you want to remove.
  [100 dB (default), Disable Denoise, 3 dB, 6 dB, ..., 100 dB (full)]
• Remove Reverb: Select the amount of reverb you want to remove.
  [100 dB (default), Disable Deverb, 3 dB, 6 dB, ..., 100 dB (full)]
• Remove Breathings: Select the amount of breathings you want to remove.
  [Off (default), 3 dB, 6 dB, ..., 100 dB (full)]

Feel free to experiment with all the options to find your preferred parameter settings! Editing and reprocessing existing productions does not cost any additional credits as long as you don't change the input file.

Listen to the results:

1. Reverb reduction with full noise elimination

For the first audio example by conduitministries.com we set the 'Remove Noise' amount to 100 dB (full) and varied the 'Remove Reverb' amount starting from 0 dB (Off) to 12 dB (medium) and to 100 dB (full). Listen to how first the noise is gone and then step by step the reverb is lower:

2. Breathing sound reduction

In the breathing reduction audio example by LibriVox.org we used the 'Remove Breathing' amounts increasing from the original audio with 0 dB (Off) to 12 dB (medium) and to 100 dB (full) reduction.
In the result files you can hear, that the 100 dB (full) elimination leads to weird, unnatural-sounding pauses, that can be prevented by just reducing the breathing sounds:

Try it now on auphonic.com!

Feedback

We hope you like our upgraded version of the Noise Reduction Algorithms with new parameters for more control.
If you have more feature requests or feedback for us, please let us know! You can also leave a comment in the feedback section on the status page of your specific production. We're looking forward to hearing from you!

Picture this. You’re hosting the event of a lifetime, and you want every magical moment captured perfectly. It’s no surprise that finding the right photographer is high on your list. But how do you navigate through event photography pricing?

You might assume that requesting a quote is as straightforward as dialing the number…but be prepared to be surprised! The cost can be influenced by factors like experience level or type of event – there’s more to consider than meets the eye. You can also use this guide as a new photographer to figure out how much you should charge for different types of events.

In this guide, we’ll delve into everything from understanding why photographers charge what they do, to examining costs associated with different types of events such as weddings or corporate gatherings. We’ll also take an exciting journey exploring common pricing structures used by photographers and breaking down additional services and costs that may sneak up on you when hiring an event photographer.

Understanding Event Photography Pricing

If you’ve ever wondered how event photography pricing works, this section will shed some light on it.

Imagine a photograph where time and space seem to bend and warp, creating surreal, elongated images that defy reality.  This is the world of slit scan photography, a fascinating technique that has captivated artists, filmmakers, and scientists for decades.

Slit scan photography is a unique method that captures motion over time, resulting in images that appear stretched or distorted. This technique first gained prominence in the nineteen sixties, most notably in Stanley Kubrick’s iconic film two thousand and one A Space Odyssey.  The mesmerizing Stargate sequence in that film was created using slit scan photography, introducing audiences to its mind-bending visual effects.

Slit scan photography is a captivating and unconventional technique that produces striking, abstract images that defy traditional photography. This method involves capturing a scene or subject through a narrow slit, which moves across the image sensor or film, creating a unique, distorted representation of reality.

​

History

Slit scan photography has a rich and fascinating history that spans over a century, with roots in early scientific and astronomical photography. From its humble beginnings to its modern applications,