CEDAR RAPIDS — You weren’t taken out to the ballgame or the crowd. You couldn’t get Cracker Jack, though you could get peanuts. Not to mention hot dogs and bacon cheeseburgers, a...

Escape the high fees of Etsy when you start your own store! Increased profits & greater flexibility are just 2 benefits. Here's how to do it the right way.

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WooCommerce is the seamless, trusted solution to add an online store to your WordPress site. Add a new revenue stream to your business in just a few steps!

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As death rates from COVID-19 rise, the state is beginning to open back up. And with that the expectation is that Iowans get back to work. Iowans who don’t go back to work will lose...

IOWA CITY — Once upon a time, there was a house in a city that loved literature. It was a quaint, two-story home in the heart of the historic district with brick stairs, pale yellow siding, a...

CEDAR RAPIDS — Getting your hands on some fried food on a stick is going to be a little more difficult this summer for Iowans. With the COVID-19 pandemic imposing restrictions on life in the...

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment. The first story is as dramatic and layered as his bold scenic and lighting designs for area stages:...

CEDAR RAPIDS — A Dubuque woman who helped her boyfriend and another person buy heroin that later led to a fatal overdose was convicted Thursday in federal court. Jacqueline M. Birch, 23,...

This Mother’s Day, April Kelley just wants to give her daughter Jessica Kelley a hug. But she can’t. Jessica, 21, works on the COVID-19 floor at Mercy Medical Center in Cedar Rapids. To...

A man suspected of a workplace shooting last month at a vinyl window manufacturer in southwest Cedar Rapids turned himself into authorities Friday. Jamal Devonte Edwards, 26, has been wanted since...

A 10th wedding anniversary traditionally is celebrated with a gift of aluminum or tin. For Sondy Daggett, her 10th year of marriage to Liz Hoskins was marked with a gift of Champagne and...

Watch my video about the incremental approach—the cheapest, smartest, and easiest way to build a website (and a business!) One thing that’s always annoyed me about contract web design and development is this idea that you can actually pay for a finished product to be delivered within a particular time frame. Nothing actually works this […]

Watch my video on how I’m changing my approach with Thesis to include a lot more Focus. When I launched Thesis 2 in October of 2012, my goal was to create something that could serve as the foundation for any WordPress design. That’s why I spent the next 2 years working on Skins, which are […]

The Joe Rogan podcast with Elon Musk was one of the most important events of 2018, and no—I’m not being hyperbolic. If you thought this interview was all about Elon hitting a spliff, you…may have been misled slightly. In reality, Elon helps us peek behind the curtain to get a glimpse of the future: Can […]

One of the more compelling insights to come from the Joe Rogan interview with Elon Musk is this idea that humanity is actively creating “giant cybernetic collectives.” Through our participation in social media platforms and on the internet in general, we are assimilating knowledge and building connections at a rate that vastly exceeds everything that […]

I am absolutely thrilled that the Johnson County Board of Supervisors finally has both a person of color and a female majority on the board.

Why?

Because women make decisions and guide communities in totally different ways than men do. Women have a unique ability to communicate with those who need to be heard and to understand multiple sides of any argument.

Because our entire community needs to be represented on our Board of Supervisors. In Johnson County we have a vibrant, diverse, exciting community with the potential to come together to improve the lives of all our citizens and our community.

Because by including representatives from our entire community on our governing boards, those voices have the potential to be heard, and acted upon. This is the best way for us to hear the voices of all our diverse community. Yes, there are more voices to be heard and future elections will make that difference. We have come a long way from the times when every board member was a white male. Let’s keep going!

Because in Johnson County we purport ourselves to be a liberal, inclusive and vibrant community. We are most vibrant when all of us come together, honor each other, listen to each other, work together for common goals and have fun together.

Because that is the kind of community I long to live in. A community where every voice and concern is heard and people work toward solutions together, not from the top down, but from inclusivity, listening, understanding and taking action together.

Because change is most effective when it comes the roots up, not from the top down. Women and people of color have more experience and success working in this way.

Because men want to fix things and people of color and women are more adept at changing things by listening to the voices of concern.

I am enthusiastically looking forward to working with everybody as a member of the Johnson County Board of Supervisors.

Royceann Porter is a candidate in the Democratic primary for Johnson County Board of Supervisors.

Chet Culver really should have known better.

Iowa’s former Democratic governor wrote a letter to current Republican Gov. Kim Reynolds decrying her administration’s declaration that workers who refuse to return to jobs amid COVID-19 fears would be denied unemployment benefits. He was among many who questioned whether Reynolds’ policy is even lawful, considering that unemployment rules allow Iowans to claim benefits for unsafe, intolerable or detrimental working conditions.

“Any such ill-conceived scheme that deprives them of choice and forces those hardworking, yet vulnerable, employees to report to unsafe workplace environments, while the positive incidences of COVID-19 infection are on the rise, is not merely penny-wise and pound-foolish — it is just plain wrong,” Culver argued.

But Culver should have known any overture for the rights of workers during the pandemic would fall on deaf ears. We learned Tuesday that more than 1,600 workers at four meatpacking plants tested positive for the virus. Reynolds continues insisting companies such as Tyson, with more than 1,300 cases at three facilities, are doing all they can to protect workers. In one Tyson facility at Perry, 58 percent of its employees contracted the virus.

Culver lost in 2010 to the Branstad-Reynolds ticket, a team that would go on to gut collective bargaining for public employees and make it far more difficult for injured workers to get compensation, among other greatest hits composed by its big business allies.

And Culver was bounced from office after issuing bonded debt to help Iowa communities, including Cedar Rapids, recover from natural disasters of 2008. Republicans dubbed him “Big Debt Chet” and decried his mismanagement of a crisis.

Strong management, apparently, is Reynolds’ decision to partially reopen 77 counties even as COVID-19 case numbers grow and deaths mount, and before ramped up testing and modeling provide critical information on the scope of the virus.

On Monday Reynolds received a lofty “A” grade from FreedomWorks and the Committee to Unleash Prosperity. Reynolds appeared on a conference call sponsored by the groups to talk about her strategy for reopening Iowa.

FreedomWorks and the Committee to Unleash Prosperity are conservative groups playing a key role in organizing “liberation” protests in Wisconsin, Oklahoma and elsewhere. FreedomWorks, with roots in the Tea Party movement, has been mobilizing local protesters and organizing events, according to The New York Times. It’s also conducting tracking polls in swing congressional districts and sharing data with presidential advisers and congressional staff.

“This isn’t political, and it shouldn’t be for anybody,” Reynolds told reporters this week when asked about her virus response.

FreedomWorks is among 24 groups who sent a letter to the president in April urging him to waive the Renewable Fuel Standard for the rest of the year due to pandemic concerns, potentially freeing Iowa farmers from more of their already scarce income.

So step aside Big Debt Chet. We’re unleashing prosperity. Even if workers get trampled.

(319) 398-8262; todd.dorman@thegazette.com

As death rates from COVID-19 rise, the state is beginning to open back up. And with that the expectation is that Iowans get back to work. Iowans who don’t go back to work will lose unemployment benefits, leaving thousands of workers forced to expose themselves and their families to a potentially deadly virus, which experts say could have a second wave in the fall.

The rush to reopen the state has left many questions about the health and safety of Iowans unanswered. Among those questions, “Who will watch the children?” is especially crucial.

Schools are closed for the rest of the year. The future of summer camps is uncertain. Half of the child care centers in America currently are closed. Using elderly parents for child care can be risky since grandparents are in the age bracket with the highest risk for death and complications from COVID-19.

This leaves families, mothers especially, at risk of losing their jobs and unemployment benefits.

Nationwide, women still carry the heavy burden of child care, despite the fact that most families are dual income homes. Two-thirds of minimum wage workers in America are women which puts them at risk for unemployment and illness because of exposure to the virus.

Already, the child care gap for women contributes to the wage gap. Women earn 80 cents to the male dollar. And the inequality is compounded when segmented by race.

Congress has tried to pass a paid leave policy, but those attempts have failed. And Iowa’s governor has so far not commented on the looming child care crisis as she declares victory over the virus and opens up the state.

Before the pandemic, a quarter of Iowa families lived in a child care desert, and child care in the state does not even come close to meeting the national definition of affordable. Experts estimated that the Iowa economy loses more than $1 billion each year because of a lack of child care. And with the reality of the pandemic sinking in, it will only get worse.

The Department of Human Services received $31.9 million in aid from the federal CARES Act that was dispersed to child care centers to help care for the children of essential workers. But as more people go back to work, that aid will be spent very quickly. Leaving the children of everyone else without answers to this fundamental question. If Reynolds wants to open up the state, her team needs to formulate a comprehensive plan that addresses the lack of child care and offers paid leave and works to reopen child care centers.

But rushing to open an economy when there is no child care is an attack not just on families but specifically mothers.

(319) 398-8262; editorial@thegazette.com

My litmus test for a sheriff is someone who understands the community, partners well with different levels of government and law enforcement and stands up for the powerless. Brad Kunkel has been coordinating with all levels of local government as part of the Johnson County Emergency Operations Center pandemic meetings. He knows his community, and I’m confident he will continue to work hard for the most vulnerable, especially victims of domestic violence and at-risk children. That’s why I am voting Brad Kunkel for Johnson County sheriff. I hope you will, too.

Janice Weiner

Iowa City

The next ten years will prove to be one of the most challenging eras in Iowa history.

Whether we meet those challenges with Iowa-smart, progressive responses will depend largely on the quality of legislators we elect to office.

Christina Bohannan, Democratic candidate for the Iowa House of Representatives, would be a remarkably talented and hardworking legislator, if given the opportunity to serve.

The daughter of blue-collar parents.

Trained as an environmental engineer.

A professor of law at the University of Iowa College of Law.

The former president of the Iowa Faculty Senate.

A mother.

These life experiences inform Christina Bohannan’s pragmatic progressivism.

If elected, she has the skill set to get good things done for Iowa.

Please join me in supporting Democrat Christina Bohannan for the House District 85 seat in the June 2 primary election.

Jim Larew

Iowa City

When asked to recall something good about his week, Peter paused before declaring, “Well, I made a ham. And tonight, I will be making soup from the bone.” It was his father’s recipe, and one of the few warm memories between the irruptive Vietnam vet and his son. “He was meticulous about the recipe,” Peter remembers. “I thought it might help.”

As the coronavirus tightened its grip on the city of New York, Peter and his wife Sara fled their small Queens’s apartment for Long Island. Peter has been cooking from his father-in-law’s kitchen for five weeks now. “Our goal is to return home in five more,” he slowly adds.

Decades ago, scholars, futurists and government agencies were asked to predict what life might look like in the year 2020. They offered forecasts of 26-hour work weeks, missions to Mars, and lives stretching beyond 100 years. But as John Lennon sang, “Nobody told me there’d be days like these / Strange days indeed.”

Like many academics across the country, I have hastily converted my classes to an online platform, while fielding messages from concerned students. Not only is the pandemic stirring alarm, but a mounting economic crisis is threatening to derail an entire generation still struggling to see their dreams in color. As I wrote my classes, “When the current health crisis passes — and it inevitably will — the world will look much different.” I silently ask myself if we have prepared them for this time.

It has been written that hope and fear travel hand in hand and our fate is determined by which one we choose to befriend. Though I am still in the midst of completing the spring semester, my mind is already in pursuit, cutting through the neighbor’s backyard and down the alley, armed with a tool kit and firehouse … reassuring others that the darkness of the night is also the dawning of a new day.

As I was preparing for bed, I received a text from Peter. It included a photo of a simple bowl of soup, alongside two pieces of toast, on a bare wooden table. The broth hadn’t gone as planned, Peter explained. His father-in-law’s crockpot somehow couldn’t bring the ham bone to a full boil and Peter was forced to improvise. “It wasn’t the same soup I had as a kid,” Peter concluded, “but it was a damn good soup just the same.”

David Gould is a visiting associate professor at the University of Iowa’s Public Policy Center.

What does a localization specialist do? What is the concept of localization? If these questions are on your mind, then this article is for you. More

Recent advances in technology have helped both small and large companies to automate their business process to improve productivity. In fact, experts have also emphasized that productivity has stalled over the last couple of years. Numerous large-scale businesses also complained that their productivity was in decline despite implementing innovative workplace guidelines to improve the workflow. […] More

Sprucing up your website to enhance the look and feel is a great idea, but is it necessary? Explore these signs that it's time for website redesign. More

Before 20 years, the websites are developed with text and static HTML only. But as technology is growing we have lots of new ways to create any complex to a simple website. There are so many options available to develop a user-friendly website.

Fin avril, 4,5 milliards de personnes étaient confinées à travers le globe à des degrés divers. Désertées depuis plusieurs semaines pour tenter d’enrayer la progression du coronavirus, les villes sont toutefois restées le terrain d’expression des street artistes, largement inspirés par cet épisode inédit de notre histoire. Sous les bombes colorées des graffeurs, les rues […]

Cette période inédite de confinement a inspiré de nombreux artistes, dont fait partie l’illustrateur Mariano Pascual. L’artiste argentin établi à Barcelone a traduit en images les sentiments flous, désordonnés et un brin anxiogènes induits par la pandémie. Stocks de papier toilette, télétravail et laisser-aller derrière les portes closes de son domicile… À travers une série de visuels […]

Au carrefour de la mode et de l’image documentaire, Jessica Antola photographie des tissus, mais avant tout des personnes. Elle construit avec eux une relation de confiance et en retour, ses modèles lui offrent une petite fenêtre ouverte sur leur vie. Tout d’abord, vous avez travaillé dans l’industrie de la mode. Ainsi, votre amour pour […]

So I want to hear some feedback! Please let me know what you think so far. The theme is based on Matt Brett’s THiCK theme which you can find over at WooThemes.com. I modified the theme to fit my needs, and looks like I have to debug some issues now that the site is live. […]

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I am at the WordCamp convention in Las Vegas and

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I was just sitting in the back listening to Shayne Sanderson from Insctinct, who talked about their e-commerce plugin and a new plugin that released today.. Once he finished, Jason dug his hand in the ticket bucket and my ticket was called. I won a Pro Revolution Theme Pack from Brian Gardner. Totally sweet!

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In the last post “Creating a custom widget” I showed you how to create a custom widget. Well in this post I will show you how I used my custom widget to display all post with a certain custom field from outside the WordPress loop. In the last post I used this tag: <?php include(TEMPLATEPATH […]

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Everything I have tried has led to nothing. And I have tried six way’s from Sunday to get my main posts to paginate. example one: <?php $paged = (get_query_var('paged')) ? get_query_var('paged') : 1; query_posts('offset=1&showposts=' . get_option('woo_other_entries') . '&cat=-' . $GLOBALS['ex_asides'] . '&paged=$paged' ); ?> example two: <?php global $myOffset; global $wp_query; $myOffset = 1; $paged […]

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Hey, in case you are unaware, WordPress has launched a new site called WordPress.tv. Check out the full post at the WordPress.org blog. Or visit WordPress.tv …WordPress.tv is also now the place to find all that awesome WordCamp footage that was floating around the web without a home. See the presentations you missed and get […]

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For your information. The WordPress fonts are as follows: the old WP logo was Dante, the new one is Mrs. Eaves. You can also find the correct logo’s on WordPress.org.

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Ever wanted to display the title of a post somewhere but limit the amount of characters that are shown? For instance, this post has a very long title, and if I were to use <?php echo the_title() ?> it would show as follows: Limit the characters that display on the_title. That may not fit well […]

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Benefits include the Album theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

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Arthemia Premium is a magazine style theme that unleashes the power of WordPress, transforming it into a simple-yet-powerful CMS with the automatic thumbnail generation feature. A nice and elegant blend of a blog and a magazine. With numerous built-in features, Arthemia Premium will convert your old-fashioned WordPress blog into an amazing and powerful front-end. If […]

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The WordPress e-Commerce team are gearing up to announce a competition for the best WordPress e-Commerce compatible theme. The first prize is $1500 + any additional community donated funds that people throw into the prize pool kitty. The second prize is a new iPod. For the rules head over to Instinct

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Benefits include the Agent theme, unlimited theme support answered by our experts, customization techniques with our detailed theme tutorials and professional design services available by our list of recommended designers.

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Hongo is a creative and responsive, search engine optimised and fast loading, highly flexible and powerful, feature-rich and easy to use WooCommerce WordPress theme which comes with all necessary settings and tools which will help you to create a great … Continued

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Manon is a true game-changer in the WordPress sphere. This unparalleled portfolio & agency theme lets you create a wonderfully fluid website that will surely stand out in the crowd. It comes completely decked-out with powerful features and a collection … Continued

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Imperfect Foods, an online surplus-stock grocery delivery company aimed at eliminating food waste, has begun is offering JetBlue Airline cheese and snack trays — $2.99 for three ounces of mixed cheeses, dried cherries and crackers.

Imperfect Foods CEO Philip Behn says the cheese and snack trays were an early casualty of the coronavirus pandemic.

“Almost two months ago, before it became a nationwide pandemic, this catering and airplane meal supplier said they saw a decline in economy and business-class seats,” he said. “This was one of our first COVID-19 food waste recovery opportunities. We could only take a fraction of what they had.”

Behn said his company has sold 40,000 cheese and snack trays.

“We call that ‘breaking bulk,’” Behn said. “We have stepped up with co-packers to try to repackage some of those products — it’s hard work and it’s slow, given the importance of food safety.”

Yet there are bright spots. Imperfect Foods is a budget-conscious company, so high-end products such as pineapples are usually too expensive to offer their customers.

Where do people eat pineapples? Hotels. And with hotels stalled, Imperfect Foods has been able to buy and offer them for a fair price.

It has redistributed popcorn kernels previously destined for movie theaters and broccoli florets usually reserved for restaurants. Since the beginning of March, Imperfect Foods has doubled the volume of food it was previously buying, the JetBlue snacks among many.

Julianna Bryan, communications specialist for JetBlue, said the airline has had to dramatically reduce its in-flight food and beverage service to minimize contact between customers and crew members.

“We have temporarily suspended the sales of buy-onboard products including our EatUp Snack Boxes, EatUp Café fresh food items, beer, wine and liquor,” she said.

JetBlue has donated leftover inventory of snacks to Feeding America and other food banks, as well as hospitals.

JetBlue has worked with its business partners to sell unused inventory, such as the cheese trays, at a heavily discounted price with the goal of moving it quickly and minimizing waste, Bryan said.

JetBlue is not the only airline to have to find new outlets for its in-flight overflow.

Delta has had to unload its Biscoff cookies — and it serves 80 million to 85 million of these spiced shortbread favorites each year.

At United, the Dutch stroopwafels have been piling up.

In addition to selling some of their excess, airlines have put donation programs in place. Southwest has donated more than $400,000 in snacks and other in-flight items to not-for-profit organizations and nearly 13 tractor-trailers full of groceries to 15 food banks that are a part of the Feeding America network.

Delta has donated 500,000 pounds of food around the world in the past six weeks. Front-line workers and hospitals get the Biscoff cookies along with coffee and other in-flight beverages, while other perishable food has gone to Feeding America’s partner agencies like Georgia Food & Resource Center and Missouri’s Carthage Crisis Center.

And United has donated 173,000 pounds of food to food banks and charities, pulling from airport lounges and catering kitchens. United volunteers have also processed more than 428,000 pounds of food and household goods for the Houston Food Bank.

IOWA CITY — Once upon a time, there was a house in a city that loved literature.

It was a quaint, two-story home in the heart of the historic district with brick stairs, pale yellow siding, a hipped red roof and a rich history: Its original owner was Emma J. Harvat, who in 1922 became the nation’s first female mayor for a city of more than 10,000.

Nearly a century later, in 2014, Andrea Wilson was working in advertising in Florida and pined for a more “altruistic purpose” for her life. So she planned a return to Iowa, where she grew up in Columbus Junction.

But this time Wilson would live in Iowa City, known for — among other things — pioneering academic creative writing pursuits at the University of Iowa’s famed Writers’ Workshop.

Wilson wanted to write and found the idea of the historic Harvat house so charming she bought it “sight unseen” from down in Miami, aiming to run it as a bed-and-breakfast. But when she arrived, Wilson discovered a need in her new community she aimed to fill. It had a surprising dearth of literary resources for those outside the university.

“There wasn’t any place for the public to take a class or meet other writers or really be part of a writing community where people could just express their humanity through words,” she said. “It became my passion project — to try to create that for this community. I thought if anywhere should have a place like that, it would be America’s only UNESCO City of Literature at the time.”

So in March 2015, Wilson debuted Iowa City’s first community-based literary center for writers — or those aspiring. She had hoped to open a communal writing space closer to downtown but didn’t have the funding. So she gave her home a third identity: the Iowa Writers’ House.

She continued to live there and maintain her bed-and-breakfast business, which funded the writing endeavor and kept its cozy corridors bustling with interesting characters.

Famed visiting writers included Leslie Jamison, American novelist and essayist with works on the New York Times bestseller list; Hope Edelman, whose six non-fiction books have published in 17 countries and translated in 11 languages; Alison Bechdel, an American cartoonist and MacArthur fellow; and Piedad Bonnett Velez, Colombian poet, playwright and novelist of international acclaim.

And over the years, the Iowa Writers’ House connected, served and motivated thousands with its workshops, seminars, readings and summer camps. It offered editing services, founded a Bicultural Iowa Writers’ Fellowship, and — among other things — inspired a growing network of friends and creatives to value their own stories and the stories of others.

“I said yes to everything anyone ever asked of me,” Wilson said. “We gave tours. I received visiting scholars. We hosted dinners for visiting poets and writers for the university. And a lot of that was all volunteer. We never had a steady funding stream like most literary centers do.”

So when the coronavirus in March reached Iowa City, later shuttering storefronts, canceling events, curtailing travel plans and crippling the economy, the Iowa Writers’ House momentum stopped, too.

“Once COVID hit, because all of our programming is live and people come to the house, we had to cancel it,” Wilson said.

She dropped most of the organization’s spring season. She lost all her projected bed-and-breakfast business. And in a message posted to the Iowa Writers’ House website last month, Wilson announced her hard but unavoidable news.

“As the situation pushes on, and with no programming in the foreseeable future, we must make drastic changes,” she wrote. “Organizations must weather the storm or adapt, and in the case of this little organization with a big heart, evolution is the only option.”

And so after five years of intimate conversations, communal meals, singing, laughing, crying and lots and lots of writing and reading — all done in the shadow of Harvat — the organization is leaving the historic space and “taking a break to assess our mission and consider our best options for the future.”

Wilson said she plans to focus on her own writing. And the Bicultural Iowa Writers’ Fellowship program will continue — allowing for the release later this year of a third volume of “We the Interwoven: An Anthology of Bicultural Iowa,” including six new authors with multilingual stories of living in Iowa.

News of the goodbye — at least for now — has been met with an outpouring of support and testimonials of the impact the Iowa Writers’ House has had,

“I grew up without a writing community, and it was a very lonely experience,” Erin Casey wrote to Wilson after learning of its pause.

Casey — on the Iowa Writers’ House team and director of The Writers’ Rooms, an offshoot of the house — said her involvement in the project shaped not only her career but her personal growth.

“You, and the Iowa Writers’ House, helped me become a stronger person who felt deserving of companionship, respect, and love,” she wrote. “Watching the house grow, the workshops fill, and the stories come in about how much the IWH touched people’s lives added to the joy. I finally found a place to call home.”

Casey said that while the future is unknown, its legacy is not.

“The IWH will live on in the hearts of the people you touched,” she wrote. “Writers have found friends, support, guidance …”

Although the project isn’t getting a fairy-tale ending, Wilson said the story isn’t over.

“The organization is leaving the space. I’m leaving the space. We’re going on an organizational break so we can determine what a sustainable future might be,” she said. “But it’s really the end of a chapter. And we don’t know what the next chapter will be.”

Comments: (319) 339-3158; vanessa.miller@thegazette.com

CEDAR RAPIDS — Getting your hands on some fried food on a stick is going to be a little more difficult this summer for Iowans.

With the COVID-19 pandemic imposing restrictions on life in the state, county fair organizers across Iowa are trying to decide if they should cancel, go virtual or wait and see if restrictions lift and their events can go on in a relatively normal manner.

One thing seems to be for certain: The fair experience won’t quite be the same this year.

“It’ll be different,” said John Harms, general manager for the Great Jones County Fair, known for attracting popular musical acts. “I can tell you that.”

Iowa is home to 106 county and district fairs, as well as the Iowa State Fair, according to the Association of Iowa Fairs. Those fairs are scheduled to begin June 17 with the Worth County Fair and continue through Sept. 20 with the conclusion of the National Cattle Congress in Black Hawk County.

Those early fairs already are beginning to announce decisions about their events. Organizers of the Wapello County Fair announced they are canceling for this year. On Thursday, the Linn County Fair Association announced it is canceling grounds and grandstand entertainment with plans to take the exhibition aspects of the fair online.

Linn County Fair Marketing Manager Heidi Steffen said the association met with county public health and Board of Supervisors officials in recent weeks. The focus of those discussions was on ensuring the safety of all fair exhibitors, workers, performers and visitors, Steffen said.

“We just couldn’t guarantee that,” she said.

Steffen was quick to point out the fair isn’t canceled — it’s just taking on a different form. The fair is scheduled for June 24-28.

The fair association is working with the Iowa State University Extension and Outreach of Linn County and Linn County 4-H to ensure 4-H and National FFA Organization members get a chance to exhibit their livestock and projects. Details on what that will look like are expected later this month.

Fair association members have been attending webinars and learning from other fairs across the country that have gone virtual. Steffen said they’ve received valuable suggestions and feedback.

“It’s been done,” she said. “We can learn from their mistakes. We can learn what went well with them and hopefully implement it here in Linn County.”

Steffen said they are already kicking around other ideas to engage the community during fair week, just in a virtual manner. Those ideas include livestreaming pie-eating contests, encouraging local businesses to offer fair foods on their menus and seeing if local artists who had been scheduled to perform at the fair would be interested in online performances instead.

“We’re open to ideas,” she said, encouraging anyone with suggestions to reach out via email or Facebook.

Up the road in Jones County, organizers there have a little more time to decide how to move forward. For now, Harms is confident that fair will go on July 22-26.

“We’re still going to have a fair,” he said. “It may look differently than what we have experienced and enjoyed in the past.”

How exactly it may look different still is up in the air. Harms said plans “a, b, c and d are all being studied.” At least one grandstand act, the Zac Brown Band, won’t be performing. But Harms said organizers have other acts they’re ready to announce “if it makes sense to have entertainment at the fair.”

Whatever takes place likely will be determined by proclamations covering social distancing made by Gov. Kim Reynolds, Harms said. He said the fair’s planning process has been dictated by her health orders.

“We’re just trying to keep everything on the table and make sensible decisions and directions based on what’s going on,” he said. “It’s going to be challenging, but I think for the most part we’ll take a deep breath, have a little more faith and we’ll get through it.”

Tim Rogers, vice president for the Johnson County Fair Board, said the decision whether to have a fair will be made in the next 40-plus days.

“That’s kind of a deadline we’ve set to either call it completely, proceed fully or proceed with what we can do and still stay in compliance with all of the laws,” he said.

The Johnson County Fair Board will discuss what a partial fair might look like once that decision has been made, Rogers said.

Tom Barnes, executive director of the Association of Iowa Fairs, said his group is providing resources to fair organizers, but is not making any recommendations on whether to proceed.

“We’re asking them to be fiscally responsible for their fair,” he said. “We don’t ask them to cancel. We don’t ask them to go ahead with their fair. They know better what they can do and not do.”

Barnes said fair organizers should be asking themselves: If your fair is open, will people buy tickets? And, if they come, will they buy food and beverages?

As long as they make good financial decisions, Barnes said, he believes county fairs have the resources to weather the COVID-19 storm and return in 2021.

“We’ll be back next year if the fairs don’t go ahead,” he said.

Comments: (319) 339-3155; lee.hermiston@thegazette.com

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment.

The first story is as dramatic and layered as his bold scenic and lighting designs for area stages: “Benjamin Stuben Farrar” is not his actual name.

He was born Stewart Benjamin Farrar 41 years ago in Kentucky. He didn’t want to go through life as “Stewie,” so he went by “Benjamin,” until he got to college at Vanderbilt University in Nashville. He ran into so many other Bens, that his buddies decided to combine his names into “Stuben.”

That name followed him to grad school at the University of Iowa in 2002, where he earned an MFA in theater design. But when he moved to New York City in 2006 to pursue his career, he didn’t like hearing “Stuben” shouted across the theater.

“It sounded too much like ‘stupid,’ ” he said, “so I reverted back to Benjamin.”

But nicknames have a way of sticking. When he and his wife moved back to Iowa City in 2015 to raise their daughter, he switched to “Stuben” again, since that’s how people knew him there.

Professionally, he uses “S. Benjamin Farrar” and on Facebook, he goes by “Benjamin Stuben Farrar” so friends from his various circles can find him. Even though most people now call him “Stuben,” he still introduces himself as “Benjamin.”

“To this day, I have 12 different names,” he said with a laugh. “Only the bill collectors know me as ‘Stewart.’”

Like his name, his artistry knows no bounds.

He has planted apple trees on Riverside Theatre’s indoor stage in Iowa City; a child’s outdoor playground on the Theatre Cedar Rapids stage; and dramatic spaces for Noche Flamenca’s dancers in New York City venues and on tour.

These days, however, his theatrical world has gone dark.

His recent designs for “The Humans,” “The Skin of Our Teeth” and “Kinky Boots” at Theatre Cedar Rapids and “A Doll’s House, Part 2” at Riverside Theatre have been canceled or postponed in the wake of the coronavirus pandemic. He has “The Winter’s Tale” in the works for Riverside Theatre’s free Shakespeare in the Park slated for June, but time will tell if that changes, too.

“Within the course of two weeks, five productions were canceled or moved indefinitely,” he said.

Looking ahead, he’s not sure what shows he’ll have time to design for the upcoming seasons. He’s used to juggling three or four productions at a time, but he said that could become really difficult if the shows fall on top of each other at the various venues.

As with so many artists right now, his world keeps changing.

He and his wife, Jody Caldwell, an editor and graduate of the UI Writers’ Workshop, are both freelancers, leaving them with no income during this pandemic. So Farrar has been wading through red tape and delays to secure unemployment compensation and the government stimulus check, for which he’s still waiting. One bright spot was receiving a $1,000 Iowa Arts & Culture Emergency Relief Fund grant given to 156 Iowa creatives who have lost income from canceled projects.

With his regular revenue streams drying up, he’s been considering other ways to earn money through teaching theater or creating and selling more of his digital and film photography — an outgrowth of his fascination for the way lighting can sculpt a scene on stage.

“I love doing nature (photography). I love doing details,” he said. “I love photographing people, too, especially on stage — I love photographing my own shows. It’s just a lot of fun.

“For me, nature’s so interesting, especially living where we do in North America, there’s vast changes from one time of year to another. I just love looking at that on a very small scale, and how light happens to fall on that particular surface — how that surface changes color,” he said.

“Right now the redbuds are out. The magnolias came out two weeks ago and then they started to fall. It changes the landscape dramatically, especially based on whether it’s a morning light or afternoon light or evening light, whether it’s cloudy, whether the sun’s peeking through clouds and highlighting a few individual leaves. I find that super fascinating.

“That’s how I can look at the same boring tree at different times of year, at different times of day, and find something interesting to photograph.”

While his scenic designs create an immediate visual impact and help tell the story swirling around the actors, Farrar was a lighting designer before he became a scenic designer.

It wasn’t love at first sight. He took a light design course in college, but didn’t “get” it.

“It’s really difficult to wrap your head around it,” he said.

His aha moment came when he was running lights for an operetta in college.

“I just had these little faders in front of me so I could raise certain lights up and down. And the music was happening in front of me and I thought, ‘I control this whole little universe. I can make things completely disappear. I can sculpt things from the side, I can make things feel totally different — just like music can — just based on how it’s lit.’ And then I finally started to understand how the lighting hooked things together,” he said.

From there, his interest in lighting soared.

“I absolutely love lighting,” he said. “I think it’s probably given me more joy than anything else, just because I can go for a walk someplace and just the way the lighting changes as the clouds come in or out, or as the time of year changes and the angle of the sun changes, I really enjoy seeing that — and that’s what got me into photography.”

While his design work is a collaborative process with the director and other production team members, the ideas begin flowing as soon as he starts reading a script. With the flamenco dance company in New York, he might start working on a show two years in advance. With Theatre Cedar Rapids, the lead time is generally six months to look at the season overall, and four months to “get things going” on a particular show, he said. The lead time is about two months for Riverside Theatre shows, which have shorter rehearsal periods.

He begins thinking about the theater spaces, the text that the audience never sees, the show’s technical demands, and the scale in relation to the human body. He still likes to do some of his design work by hand, but computers and the 3D printer he has in his basement workshop have made the process much quicker for creating the drawings and scale models for each show.

He also enjoys the variety and challenge of moving between the small space inside Riverside Theatre and the large space inside Theatre Cedar Rapids, as well as the theaters at Grinnell College and Cornell College in Mount Vernon, as well as the theaters in New York and the touring venues that have housed his designs.

Ultimately, the goal of scenic design “is always about the storytelling,” he said.

“There’s a version of a show that exists in a script, if there is a script. Assuming it has a script, there is a scaffolding for that show in the script, and then there’s a version of the show in the director’s head, and then there’s a version of the show that’s performed in my head as I read the script. So there’s all these different versions.”

If the show is a musical, the choreographer brings in another idea, and the musical score adds another element. Sometimes Farrar knows the music very well, but other times, he doesn’t.

“Hopefully, I can integrate that well if I listen to the music while working on the show — not usually when I’m reading the script, but while I’m drafting the show. I’ll listen to the music to get a sense of how the show wants to move.

“Integrating all these different versions of the show — the text, what’s in my head, what’s in the director’s head, what’s in the choreographer’s head, the role the music plays — and then you synthesize all those elements, and then you find out how the show wants to move in the space it has. And how a show moves is one of the most important things to me. ...

“You get a sense that the show becomes this conscious element that wants a certain thing, and will reveal those things over time.”

And time is something he has right now.

Comments: (319) 368-8508; diana.nollen@thegazette.com

CEDAR RAPIDS — A Dubuque woman who helped her boyfriend and another person buy heroin that later led to a fatal overdose was convicted Thursday in federal court.

Jacqueline M. Birch, 23, pleaded guilty in U.S. District Court to one count of aiding and abetting the distribution of a controlled substance.

During the plea hearing, Birch admitted she knew that another person was going to illegally distribute a drug last May, and she aided in that distribution.

Evidence at a previous hearing showed that Birch drove her boyfriend, Mateusz Syryjczyk, 29, of Rockford, Ill., and another person, not identified in court documents, to a residence in Dubuque on May 27. Birch and the other person went into the residence and bought heroin from a dealer. The three drove to a hotel in Dubuque and all used the heroin.

The other person began to overdose in the room, but Birch and Syryjczyk didn’t immediately call 911, according to evidence. Over many hours, Birch occasionally would perform CPR on the person to restore some breathing function, though the person never regained consciousness.

Eventually, Birch and Syryjczyk decided to call 911, and Syryjczyk took the remaining drug paraphernalia from the room to prevent law enforcement from finding it, according to court documents. Birch and Syryjczyk also made false statements to police about the cause of the person’s condition.

Court documents showed the overdose victim died at the scene. An autopsy later determined the cause of death was use of heroin, fentanyl and valeryl fentanyl.

Syryjczyk previously pleaded to misprision of a felony and remains free on bond pending sentencing.

Birch faces up to 20 years in federal prison, a $1 million fine and supervised release for life following her prison term.

Sentencing will be set after a presentencing report is prepared.

The case was investigated by the Dubuque Drug Task Force and is being prosecuted by Assistant U.S. Attorney Dan Chatham.

Comments: (319) 398-8318; trish.mehaffey@thegazette.com