The Family Man is the espionage drama India is waiting to see, raves Karan Sanjay Shah.

Pal Pal Dil Ke Paas squanders whatever potential it had, feels Sukanya Verma.

Prassthanam is worth a one-time watch. Just don't go with high expectations, feels Karan Sanjay Shah.

Bard of Blood works up several moments of intrigue and drama but falls short of culminating into a satisfying watch, says Sukanya Verma.

Sye Raa Narasimha Reddy is a larger-than-life spectacle that deserves a theatre viewing, feels Karan Sanjay Shah.

We give you *your* space to tell us just how much you liked or hated War and/ or Sye Raa Narasimha Reddy.

War is an ode to such star power, one that pits Hrithik Roshan and Tiger Shroff together for the first time and capitalises on their famous idol-idoliser energy to draw us into a world of espionage, action and camaraderie.

War ticks all the components of a masala action entertainer, there's not a single dull moment.

We'll publish the best ones right here on Rediff.com

You must watch The Sky is Pink just for Priyanka Chopra, applauds Sukanya Verma.

Laal Kaptaan deserves a watch just for Saif's spunk, raves Prasanna D Zore.

Vikram Bhatt's horror film is a big let down, says Namrata Thakker.

We give you *your* space to tell us just how much you liked or hated Made in China, Saandh Ki Aankh and Housefull 4.

'I felt a constant gag in my throat, and emerged from the movie somewhat mugged,' confesses Sreehari Nair.

Housefull 4 is not for everyone. But if you enjoy comedies that don't make *any* sense, go ahead for this one, says Namrata Thakker.

Made In China is puerile, flimsy film-making, sighs Sukanya Verma.

Bigil packs in enough entertainment in its three-hour running time, feels A Ganesh Nadar.

Fighting prejudice with prejudice, Ujda Chaman is too shallow to dwell compellingly into the frailties of the human mind, feels Sukanya Verma.

Drive's idiocy is on display from the word go, feels Sukanya Verma.

Satellite Shankar is a fun, time-pass film, feels Prasanna D Zore.

'<em>Bypass Road</em> goes around in circles and gets nowhere,' declares Sukanya Verma.

'Nimble humour, shuddh desi zingers, refreshing flippancy and a lively blend of small-town quirk and orthodoxy.'Sukanya Verma applauds Bala.

We give you *your* space to tell us just how much you liked or hated Marjaavaan and/ or Motichoor Chaknachoor.

Athiya Shetty springs a surprise in this otherwise tedious film, says Sukanya Verma.

Nothing can salvage the Marjaavaan mess, declares Sukanya Verma.

'For kids, the audience Frozen 2 is focusing on, it's a world they would love to be part of.''It teaches life doesn't have to be hunky dory after a happy ending, but it's fixable if there is love,' says Moumita Bhattacharjee.

You can imagine the standard of Pagalpanti's humour when characters are named Wifi, Bully and Tully, a hospital placard reads Dr Trump and bitter gourd is mistaken for poison to evoke laughs, warns Sukanya Verma.

Hotel Mumbai wants to be a gripping depiction of a grim time but it could've been a lot more, feels Sukanya Verma.

Watch Commando 3 only if you want to to lose your sanity, warns Prasanna D Zore.

'Yeh Saali Aashiqui held my attention purely for audacity,' says Sukanya Verma.

We give you *your* space to tell us just how much you liked or hated Panipat and/ or Pati Patni Aur Woh.

Pati Patni Aur Woh cannot decide whether it wants to be the climax of a Priyadarshan comedy or give the cad a dose of his own medicine brand of cheeky payback, writes Sukanya Verma.

'Panipat has all the meat for a political drama meets war movie. But in Ashutosh Gowariker's failure to process its complexity, the material never rises beyond a mediocre hurray to the Maratha manoos,' says Sukanya Verma.

A cheap version of his opus Jodhaa Akbar, Ashutosh Gowariker's Panipat falls flat on its face at every end, with lacklustre writing and terrible character definition proving to be the movie's ultimate undoing, feels Rediff reader Anu Gopinath.

Poor writing sinks this period film which is watchable for Mammooty's gravity defying stunts, says Divya Nair.

Mardaani 2 works best and better than its predecessor when it stays true to its slick catch-me-if-you-can potential, feels Sukanya Verma.

The Body scores with superb performances and a thrilling story, feels Moumita Bhattacharjee.

We give you *your* space to tell us just how much you liked or hated Mardaani 2 and/ or Body.

Even though the plot is not extraordinary, the sheer canvas on which this movie is mounted and the VFX is worth the money, applauds Imad Baig.

Do tell us just how much you liked or hated Dabangg 3.

Dabangg 3 is the kind of indulgent rubbish that dispels the fundamentals of filmmaking to highlight its hero's virtue and vigour at any cost, sighs Sukanya Verma.

Do tell us just how much you liked or hated Good Newwz.

Beset by a Princess Syndrome in the past, Kareena Kapoor reigns over this pandemonium like a stately queen, feels Sreehari Nair.

'Surely a person like Happi deserves to be treated with dignity.''But does he deserve a two hour movie dedicated to his daftness, and to the failure of the rest of the world to come round to the purity that shines behind that daftness?' asks Sreehari Nair.

Sab Kushal Mangal is a cute film, but it is the climax that is absolutely disappointing

Bhangra Paa Le has a fairly ambitious if unoriginal premise let down by staid vision, spiritless writing, middling choreography and music, feels Sukanya Verma.

Shimla Mirchi is a lost opportunity, feels Moumita Bhattacharjee.

'Dibakar Banerjee isn't simply giving a particular fascistic regime the finger.''Here, he wants to offer us a preview of the invisible forces and human tendencies that drive fascism, blind conformity, and mass hysteria,' says Sreehari Nair.

For those who like drama to have a good mix of thrills, action, fiction and realism, Rangbaaz Phir Se is an entertaining watch, feels Joginder Tuteja.

There is action, drama, emotion, comedy -- everything in equal measure and lots of stylish sequences featuring Rajinikanth. Clearly, Darbar is a visual treat for fans, says Divya Nair.