Austin's A Giant Dog just released their third record Toy on Merge records. Listen as Sabrina Ellis and Andrew Cashen, the songwriting duo behind the band, talk about the power of Iggy Pop's "Search and Destroy", Regina Spektor's songwriting and the origins of their partnership.

Composer and Conductor Benjamin Wallfisch has scored music for over 60 feature films including Hidden Figures and the remake of Steven King’s IT. He also collaborated with Hans Zimmer on the soundtrack for Blade Runner 2049.  Listen as he describes how hearing John William’s score for E.T.  as a young boy set him on the path of making music […]

Portland rockers Blitzen Trapper just released a new record called Wild and Reckless. They’re also headlining the first show in KUTX’s 5th Birthday Concert Series at Antones on February 22nd. In this rerun singer, songwriter and guitar player Eric Early describes how the darker realms of R.E.M.’s music inspired him as a teenager. Then drummer Brian […]

Austin songwriter, producer and one and band Mobley has a new project coming out on April 27th called Fresh Lies Vol. 1.  In it he explores his relationship, as a black man, with the United States through the metaphor of a romantic relationship. This is the first volume in a career spanning song cycle. Listen […]

Kevin Parker of Tame Impala describes how hearing Led Zeppelin's "Good Times Bad Times" made him realize that he could meld his love of rock music with his love of dance music.

Lizzo delves into her love for Lauryn Hill ‘s “Zion” and Radiohead’s “Subterranean Homesick Alien,” takes the listener on a journey through her musical influences, and explains why Minneapolis made it possible for her to find her musical way. Listen to this episode on Stitcher  Subscribe via the Podcasts App, iTunes or Stitcher to get […]

Tegan and Sara give insight into twin sister dynamic, The Smashing Pumpkins‘ Siamese Dream, Phil Collins melodies, teenage bedrooms, finding self-identity, how to be the change and (for all of you songwriters) the secret to writing a hit pop song.

Scottish singer/songwriter KT Tunstall tells us how seeing Beck's Loser on MTV as a kid pushed her to pursue her own music and how his willingness to experiment with styles and genres continues to inspire her.

Dana Falconberry talks about the profound impact being in the band "Peter and the Wolf" when she first moved to Austin. It's two Austin musicians, talking how Austin Music changed their lives. Enjoy!

Bayonne, KUTX's Artist of the Month, explains how "God Only Knows" by the Beach Boys taught him the power of vulnerability and openness and how to embrace it in his own music.

On this episode, Josh Lloyd-Watson and Tom McFarland of British electronic pop outfit Jungle, tell us about the Jai Paul's "Jasmine," and how it helped their band get comfortable with sonic experimentation.

Warren Hood describes how hearing the song "High Hill" gave him a deep appreciation for the music of Uncle Walt's band while helping him process his grief around the loss of his father.

Austin's Pocket Sounds is the solo project of singer, songwriter, multi-instrumentalist and arranger Mike St Clair. Listen as he describes how hearing Dionne Warwick's version of the Burt Bacharach/Hal David classic "Do You Know the Way to San Jose"  at a kiddie pool party inspired him to meld the classical, jazz, pop and rock parts of himself, and influenced his new song "Radio Song."

Our May Artist of the Month- The Bishops explain that hearing "Soundtrack to My Life" by Kid Cudi for the first time as middle schoolers changed what they thought hip-hop music could be.

Musician, writer, and frontman for Old 97’s Rhett Miller launched his own podcast “Wheel’s Off With Rhett Miller” earlier this year.  In it, he talks to artists about what it’s really like to live a creative life. In this 2017 episode, he describes how hearing the Jewish Lesbian Folk singer Phranc perform ‘The Lonesome Death […]

In this episode of This Song, originally published last February, Jackie Venson talks about how "Don't Cry for Me Argentina" from Evita changed the way she listened to music and thought about herself.

In this episode, St. Vincent explores how music from early Disney films helped her lay the foundation for beauty and wonder in her life and work. She also explains why she approached the songs on Masseduction with a Disney-esque lack of irony.

John Prine explains how Bob Dylan's "The Lonsesome Death of Hattie Carroll" changed his life and goes in depth about his own songwriting process for his album "The Tree of Forgiveness."

In this rerun from 2018, Liz Phair talks about hearing The Soft Boys "I Wanna Destroy You," revisiting her 1991 Girly-Sound Tapes and 1993 debut album, and parenting realities.

In this rerun from 2018, Beth Ditto, former lead singer of the band Gossip, talks about how Nina Simone's "Mississippi Goddam" helped her grapple with complex feelings about her home state, Arkansas. She also talks about returning home after heartbreak and explores making her first record "Fake Sugar."

This week on In Black America, producer and host John L. Hanson presents a conversation with co-founder of the United Farm Workers Association Dolores Huerta and Andrew Young, civil rights legend and former UN Ambassador, Congressman and Mayor of Atlanta, speaking at The Summit on Race in America, hosted by Mark Updegrove at the University...

On this week’s edition of In Black America, John L. Hanson, Jr. speaks with the Honorable Andrew Young, Civil Rights legend, former UN Ambassador, Congressman, and Mayor of Atlanta.  Young was a participant in The Summit on Race in America this Spring, at the University of Texas at Austin.

A key Senate committee has scheduled a vote on the long-stalled nomination of Michael Pack, an ally of Stephen K. Bannon, to run the agency in charge of the Voice of America. Employees are worried.

The mouse clicked in Indiana, but the gun that fired the shot heard 'round the Internet sits on a game preserve in Texas. Now, 14 states and an influential congressman want to ban online hunting. -Robert MacMillan

Two years ago this coming Thursday, the online music business stopped being a joke. When Apple Computer opened its iTunes Music Store for business on April 28, 2003, people finally had a song-downloads destination that provided a fair value for the money.
-Rob Pegoraro

BAGHDAD -- The Iraqi platoon slips in darkness down a path from an abandoned rail yard to a cemetery in Haifa, a Baghdad district long notorious for insurgent ambushes.

BAGHDAD, April 27 -- After one attempt on her life, Lamia Abed Khadouri Sakri went underground, moving out of the home she shared with a brother who was crippled in the attack, colleagues say.

UNITED NATIONS -- In eight years as U.N. secretary general, Kofi Annan has come as close to superstardom as a diplomat can get -- lauded on the cover of Time, sharing the 2001 Nobel Peace Prize with the organization he leads and becoming known as the "secular pope" for his advocacy for peace and the poor.

IBM DB2 Advanced Workgroup Server Edition Restricted Use Activation V11.1 for Linux, UNIX and Windows Multilingual

All proceeds will provide emergency relief to New York City musicians whose freelance careers have been impacted by COVID-19. Presented by Sirintip, Thana Alexa, Owen Broder and nonprofit partner, MusicTalks...

Thanks, in part, to our own fund drive, All About Jazz and Jazz Near You have pivoted to support livestream jazz events. The transformation, which started ten days ago, has a singular purpose: to raise awareness of livestream jazz events worldwide and help boost ticket sales or tip jar donations...

CGI Rochester International Jazz Festival Producers Marc Iacona and John Nugent announced today that the festival's 19th edition, originally scheduled for June 19-27, will be canceled on those dates due to the coronavirus (COVID-19) pandemic, but that they are working hard to reschedule the festival to fall of 2020....

Years ago, when Fullmetal Alchemist (the first one) aired, someone released an mp3 of the seiyuu/voice actor for Roy Mustang either counting sheep or just plain counting in Japanese, probably from 1 to 100 or similar. It was extremely soothing. I have since lost my copy, and haven't had any luck finding it on the internet--does anyone know where to find this audio file?

The one vector between me and total isolation is my apartment laundry room. Am I overestimating my risk?

I am in a better coronavirus situation than many. It's me and my three-year-old, and there is no other adult to fail to comply with the rules. I continue to get paid and am working from home. I do get occasional grocery delivery, but I do have enough stockpiled at this point that I don't have to do that very often and I could cut that out if I need to for the time being.

I am prone to anxiety, and in the past have fixated on small details as an outlet for this. For example, when my son was a baby I did a lot of reading about and see if sleeping situations and was extremely vigilant about his crib and its condition. My rational brain knows that the odds for such a thing to happen are remote. But it was something I could control and it gave me comfort to control it. I feel like this laundry situation might be the same thing.

I do feel nervous when we go outside but I'm careful to not touch anything and sanitize our hands as soon as we are outside. So I tell myself that's OK. But the laundry...there is no getting around it. It's a communal laundry room. It's making me crazy to the point I've contemplated moving.

To be fair, the last time I visited the laundry room was this morning. I went first thing in the morning and the only person I encountered was the super, and she was gloved and masked and in the process of cleaning the elevator buttons. I do think my building is taking the reasonable precautions. I guess I'm just not really clear on how big a vector this might be? Like, I could be terrifying myself over a strawman here?

So, talk me down from the ledge. We stay away from people, we wash our hands as soon as we come inside. Are we likely to have anything dire occur to us from our visit to the laundry room?

A couple of weeks ago when I went to log into Yahoo, I got the following message right after typing in my user name: 'Sorry, we were unable to proceed with your request. Please try again.' Since then, no amount of trying has gotten me further. Can you help me retrieve my account?

No matter what I try, I get the above error message as soon as I type in my user name. If I click 'Forgotten user name' I get the following:

'Oh no..

Your session timed out for security purposes while you were away... let's try this again.'

Initially, I thought this happened because I was trying out the ProtonVPN while trying to log in, and had been jumping around countries to test the VPN. But I haven't done that in over 10 days now, so in theory I reckon I should be able to log in, right?

Haven't found anything useful strictly about this on the internet like you sometimes do for error messages and have been effectively shut out of my account, which still contains a lot of important info. This has been my account for 15 years.

Not sure what other info to provide and not sure what help exactly I am hoping for, since I don't understand what's going on, but if you have any advice, I'd be grateful.

I'm using Firefox, and have myBlock Origin and Privacy Badger installed.

PS. Not sure this is relevant, but at around the same time my country's OLX has changed it's UI and I'm getting error messages each time I try to use it, something that roughly translates to 'The IP address you are using seems to be associate with a low-security source of traffic.' Noting this in case the two are connected.

All other sites I've tried to so far are working OK.

Thanks a lot!

I've been working with this Excel formula for a month or so. It comes from Leila Gharani's Youtube tutorial.

=IF(ROWS($A$1000:$A1000)<$J$291,INDEX($B$2:$B$300,AGGREGATE(15,3,($N$2:$N$300="Japanese")/($N$2:$N$300="Japanese")*ROW($N$2:$N$300)-ROW($N$1),ROWS($A$1000:$A1000)))," ")

In this iteration, it's indexing column B, which is a list of movie names, and returning a list of every Japanese language film. Film languages are listed in column N. The formula takes advantage of Aggregate's "Ignore error" option; since Excel treats yeses as 1's and nos as 0's, dividing the aggregate results by itself returns an error for all the nos, since you can't divide by zero. Pretty clever. Then the formula multiplies the 1 by the row where it's located, and finally returns the smallest number in the list to the index function (then the second smallest, then third smallest as you drag down the formula).

My question is, how do I add criteria so the film not only has to be in Japanese, but also has to have a RottenTomatoes score of >75%, if Column T is RottenTomatoes scores? I'm feel I should just multiply the Japanese criteria by the RT criteria in brackets and then divide that product by itself, but I keep getting errors when I try this. Maybe my syntax is screwy?

And yes, I know it would be a lot easier to do this using VBA, but I'm running the workbook on Sharepoint, which doesn't support VBA.

Thanks!

Twitter has announced it is shutting down its "Legacy Version" on June 1, 2020. I use the legacy version to get the functionality of Legacy Twitter that allows you to have a window open with a Twitter page up, and when a new Tweet happens, a "(1)" shows in the browser tab. How can I get that functionality? The solution needs to work in Chrome & Firefox, and whether I have a twitter account or not. I want to be able to open 3 or 4 or however many tabs with twitter accounts I'm waiting for an update from, and see a notification in the tab header that there's a new tweet.

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When and where did politicians get the authority to violate the constitutional rights of American citizens? Check out our new 316 Exposure merch! https://teespring.com/stores/316-exposure-merchandise If you wish to donate PayPal https://www.paypal.me/316exposure Patreon https://www.patreon.com/three....

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Musician, composer, producer, Jeremiah Cymerman may have created the soundtrack to our current circumstance. Not that his project Systema Munditotius, vol. 1 was conceived and produced after the discovery of the CoronaVirus in 2019, but that it may have prophesied this pandemic... [ read more ]

With four records in as many years Christy Doran's Sound Fountain seems in 2020 to have eclipsed New Bag as the guitarist's going concern. However, just because New Bag hasn't recorded since Elsewhere (Double Moon, 2015) doesn't mean that the band, founded in 1997, won't still make a comeback... [ read more ]

Ive been making music for couple of years now but still cant figure out why my mix doesnt sound professional. Im I doing something wrong? This is the link to my tracks http://www.ourmedia.org/node/300488 Someone please help me out.

The 100% guaranteed way to get your bedroom mixes to sound more professional (and by far the most expensive) is to spend time in a recording studio. Take the raw tracks to something you want to mix, import it into their ProTools setup (or whatever they use) and have a pro engineer (must be a talkative, friendly one, not a grumpy, cynical one) to mix it. ASK A BILLION questions, be a dork and write stuff down if you have to. The worst case scenario is that after 2/3 hours at least you'll know what questions to ask of Google or at the local tech book store. The best case is that your music impresses the engineer and he/she becomes a pseudo mentor for you. Engineering is by far my weakest area (along with playing in tune and in time) so everything that follows is said that caveat: I have found that going cheap on mastering tools (compression, limiters, eq) hurts bedroom mixes a lot. Money I've spent on the top utilities there (I use Waves) dwarfs all my other plugins put together by an order of magnitude. (Reason's mastering suite is pretty good so you may be covered there; although I've applied Waves L2 to mixes done after the 'final' Reason mixdown and there's no question there was a marked improvement in pro-sheen.) I have found tweakheadz site very useful, especially their mixing 101 page. Finally I have been told (and have experienced it myself) that posting often to ccM and asking for real, brutal reviews and feedback has helped a lot of people. I, for one, am very, very embarrassed by several of my uploads from 2 years ago here, while only very embarrassed by more recent ones; all strictly due to people hearing stuff I didn't.

that sounds good. ill look for a studio near my place. at the end you said that the comments from ccmixer is very useful but what shall i do if i want a brutal review of my own original mix? because on ccmixer i can only upload remixes or samples or separate tracks.

being a remix site and short on resources we can't handle original material. so, er, get remixing... ;)

my buddy des has a great blog he runs that can surely help almost anyone here with improving their production. http://www.hometracked.com/ also, his music is worth checking out, just so you can see that he knows what he's talking about. des is a great guy and a really excellent artist. http://www.deshead.com/

U need to have a good pair of monitors, headphones will not do at all! I agree with Fourstones, Waves is a very good suite. I use it within SoundForge and it really does help in cleaning up the frequencies. My mixes really improved when I had monitor speakers included in the set up. Experiment and let me know, I'll give u some quality feedback, no holds, sometimes the truth hurts! LOL! EZ m8 Morr